The term “Abrahamic religions” has gained considerable currency in both scholarly and ecumenical circles as a way of referring to Judaism, Christianity, and Islam. In The Family of Abraham, Carol Bakhos steps back from this convention to ask a frequently overlooked question: What, in fact, is Abrahamic about these three faiths? Exploring diverse stories and interpretations relating to the portrayal of Abraham, she reveals how he is venerated in these different scriptural traditions and how scriptural narratives have been pressed into service for nonreligious purposes.
Grounding her study in a close examination of ancient Jewish textual practices, primarily midrash, as well as medieval Muslim Stories of the Prophets and the writings of the early Church Fathers, Bakhos demonstrates that ancient and early-medieval readers often embellished the image of Abraham and his family—Sarah, Hagar, Ishmael, and Isaac. Her analysis dismantles pernicious misrepresentations of Abraham’s firstborn son, Ishmael, and provocatively challenges contemporary references to Judaism and Islam as sibling religions.
As Bakhos points out, an uncritical adoption of the term “Abrahamic religions” not only blinds us to the diverse interpretations and traditions of Judaism, Christianity, and Islam but also artificially separates these faiths from their historical contexts. In correcting mistaken assumptions about the narrative and theological significance of Abraham, The Family of Abraham sheds new light on key figures of three world religions.
For many, the Middle Ages in general evokes a sense of the sinister and brings to mind a world of fear, superstition, and religious fanaticism. For Jews it was a period marked by persecutions, pogroms, and expulsions. Yet at the same time, the Middle Ages was also a time of lively cultural exchange and heightened creativity for Jews. In The Jewish Middle Ages, contributors explore the ways in which the stories of biblical women, including, Eve, Sarah, Hagar, Rebekah, Zipporah, Ruth, Esther, and Judith, make their way into the rich tapestry of medieval Jewish literature, mystical texts, and art, particularly in works emanating from Ashkenazic circles. Contributors include Carol Bakhos, Judith R. Baskin, Elisheva Baumgarten, Dagmar Börner-Klein, Constanza Cordoni, Rachel Elior, Meret Gutmann-Grün, Robert A. Harris, Yuval Katz-Wilfing, Sheila Tuller Keiter, Katrin Kogman-Appel, Gerhard Langer, Aurora Salvatierra Ossorio, and Felicia Waldman. These essays give us a glimpse into the role women played and the authority they assumed in medieval Jewish culture beyond the rabbinic centers of Palestine and Babylonia.
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.
Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
Art and Answerability contains three of Mikhail Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates, lectures, demonstrations, and manifesto writing of the period. Because they predate works that have already been translated, these essays—"Art and Answerability," "Author and Hero in Aesthetic Activity," and "The Problem of Content, Material, and Form in Verbal Art"—are essential to a comprehensive understanding of Bakhtin's later works. A superb introduction by Michael Holquist sets out the major themes and concerns of the three essays and identifies their place in the canon of Bakhtin's work and in intellectual history. The introduction, together with Vadim Liapunov's scholarly gloss, makes these essays accessible to students as well as scholars.
Rescued in 1972 from a storeroom in which rats and seeping water had severely damaged the fifty-year-old manuscript, this text is the earliest major work (1919-1921) of the great Russian philosopher M. M. Bakhtin. Toward a Philosophy of the Act contains the first occurrences of themes that occupied Bakhtin throughout his long career. The topics of authoring, responsibility, self and other, the moral significance of "outsideness," participatory thinking, the implications for the individual subject of having "no-alibi in existence," the difference between the world as experienced in actions and the world as represented in discourse—all are broached here in the heat of discovery. This is the "heart of the heart" of Bakhtin, the center of the dialogue between being and language, the world and mind, "the given" and "the created" that forms the core of Bakhtin's distinctive dialogism.
A special feature of this work is Bakhtin's struggle with the philosophy of Immanuel Kant. Put very simply, this text is an attempt to go beyond Kant's formulation of the ethical imperative. mci will be important for scholars across the humanities as they grapple with the increasingly vexed relationship between aesthetics and ethics.
Speech Genres and Other Late Essays presents six short works from Bakhtin's Esthetics of Creative Discourse, published in Moscow in 1979. This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration.
