A SCHOLARLY BOOK REPOSITORY
Behar calls herself an anthropologist who specializes in homesickness. Repeatedly returning to her homeland of Cuba, unwilling to utter her last goodbye, she is obsessed by the question of why we leave home to find home. For those of us who travel heavy with our own baggage, Behar is an indispensable guide, full of grace and hope, in the perpetual search for connection that defines our humanity.
Yiddish-speaking Jews thought Cuba was supposed to be a mere layover on the journey to the United States when they arrived in the island country in the 1920s. They even called it “Hotel Cuba.” But then the years passed, and the many Jews who came there from Turkey, Poland, and war-torn Europe stayed in Cuba. The beloved island ceased to be a hotel, and Cuba eventually became “home.” But after Fidel Castro came to power in 1959, the majority of the Jews opposed his communist regime and left in a mass exodus. Though they remade their lives in the United States, they mourned the loss of the Jewish community they had built on the island.
As a child of five, Ruth Behar was caught up in the Jewish exodus from Cuba. Growing up in the United States, she wondered about the Jews who stayed behind. Who were they and why had they stayed? What traces were left of the Jewish presence, of the cemeteries, synagogues, and Torahs? Who was taking care of this legacy? What Jewish memories had managed to survive the years of revolutionary atheism?
An Island Called Home is the story of Behar’s journey back to the island to find answers to these questions. Unlike the exotic image projected by the American media, Behar uncovers a side of Cuban Jews that is poignant and personal. Her moving vignettes of the individuals she meets are coupled with the sensitive photographs of Havana-based photographer Humberto Mayol, who traveled with her.
Together, Behar’s poetic and compassionate prose and Mayol’s shadowy and riveting photographs create an unforgettable portrait of a community that many have seen though few have understood. This book is the first to show both the vitality and the heartbreak that lie behind the project of keeping alive the flame of Jewish memory in Cuba.
Reader Guide (http://rutgerspress.rutgers.
Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes.
An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.
Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.
Through readings of Flaubert, Nerval, Kipling, Blunt, and Eberhardt, and following the transition in travel literature from travelog to tourist guide, Belated Travelers addresses the specific historical conditions of late nineteenth-century orientalism implicated in the discourses of desire and power. Behdad also views a broad range of issues in addition to nostalgia and tourism, including transvestism and melancholia, to specifically demonstrate the ways in which the heterogeneity of orientalism and the plurality of its practice is an enabling force in the production and transformation of colonial power.
An exceptional work that provides an important critique of issues at the forefront of critical practice today, Belated Travelers will be eagerly awaited by specialists in nineteenth-century British and French literatures, and all concerned with colonial and post-colonial discourse.
Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
This volume provides an overview of the responsibilities of a Disabilities Service professional through an examination of relevant literature, laws and regulatory language, case law, and narrative on established practices. It also offers resources that current professionals can modify for use in their day-to-day practice immediately. The authors explore the complexities of accessibility, paying careful attention to the nuances of disability evaluation, accommodation decisions, management of a disability service office, advocating for resources and collaboration within and outside of higher education institutions.
This practitioner-friendly book will help newcomers and seasoned professionals explore and evaluate best practices in the field through questions, examples, and functional job aids available for immediate use.
Scrutinizing depictions of the masculine woman in literature and the popular press, Laura L. Behling explicates the literary, artistic, and rhetorical strategies used to eliminate the "sexually inverted" woman: punishing her by imprisonment or death; "rescuing" her into heterosexuality; subverting her through parody; or removing her from society to some remote or mystical place. Behling also shows how fictional same-sex relationships in the writings of Henry James, Charlotte Perkins Gilman, Gertrude Stein, and others conformed to and ultimately reaffirmed heterosexual models.
The Masculine Woman in America, 1890-1935 demonstrates that the women's suffrage movement did not so much suggest alternatives to women's gender and sexual behavior as it offered men and women afraid of perceived changes a tangible movement on which to blame their fears. A biting commentary on the insubstantial but powerful ghosts stirred up by the media, this study shows how, though legally enfranchised, the new woman was systematically disfranchised socially through scientific theory, popular press illustrations, and fictional predictions of impending sociobiological disaster.
For sheer screen entertainment, few motion pictures have ever matched the 1938 Warner Brothers production of The Adventures of Robin Hood. Even today, after more than four decades. Errol Flynn's dashing performance places this picture high in any list of all-time favorites.
It is one of the most studied of motion pictures, not only because of its popularity but also because of the extremely high level of talent brought to bear in its creation and the sharply honed production and editing techniques that allow an incredible amount of action and movement in the 102 minutes of the film.
Includes the complete screenplay.
This 1940 swashbuckler is one of the best examples of the old Hollywood studio system at work. Scholars and film buffs will learn much about collaborative filmmaking on an exceptionally large scale as Rudy Behlmer traces step-by-step the evolution of The Sea Hawk. The very anti-thesis of an auteur film, The Sea Hawk illustrates the ways in which creative input from just about everyone on the Warner Brothers lot—producers, writers, art directors, director, cameraman, special effects team, editor and composer-conductor—resulted in a film in the familiar Warners house style.
This book includes the complete screenplay.
How can public officials move large government agencies to produce significant results? In Leadership Counts, Robert Behn explains exactly what managers in the inherently political environment of government need to do to obtain such performance.
In 1983 the leadership of the Massachusetts Department of Public Welfare—Charles M. Atkins, Thomas P. Glynn, Barbara Burke-Tatum, and Jolie Bain Pillsbury—set out to educate and train welfare recipients, place them in good jobs, and move them from dependency to self-sufficiency. From these efforts to accomplish a specific and important public purpose, Behn extracts the fundamental ingredients of successful public leadership.
Behn’s analysis spans the spectrum of managerial tasks—from the almost spiritual responsibility to create and communicate a public mission to the seemingly mundane chore of motivating specific individuals to accomplish specific tasks. He describes how to manage for performance, examines how effective leaders can use external success to build internal morale, and analyzes the dilemmas of evaluating ongoing and evolving public policies. He explains in detail how accomplishing specific purposes requires “management by groping along.” And he analyzes three different metastrategies for government executives—strategies that emphasize policy, administration, or leadership.
Leadership Counts is more than an intriguing success story. It offers specific lessons that the nominal head of any government agency can employ to become the organization’s true leader. This insightful book will be of interest not only to students and teachers of public management but to leaders at all levels of government—from the principal of a school to the secretary of defense.
A son is born too early, as if coming up over the horizon before his own dawn. An elderly father lingers at life’s other horizon. In language dense and clear, playful and somber, and with a formal exactitude and emotional amplitude suggestive of her own musical training, Behn traverses these horizons “extracting,” like the horizon note that drones through traditional Indian music, “a red needle from the sky.”
