Multiple Voices in Feminist Film Criticism
by Diane Carson
contributions by Linda Dittmar and Janice Welsch
contributions by Linda Dittmar and Janice Welsch
University of Minnesota Press, 1993
Paper: 978-0-8166-2273-3
Library of Congress Classification PN1995.9.W6M82 1994
Dewey Decimal Classification 791.43015082
Paper: 978-0-8166-2273-3
Library of Congress Classification PN1995.9.W6M82 1994
Dewey Decimal Classification 791.43015082
TOC
TABLE OF CONTENTS
- Contents
- Preface
- Introduction
- Dittmar, Linda
- Welsch, Janice R.
- Carson, Diane
- Part I.
- Perspectives
- In the Name of Feminist Film Criticism
- Rich, B. Ruby
- Feminist Film Theory and Criticism
- Mayne, Judith
- Feminism and Film History
- Petro, Patrice
- Psychoanalysis and Feminist Film Theory: The Problem of Sexual Difference and Identity
- Walker, Janet
- Feminism, Psychoanalysis, and Female-Oriented Melodramas of the 1950s
- Byars, Jackie
- Image and Voice: Approaches to Marxist-Feminist Criticism
- Gledhill, Christine
- Narrative Is Narrative: So What Is New?
- Cartwright, Lisa
- Fonoroff, Nina
- Rethinking Women's Cinema: Aesthetics and Feminist Theory
- Lauretis, Teresa de
- Bakhtin, Language, and Women's Documentary Filmmaking
- Welsch, Janice R.
- White Privilege and Looking Relations: Race and Gender in Feminist Film Theory
- Gaines, Jane
- The Politics of Film Canons
- Staiger, Janet
- Part II.
- Practice
- To Be Seen but Not Heard: The Awful Truth
- Carson, Diane
- The Marrying Kind: Working-Class Courtship and Marriage in 1950s Hollywood
- Smith, Judith E.
- Contradiction and Viewing Pleasure: The Articulation of Race, Class, and Gender Differences in Sayonara
- Marchetti, Gina
- Tears and Desire: Women and Melodrama in the “Old” Mexican Cinema
- López, Ana M.
- Missing in Action: Notes on Dorothy Arzner
- Houston, Beverle
- Is China the End of Hermeneutics?; or, Political and Cultural Usage of Non-Han Women in Mainland Chinese Films
- Yau, Esther C. M.
- The Production of Third World Subjects for First World Consumption: Salaam Bombay and Parama
- Arora, Poonam
- Portrait(s) of Teresa: Gender Politics and the Reluctant Revival of Melodrama in Cuban Film
- Burton-Carvajal, Julianne
- Rehearsing Feminism: Women/History in The Life and Times of Rosie the Riveter and Swing Shift
- White, Mimi
- “A Queer Feeling When I Look at You”: Hollywood Stars and Lesbian Spectatorship in the 1930s
- Weiss, Andrea
- The Hypothetical Lesbian Heroine in Narrative Feature Film
- Straayer, Chris
- A Call for Militant Resistance
- hooks, bell
- Aspects of Black Feminist Cultural Ideology in Films by Black Women Independent Artists
- Gibson-Hudson, Gloria
- Telling Family Secrets: Narrative and Ideology in Suzanne, Suzanne by Camille Billops and James V. Hatch
- Smith, Valerie
- The Articulating Self: Difference as Resistance in Black Girl, Ramparts of Clay, and Salt of the Earth
- Dittmar, Linda
- Women's Voices in Third World Cinema
- Lawrence, Amy
- Her Image Fades as Her Voice Rises
- Rhodes, Lis
- Sparrow, Felicity
- A Jury of Their Peers: Questions of Silence, Speech, and Judgment in Marleen Gorris's A Question of Silence
- Williams, Linda
- Part III.
- Course Files
- Feminist Film Theory/Criticism in the United States
- Welsch, Janice R.
- Women Filmmakers
- Carson, Diane
- Women of Color: No Joy in the Seduction of Images
- Freydberg, Elizabeth Hadley
- Black Women in American Films: A Thematic Approach
- Stubbs, Frances
- Freydberg, Elizabeth Hadley
- Latin American and Caribbean Women in Film and Video
- Lesage, Julia
- Sexual Representation in Film and Video
- Straayer, Chris
- Partial List of Distributors and Resources
- Contributors
- Index
- Permissions
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