Police found John Doe No. 24 in the early morning hours of October 11, 1945, in Jacksonville, Illinois. Unable to communicate, the deaf and mute teenager was labeled “feeble minded” and sentenced by a judge to the nightmarish jumble of the Lincoln State School and Colony in Jacksonville. He remained in the Illinois mental health care system for over thirty years and died at the Sharon Oaks Nursing Home in Peoria on November 28, 1993.
Deaf, mute, and later blind, the young black man survived institutionalized hell: beatings, hunger, overcrowding, and the dehumanizing treatment that characterized state institutions through the 1950s. In spite of his environment, he made friends, took on responsibilities, and developed a sense of humor. People who knew him found him remarkable.
Award-winning journalist Dave Bakke reconstructs the life of John Doe No. 24 through research into a half-century of the state mental health system, personal interviews with people who knew him at various points during his life, and sixteen black-and-white illustrations. After reading a story about John Doe in the New York Times, acclaimed singer-songwriter Mary Chapin Carpenter wrote and recorded “John Doe No. 24” and purchased a headstone for his unmarked grave. She contributes a foreword to this book.
As death approached for the man known only as John Doe No. 24, his one-time nurse Donna Romine reflected sadly on his mystery. “Ah, well,” she said, “God knows his name.”
Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine essays in this volume focus on performance and audience reception of oral poetry.
These innovative essays by leading scholars of Homer, oral poetics, and epic invite us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume.
Balsam Fir was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Professors Bakuzis and Hansen, with the assistance of a number of co-authors of individual chapters, present an exhaustive survey of the literature on the balsam fir, providing a coherent picture of the species and its place in nature and forestry practice. The balsam fir is used extensively in the pulp and paper industry, and it is known to millions as a traditional Christmas tree. In North America it is a major tree species in Canada, in the northeastern United States, and in the Great Lakes region.
In the search of the literature, over 2000 sources were consulted and considerably more than half of them are cited in the book. The references, organized in an ecological framework, cover the period from the seventeenth century to the present. The authors have reviewed and integrated these data in a unified, but multipurposed, book. In the integration of the source material the authors also made contributions of their own. The book contains the following chapters: Botanical Foundations, Geography and Synecology, Ecological Factors, Microbiology, Entomology, Reproduction, Stand Development, Growth and Yield, and Utilization. Appendixes list fungi and myxomycetes and insects associated with balsam fir. There are 30 illustrations, including a frontispiece drawing by the noted nature artist Francis Lee Jaques.
The book will appeal to a wide range of readers specifically concerned with forestry, including research workers, educators, entomologists, pathologists, and managing foresters, as well as conservationists and wildlife biologist in general.
Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal.
In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo’s work, from Salcedo’s Atrabiliarios series—in which the artist uses worn shoes to retrace los desaparecidos (“the disappeared”) from nations like Argentina, Chile, and Colombia—to Shibboleth, Salcedo’s once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall’s concrete floor. In each instance, Salcedo’s installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo’s powerful sculptures and installations.
An unforgettable fusion of art and essay, Of What One Cannot Speak takes us to the very core of events we are capable of remembering—yet still uncomfortably cannot speak aloud.
When Beyond the Mafia first appeared in 1996 it was hailed as a significant contribution to the history of Las Vegas and of ethnic minorities in America. Author Alan Balboni traces the history of Italians in Las Vegas from the founding of the city in 1905, recording their activities in the fledgling settlement. As Las Vegas grew, Italian Americans participated in every aspect of the city’s society and economy, including construction, retail establishments, hotels, and—after the statewide legalization of gambling in 1931—the casino industry. Basing his research on well over a hundred interviews, as well as the records of Italian American organizations, public agencies, and other sources, Balboni has produced a sparkling and thoroughly documented account of the history of one of Las Vegas’s most progressive and productive ethnic minorities. This new paperback edition includes an afterword by the author that brings the story of Las Vegas’s Italian Americans up to the present.