Fun and innovative exercises and prompts for creative writing students
Once Upon a Time in the Twenty-First Century: Unexpected Exercises in Creative Writing is a unique creative writing text that will appeal to a wide range of readers and writers—from grade nine through college and beyond. Successful creative writers from numerous genres constructed these exercises, including poetry, fiction, and creative nonfiction to one-act plays, song lyrics, genre fiction, travel guides, comics and beyond. The exercises use a broad range of creative approaches, aesthetics, and voices, all with an emphasis on demystifying the writing process and having fun.
Editor Robin Behn has divided the book into three writing sections: Genres and Forms, Sources and Methods, and Style and Subject. In each section, Behn offers a brief introduction which explains how to get started and specific ways to develop one’s writing. Each introduction is followed by extensive exercises that draw on literature from classic to contemporary, as well as other art forms and popular culture. Examples range from Flannery O’Connor and Langston Hughes to Allen Ginsberg and Gertrude Stein, from Jamaica Kincaid and James Joyce to Arlo Guthrie and Harryette Mullen. Integrated within the exercises are apt examples of student writings that have emerged from actual use of the exercises in both the classroom and in writing groups. The book concludes with general advice and direction on how to get published.
Based on years of hands-on experiences in the teaching of creative writing in high schools, colleges, and after-school writing clubs, this volume of exercises offers inestimable value to students and teachers in the traditional classroom, as well as a growing number of homeschoolers, those who are part of a writing club or group, and independent writers and learners of all ages.
Behnegar's impressive book argues that Strauss was not against the scientific study of politics, but he did reject the idea that it could be built upon political science's unexamined assumption of the distinction between facts and values. Max Weber was, for Strauss, the most profound exponent of values relativism in social science, and Behnegar's explication artfully illuminates Strauss's critique of Weber's belief in the ultimate insolubility of all value conflicts.
Strauss's polemic against contemporary political science was meant to make clear the contradiction between its claim of value-free premises and its commitment to democratic principles. As Behnegar ultimately shows, values—the ethical component lacking in a contemporary social science—are essential to Strauss's project of constructing a genuinely scientific study of politics.
Arms and the Woman: Classical Tradition and Women Writers in the Venetian Renaissance by Francesca D’Alessandro Behr focuses on the classical reception in the works of female authors active in Venice during the Early Modern Age. Even in this relatively liberal city, women had restricted access to education and were subject to deep-seated cultural prejudices, but those who read and wrote were able, in part, to overcome those limitations.
In this study, Behr explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to systematically reanalyze the biased patterns apparent both in the romance epic genre and contemporary society. Whereas these classical texts were normally used to bolster the belief in female inferiority and the status quo, Fonte and Marinella used them to envision societies structured according to new, egalitarian ethics. Reflecting on the humanist representation of virtue, Fonte and Marinella insisted on the importance of peace, mercy, and education for women. These authors took up the theme of the equality of genders and participated in the Renaissance querelle des femmes, promoting women’s capabilities and nature.
I've Learned Some Things allows English-language readers the rare opportunity to experience the work of Ataol Behramoğlu, one of Turkey's most celebrated poets. The sixty-six poems in this collection span the author's extraordinary career and are stunning examples of the intense emotional quality of his work. Behramoğlu celebrates the rich fabric of everyday life by exploring both personal and social struggles, sometimes employing a whimsical tone.
Walter G. Andrews's skillful translation conveys the vibrancy of Behramoğlu's work to an English-language audience, and this bilingual edition allows Turkish-language readers to follow the original text.
The Catholic Church of early modern Europe intended the sacrament of matrimony to represent a lifelong commitment, and it allowed few grounds for the dissolution of an unhappy marriage. One was nonconsummation owing to the sexual impotency of one of the partners. Even then, an annulment was granted only after a church court had conducted a lengthy investigation of the case, soliciting testimony from numerous witnesses as well as from the aggrieved couple, and had subjected the allegedly impotent spouse (and sometimes both spouses) to an intimate physical examination.
Edward J. Behrend-Martinez has studied the transcripts of eighty-three impotency trials conducted by the ecclesiastical court of Calahorra (La Rioja), a Spanish diocese with urban and rural parishes, both Basque and Castilian. From these records, he draws a detailed, fascinating portrait of private life and public sexuality in early modern Europe. These trials were far more than a salacious inquiry into the intimate details of other people’s lives. The church valued marital sex as a cornerstone of stable society, intended not only for procreation but also for maintaining domestic harmony. Every couple’s sex life, however private in practice or intention, was a matter of public and ecclesiastical concern. Unfit for Marriage offers vivid accounts of marital sex and the role that property, gender, and personal preference played in marriage in early modern Europe. It is essential reading for anyone interested in social history, sexuality, gender studies, canon law, legal history, and the history of divorce in western Europe.
In August 1986, Alice Auma, a young Acholi woman in northern Uganda, proclaiming herself under the orders of a Christian spirit named Lakwena, raised an army called the “Holy Spirit Mobile Forces.” With it she waged a war against perceived evil, not only an external enemy represented by the National Resistance Army of the government, but internal enemies in the form of “impure” soldiers, witches, and sorcerers. She came very close to her goal of overthrowing the government but was defeated and fled to Kenya.
This book provides a unique view of Alice’s movement, based on interviews with its members and including their own writings, examining their perceptions of the threat of external and internal evil. It concludes with an account of the successor movements into which Alice’s forces fragmented and which still are active in the civil wars of the Sudan and Uganda.
Anne Wetzell Armstrong adored her adopted hometown. Born in Grand Rapids, Michigan, she moved with her family to the “West End” (Fort Sanders) area of Knoxville, Tennessee, in the 1880s, a pivotal decade for a city just getting past the trauma of the Civil War and becoming an economically diverse and culturally cosmopolitan center. Author of The Seas of God (1915), set in a thinly disguised Knoxville (called “Kingsville”), Armstrong was privileged, unconventional, and modern. She was divorced (she later married an Armstrong of Knoxville’s Bleak House), a single mother, and worked—not only as a teacher at Knoxville Girls High School but also in personnel with National City Company of New York and in industrial relations at Eastman Kodak. Her second novel, This Day and Time (1930), is regarded as the first fictional work to treat Appalachia realistically.
