A SCHOLARLY BOOK REPOSITORY
While politicians and pundits endlessly debate immigration policy, U.S. Border Patrol agents put their lives on the line to enforce immigration law. In a day's work, agents may catch a load of narcotics, apprehend groups of people entering the country illegally, and intercept a potential terrorist. Their days often include rescuing aliens from death by thirst or murder by border bandits, preventing neighborhood assaults and burglaries, and administering first aid to accident victims, and may involve delivering an untimely baby or helping stranded motorists. As Bill Broyles and Mark Haynes sum it up, "Border Patrol is a hero job," one that too often goes unrecognized by the public.
Desert Duty puts a human face on the Border Patrol. It features interviews with nineteen active-duty and retired agents who have worked at the Wellton, Arizona, station that watches over what is arguably the most perilous crossing along the border—a sparsely populated region of the Sonoran Desert with little water and summer temperatures that routinely top 110°F. The agents candidly discuss the rewards and frustrations of holding the line against illegal immigrants, smugglers, and other criminals—while often having to help the very people they are trying to thwart when they get into trouble in the desert. As one agent explains, "The thrill is tracking 'em up before they die. It's a rough ol' way to go—run outta water in this desert."
Natural History
"An energetic start quickly became a trudge; we glanced back frequently towards our point of departure, an air-conditioned vehicle. Not only did the hot air feel like a blast from a smelter’s furnace, but within minutes the reflected sunlight was doing perceptible damage to any exposed skin. I’m sure I was sweating more than I ever had before, yet my skin was dry...We found ourselves blinking rapidly to keep the eyes moist. After a few more minutes, we turned back for the car, leading our youngest child who would no longer open her eyes."
- John Sowell
Unlike books that merely identify what plants and animals live in the desert, Desert Ecology is a comprehensive but accessible introduction to how these organisms live where they do. Beginning with an overview of the Intermountain, Mojave, Sonoran, and Chihuahuan Deserts, Sowell presents the topographic and the meteorologic conditions that created these regions. He continues with a thorough examination of physiologic and behavioral adaptations that enable plants and animals, even humans, to survive and persist in these inhospitable places.
While basic scientific principles—such as photosynthesis, trophic levels, thermoregulation, and osmoregulation—are presented in terms that nonspecialists will understand, the real draw is the fascinating life histories of dozens of particular organisms. Explore the life cycle of the yucca and creosote bush, trace the wanderings of the gila monster and tenebrionid beetle, breathe in the rhythms of the desert at night.
"This book is for the curious," says the author, for all who enter the "wasteland," on foot or through imagination.
Southwest Book of the Year Award Winner
Pubwest Book Design Award Winner
Drawing on thousands of years of foodways, Tucson cuisine blends the influences of Indigenous, Mexican, mission-era Mediterranean, and ranch-style cowboy food traditions. This book offers a food pilgrimage, where stories and recipes demonstrate why the desert city of Tucson became American’s first UNESCO City of Gastronomy.
Both family supper tables and the city’s trendiest restaurants feature native desert plants and innovative dishes incorporating ancient agricultural staples. Award-winning writer Carolyn Niethammer deliciously shows how the Sonoran Desert’s first farmers grew tasty crops that continue to influence Tucson menus and how the arrival of Roman Catholic missionaries, Spanish soldiers, and Chinese farmers influenced what Tucsonans ate.
White Sonora wheat, tepary beans, and criollo cattle steaks make Tucson’s cuisine unique. In A Desert Feast, you’ll see pictures of kids learning to grow food at school, and you’ll meet the farmers, small-scale food entrepreneurs, and chefs who are dedicated to growing and using heritage foods. It’s fair to say, “Tucson tastes like nowhere else.”
Desert Frontier is a study of the ecological and economic impact of a long-term trend toward increasing aridity along the southern edge of the western Sahara. Beginning in the early seventeenth century, this climatological trend forced the desert approximately 200–300 kilometers to the south, transforming ethnic identities and ways of life along the length of the Sahel. Based on extensive archival research and on Saharan oral data, Desert Frontier argues that the principal historical dynamics of the precolonial Sahel were determined by this pervasive ecological crisis, rather than by the dynamics of a European-dominated world system.
