"Valadez's lyrics come storming off the page, capturing the reader in a whirlwind."—MultiCultural Review
"Inventive, energetic, and surprising."—El Paso Times
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“In voices colloquial and church, reverent and riotous, serious and sly; in rap and fragment, sound and sin; from gangs and minimum-wage jobs to astrology and Christ, Luis Valadez makes his fearless debut. This poetry is a painfully honest disclosure of identity and anger, and it is as mindful of falsity and as hard on itself as it is playful, loose, and loving. Sometimes the language is clear and cutting, while other times it disintegrates into sonic units and primal utterances: Luis calls upon the whole history of oral and verbal expression to tell his story—going so far as to write his own (wildly funny and disturbing) obituary.”—Arielle Greenberg, author of My Kafka Century
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“Valadez's work is not simply fierce language poetics… here is a writer—the genuine article—whose style is that of a truth-speaking curandero, offering sacred cantos to anyone interested in illuminating that inner revolution called corazón. To read his work is to discover the future of American poética! “—Tim Z. Hernandez, author of Skin Tax and The Natural Takeover of Small Things, also published by the University of Arizona Press.
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“On the trail blazed by innovators like Harryette Mullen and John Yau, Luis Valadez sends wild, canny, charged, and vulnerable prayers from the hard camp of contested identities. Each line, each word, is a blow against 'impossibility' and the heavy pressure to be silent as expected. Interrogations of tradition(s) as well as celebrations, the irresistible poems in Valadez’s first collection exist at the exact fresh moment of deciding to live and to love.”—Laura Mullen, author of After I Was Dead
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"Valadez's lyrics come storming off the page, capturing the reader in a whirlwind."—MultiCultural Review
"Inventive, energetic, and surprising."—El Paso Times
— -
“In voices colloquial and church, reverent and riotous, serious and sly; in rap and fragment, sound and sin; from gangs and minimum-wage jobs to astrology and Christ, Luis Valadez makes his fearless debut. This poetry is a painfully honest disclosure of identity and anger, and it is as mindful of falsity and as hard on itself as it is playful, loose, and loving. Sometimes the language is clear and cutting, while other times it disintegrates into sonic units and primal utterances: Luis calls upon the whole history of oral and verbal expression to tell his story—going so far as to write his own (wildly funny and disturbing) obituary.”—Arielle Greenberg, author of My Kafka Century
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“Valadez's work is not simply fierce language poetics… here is a writer—the genuine article—whose style is that of a truth-speaking curandero, offering sacred cantos to anyone interested in illuminating that inner revolution called corazón. To read his work is to discover the future of American poética! “—Tim Z. Hernandez, author of Skin Tax and The Natural Takeover of Small Things, also published by the University of Arizona Press.
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“On the trail blazed by innovators like Harryette Mullen and John Yau, Luis Valadez sends wild, canny, charged, and vulnerable prayers from the hard camp of contested identities. Each line, each word, is a blow against 'impossibility' and the heavy pressure to be silent as expected. Interrogations of tradition(s) as well as celebrations, the irresistible poems in Valadez’s first collection exist at the exact fresh moment of deciding to live and to love.”—Laura Mullen, author of After I Was Dead
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