Journalist John Gunther’s 1946 description of Knoxville as the “ugliest city I ever saw in America” served as the impetus for Armstrong to pen a memoir of a city she remembered quite differently. Sophisticated and witty, Of Time and Knoxville provides lively, sometimes scandalous sketches of such well-known Knoxville figures as Lizzie Crozier French, Armstrong’s mentor and a leader in the woman’s suffrage movement; Perez Dickinson, businessman and owner of the socially popular Island Home farm (and cousin of Emily Dickinson); and Mary Boyce Temple, clubwoman, philanthropist, and socialite, whose home is preserved as the last extant single-family residence in downtown Knoxville. Complemented by Linda Behrend’s excellent introduction and meticulous annotations, this distinctive memoir also delivers an unusual picture of Knoxville’s beloved Market Square and vividly depicts fin de siècle Knoxville, with its great food at hotel restaurants and lively events at dance halls. Armstrong also details the tragic Flat Creek train wreck of 1889, which seriously injured her own father and led to his death five years later. Of Time and Knoxville is a must-read for lovers of Knoxville, Victorian America, women’s history, and memoir.
"Adventures in the Antarctic only happen when someone makes a mistake.”
—From the Preface
ecological history of life on land—from the earliest traces
of terrestrial organisms over 400 million years ago to the
beginning of human agriculture. By providing myriad insights
into the unique ecological information contained in the
fossil record, it establishes a new and ambitious basis for
the study of evolutionary paleoecology of land ecosystems.
A joint undertaking of the Evolution of Terrestrial
Ecosystems Consortium at the National Museum of Natural
History, Smithsonian Institution, and twenty-six additional
researchers, this book begins with four chapters that lay out
the theoretical background and methodology of the science of
evolutionary paleoecology. Included are a comprehensive
review of the taphonomy and paleoenvironmental settings of
fossil deposits as well as guidelines for developing
ecological characterizations of extinct organisms and the
communities in which they lived. The remaining three
chapters treat the history of terrestrial ecosystems through
geological time, emphasizing how ecological interactions have
changed, the rate and tempo of ecosystem change, the role of
exogenous "forcing factors" in generating ecological change,
and the effect of ecological factors on the evolution of
biological diversity.
The six principal authors of this volume are all associated
with the Evolution of Terrestrial Ecosystems program at the
National Museum of Natural History, Smithsonian Institution.
"Taphonomy is plainly here to stay, and this book makes a first class introduction to its range and appeal."—Anthony Smith, Interdisciplinary Science Reviews
In 1998, the W.W. Kellogg Foundation provided funding for four universities to collaborate with surrounding communities on mutually beneficial projects, through the Expanding Community Partnerships Program. In a series of innovative learning collaborations, East Tennessee University, the University of Texas at El Paso, West Virginia University, and Northeastern University established strong, sustainable partnerships with organizations in their local communities. Although each university approached its partnering differently, they all shared the goal of benefiting the underserved communities where they are located and transforming their institutions by enhancing students’ educational experiences and strengthening faculty, student, administration, and staff relationships with local residents. This book shares those relationship-building experiences of the four universities and communities. Highly recommended for all public and higher education administrators; for students and teachers of education, business, and sociology; and for those interested in innovative business and social-service models.
The analyses in From Parent to Child explore these questions by developing and testing a model in which the earnings of children with different genetic endowments respond differently to investments in human capital. Behrman, Pollak, and Taubman use this model to investigate issues such as parental bias in resource allocations based on gender or birth order; the extent of intergenerational mobility in income, earnings, and schooling in the United States; the relative importance of environmental and genetic factors in determining variations in schooling; and whether parents' distributions offset the intended effects of government programs designed to subsidize children. In allocating scarce resources, parents face a trade-off between equity and efficiency, between the competing desires to equalize the wealth of their children and to maximize the sum of their earnings.
Building on the seminal work of Gary Becker, From Parent to Child integrates careful modeling of household behavior with systematic empirical testing, and will appeal to anyone interested in the economics of the family.
About Rights in the Digital Era:
MODULE 4Understanding Copyright Law
Heather Briston
Describes the main principles of copyright law and outlines strategies for addressing common issues, special topics, and digital projects.
MODULE 5
Balancing Access and Privacy in Manuscript Collections
Menzi L. Behrnd-Klodt
Introduces basic access and privacy laws, concepts, definitions, and professional ethical standards affecting manuscript materials and private and family papers.
MODULE 6
Balancing Access and Privacy in the Records of Organizations
Menzi L. Behrnd-Klodt
Introduces basic access and privacy laws, concepts, definitions, and professional ethical standards affecting the management of records created by organizations, businesses, agencies, and other entities.
MODULE 7
Managing Rights and Permissions
Aprille C. McKay
Provides practical guidance to help archivists transfer, clear, manage, and track rights information in analog and digital archives.
About Trends in Archives Practice:
This open-ended series by the Society of American Archivists features brief, authoritative treatments—written and edited by top-level professionals—that fill significant gaps in archival literature. The goal of this modular approach is to build agile, user-centered resources. Modules treat discrete topics relating to the practical management of archives and manuscript collections in the digital age. Select modules are clustered together by topic (as they are here) and are available in print or electronic format. Each module also is available separately in electronic format so that readers can mix and match modules that best satisfy their needs and interests. Stay on trend with Trends in Archives Practice!
Huck and Jim’s little raft is not made of logs, as it is often depicted in illustrations, but of sawn planks, and it was originally part of a much larger raft. Beidler explains why this matters and describes the other rivercraft that appear in the book. He gives what will almost certainly be the last word on the vexed question of whether the lengthy “raft episode,” removed at the publisher’s suggestion from the novel, should be restored to its original place.
Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself.
Beidler’s critical scope spans from Shakespeare’s plays, through the Victorian battle paintings of Lady Butler, into the post-World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept.
Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.
Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media’s influence on contemporary values and memories of the past.
Early 19th-century Alabama was a society still in the making. Now Philip Beidler tells how the first books written and published in the state influenced the formation of Alabama's literary and political culture. As Beidler shows, virtually overnight early Alabama found itself in possession of the social, political, and economic conditions required to jump start a traditional literary culture in the old Anglo-European model: property-based class relationships, large concentrations of personal wealth, and professional and merchant classes of similar social, political, educational, and literary views.
While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting.
It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond:Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot.
The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
In The Island Called Paradise, Philip D. Beidler shares his personal discovery of the vast, rich, and astonishing history of the island of Cuba and the interrelatedness of Cuba and the US.
Cuba first entered Beidler’s consciousness in the early 1960s when he watched with mesmerized anxiety the televised reports of the Cuban missile crisis, a conflict that reduced a multifaceted, centuries-old history between North America and Cuba to the stark duotones of Cold War politics. Fifty years later, when Beidler traveled to the US’s island neighbor, he found a Cuba unlike the nation portrayed in truculent political rhetoric or in the easy preconceptions of US popular culture. Instead he found an entrancing people and landscape with deep historical connections to the US and a dazzling culture that overwhelmed his creative spirit.
