cover of book
 

James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity
by Aaron Ngozi Oforlea
The Ohio State University Press, 2017
eISBN: 978-0-8142-7478-1 | Cloth: 978-0-8142-1328-5 | Paper: 978-0-8142-5390-8
Library of Congress Classification PS153.N5O36 2017
Dewey Decimal Classification 810.9896073

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
In James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity, Aaron Ngozi Oforlea explores the rhetorical strategies that Baldwin’s and Morrison’s black male characters employ as they negotiate discourses of race, class, gender, and sexuality. According to Oforlea, these characters navigate a discursive divide that separates limiting representations of black males in dominant discourses from a decolonized and empowered subjectivity. Specifically, the discursive divide creates an invisible boundary between how black subjects are seen, imagined, and experienced in dominant culture on the one hand, and how they understand themselves on the other.
 
Oforlea’s book offers new analyses of the character dynamics in Baldwin’s Go Tell It on the MountainTell Me How Long the Train’s Been Gone, and If Beale Street Could Talkand Morrison’s BelovedSong of Solomon, and Tar Baby. The black male characters in these novels encounter the discursive divide, or a cultural dissonance, when they encounter dominant representations of black male identities. They use these opportunities to construct a counter-discourse about black male subjectivity. Ultimately, Oforlea argues, these characters are strategic about when and how they want to appropriate and subvert dominant ideologies. Their awareness that post-racial discourses perpetuate racial inequality serves as a gateway toward participation in collective struggles for racial justice.
 

Reference metadata exposed for Zotero via unAPI.