“Elward traces how comics became a contested space in the education of Italy’s youth during the Fascist period and early postwar years. The first of its kind in the anglophone market, Comic Fascism shows how Fascist cultural policies were influenced by different voices within conservative, Catholic, and nationalist circles and fills a distinct gap in the field.” —Guido Bonsaver, author of America in Italian Culture: The Rise of a New Model of Modernity, 1861–1943
“Comic Fascism contributes to the growing interest among historians of modern Italy in exploring ideological continuities and ruptures between Fascist and Republican Italy. The comics Elward considers exemplify the diverse (and contested) understandings of Fascist ideology and the society it was aiming to build.” —Eden K. McLean, author of Mussolini’s Children: Race and Elementary Education in Fascist Italy
“Elward's combination of periodical studies, ideological analysis, and narrative theory delivers a book that is relevant beyond the consideration of Italian political and cultural history. This approach invites comparison and further studies with other cultures where comics became a politicized and contested cultural medium.” —Mark John Isola, The Journal of American Culture
“Elward’s volume investigates the circulation of comics in Italian periodicals for young readers during the first half of the twentieth century, offering a nuanced reconstruction that also invites comparison with the American context.” —Sabrina Fava, Journal of Modern Italian Studies
“Situating comics at the intersection of popular culture, political ideology and youth education, [Elward] advances a nuanced interpretation of how Fascism interacted with, appropriated, regulated and at times tolerated a medium that was neither born Fascist nor ever entirely subsumed by the regime.” —Francesco Casales, European Comic Art