Technè/Technology: Researching Cinema and Media Technologies, their Development, Use and Impact
Technè/Technology: Researching Cinema and Media Technologies, their Development, Use and Impact
by Annie van den Oever
Amsterdam University Press eISBN: 978-90-485-1990-3 Library of Congress Classification PN1995.9.T43T43 2014 Dewey Decimal Classification 791.43656
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
Techne;/Technology offers a penetrating, close look at the origins of the term techne;, which unleashed a revolution in cinema and media studies when it was first introduced and which continues to influence the study of film as the digital revolution rolls along. The contributors investigate the effects of technologies on major film debates and, moreover, how technologies have affected film theory and its key concepts.
AUTHOR BIOGRAPHY
Annie van den Oever is Extraordinary Professor of Film and Visual Media at the University of the Free State, South Africa, and director of the Master in Film Studies program and head of the film archive at the University of Groningen in the Netherlands.
TABLE OF CONTENTS
Editorial _ Acknowledgments _ Introduction: Researching Cinema and Media Technologies Annie van den Oever _ PART I. Philosophy of Technology: Reassessing Key Questions _ The Philosophy of Technology in the Frame of Film Theory: Walter Benjamin's Contribution Dominique Chateau _ Toward an Archaeology of the Cinema/Technology Relation: From Mechanization to "Digital Cinema" Benoît Turquety _ Techne and Poiesis: On Heidegger and Film Theory Robert Sinnerbrink _ Stiegler's Post-Phenomenological Account of Mediated Experience Patrick Crogan _ What Are Media? Lambert Wiesing _ PART II. Cinema and Media Technologies: Hardware, Software, Wetware _ The "History of Vision" Debate Revisited Annemone Ligensa _ Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with Special Thanks to Eisenstein and Bazin) Ian Christie _ Television's Many Technologies: Domesticity, Governmentality, Genealogy Markus Stauff _ Postmodern Hi-fi vs. Post-Cool Lo-fi: An Epistemological War Laurent Jullier _ PART III. Cinema and Media Technologies: A Historical Context _ Marey's Gun: Apparatuses of Capture and the Operational Image Pasi Va;liaho _ Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema Malte Hagener _ Technophobia and Italian Film Theory in the Interwar Period Francesco Pitassio _ Jean-Luc Godard's HISTOIRE(S) DU CINÉMA: Cogito Ergo Video Ce;line Scemama _ Performativity/Expressivity: The Mobile Micro Screen and Its Subject Nanna Verhoeff and Heidi Rae Cooley _ PART IV. Discussions: Revisiting the Past _ Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline - A Dialogue Geoffrey Winthrop-Young and Annie van den Oever _ Revisiting Christian Metz's "Apparatus Theory" - A Dialogue Martin Lefebvre and Annie van den Oever _ PART V. Envisioning the Future _ The Future History of a Vanishing Medium Andre; Gaudreault _ Experimental Media Archaeology: A Plea for New Directions Andreas Fickers and Annie van den Oever _ Notes _ General Bibliography _ Notes on Contributors _ Index of Names _ Index of Film Titles _ Index of Subjects