Whether you're raising vegetables, nursing citrus trees, or just trying to keep your front yard looking its best, you'll find that this handy book gives you a valuable month-by-month perspective on the year. It helps you to focus on necessary activities and reminds you of simple tasks you might overlook.It's especially valuable for people who've moved to the desert regions from other parts of the country and follow old gardening dates that seldom apply to their new home.
The Desert Gardener's Calendar is a guide to the maintenance you need to do to keep your garden flourishing and your landscape attractive throughout the year. It combines the month-by-month gardening and landscaping activities from two separate books by George Brookbank—Desert Gardening, Fruits and Vegetables and Desert Landscaping—and was created in response to readers who have found the calendar sections of those books especially invaluable.
And because not all deserts are the same, Brookbank is careful to point out differences in scheduling encountered by gardeners in low- and middle-elevation regions in California and the Southwest. "I believe," says the author, "that if you use this calendar and let your judgment become more accurate with experience, you'll soon be doing everything right." Although that might suggest a day when you don't need this book, chances are good that, if you're a desert gardener, right now you do.
Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories.
Leading experts in geography, biology, botany, zoology, and geoscience present new research on the desert grassland and review a vast amount of earlier work. They reveal that present-day grasses once grew in the ice-age forests that existed in these areas before the climate dried and the trees vanished and how the intensity and frequency of fire can influence the plant and animal species of the grassland. They also document how the influence of humans—from Amerindians to contemporary ranchers, public land managers, and real estate developers—has changed the relative abundance of woody and herbaceous species and how the introduction of new plants and domesticated animals to the area has also affected biodiversity. The book concludes with a review of the attempts, both failed and successful, to reestablish plants in desert grasslands affected by overgrazing, drought, and farm abandonment.
Meticulously researched and copiously illustrated, The Desert Grassland is a major contribution to ecological literature. For advanced lay readers as well as students and scholars of history, geography, and ecology, it will be a standard reference work for years to come.
The U.S.-led conquest and occupation of Iraq have kept that troubled country in international headlines since 2003. For America’s major Coalition ally, Great Britain, however, this latest incursion into the region played out against the dramatic backdrop of imperial history: Britain’s fateful invasion of Mesopotamia in 1914 and the creation of a new nation from the shards of war.
The objectives of the expedition sent by the British Government of India were primarily strategic: to protect the Raj, impress Britain’s military power upon Arabs chafing under Ottoman rule, and secure the Persian oil supply. But over the course of the Mesopotamian campaign, these goals expanded, and by the end of World War I Britain was committed to controlling the entire region from Suez to India. The conquest of Mesopotamia and the creation of Iraq were the central acts in this boldly opportunistic bid for supremacy. Charles Townshend provides a compelling account of the atrocious, unnecessary suffering inflicted on the expedition’s mostly Indian troops, which set the pattern for Britain’s follow-up campaigns in Iraq and Afghanistan over the next seven years. He chronicles the overconfidence, incompetence, and dangerously vague policy that distorted the mission, and examines the steps by which an initially cautious strategic operation led to imperial expansion on a vast scale.
Desert Hell is a cautionary tale for makers of national policy. And for those with an interest in imperial history, it raises searching questions about Britain’s quest for global power and the indelible consequences of those actions for the Middle East and the world.
Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O’odham culture. Speaking in her own words from the heart of the Arizona desert, she now shares the story of her life. She tells of O’odham culture and society, and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.
In Desert Indian Woman, Frances relates her life and her stories with the wit, humor, and insight that have endeared her to family and friends. She tells of her early childhood growing up in a mesquite brush house, her training in tribal traditions, her acquaintance with Mexican ways, and her education in an American boarding school. Through her recollections of births and deaths, heartache and happiness, we learn of her family’s migration from the reservation to the barrios and back again. In the details of her everyday life, we see how Frances has navigated between O’odham and American societies, always keeping her grandparents’ traditional teachings as her compass.
