Winner, 2027 Miller Williams Poetry Prize
Rich with Black spirituality and familial memory, Heartless Architecture traverses Houston to interrogate how citizens can care for each other in a city that perpetually does them harm. As a third-generation Texan, former mutual aid organizer, and wavering church kid, Aris Kian renders a Southern pastoral underpinned by the heartbreak of historical violence, gentrification, and systemic indifference: “The day S was buried, another bridge / was built over 59 almost overnight. . . . / When G bit a prayer / into the blacktop, downtown erected a skyline / unrecognizable to a practiced eye. . . . A midtown park springs out of the grass / as two rounds are fired into A’s chest. / Sometimes, growth is mistaken / for healing.”
A keen observer of the contested landscapes that comprise both self and home, and eager to elicit new meanings from myths that are “the residue of a history interrupted,” Kian is at her most triumphant when she unites with her fellow citizens to combat state harm: “I do know our resistance is stronger / than any brick or barricade / they could tear down and toss out. / I do know our commitment to principle / cannot be cut through.”