Cover
Table of Contents
List of Illustrations
Acknowledgments
Expanding the Postcolonial Map
An Unfamiliar Postcoloniality
Touchstones in Postcolonial Film Studies: On Style and Practice
Strategies Old and New
Cold Wars and Methodological Debates
Singapore Maps its Cinema
Aerial Maps
Affective Colonial Maps
The Persistence of Colonial Spatiality
2. Reorienting Film History Spatially
Finding Singapore in The Impossibilities of Tan Pin Pin
The Vexed Images of Singapore’s New Wave
Malaysia Senses the World
Nancian Soundscapes
Resonant Subjects
Postcolonial Globalism
Indonesia Americanizes Stability
A Brief History of Sublation
American Influence
The Road to Reformasi
A Look Forward for Southeast Asian Film Studies
Theorizing Edwin
What Theory and Southeast Asian Cinema Mean to Each Other
Bibliography
Index