It is extraordinary to hear from a Native American woman like Frances, in her own words and her own point of view, to enter the complex and sensitive aspects of her life experience, her sorrows, and her dreams. We also become privy to her continuing search for her identity across the border, and the ways in which Frances and Deborah have attempted to make sense of their friendship over twenty-odd years. Throughout the book, Deborah captures the rhythms of Frances’s narrative style, conveying the connectedness of her dreams, songs, and legends with everyday life, bringing images and people from faraway times and places into the present.
Deborah Neff brings a breadth of experience in anthropology and Southwest Native American cultures to the task of placing Frances Manuel’s life in its broader historical context, illuminating how history works itself out in people’s everyday lives. Desert Indian Woman is the story of an individual life lived well and a major contribution to the understanding of history from a Native American point of view.
The Desert Islands of Mexico’s Sea of Cortez is one of the few books devoted to the biogeography of this remarkable part of the world. The book explores the geologic origin of the gulf and its islands, presents some of the basics of island biogeography, details insular life—including residents of the intertidal zone —and provides a brief outlook for preserving this area. More than a simple guidebook, Aitchison’s writing will take both actual and armchair travelers through a gripping tale of natural history.
Like the rest of our fragile planet, the Sea of Cortez and its islands are threatened by humans. Overfishing has eliminated or greatly diminished many fish stocks, and dams on rivers that once flowed into the gulf prevent certain nutrients from reaching the sea. The tenuousness of this area makes the book’s extraordinary photographs and the firsthand descriptions by a well-known teacher, writer, and photographer all the more compelling.
These stunning photographs allow us to appreciate the spectacular range of color and form cactus flowers have to offer. For the cactus enthusiast, the book offers a comprehensive collection of high-quality flower photographs unlike any other. The photographs cover more than 250 cactus species organized by genus. The book starts with an introduction by the photographer that is both autobiographical and informative. It offers a glimpse into his process for capturing these elusive desert gems, resulting in photographs so beautiful they were featured as a book of stamps issued by the U.S. Postal Service.
This collection of cactus flowers in bloom is a one-of-a-kind work by a master photographer.
Oil and water, and the science and technology used to harness them, have long been at the heart of political authority in Saudi Arabia. Oil’s abundance, and the fantastic wealth it generated, has been a keystone in the political primacy of the kingdom’s ruling family. The other bedrock element was water, whose importance was measured by its dearth. Over much of the twentieth century, it was through efforts to control and manage oil and water that the modern state of Saudi Arabia emerged.
The central government’s power over water, space, and people expanded steadily over time, enabled by increasing oil revenues. The operations of the Arabian American Oil Company proved critical to expansion and to achieving power over the environment. Political authority in Saudi Arabia took shape through global networks of oil, science, and expertise. And, where oil and water were central to the forging of Saudi authoritarianism, they were also instrumental in shaping politics on the ground. Nowhere was the impact more profound than in the oil-rich Eastern Province, where the politics of oil and water led to a yearning for national belonging and to calls for revolution.
Saudi Arabia is traditionally viewed through the lenses of Islam, tribe, and the economics of oil. Desert Kingdom now provides an alternative history of environmental power and the making of the modern Saudi state. It demonstrates how vital the exploitation of nature and the roles of science and global experts were to the consolidation of political authority in the desert.
Covering an immense geographical range, Michael Welland wanders from the Sahara to the Atacama, depicting the often bizarre adaptations of plants and animals to these hostile environments. He also looks at these seemingly infertile landscapes in the context of their place in history—as the birthplaces not only of critical evolutionary adaptations, civilizations, and social progress, but also of ideologies. Telling the stories of the diverse peoples who call the desert home, he describes how people have survived there, their contributions to agricultural development, and their emphasis on water and its scarcity. He also delves into the allure of deserts and how they have been used in literature and film and their influence on fashion, art, and architecture. As Welland reveals, deserts may be difficult to define, but they play an active role in the evolution of our global climate and society at large, and their future is of the utmost importance. Entertaining, informative, and surprising, The Desert is an intriguing new look at these seemingly harsh and inhospitable landscapes.
