The first systematic examination of women in prison and performances in and of the institution.

Using a feminist approach to reach beyond tropes of “bad girls” and simplistic inside vs. outside dynamics, Prison Cultures examines how cultural products can perpetuate or disrupt hegemonic understandings of the world of prisons. Focusing primarily on the UK and using examples from pop cultures, the book identifies how and why prison functions as a fixed field and postulates new ways of viewing performances in and of prison that trouble the institution. A new contribution to the fields of feminist cultural criticism and prison studies, Aylwyn Walsh explores how the development of a theory of resistance and desire is central to the understanding of women’s incarceration. It problematizes the prevalence of purely literary analysis or case studies that proffer particular models of arts practice as transformative of offending behavior.

Aylwyn Walsh is a lecturer in applied theater at the School of Performance and Cultural Industries at the University of Leeds.

— New Theatre Quartely