In twelve original essays, Beidler reintroduces to English-speaking readers many of the central figures, both real and literary, of Cuban and Cuban-American history. Meet Cecilia Valdés, the young mixed-race heroine of a 1839 novel that takes readers to the poor streets and sumptuous salons of Spanish colonial Cuba, and Narciso López, a real-life Venezuelan adventurer and filibustero who attempted to foment a Cuban uprising against Spain. Both would have been familiar figures to nineteenth-century Americans. Beidler also visits the twentieth-century lives of “the two Ernestos” (Ernest Hemingway and Che Guevara), and the pop-culture Cuban icon Ricky Ricardo.
A country not with one history but multiple layers of history, Cuba becomes a fertile island for Beidler’s exploration. Art, he argues, perpetually crosses walls erected by politics, history, and nationality. At its core, The Island Called Paradise renews and refreshes our knowledge of an older Atlantic world even as we begin to envision a future in which the old bonds between our nations may be restored.
Sean Beienburg recovers a largely forgotten constitutional debate, revealing how Prohibition became a battlefield on which skirmishes of American political development, including the debate over federalism and states’ rights, were fought. Beienburg focuses on the massive extension of federal authority involved in Prohibition and the passage of the Eighteenth Amendment, describing the roles and reactions of not just Congress, the presidents, and the Supreme Court but political actors throughout the states, who jockeyed with one another to claim fidelity to the Tenth Amendment while reviling nationalism and nullification alike. The most comprehensive treatment of the constitutional debate over Prohibition to date, the book concludes with a discussion of the parallels and differences between Prohibition in the 1920s and debates about the legalization of marijuana today.
Throughout history, those arrested for vagrancy have generally been poor men and women, often young, able-bodied, unemployed, and homeless. Most histories of vagrancy have focused on the European and American experiences. Cast Out: Vagrancy and Homelessness in Global and Historical Perspective is the first book to consider the shared global heritage of vagrancy laws, homelessness, and the historical processes they accompanied.
In this ambitious collection, vagrancy and homelessness are used to examine a vast array of phenomena, from the migration of labor to social and governmental responses to poverty through charity, welfare, and prosecution. The essays in Cast Out represent the best scholarship on these subjects and include discussions of the lives of the underclass, strategies for surviving and escaping poverty, the criminalization of poverty by the state, the rise of welfare and development programs, the relationship between imperial powers and colonized peoples, and the struggle to achieve independence after colonial rule. By juxtaposing these histories, the authors explore vagrancy as a common response to poverty, labor dislocation, and changing social norms, as well as how this strategy changed over time and adapted to regional peculiarities.
Part of a growing literature on world history, Cast Out offers fresh perspectives and new research in fields that have yet to fully investigate vagrancy and homelessness. This book by leading scholars in the field is for policy makers, as well as for courses on poverty, homelessness, and world history.
Contributors:
Richard B. Allen
David Arnold
A. L. Beier
Andrew Burton
Vincent DiGirolamo
Andrew A. Gentes
Robert Gordon
Frank Tobias Higbie
Thomas H. Holloway
Abby Margolis
Paul Ocobock
Aminda M. Smith
Linda Woodbridge
How are images made, and how should we understand their limits, capacities, and forces in digital media?
While functioning as representations or mediations of the political, images also act through the technologies and social processes that they claim only to represent. In both capacities, images can be innovative, but they can also reproduce harmful phenomena such as racism, misogyny, and conspiracy. Boundary Images investigates the political, material, and visual work that images do to cross and blur the boundaries between the technological and biological and between humans, machines, and nature. Exploring the limits of the visual and beyond what can be seen, Boundary Images posits these boundaries as starting points for the production of new and radically different ways of knowing about the world.
This first collection of Peter Beilharz's highly influential thought traces the themes and problems, manifestations, and trajectories of socialism and modernity as they connect and shift over a twenty-year period. Woven throughout Beilharz's analysis is the urgent question of modern utopia: how do we imagine freedom and equality in modernity?
The essays in this volume explore the relationship between socialism and modernity across the United States, Europe, and Australia from the mid-1980s to the turn of the twenty-first century, a time that witnessed the global triumph of capitalism and the dramatic turn away from Marxism and socialism to modernity as the dominant perspective. According to Beilharz, we have seen the expansion of a kind of Weberian Marxism, with the concept of revolution giving way to the idea of pluralized forms of power and the idea of rupture giving way to the postmodern sense of difference. These changes come together with the discourse of modernism, both aesthetic and technological.
Socialism and modernity, Beilharz argues, are fundamentally interrelated. In correcting the conflation of Marxism, Bolshevism, and socialism that occludes contemporary political thinking, he reopens a space for discussion of what socialist politics might look like now-in the postcommunist-postcolonial-postmodern moment.
Analyses of the synergy of press debates on bullfighting and the War on Terror, as well as media debates on King Juan Carlos’s hunt in Botswana and his resignation, reveal how the concepts structuring human/animal relations condition national biopolitics. Beilin traces a main principle, where sacrifice of some lives is deemed necessary for the sake of others, from bullfighting, through environmental destruction and immigration policies, to bioeconomy. Ultimately, In Search of an Alternative Biopolitics argues that to address ever-increasing threats of global warming and future catastrophes, we urgently need to redefine concepts structuring the human and the nonhuman realms.
The explosion of interest in African environmental history has stimulated research and writing on a wide range of issues facing many African nations.
This collection represents some of the finest studies to date. The general topics include African environmental ideas and practices; colonial science, the state and African responses; and settlers and Africans' culture and nature. The contributors are Emmanuel Kreike, Karen Middleton, Innocent Pikirayi, Terence Ranger, JoAnn McGregor, Helen Tilley, Grace Garswell, John McCracken, Ingrid Yngstrom, David Bunn, Sandra Swart, Robert J. Gordon, and Jane Carruthers.
Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history.
Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society
Finalist, award for the best book published about or growing out of public history, National Council on Public History
Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland
“An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement
“Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies
“A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement
"A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review
“The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review
“A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND
“A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography
Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation.
A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.
“They join the greatest boldness in thought to the most obedient character.” So Madame de Stael described German intellectuals at the close of the 18th century, and her view of this schism between the intellectual and the political has stood virtually unchallenged for 200 years. This book lays to rest Madam de Stael's legacy, the myth of the apolitical German. In a narrative history of ideas that proceeds from his book The Fate of Reason, Frederick Beiser discusses how the French Revolution, with a rationalism and an irrationalism that altered the world, transformed and politicized German philosophy and its central concern: the authority and limits of reason. In Germany, three antithetical political traditions—liberalism, conservatism, and romanticism—developed in response to the cataclysmic events in France.