CONTENTS
Part 1 - How to Start and Maintain a Desert Landscape
1. Desert Conditions: How They Are "Different"
2. Plants Are Like People: They're Not Alike
3. Use Arid-Land Plants to Save Water
4. How to Irrigate in the Desert
5. How to Design and Install a Drip Irrigation System
6. Soils and Their Improvement I: How to Plant in the Desert
7. Soils and Their Improvement II: How to Use Fertilizers
8. What to Do When Things Go Wrong: A Troubleshooter's Guide
9. How to Avoid—and Repair—Frost Damage
10. How to Control "Weeds"
11. Palo Verde Borer Beetle: What to Do
12. How to Avoid Texas Root Rot
13. When You Move Into an Empty House
14. What to Do About Roots in Drains
15. How to Dig Up Plants and Move Them
16. How to Have Flower Bed Color All Year
17. Landscape Gardening with Containers
18. Starting Wildflowers
19. Starting a Lawn
20. Making and Keeping a Good Hedge
21. Pruning Trees and Shrubs
22. Palm Tree Care
23. Caring for Saguaros, Ocotillos, Avages, and Prickly Pears
24. Roses in the Desert: Hard Work and Some Disappointments
25. Landscaping with Citrus
26. Swimming Pools: Plants, Play, and Water-Saving
27. Landscape Maintenance While You're Away
28. Condominiums: Common Grounds, Common Problems
Part 2 - A Month-by-Month Maintenance Guide
Cage captures similarities in the respective desert landscapes of both Iraq and Nevada, but it is not just a study in contrasting landscapes. The inter-connected stories explore similarities and differences in human needs from the perspectives of vastly different cultures. Specifically, the stories deftly capture the overlap in the respective desert landscapes of each region, the contrasting cultures and worldviews, and the common need for hope. Taken together, the stories represent the arc of a year-long deployment by young soldiers. Cage’s stories are bound together by the soldier’s searing experiences in the desert, bookended by leaving and returning home to Nevada, which in many ways can be just as disorienting as patrolling the Iraq desert.
Winner of the Association of American Publishers PROSE Award for Excellence in Biological and Life Sciences
A world-renowned researcher of animal behavior reveals the extraordinary orienteering skills of desert ants, offering a thrilling account of the sophisticated ways insects function in their natural environments.
Cataglyphis desert ants are agile ultrarunners who can tolerate near-lethal temperatures when they forage in the hot midday sun. But it is their remarkable navigational abilities that make these ants so fascinating to study. Whether in the Sahara or its ecological equivalents in the Namib Desert and Australian Outback, the Cataglyphis navigators can set out foraging across vast expanses of desert terrain in search of prey, and then find the shortest way home. For almost half a century, Rüdiger Wehner and his collaborators have devised elegant experiments to unmask how they do it.
Through a lively and lucid narrative, Desert Navigator offers a firsthand look at the extraordinary navigational skills of these charismatic desert dwellers and the experiments that revealed how they strategize and solve complex problems. Wehner and his team discovered that these insect navigators use visual cues in the sky that humans are unable to see, the Earth’s magnetic field, wind direction, a step counter, and panoramic “snapshots” of landmarks, among other resources. The ants combine all of this information to steer an optimal course. At any given time during their long journey, they know exactly where to go. It is no wonder these nimble and versatile creatures have become models in the study of animal navigation.
Desert Navigator brings to light the marvelous capacity and complexity found in these remarkable insects and shows us how mini brains can solve mega tasks.
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments.
Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Janet Bennion has lived and worked among these people, and in this book she introduces a new paradigm—"desert patriarchy"—to explain their way of life. This perspective sheds light not only on these particular communities but also on the role of the desert environment in the development and maintenance of fundamentalist ideology in other parts of the United States and around the globe.
Making new connections between the arid environment, opposition to technology, and gender ideology, Bennion shows that it is the interplay of the desert and the unique social traditions and gender dynamics embedded in Anglo patriarchal fundamentalism that accounts for the successful longevity of the Mexican colonies. Her model defines the process by which male supremacy, female autonomous networking, and religious fundamentalism all facilitate successful adaptation to the environment.