Researchers, instructors, and students will appreciate this compilation of detailed information on the crustacean zooplankton of the Great Lakes. The authors have gathered data from more than three hundred sources and organized into a useful laboratory manual. The taxonomic keys are easy to use, suitable for both classroom and laboratory identifications. Detailed line drawings are provided to help confirm the identification of the major species. Zoologists, limnologists, hydrobiologists, fish ecologists, and those who study or monitor water quality will welcome this dependable new identification tool.
A concise summary of pertinent information on the ecology of these zooplankton is provided in the main body of the text. A check-list of all species reported from each of the Great Lakes and notes on the distribution and abundance of more than a hundred species were compiled from an extensive search of existing literature. In addition, the authors collected samples from several locations on Lake Superior, in order to provide information on the abundance and life histories of the major crustacean species.
Winner of the Theodore Saloutos Memorial Book Award
Winner of the Association for Asian American Studies Book Award for History
A Times Literary Supplement Book of the Year
A Saveur “Essential Food Books That Define New York City” Selection
In the final years of the nineteenth century, small groups of Muslim peddlers arrived at Ellis Island every summer, bags heavy with embroidered silks from their home villages in Bengal. The American demand for “Oriental goods” took these migrants on a curious path, from New Jersey’s beach boardwalks into the heart of the segregated South. Two decades later, hundreds of Indian Muslim seamen began jumping ship in New York and Baltimore, escaping the engine rooms of British steamers to find less brutal work onshore. As factory owners sought their labor and anti-Asian immigration laws closed in around them, these men built clandestine networks that stretched from the northeastern waterfront across the industrial Midwest.
The stories of these early working-class migrants vividly contrast with our typical understanding of immigration. Vivek Bald’s meticulous reconstruction reveals a lost history of South Asian sojourning and life-making in the United States. At a time when Asian immigrants were vilified and criminalized, Bengali Muslims quietly became part of some of America’s most iconic neighborhoods of color, from Tremé in New Orleans to Detroit’s Black Bottom, from West Baltimore to Harlem. Many started families with Creole, Puerto Rican, and African American women.
As steel and auto workers in the Midwest, as traders in the South, and as halal hot dog vendors on 125th Street, these immigrants created lives as remarkable as they are unknown. Their stories of ingenuity and intermixture challenge assumptions about assimilation and reveal cross-racial affinities beneath the surface of early twentieth-century America.
These nine essays selected by Lawrence Baldassaro and Richard A. Johnson present for the first time in a single volume an ethnic and racial profile of American baseball. These essayists show how the gradual involvement by various ethnic and racial groups reflects the changing nature of baseball—and of American society as a whole—over the course of the twentieth century.
Although the sport could not truly be called representative of America until after Jackie Robinson broke the color line in 1947, fascination with the ethnic backgrounds of the players began more than a century ago when athletes of German and Irish descent entered the major leagues in large numbers. In the 1920s, commentators noted the influx of ballplayers of Italian and Slavic origins and wondered why there were not more Jewish players in the big leagues. The era following World War II, however, saw the most dramatic ethnographic shift with the belated entry of African American ballplayers. The pattern of ethnic succession continues as players of Hispanic and Asian origin infuse fresh excitement and renewal into the major leagues.
The Commercialization of News in the Nineteenth Century traces the major transformation of newspapers from a politically based press to a commercially based press in the nineteenth century. Gerald J. Baldasty argues that broad changes in American society, the national economy, and the newspaper industry brought about this dramatic shift.
Increasingly in the nineteenth century, news became a commodity valued more for its profitablility than for its role in informing or persuading the public on political issues. Newspapers started out as highly partisan adjuncts of political parties. As advertisers replaced political parties as the chief financial support of the press, they influenced newspapers in directing their content toward consumers, especially women. The results were recipes, fiction, contests, and features on everything from sports to fashion alongside more standard news about politics.
Baldasty makes use of nineteenth-century materials—newspapers from throughout the era, manuscript letters from journalists and politicians, journalism and advertising trade publications, government reports—to document the changing role of the press during the period. He identifies three important phases: the partisan newspapers of the Jacksonian era (1825-1835), the transition of the press in the middle of the century, and the influence of commercialization of the news in the last two decades of the century.