Enlightenment, Revolution, and Romanticism establishes the genesis and context of these traditions and illuminates their fundamental political ideas. Moving from such well-known figures as Kant, Fichte, Jacobi, Forster, and Moser, Beiser summarizes responses to the French Revolution by the major political thinkers of the period. He investigates the sources for their political theory before the 1790s and assesses the importance of politics for their thought in general. By concentrating on a single formative decade, Beiser aims to reveal the political values and purposes underlying German thought in the late 18th century and ultimately to clarify the place of practical reason in the German philosophical tradition.
The Fate of Reason is the first general history devoted to the period between Kant and Fichte, one of the most revolutionary and fertile in modern philosophy. The philosophers of this time broke with the two central tenets of the modern Cartesian tradition: the authority of reason and the primacy of epistemology. They also witnessed the decline of the Aufklärung, the completion of Kant’s philosophy, and the beginnings of post-Kantian idealism.
Thanks to Frederick C. Beiser we can newly appreciate the influence of Kant’s critics on the development of his philosophy. Beiser brings the controversies, and the personalities who engaged in them, to life and tells a story that has uncanny parallels with the debates of the present.
The Early Romantics met resistance from artists and academics alike in part because they defied the conventional wisdom that philosophy and the arts must be kept separate. Indeed, as the literary component of Romanticism has been studied and celebrated in recent years, its philosophical aspect has receded from view. This book, by one of the most respected scholars of the Romantic era, offers an explanation of Romanticism that not only restores but enhances understanding of the movement's origins, development, aims, and accomplishments--and of its continuing relevance.
Poetry is in fact the general ideal of the Romantics, Frederick Beiser tells us, but only if poetry is understood not just narrowly as poems but more broadly as things made by humans. Seen in this way, poetry becomes a revolutionary ideal that demanded--and still demands--that we transform not only literature and criticism but all the arts and sciences, that we break down the barriers between art and life, so that the world itself becomes "romanticized." Romanticism, in the view Beiser opens to us, does not conform to the contemporary division of labor in our universities and colleges; it requires a multifaceted approach of just the sort outlined in this book.
Nature All Around Us uses the familiar—such as summer Sundays humming with lawn mowers, gray squirrels foraging in planters, and flocks of pigeons—in order to introduce basic ecological concepts. In twenty-five short chapters organized by scale, from the home to the neighborhood to the city at large, it offers a subtle and entertaining education in ecology sure to inspire appreciation and ultimately stewardship of the environment. Various ecological concepts that any urban dweller might encounter are approachably examined, from understanding why a squirrel might act aggressively towards its neighbor to how nutrients and energy contained within a discarded apple core are recycled back into the food chain. Streaming through the work is an introduction to basic ecology, including the dangers of invasive species and the crucial role played by plants and trees in maintaining air quality.
Taken as a whole, Nature All Around Us is an unprecedented field guide to the ecology of the urban environment that invites us to look at our towns, cities, and even our backyards through the eyes of an ecologist. It is an entertaining, educational, and inspiring glimpse into nature in seemingly unnatural settings, a reminder that we don’t have to trek into the wild to see nature—we just have to open our eyes.
How does the excessive bureaucratization of central planning affect politics in communist countries? Mark Beissinger suggests an answer through this history of the Soviet Scientific Management movement and its contemporary descendants, raising at the same time broader questions about the political consequences of economic systems.
Beissinger traces the rise and decline of administrative strategies throughout Soviet history, focusing on the roles of managerial technique and disciplinary coercion. He argues that over-bureaucratization leads to a succession of national crises of effectiveness, which political leaders use to challenge the power of entrenched elites and to consolidate their rule. It also encourages leaders to resort to radical administrative strategies—technocratic utopias, mass mobilization, and discipline campaigns—and gives rise to a cycling syndrome, as similar problems and solutions reappear over time. Beissinger gives a new perspective and interpretation of Soviet history through the prism of organizational theory. He also provides a comprehensive history of the Soviet rationalization movement from Lenin to Gorbachev that describes the recurring attractions and tensions between politicians and management experts, as well as the reception accorded Western management techniques in the Soviet factory and management-training classroom.
Beissinger uses a number of unusual sources: the personal archive of Aleksei Gastev, the foremost Soviet Taylorist of the 1920s; published Soviet archival documents; unpublished Soviet government documents and dissertations on management science and executive training; interviews with Soviet management scientists; and the author's personal observations of managers attending a three-month executive training program in the Soviet Union. Beissinger's skillful handling of this singular material will attract the attention of political scientists, historians, and economists, especially those working in Soviet studies.
Examining the major challenges of parks and protected areas throughout the world, contributors provide answers to a number of key conservation questions, such as: How should stewardship address climate change, urban encroachment and pollution, and invasive species? How can society, especially youth, become more engaged with nature and parks, and are there models to guide interactions between parks and their neighbors? What are appropriate conservation objectives for parks in the Anthropocene? Charting a course for the parks of the next century, Science, Conservation, and National Parks is certain not only to catalyze the continued evolution of US park conservation policy, but also to be an inspiration for parks, conservation, and management worldwide.
In this book, many of the world's leading conservation and population biologists evaluate what has become a key tool in estimating extinction risk and evaluating potential recovery strategies—population viability analysis, or PVA. PVA integrates data on the life history, demography, and genetics of a species with information on environmental variability, using computer models ranging from simple measures of population growth rate to complex spatial simulations, to predict whether a given population will remain viable (i.e., not go extinct) under various management options. A synthetic and objective overview of the latest theoretical and methodological advances, Population Viability Analysis will be crucial reading for conservationists, land managers, and policy makers.
Using San Francisco as an illuminating case study, Beitel analyzes the innovative ways urban social movements have organized around issues regarding land use, housing, urban ecology, and health care on the local level to understand the changing nature of protest formation around the world.
Reconciling the passing of New Left Ideals and the emergence of mobilization on a global scale, he assesses the limits of contemporary urban movements as conduits for advancing a radical political program. Beitel argues these limits reflect recurrent problems of internal fragmentation, and the manner in which liberal democratic institutions structure processes of political participation and interest representation.
In The Birth of Sense, Don Beith proposes a new concept of generative passivity, the idea that our organic, psychological, and social activities take time to develop into sense. More than being a limit, passivity marks out the way in which organisms, persons, and interbodily systems take time in order to manifest a coherent sense. Beith situates his argument within contemporary debates about evolution, developmental biology, scientific causal explanations, psychology, postmodernism, social constructivism, and critical race theory. Drawing on empirical studies and phenomenological reflections, Beith argues that in nature, novel meaning emerges prior to any type of constituting activity or deterministic plan.