More than a theoretical analysis, Desert Patriarchy provides an intimate glimpse into the daily lives of these people, showing how they have taken refuge in the desert to escape religious persecution, the forced secular education of their children, and economic and political marginalization. It particularly sheds light on the ironic autonomy of women within a patriarchal system, showing how fundamentalist women in Chihuahua are finding numerous creative ways to access power and satisfaction in a society structured to subordinate and even degrade them.
Desert Patriarchy richly expands the literature on nontraditional religious movements as it enhances our understanding of how environment can shape society. It offers unique insights into women's status in patriarchal communities and provides a new way of looking at similar communities worldwide.
Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcalá. Loosely linked by an exploration of the many meanings of “family,” these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive.
Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is “a form of illiteracy,” we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcalá is a writer but also why we appreciate her so much. She helps us to find ourselves.
In this work, Gary Paul Nabhan brings O’odham voices to the page at every turn. He writes elegantly of how they husband scant water supplies, grow crops, and utilize edible wild foods. Woven through his account are coyote tales, O’odham children’s impressions of the desert, and observations of the political problems that come with living on both sides of an international border. Nabhan conveys the everyday life and extraordinary perseverance of these desert people.
This edition includes a new preface written by the author, in which he reflects on his gratitude for the O’odham people who shared their knowledge with him. He writes about his own heritage and connections to the desert, climate change, and the border. He shares his awe and gratitude for O’odham writers and storytellers who have been generous enough to share stories with those of us from other cultural traditions so that we may also respect and appreciate the smell of the desert after a rain.
Longtime residents of the Sonoran Desert, the Tohono O'odham people have spent centuries living off the land—a land that most modern citizens of southern Arizona consider totally inhospitable. Ethnobotanist Gary Nabhan has lived with the Tohono O'odham, long known as the Papagos, observing the delicate balance between these people and their environment. Bringing O'odham voices to the page at every turn, he writes elegantly of how they husband scant water supplies, grow crops, and utilize wild edible foods. Woven through his account are coyote tales, O'odham children's impressions of the desert, and observations on the political problems that come with living on both sides of an international border. Whether visiting a sacred cave in the Baboquivari Mountains or attending a saguaro wine-drinking ceremony, Nabhan conveys the everyday life and extraordinary perseverance of these desert people in a book that has become a contemporary classic of environmental literature.
In this work, Gary Paul Nabhan brings O’odham voices to the page at every turn. He writes elegantly of how they husband scant water supplies, grow crops, and utilize edible wild foods. Woven through his account are coyote tales, O’odham children’s impressions of the desert, and observations of the political problems that come with living on both sides of an international border. Nabhan conveys the everyday life and extraordinary perseverance of these desert people.
This edition includes a new preface written by the author, in which he reflects on his gratitude for the O’odham people who shared their knowledge with him. He writes about his own heritage and connections to the desert, climate change, and the border. He shares his awe and gratitude for O’odham writers and storytellers who have been generous enough to share stories with those of us from other cultural traditions so that we may also respect and appreciate the smell of the desert after a rain.
Longtime residents of the Sonoran Desert, the Tohono O'odham people have spent centuries living off the land—a land that most modern citizens of southern Arizona consider totally inhospitable. Ethnobotanist Gary Nabhan has lived with the Tohono O'odham, long known as the Papagos, observing the delicate balance between these people and their environment. Bringing O'odham voices to the page at every turn, he writes elegantly of how they husband scant water supplies, grow crops, and utilize wild edible foods. Woven through his account are coyote tales, O'odham children's impressions of the desert, and observations on the political problems that come with living on both sides of an international border. Whether visiting a sacred cave in the Baboquivari Mountains or attending a saguaro wine-drinking ceremony, Nabhan conveys the everyday life and extraordinary perseverance of these desert people in a book that has become a contemporary classic of environmental literature.
Desert sonorous is a unique and energetic debut collection, blending realism with flashes of experimentation. Contemporary issues—immigration, drought, shootings—hover above a cast of memorable characters in search of life's deeper meanings. As they struggle along, comic and resigned, intelligent and quiet, sad and frustrated, their strivings resound because their lives are in so many ways our own.
