“Fans and scholars alike will relish White's remarkable exploration of kung fu cinema's explosive rise in the ‘West’ and its ongoing influence in international culture. Fighting without Fighting is the definitive book on the subject.”
— Matthew Polly, bestselling author of “American Shaolin, “Tapped Out,” and “Bruce Lee: A Life”
“In this book, White offers a comprehensive yet in-depth look at the ‘Kung Fu Craze’ and its lasting legacy on global popular culture. At once historically grounded and theoretically informed, the book traces kung fu cinema’s journey to the West in all its historical breadth and complexity while also considering it in relation to broader issues of global encounter, identity construction, and the meaning of screen violence. Added to all of this is the clarity and conciseness of the writing, which makes the book a thoroughly enjoyable and engaging read.”
— Man-Fung Yip, chair and associate professor of film and media studies, University of Oklahoma, author of “Martial Arts Cinema and Hong Kong Modernity”
“A comprehensive and exhilarating journey through the cultural history of ‘Kung Fu Fever,’ showing how the Asian martial arts have permeated everything from Blaxploitation cinema and Hanna-Barbera cartoons to seventies disco tunes and Marvel comic books. White’s electric prose crackles with all the brio and rigor of a classic kung fu throwdown.”
— Gary Bettinson, editor in chief of “Asian Cinema” and author of “The Sensuous Cinema of Wong Kar-wai”
“From the arrival of King Boxer on Western screens to the arthouse wuxia blockbuster, White traces the legacy of Chinese martial arts cinema in the West in this engaging and insightful study. Whether you’re interested in Bruce Lee, the interaction between kung fu, Blaxploitation, and hip-hop, or fighting heroines such as Angela Mao Ying, this is an essential read.”
— Leon Hunt, senior lecturer in film and TV studies, Brunel University
“In Fighting without Fighting, White explores the origins of the 1970s ‘Kung Fu Craze’ in Chinese culture, the resonances of ‘Eastern’ and oppressed heroes and heroines, and the ways in which their spectacular bodies were dramatized in innovative cinematography. He describes their impact on feminism, Black American cultures, music, videogames, and renegotiations of masculinity, showing how an opening up to aspects of the ‘Oriental’ revised and enriched mid-twentieth-century sensibilities, and how revisiting them enlightens contemporary debates on decolonization. He traces influences and echoes in contemporary world cinema and speculative fictions, where the magical and mystical meet with politics of race, gender, and empowerment. This amounts to an expert and ambitious narrative that spirals outwards from the advent of Kung Fu in ’70s Hong Kong and Hollywood to encompass a wide historical, geographic, and ideological scope in which Bruce Lee is a persistent presence, and has the last word.”
— Barry Curtis, professor at the University of the Arts, London, author of “Dark Places: The Haunted House in Film”
“For anyone interested in the history and issues raised by the spread and development of East Asian martial arts on international screens, Fighting without Fighting: Kung Fu Cinema’s Journey to the West is the place to start. White gives a fast-paced and insightful account of the history of the West’s relationship with East Asian martial arts and action films. In the process, he also sets out the cultural concerns and themes that have accompanied the movement, and provides valuable insight into the academic and cultural debates around them—zoning in on issues of East/West cultural encounter, ethnicity, class, and gender. This is an expansive and up-to-date overview of kung fu cinema’s transnational spread and development.”
— Paul Bowman, professor of cultural studies, Cardiff University, author of “The Invention of Martial Arts: Popular Culture Between Asia and America”
“This engagingly written book will be of great value for the scholars of kung fu cinema and martial arts aficionados seeking to expand their horizons about the development of the genre in the past five decades. White’s insightful and nuanced analysis not only helps us reexamine the enduring impact of the kung fu craze in the 1970s, but also rethink the key role that the genre plays in transnationalizing cinema in the era of globalization. With its inviting style, this work will enhance both film and martial arts studies collections.”
— Wayne K. T. Wong, teaching associate in East Asian studies, University of Sheffield
“White is uniquely positioned, as equal parts fan and scholar, to tell the fascinating story of martial arts cinema’s journey through popular culture. Fighting without Fighting includes loving and intelligent tributes to everything from the films of the Shaw Brothers and Golden Harvest, such as King Boxer, Lady Whirlwind, and Enter the Dragon, through American films and television series, such as Billy Jack, Kung Fu, and Black Belt Jones, to contemporary martial arts offerings as diverse as Buffy the Vampire Slayer, Crouching Tiger, Hidden Dragon, and Daredevil. White also offers provocative insights and nuanced arguments with respect to the importance of martial arts media in foregrounding and negotiating complex issues from national, racial, and gender identities to the significance of debates about both mediatized and real-life violence, and the potential peril in and promise of martial arts media and practice as a means to ethical transformation and self-actualization. Equally rich in enthusiasm and expertise, Fighting without Fighting is a commendable achievement in passionate fandom and penetrating scholarship—a must-read for all fans and scholars interested in martial arts, media studies, and cultural theory.”
— Kyle Barrowman, adjunct professor of media and cinema studies, DePaul University
"White’s scholarly take on Hollywood’s infatuation with kung fu offers multiple entry points for readers, from film historians to sociologists. Action film fans will come away with a deeper appreciation of these films, and an expanded watch list."
— Library Journal
"As White makes plain in this solemn but spirited Fighting without Fighting, the Kung Fu craze owed far more to countercultural revolt than to oriental caroling. Lee was a by-product of one of the essential 1960s fantasies—the ponderous belief in the innate superiority of all things eastern."
— Spectator
"White offers a comprehensive and eminently readable history of Hong Kong (and by extension, all Chinese) cinema as it was received by and influenced the Anglophone West. The study has a twofold purpose: to narrate that transnational history and to analyze its political, social, and cultural implications for both China and the West. White cannily avoids the many pitfalls such a study could engender and instead theorizes the larger implications of the impact of wuxia films (i.e., films with martial hero/ines on Western television, e.g., the Kung Fu series), comic books, cinema, magazines, and popular culture, not to mention the explosion of martial arts instruction in the West beginning in the 1970s . . . Highly recommended."
— Choice
Won
— CHOICE Outstanding Academic Title, 2023
"While Kung Fu or martial arts films are a genre with a long history in China, it was only after the 1970s that Chinese kung fu films became a real sensation in the West. White’s book, Fighting Without Fighting focuses on this phenomenon and provides insight on the spread and influence of kung fu films in the West. . . . Collating the history of Chinese kung fu cinema, the book imaginatively links kung fu to topics such as orientalism, the black movement, feminism, whiteness, and the Vietnam war, revealing the shifting meanings and influences of kung fu cinema worldwide."
— Historical Journal of Film, Radio and Television