Edward Willis Scripps revolutionized the newspaper industry by applying modern business practices. His press empire grew to more than forty newspapers supported by a telegraphic news service and an illustrated news features syndicate. Convinced that big business was corrupting the American press, Scripps resisted supporting his newspapers through advertising. He also aimed them at the working class, an audience virtually ignored by most newspaper publishers of his era.
Drawing on Scripps's business correspondence, Gerald Baldasty provides a portrait of a long-neglected entrepreneurial giant. Maintaining that the press should support the democratic endeavor by informing its largest constituency, Scripps succeeded in creating a string of small, one-penny newspapers that advocated for the common people by crusading for lower streetcar fares, free textbooks for public school children, municipal ownership of utilities, and pure food legislation, among many other causes.
The advent of chemical or pharmacological therapies has had an enormous impact on the treatment of psychiatric illness. For the chemotherapy to be effective, however, the clinician must take into account many factors in addition to recognition of a syndrome and selection of an appropriate agent and dose. In this extensively revised and expanded edition of a widely used book, Ross Baldessarini concentrates on providing rational, scientific underpinnings for the treatment of patients. In doing so, he bridges the gap between biology, psychology, and clinical practice.
To provide the most up-to-date coverage of the actions and use of psychotropic agents, Professor Baldessarini has enlarged the text to nearly twice its original length and has added sixty-three new tables. More basic preclinical pharmacology is included to guide the thoughtful use of medication. In addition to summarizing this basic knowledge, the text reviews the indications for each drug, the kinds of patients most likely to respond, and side effects and contraindications, and provides summaries of clinical research findings on which rational clinical practice rests.
A chapter is devoted to each of the principal classes of psychotropic drugs: antipsychotic agents, lithium salts and other antimanic agents, antidepressant agents, and antianxiety drugs. Within each chapter is a new section that surveys the future of the field and examines new procedures, theories, and agents. A final chapter covers more general topics such as psychosocial, ethical, and legal aspects of practice in the administration of drugs, as well as the emerging topics of geriatric and pediatric psychopharmacology--material not readily available elsewhere.
European media is experiencing a paradoxical form of growth: as media outlets surge and new technologies develop, major broadcasting companies are consolidating like never before. In Broadcasters and Citizens in Europe, an esteemed group of contributors look at what this paradox might mean for the European community. Are broadcasting audiences better informed than they were twenty years ago? And how has the advent of the European Union changed media practices? This essential volume explores a new media world in the context of a continent in flux.
This comprehensive linguistic survey of the Indo-European groups synthesizes the vast amount of information contained in the specialized handbooks of the individual stocks.
The text begins with an introduction to the concept of the Indo-European language family, the history of its discovery, and the techniques of analysis. The introduction also gives a structural sketch of Proto-Indo-European, the parent language from which the others are descended. Baldi then devotes a chapter to each of the 11 major branches of Indo-European (Italic, Celtic, Indo-Iranian, Greek, Armenian, Albanian, Baltic, Slavic, Germanic, Tocharian, and Anatolian).
Each chapter provides an outline of the external history of the branch, its people, dialects, and other relevant history. This outline is followed by a structural sketch of the most important language or languages of the branch (e.g., Old Irish for Celtic, Sanskrit and Avestan for Indo-Iranian, Latin and Osco-Umbrian for Italic). The sketch also contains the phonology, morphology, and syntax of each language. There is lastly a sample text of each language containing both interlinear and free translation. In those branches where there are special issues (e.g., the relation of Italic to Celtic and Baltic to Slavic, or the problem of archaism in Hittite), additional discussions of these issues are provided. Baldi’s final chapter gives a brief outline of the “minor” Indo-European languages such as Illyrian, Thracian, Raetic, and Phrygian. Adding further to the usefulness of the book are extensive bibliographies, an up-to-date map showing the geographical distribution of the Indo-European languages throughout the world, and a detailed family tree diagram of the members of each subgroup within the Indo-European language family and their interrelationships.
The first critical evaluation of Greene's novels since his death in 1991, Graham Greene's Fictions: The Virtues of Extremity is a reconsideration of the author's major literary achievements, as well as a recasting of his overall worldview. Hitherto, most criticism of Greene's fiction has forced him into the constricting category of the "Catholic novelist," consequently flattening the peaks and valleys of his uncompromising vision of life. Graham Greene's Fictions is Cates Baldridge's response to this critical disservice—an exploration that ignores the conventional preconceptions about Greene's fiction and reveals him to be one of the leading British novelists of the twentieth century.