Remote desert locations, including the Chihuahuan Desert of northern Mexico, southern Texas, New Mexico, and Arizona, draw adventurers of all kinds, from the highly skilled and well prepared to urban cowboys who couldn't lead themselves (much less a horse!) to water. David Alloway's goal in this book is to help all of them survive when circumstances beyond their control strand them in the desert environment. In simple, friendly language, enlivened with humor and stories from his own extensive experience, Alloway here offers a practical, comprehensive handbook for both short-term and long-term survival in the Chihuahuan and other North American deserts.
Why does food taste better when you know where it comes from? Because history—ecological, cultural, even personal—flavors every bite we eat. Whether it’s the volatile chemical compounds that a plant absorbs from the soil or the stories and memories of places that are evoked by taste, layers of flavor await those willing to delve into the roots of real food. In this landmark book, Gary Paul Nabhan takes us on a personal trip into the southwestern borderlands to discover the terroir—the “taste of the place”—that makes this desert so delicious.
To savor the terroir of the borderlands, Nabhan presents a cornucopia of local foods—Mexican oregano, mesquite-flour tortillas, grass-fed beef, the popular Mexican dessert capirotada, and corvina (croaker or drum fish) among them—as well as food experiences that range from the foraging of Cabeza de Vaca and his shipwrecked companions to a modern-day camping expedition on the Rio Grande. Nabhan explores everything from the biochemical agents that create taste in these foods to their history and dispersion around the world. Through his field adventures and humorous stories, we learn why Mexican oregano is most potent when gathered at the most arid margins of its range—and why foods found in the remote regions of the borderlands have surprising connections to foods found by his ancestors in the deserts of the Mediterranean and the Middle East. By the end of his movable feast, Nabhan convinces us that the roots of this fascinating terroir must be anchored in our imaginations as well as in our shifting soils.
"You come to trust her company and to savor her observations: she is the sort of guide who gestures at what you would otherwise step across—or on—without noticing. She calls her collection 'an introduction to particulars.' These she infuses with radiance." —Los Angeles Times Book Review
"With prose that is both lyrical and down-to-earth, Kappel-Smith makes readers aware of the fragility of the desert and the necessity to preserve these wonderful, alien and mysterious places." —San Francisco Chronicle
"We glimpse moments of experience, rendered both in words and in conscientious line drawings. The book has a gentle, meandering tone. It consciously refuses to manufacture dramatic events." —Christian Science Monitor
Now back in print, Joseph Wood Krutch’s Burroughs Award–winning The Desert Year is as beautiful as it is philosophically profound. Although Krutch—often called the Cactus Walden—came to the desert relatively late in his life, his curiosity and delight in his surroundings abound throughout The Desert Year, whether he is marveling at the majesty of the endless dry sea, at flowers carpeting the desert floor, or at the unexpected appearance of an army of frogs after a heavy rain.
Krutch’s trenchant observations about life prospering in the hostile environment of Arizona’s Sonoran Desert turn to weighty questions about humanity and the precariousness of our existence, putting lie to Western denials of mind in the “lower” forms of life: “Let us not say that this animal or even this plant has ‘become adapted’ to desert conditions. Let us say rather that they have all shown courage and ingenuity in making the best of the world as they found it. And let us remember that if to use such terms in connection with them is a fallacy then it can only be somewhat less a fallacy to use the same terms in connection with ourselves.”
This edition contains 33 exacting drawings by noted illustrator Rudolf Freund. Closely tied to Krutch’s uncluttered text, the drawings tell a story of ineffable beauty.
Whether discussing instant messaging or arranged marriages, Desi bling or the pressures of the model minority myth, Shankar foregrounds the teens’ voices, perspectives, and stories. She investigates how Desi teens interact with dialogue and songs from Bollywood films as well as how they use their heritage language in ways that inform local meanings of ethnicity while they also connect to a broader South Asian diasporic consciousness. She analyzes how teens negotiate rules about dating and reconcile them with their longer-term desire to become adult members of their communities. In Desi Land Shankar not only shows how Desi teens of different socioeconomic backgrounds are differently able to succeed in Silicon Valley schools and economies but also how such variance affects meanings of race, class, and community for South Asian Americans.