The Birth of Sense is an original phenomenological investigation in the style of Maurice Merleau-Ponty, and it demonstrates that the French philosopher’s works cohere around the notion that life is radically expressive. While Merleau-Ponty’s early works are widely interpreted as arguing for the primacy of human consciousness, Beith argues that a pivotal redefinition of passivity is already under way here, and extends throughout Merleau-Ponty’s corpus. This work introduces new concepts in contemporary philosophy to interrogate how organic development involves spontaneous expression, how personhood emerges from this bodily growth, and how our interpersonal human life remains rooted in, and often thwarted by, domains of bodily expressivity.
How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history
The concept of the “harlequin” refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell’arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism.
By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people—the “harlequin eaters”—who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual–aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today’s problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.
A New Statesman Best Book of the Year
A Church Times Book of the Year
We are facing a crisis of civility, a war of words polluting our public sphere. In liberal democracies committed to tolerating active, often heated disagreement, the loss of this virtue appears critical.
Most modern appeals to civility follow arguments by Hobbes or Locke by proposing to suppress disagreement or exclude views we deem “uncivil” for the sake of social harmony. By comparison, mere civility—a grudging conformity to norms of respectful behavior—as defended by Rhode Island’s founder, Roger Williams, might seem minimal and unappealing. Yet Teresa Bejan argues that Williams’s outlook offers a promising path forward in confronting our own crisis, one that challenges our fundamental assumptions about what a tolerant—and civil—society should look like.
“Penetrating and sophisticated.”
—James Ryerson, New York Times Book Review
“Would that more of us might learn to look into the past with such gravity and humility. We might end up with a more (or mere) civil society, yet.”
—Los Angeles Review of Books
“A deeply admirable book: original, persuasive, witty, and eloquent.”
—Jacob T. Levy, Review of Politics
“A terrific book—learned, vigorous, and challenging.”
—Alison McQueen, Stanford University
During the past decade, racial/ethnic minority women have made significant strides in U.S. politics, comprising large portions of their respective minority delegations both in Congress and in state legislatures. This trend has been particularly evident in the growing political presence of Latinas, yet scholars have offered no clear explanations for this electoral phenomenon—until now.
In The Latina Advantage, Christina E. Bejarano draws on national public opinion datasets and a close examination of state legislative candidates in Texas and California to demonstrate the new power of the political intersection between race and gender. Underscoring the fact that racial/ethnic minority women form a greater share of minority representatives than do white women among white elected officials, Bejarano provides empirical evidence to substantiate previous theoretical predictions of the strategic advantage in the intersectionality of gender and ethnicity in Latinas. Her evidence indicates that two factors provide the basis for the advantage: increasingly qualified candidates and the softening of perceived racial threat, leading minority female candidates to encounter fewer disadvantages than their male counterparts.
Overturning the findings of classic literature that reinforce stereotypes and describe minority female political candidates as being at a compounded electoral disadvantage, Bejarano brings a crucial new perspective to dialogues about the rapidly shifting face of America’s electorate.
For Latina/o adolescents who already find life challenging, the borderland is a place that presents continual affirmations of and contradictions about identity—questions of who is more Mexican than American or vice versa. This book analyzes the construction of Mexicana/o and Chicana/o identities through a four-year ethnographic study in a representative American high school. It reveals how identity politics impacts young people’s forms of communication and the cultural spaces they occupy in the school setting. By showing how identities are created and directly influenced by the complexities of geopolitics and sociocultural influences, it stresses the largely unexplored divisions among youths whose identities are located along a wide continuum of “Mexicanness.”
Through in-depth interviews and focus groups with both Mexicana/o and Chicana/o students, Cynthia Bejarano explores such topics as the creation of distinct styles that reinforce differences between the two groups; the use of language to further distinguish themselves from one another; and social stratification perpetuated by internal colonialism and the “Othering” process. These and other issues are shown to complicate how Latinas/os ethnically identify as Mexicanas/os or Chicanas/os and help explain how they get to this point.
In contrast to research that views identity as a reflection of immigration or educational experiences, this study embraces border theory to frame the complex and conflicted relations of adolescents as a result of their identity-making processes. This intimate glimpse into their lives provides valuable information about the diversity among youths and their constant efforts to create, define, and shape their identities according to cultural and social structures.
Thirty contributors discuss their lived experiences, research, or community work challenging multiple layers of oppression, including militarization of the border, border security propaganda, feminicides, drug war and colonial violence, grieving and loss of a child, challenges and forms of resistance by Indigenous mothers, working mothers in maquiladoras, queer mothering, academia and motherhood, and institutional barriers by government systems to access affordable health care and environmental justice. Also central to this collection are questions on how migration and detention restructure forms of mothering. Overall, this collection encapsulates how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.
Contributors
Elva M. Arredondo
Cynthia Bejarano
Bertha A. Bermúdez Tapia
Margaret Brown Vega
Macrina Cárdenas Montaño
Claudia Yolanda Casillas
Luz Estela (Lucha) Castro
Marisa Elena Duarte
Taide Elena
Sylvia Fernández Quintanilla
Paula Flores Bonilla
Judith Flores Carmona
Sandra Gutiérrez
Ma. Eugenia Hernández Sánchez
Irene Lara
Leticia López Manzano
Mariana Martinez
Maria Cristina Morales
Paola Isabel Nava Gonzales
Olga Odgers-Ortiz
Priscilla Pérez
Silvia Quintanilla Moreno
Cirila Quintero Ramírez
Felicia Rangel-Samponaro
Coda Rayo-Garza
Shamma Rayo-Gutierrez
Marisol Rodríguez Sosa
Brenda Rubio
Ariana Saludares
Victoria M. Telles
Michelle Téllez
Marisa S. Torres
Edith Treviño Espinosa
Mariela Vásquez Tobon
Hilda Villegas
. . . An engaging personal account of a public service career n the period leading to the 1974 revolution. It ...persuades and provides real insight into the genuine noblesse oblige of the first generation of technocrats drawn from the social elite of the post- war period.
-James McCann, Boston University
Rising Anthills (the title refers to a Dogon myth) analyzes works in English, French, and Arabic by African and African American writers, both women and men, from different parts of the African continent and the diaspora. Attending closely to the nuances of language and the complexities of the issue, Bekers explores lesser-known writers side by side with such recognizable names as Ngugi wa Thiong’o, Flora Nwapa, Nawal El Saadawi, Ahmadou Kourouma, Calixthe Beyala, Alice Walker, and Gloria Naylor. Following their literary discussions of female genital excision, she discerns a gradual evolution—from the 1960s, when writers mindful of its communal significance carefully “wrote around” the physical operation, through the 1970s and 1980s, when they began to speak out against the practice and their societies’ gender politics, to the late 1990s, when they situated their denunciations of female genital excision in a much broader, international context of women’s oppression and the struggle for women’s rights.