More than a general assessment, Graham Greene's Fictions offers a fresh interpretation of familiar texts and attempts to discover within Greene's work a structure of thought that has not yet been seen with sufficient clarity. Each chapter focuses on a major aspect of Greene's vision as expressed through his novels. Greene's caustic attitude toward middle-class orthodoxies and his critiques of the three reigning ideologies of his time--Christianity, Marxism, and liberalism—are just two of the areas that Baldridge explores. Although five of Greene's novels are singled out for extensive evaluation—Brighton Rock, The Power and the Glory, The Heart of the Matter, The Comedians, and The Honorary Consul—what Baldridge attempts is nothing less than a comprehensive re-imagination of "Greeneland's" fictional topography.
Written for both the scholar and the general audience, this innovative study successfully captures the attention of all readers whether it is the first or the fifty-first work of Greene criticism one has read.
In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world.
In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century.
Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.
Beyond Preservation was first published in 1993. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Addressing current ecological issues, from the philosophical to the practical, Frederick Turner and William R. Jordan III Here offer a new paradigm for understanding the relationship between the humans and nature. Challenging the idea that preserving nature is the only solution to environmental problems, they advocate going beyond preservation to restoration and actual construction of our landscape. Fifteen respondents reflect on the implications and consequences of Turner’s and Jordan’s bold proposals.“Ecological restoration is the most helpful and provocative contribution to our thinking about nature to come along in many years, and Beyond Preservation is without a doubt the best book on the subject to date.” Michael Polan, Harper’sContributors include Gary W. Barrett, Ann Cline, David L. Gorchov, William Jordan III, G. Stanley Kane, Jack Temple Kirby, Dora G. Lodwick, Orie L. Loucks, Kimberly E. Medley, Constance Pierce, Ellen Price, Frederick Turner, John E. Wierwille, and Gene E. Willeke.This book is an interim report on how the human problems of the British coal industry are handled under nationalization—one of the classic experiments in governmental control of a great industry. The book makes clear why the future progress of the industry will depend on the solution of specific labor problems regardless of the system of ownership or which political party may control the government or the Coal Board.
The main body of the book consists of case studies of nine key problems: union structure, collective bargaining, joint consultation, absenteeism, labor supply, wage structure, methods of wage payment, labor’s attitudes toward technological change, and the relocation of labor in the Scottish coalfield. The exploration of these problems is based on many pit visits, attendance at union meetings and conventions, innumerable discussions with union and Coal Board officials at all levels, and wide familiarity with the extensive literature on the industry. As a result of the extensive amount of field work done by the author, the book contains much new material not published elsewhere.
Of particular interest are the detailed, realistic accounts of mining operations in a typical British pit, and the description and analysis of incentive wage systems and the effect on these of technological change. The analysis of handling union recognition, the problem of break-away groups, and provisions for union security are treated with detail not otherwise available. The book shows the impact of nationalization upon the structure and operation of the National Union of Mineworkers and the adjustments in management of the coal pits. Explicit comparisons between British and American labor relations practices should interest students in both countries.
For students of British labor relations or coal industry specialists, this book will be a valuable reference, and it will be of special interest to anyone investigating the claim of the socialists that they could make a unique contribution to the solution of labor problems.
Before skyscrapers and streetlights glowed at all hours, American cities fell into inky blackness with each setting of the sun. But over the course of the nineteenth and early twentieth century, new technologies began to light up streets, sidewalks, buildings, and public spaces. Peter C. Baldwin’s evocative book depicts the changing experience of the urban night over this period, visiting a host of actors—scavengers, newsboys, and mashers alike—in the nocturnal city.
An Economist Best Book of the Year
A Financial Times Best Economics Book of the Year
A Fast Company “7 Books Microsoft CEO Satya Nadella Says You Need to Lead Smarter”
Between 1820 and 1990, the share of world income going to today’s wealthy nations soared from twenty percent to almost seventy. Since then, that share has plummeted to where it was in 1900. As the renowned economist Richard Baldwin reveals, this reversal of fortune reflects a new age of globalization that is drastically different from the old. The nature of globalization has changed, but our thinking about it has not.
