ABOUT THIS BOOK

Critical studies of the graphic novel have often employed methodologies taken from film theory and art criticism. Yet, as graphic novels from Maus to Watchmen have entered the literary canon, perhaps the time has come to develop theories for interpreting and evaluating graphic novels that are drawn from classic models of literary theory and criticism.

Using the methodology of Georg Lukács and his detailed defense of literary realism as a socially embedded practice, Litcomix tackles difficult questions about reading graphic novels as literature. What critical standards should we use to measure the quality of a graphic novel? How does the genre contribute to our understanding of ourselves and the world? What qualities distinguish it from other forms of literature?

LitComix hones its theoretical approach through case studies taken from across the diverse world of comics, from Yoshihiro Tatsumi’s groundbreaking manga to the Hernandez Brothers’ influential alt-comix. Whether looking at graphic novel adaptations of Proust or considering how Jack Kirby’s use of intertextuality makes him the Balzac of comics, this study offers fresh perspectives on how we might appreciate graphic novels as literature.

AUTHOR BIOGRAPHY

ADAM GECZY is an artist and writer who teaches at the University of Sydney. His art has been exhibited across Australia, Asia, and Europe and is in numerous public and private collections. As a writer he has published over 20 books including The Artificial Body in Fashion and Art.

JONATHAN MCBURNIE is an artist and writer based in Queensland, where he serves as director of the Rockhamptom Museum of Art. His articles have appeared in such journals as Eyeline, Catalogue, and Sneaky, and he is author of the graphic novel Floodland.

REVIEWS

"It makes the case that comics do, in fact, matter. Art matters. An artist shares their ideas and interpretations and their sense of experience, and, through this act, maybe, just maybe, the vastness of the world shrinks just enough to help us realize that we are, in fact, not as alone as we feel."— SOLRAD Magazine

"Growing up in the UK during the 1960s, to me, Kirby was "The Comics." Kirby created his own genre whose influence is felt to this very day. It's rare to read something so well thought out on my pet subject. Litcomix is a great read!"

— Shaky Kane, comic artist, 2000 AD, The Bulletproof Coffin, The Beef

"Reflecting upon central elements of Marxist literary theorist and philosopher Georg Lukács, this admirable volume adds momentum to the speed at which we are recognizing the proper value of the comics art form. Insightful and provocative, once I finished reading this book I wanted to pick it up again and start over.”

— Jeff McLaughlin, editor of Comics as Philosophy

TABLE OF CONTENTS