Natalya Bekhta’s We-Narratives: Collective Storytelling in Contemporary Fiction analyzes a storytelling form shaped by the pronoun “we,” probing the tensions between individuality and collectivity in more recent narratives in English. Despite a growing interest in collective characters and the we-form in narratology and beyond, narrative theory has not yet done justice to the plural voice in fiction. In fact, the formulation of a poetics of collective expression needs clear theoretical conventions and a reassessment of established concepts in order to approach plural voices and agents on their own terms. We-Narratives addresses this demand by distinguishing between indicative and performative uses of the first-person plural pronoun in fiction and by identifying formal and rhetorical possibilities of stories told by group narrators.
What does it mean for a multitude to speak as one? How can a truly collective narrative voice be achieved or lost? What are its aesthetic and political repercussions? In order to tackle these questions, Bekhta reads a range of contemporary novels and short stories by Jeffrey Eugenides, Joshua Ferris, Toby Litt, Zakes Mda, Joyce Carol Oates, and Julie Otsuka. She also focuses on narrative innovation by Margaret Atwood, William Faulkner, and Susan Sontag. These narratives feature group protagonists and narrators and therefore offer insight into collective narrative discourse and focalization, construction of communal knowledge and unreliability. We-narrative, taken as a distinct storytelling form, illuminates fiction’s expressive potential and nuances models of narrative analysis.
China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing.
With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
What can we learn from watching animals play? Dogs chase each other and wrestle. Cats pounce and bite. These animals may look like they are fighting, but if you pay close attention— as world-renowned biologist Marc Bekoff does—you can see they are playing and learning the rules of their games. In Animals at Play, Bekoff shows us how animals behave when they play, with full-color illustrations showing animals in action and having fun—from squirrels climbing up a tree to polar bears somersaulting in the snow.
Bekoff emphasizes how animals communicate, cooperate and learn to play fair and what happens when they break the rules. He uses lively illustrations and simple explanations of what it means when a sea lion swims with kelp in its mouth or when two dogs bow to each other. Bekoff also describes what happens when animals become too aggressive and how they apologize, forgive and learn to trust one another. This entertaining and informative book will delight every child and show readers how animals—and humans—interact when they are having fun.
Canine Confidential has the answers. Written by award-winning scientist—and lifelong dog lover—Marc Bekoff, it not only brilliantly opens up the world of dog behavior, but also helps us understand how we can make our dogs’ lives the best they can possibly be. Rooted in the most up-to-date science on cognition and emotion—fields that have exploded in recent years—Canine Confidential is a wonderfully accessible treasure trove of new information and myth-busting. Peeing, we learn, isn’t always marking; grass-eating isn’t always an attempt to trigger vomiting; it’s okay to hug a dog—on their terms; and so much more. There’s still much we don’t know, but at the core of the book is the certainty that dogs do have deep emotional lives, and that as their companions we must try to make those lives as rich and fulfilling as possible. It’s also clear that we must look at dogs as unique individuals and refrain from talking about “the dog.”
Bekoff also considers the practical importance of knowing details about dog behavior. He advocates strongly for positive training—there’s no need to dominate or shame dogs or to make them live in fear—and the detailed information contained in Canine Confidential has a good deal of significance for dog trainers and teachers. He also suggests that trainers should watch and study dogs in various contexts outside of those in which they are dealing with clients, canine and human, with specific needs.
There’s nothing in the world as heartwarming as being greeted by your dog at the end of the workday. Read Canine Confidential, and you’ll be on the road to making your shared lives as happy, healthy, and rewarding as they can possibly be.
This collection of diverse essays is the first book devoted to compassionate conservation, a growing global movement that translates discussions and concerns about the well-being of individuals, species, populations, and ecosystems into action. Written by leading scholars in a host of disciplines, including biology, psychology, sociology, social work, economics, political science, and philosophy, as well as by locals doing fieldwork in their own countries, the essays combine the most creative aspects of the current science of animal conservation with analyses of important psychological and sociocultural issues that encourage or vex stewardship. The contributors tackle topics including the costs and benefits of conservation, behavioral biology, media coverage of animal welfare, conservation psychology, and scales of conservation from the local to the global. Taken together, the essays make a strong case for why we must replace our habits of domination and exploitation with compassionate conservation if we are to make the world a better place for nonhuman and human animals alike.
Contributors include: Rick Bass, Marc Bekoff, Janay Brun, Julia B. Corbett, Deanna Dawn, J. Frank Dobie, Suzanne Duarte, Steve Edwards, Joan Fox, Gary Gildner, Wendy Keefover-Ring, Ted Kerasote, Christina Kohlruss, Barry Lopez, BK Loren, Cara Blessley Lowe, Steve Pavlik, David Stoner, and Linda Sweanor.
Marc Bekoff has published twenty books, including The Emotional Lives of Animals, and is a professor emeritus of ecology and evolutionary biology at the University of Colorado at Boulder. Writer and photographer Cara Blessley Lowe is author of Spirit of the Rockies and co-founder of The Cougar Fund.
BK Loren, in Listening to Cougar: "If the lion, in all its dark, nocturnal otherness, in all its light, internal sameness, does not exist for future generations, if we destroy its habitat, or call open season on it, what could we possibly find to replace it? It is precisely because we fear large predators that we need them. They hold within them so many things that we have lost, or are on the verge of losing, personally and collectively, permanently and forever. If we sacrifice the fear, we also sacrifice the strength, the wildness, the beauty, the awe." Foreword by Jane Goodall
Scientists have long counseled against interpreting animal behavior in terms of human emotions, warning that such anthropomorphizing limits our ability to understand animals as they really are. Yet what are we to make of a female gorilla in a German zoo who spent days mourning the death of her baby? Or a wild female elephant who cared for a younger one after she was injured by a rambunctious teenage male? Or a rat who refused to push a lever for food when he saw that doing so caused another rat to be shocked? Aren’t these clear signs that animals have recognizable emotions and moral intelligence? With Wild Justice Marc Bekoff and Jessica Pierce unequivocally answer yes.
Marrying years of behavioral and cognitive research with compelling and moving anecdotes, Bekoff and Pierce reveal that animals exhibit a broad repertoire of moral behaviors, including fairness, empathy, trust, and reciprocity. Underlying these behaviors is a complex and nuanced range of emotions, backed by a high degree of intelligence and surprising behavioral flexibility. Animals, in short, are incredibly adept social beings, relying on rules of conduct to navigate intricate social networks that are essential to their survival. Ultimately, Bekoff and Pierce draw the astonishing conclusion that there is no moral gap between humans and other species: morality is an evolved trait that we unquestionably share with other social mammals.
Sure to be controversial, Wild Justice offers not just cutting-edge science, but a provocative call to rethink our relationship with—and our responsibilities toward—our fellow animals.