Baldwin argues that the New Globalization is driven by knowledge crossing borders, not just goods. That is why its impact is more sudden, more individual, more unpredictable, and more uncontrollable than before—which presents developed nations with unprecedented challenges as they struggle to maintain reliable growth and social cohesion. It is the driving force behind what Baldwin calls “The Great Convergence,” as Asian economies catch up with the West.
“In this brilliant book, Baldwin has succeeded in saying something both new and true about globalization.”
—Martin Wolf, Financial Times
“A very powerful description of the newest phase of globalization.”
—Larry Summers, former U.S. Secretary of the Treasury
“An essential book for understanding how modern trade works via global supply chains. An antidote to the protectionist nonsense being peddled by some politicians today.”
—The Economist
“[An] indispensable guide to understanding how globalization has got us here and where it is likely to take us next.”
—Alan Beattie, Financial Times
In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians. As a result, Christians retaliated with expulsions, riots, and murders that systematically denied Jews the right to religious freedom and peace. Through close readings of a wide range of sources, Bale exposes the perceived violence enacted by the Jews and how the images of this Christian suffering and persecution were central to medieval ideas of love, community, and home. The images and texts explored by Bale expose a surprising practice of recreational persecution and show that the violence perpetrated against medieval Jews was far from simple anti-Semitism and was in fact a complex part of medieval life and culture.
Bale’s comprehensive look at medieval poetry, drama, visual culture, theology, and philosophy makes Feeling Persecuted an important read for anyone interested in the history of Christian-Jewish relations and the impact of this history on modern culture.
This rich collection of essays and interviews explores modern-dance technique training from the last fifty years. Focusing on the culture of dance, editors Melanie Bales and Rebecca Nettl-Fiol examine choreographic process and style, dancer agency and participation in the creative process, and changes in the role and purpose of training. Bringing recent writings on dance into dialogue with dance practice, The Body Eclectic: Evolving Practices in Dance Training asks readers to consider the relationship between training practices and choreographic style and content. The contributors explore how technique training both guides and reflects the art of dance.
Contributors include Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten, Martha Myers, and Rebecca Nettl-Fiol.
Dance professionals interviewed include David Dorfman, Ralph Lemon, Bebe Miller, Tere O’Connor, and Shelley Washington.
In this captivating collection of twelve essays, a testament to a lifetime’s fascination with the outdoors and its myriad wonders, naturalist Stephen Lyn Bales examines a variety of flora and fauna that in one way or another can be described as “ephemeral”—that is, fleeting, short-lived, or transient.
Focusing on his native East Tennessee, Bales introduces us to several oddities, including the ghost plant, a wispy vascular plant that resembles a rooster’s tail and grows mainly in areas devoid of sunlight; the Appalachian panda, an ancestor of today’s red panda that wandered the region millions of years ago and whose fossil remains have only recently been discovered; and the freshwater jellyfish, a tiny organism that is virtually invisible except for those hot summer days when clusters of them bloom into shimmering “medusae,” sometimes by the thousands. Other essays consider such topics as the plight of the monarch butterfly, a gorgeous insect whose populations have dropped by 90 percent in only the last two decades; the reintroduction of the lake sturgeon, one of nature’s most primitive and seldom-seen fish, into the waters of the Tennessee Valley; and the surprising emergence of coyote-wolf and coyote-dog hybrids in the eastern states.
Written with insight, humor, and heart, Ephemeral by Nature is as entertaining as it is instructive. Along with a wealth of biological details—and his own handsome pen-and-ink drawings—Bales fills the book with delightful anecdotes of field trips, species-protection efforts, and those thrilling occasions when some elusive member of the natural order shows itself to us, if only for a brief moment.
Stephen Lyn Bales, senior naturalist at Ijams Nature Center in Knoxville, is the author of Natural Histories: Stories from the Tennessee Valley and Ghost Birds: Jim Tanner and the Quest for the Ivory-billed Woodpecker, 1935–1941, both published by the University of Tennessee Press.
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