Verses that oscillate between the turmoil of post-communist Eastern Europe to understated reflections on grief and mortality.

The sixty-four poems in A Calligraphy of Days reflect Krzysztof Siwczyk’s wide-ranging and variegated style. Born in 1977, Siwczyk has lived most of his life in the Silesian city of Gliwice. In 1995, he became a wunderkind of the Polish poetry scene with his debut volume Wild Kids, an edgy and unsentimental narrative of youthful tribulations and urban malaise during Poland’s transition from communism to capitalism. Siwczyk’s poems careen down the page at great speed, relying on clever turns of phrase or an idea that illuminates a larger meaning. As in calligraphy, a meandering subterranean process connects meaning and memory, thought and verse. Teased to the surface, words and images emerge in rapid, terse, and precise bursts.

Throughout his career, Siwczyk has never ceased to challenge our sense of who we are—changing course multiple times in the process. Following several volumes full of expansive lines, his most recent works offer spare meditations on illness and grief. Clipped and understated, these post-Holocaust poems address our inability to speak of death and tragedy.

Krzysztof Siwczyk is an award-winning poet, critic, and essayist from Poland. He has published over fourteen volumes of poetry, and his work has been translated into numerous languages, including Italian, French, and German. He lives in Gliwice, Poland, and works at the Rafal Wojaczek Institute in Mikolów. Piotr Florczyk is an award-winning poet and translator of a dozen volumes of contemporary Polish poetry. He teaches global literary studies at the University of Washington, Seattle. Alice-Catherine Carls is Tom Elam Distinguished Professor of History at the University of Tennessee at Martin. She is a translator from Polish and English into French and from French into English.