In the tense 1950s, even as the world was locked in the Cold War, U.S. scientists, maintained by the Navy's Operation Deep Freeze, came together in Antarctica with counterparts from eleven other countries to participate in the International Geophysical Year (IGY). On July 1, 1957, they began systematic, simultaneous scientific observations of the south-polar ice and atmosphere. Their collaborative success over eighteen months inspired the Antarctic Treaty of 1959, which formalized their peaceful pursuit of scientific knowledge. Still building on the achievements of the individuals and distrustful nations thrown together by the IGY from mutually wary military, scientific, and political cultures, science prospers today and peace endures.
The year 2007 marked the fiftieth anniversary of the IGY and the commencement of a new International Polar Year - a compelling moment to review what a singular enterprise accomplished in a troubled time. Belanger draws from interviews, diaries, memoirs, and official records to weave together the first thorough study of the dawn of Antarctica's scientific age. Deep Freeze offers absorbing reading for those who have ventured onto Antarctic ice and those who dream of it, as well as historians, scientists, and policy makers.
Writing with Elbow is a must-read collection for composition scholars, teachers, English educationists, and graduate students.
The 16 essays in this book provide a theoretical underpinning for freewriting.
Sheryl I. Fontaine opens the book with a description of the organization, purpose, and content of students’ 10-minute unfocused freewriting.
Pat Belanoff discusses the relationship between skilled and unskilled student writers.
Richard H. Haswell analyzes forms of freewriting.
Lynn Hammond describes the focused freewriting strategies used in legal writing and in the analysis of poetry.
Joy Marsella and Thomas L. Hilgers suggest ways of teaching freewriting as a heuristic.
Diana George and Art Young show what teachers learned about the writing abilities of three engineering students through freewriting journals.
Anne E. Mullin seeks to determine whether freewriting lives up to claims made for it.
Barbara W. Cheshire assesses the efficacy of freewriting.
James W. Pennebaker checks the short- and long-term effects of freewriting on students’ emotional lives.
Ken Macrorie notes that freewriting means being freed to use certain powers.
Peter Elbow shows how authors use freewriting.
Robert Whitney tells "why I hate to freewrite."
Karen Ferro considers her own freewriting, showing how it leads to a deeper self-understanding.
Chris Anderson discusses the qualities in freewriting that we should maintain in revision.
Burton Hatlen shows the parallels between writing projective verse and freewriting.
Sheridan Blau describes the results of experiments with invisible writing.
In Women Artists in Midcentury America, readers embark on a journey spanning two decades, delving into the evolving social and artistic landscapes through the lens of all-women exhibitions. These groundbreaking projects courageously confronted issues of sexual and racial discrimination, igniting profound discussions about women’s roles within modernism and democracy. Looking closely at the inception and reception of these exhibitions by curators, artists, critics, and the public, the book sheds light on the remarkable contributions of numerous artists, from Ruth Asawa to Marguerite Zorach. By foregrounding the accomplishments of women artists during a conservative period overshadowed by the feminist movement of the 1970s, Daniel Belasco provides a fresh perspective on the complex history of women’s art in America and its significance in the broader art world.
One of the first celebrity authors, Harriet Beecher Stowe (1811–1896) became famous almost overnight when Uncle Tom’s Cabin—which sold more than 300,000 copies in its first year of publication—appeared in 1852. Known by virtually all famous writers in the United States and many in England and regarded by many women writers as a role model because of her influence in the literary marketplace, Stowe herself was the subject of many books, articles, essays, and poems during her lifetime.
This volume brings together for the first time a range of primary materials about Stowe’s private and public life written by family members, friends, and fellow writers who knew or were influenced by her before and after Uncle Tom’s Cabin catapulted her to fame. Included are periodical articles by Fanny Fern and Charles Dudley Warner; biographical essays by Sarah Josepha Hale and Rose Terry Cooke; letters by Oliver Wendell Holmes, Elizabeth Barrett Browning, and Harriet Jacobs; recollections by Frederick Douglass, Annie Adams Fields, Isabella Beecher Hooker, and Charles Beecher; and poems by Paul Laurence Dunbar and John Greenleaf Whittier. An introduction at the beginning of each essay connects it to its historical and cultural context, explanatory notes provide information about people and places, and the book includes a detailed introduction and a chronology of Stowe’s life.
The thirty-eight recollections gathered in Stowe in Her Own Time form a biographical narrative designed to provide several perspectives on the famous author, sometimes in conflict and sometimes in agreement but always perceptive. The figure who emerges from this insightful, analytical collection is far more complex than the image she helped construct in her lifetime.
The field of English for Specific Purposes (ESP) is among the richest areas of second language research and practice because increasing globalization and changing technologies spawn new modes of intercultural connection and new occasions for second language use. English for Specific Purposes in Theory and Practice compasses this burgeoning field by presenting new research and commentary from some of the field’s leading scholars.
This volume explores ESP from academic (secondary and tertiary), occupational (business, medical, and legal), and socio-cultural perspectives. Recurring motifs throughout the volume are the effects of globalization, English as a lingua franca, and the impact of migrant populations. One of the major questions this volume seeks to answer is, How can ESP instructors meet their own teacher knowledge needs? Also considered is, How have ESP practitioners succeeded in gaining control of the knowledge they need to address their students’ needs?
Linking Literacies provides the most up to date theoretical overview of the connection between reading and writing in second language acquisition. Belcher and Hirvela have brought together the definitive collection of developments in reading-writing relations research and pedagogy. Papers are organized into these parts:
Ground Practice: Theory, Research, and History
In the Classroom: Teaching Reading as Writing and Writing as Reading
(E)Merging Literacies and the Challenge of Textual Ownership
Technology-Assisted Reading and Writing.
In addition to examining the ways in which L1 influences have affected the development of L2 reading-writing theory and pedagogy, Linking Literacies looks at how L2 reading-writing scholarship has created an identity separate of an L1 framework. Linking Literacies examines a broad range of questions and concerns within the structure of L2 reading-writing connections and L2 academic literacy through discussions of theory, research, and
With this new edition, Belcher expands her advice to reach beginning scholars in even more disciplines. She builds on feedback from professors and graduate students who have successfully used the workbook to complete their articles. A new chapter addresses scholars who are writing from scratch. This edition also includes more targeted exercises and checklists, as well as the latest research on productivity and scholarly writing.
Writing Your Journal Article in Twelve Weeks is the only reference to combine expert guidance with a step-by-step workbook. Each week, readers learn a feature of strong articles and work on revising theirs accordingly. Every day is mapped out, taking the guesswork and worry out of writing. There are tasks, templates, and reminders. At the end of twelve weeks, graduate students, recent PhDs, postdoctoral fellows, adjunct instructors, junior faculty, and international faculty will feel confident they know that the rules of academic publishing and have the tools they need to succeed.
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