“A dark, troubling vision of life in the desert, defined broadly; of mountain lions and drug kingpins, Mexican hopes and Indian feuds.”
—Los Angeles Times
“In these powerful epic tales of the Sonora Desert, Bowden peoples the harsh land on both sides of the US-Mexican border with saints and sinners, but his enduring hero is the desert itself.”
—Kirkus Reviews
Reading eight major contemporary authors through the lens of chaos theory, Conte offers new and original interpretations of works that have been the subject of much critical debate
Design and Debris discusses the relationship between order and disorder in the works of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. In analyzing their work, Joseph Conte brings to bear a unique approach adapted from scientific thought: chaos theory. His chief concern is illuminating those works whose narrative structures locate order hidden in disorder (whose authors Conte terms “proceduralists”), and those whose structures reflect the opposite, disorder emerging from states of order (whose authors Conte calls “disruptors”).Documenting the paradigm shift from modernism, in which artists attempted to impose order on a disordered world, to postmodernism, in which the artist portrays the process of “orderly disorder,” Conte shows how the shift has led to postmodern artists' embrace of science in their treatment of complex ideas. Detailing how chaos theory interpenetrates disciplines as varied as economics, politics, biology, and cognitive science, he suggests a second paradigm shift: from modernist specialization to postmodern pluralism. In such a pluralistic world, the novel is freed from the purely literary and engages in a greater degree of interactivity-between literature and science, and between author and reader. Thus, Conte concludes, contemporary literature is a literature of flux and flexibility.
The interdisciplinary essays reflect the writers' diverse fields- architecture, planning, industrial and graphic design, and architectural, urban, and design history. Essays cover such subject as rethinking the American city, graphic design and the urban landscape, working at home, theories of women and design, and a trio of essays on industrial designs. A review essay of the literature in these fields- the first of its kind- rounds out the collection.
Contributors are Amelia Amon, Wendy E. Brawer, Cheryl Buckley, Sue Cavanagh, Alethea Cheng, Roberta M. Feldman, Etain Fitzpatrick, Alice T. Friedman, Dolores Hayden, Ghislaine Hermanuz, Barbara Knecht, Ellen Lupton, Maggie Mahboubian, Francine Monaco, Nancy Perkins, Victoria Rosner, Joan Rothschild, Susana Torre, Lynne Walker, and Leslie Kanes Weismann.
How can we design places that fulfill urgent needs of the community, achieve environmental justice, and inspire long-term stewardship? By bringing community members to the table, we open up the possibility of exchanging ideas meaningfully and transforming places powerfully. Collaboration like this is hands-on democracy in action. It’s up close. It’s personal. For decades, participatory design practices have helped enliven neighborhoods and promote cultural understanding. Yet, many designers still rely on the same techniques that were developed in the 1950s and 60s. These approaches offer predictability, but hold waning promise for addressing current and future design challenges. Design as Democracy: Techniques for Collective Creativity is written to reinvigorate democratic design, providing inspiration, techniques, and case stories for a wide range of contexts.
Edited by six leading practitioners and academics in the field of participatory design, with nearly 50 contributors from around the world, Design as Democracy shows how to design with communities in empowering and effective ways. The flow of the book’s nine chapters reflects the general progression of community design process, while also encouraging readers to search for ways that best serve their distinct needs and the culture and geography of diverse places. Each chapter presents a series of techniques around a theme, from approaching the initial stages of a project, to getting to know a community, to provoking political change through strategic thinking. Readers may approach the book as they would a cookbook, with recipes open to improvisation, adaptation, and being created anew.
Design as Democracy offers fresh insights for creating meaningful dialogue between designers and communities and for transforming places with justice and democracy in mind.
The design charrette has become an increasingly popular way to engage the public and stakeholders in public planning, and Design Charrettes for Sustainable Communities shows how citizens and officials can use this tool to change the way they make decisions, especially when addressing issues of the sustainable community.
Designed to build consensus and cooperation, a successful charrette produces a design that expresses the values and vision of the community. Patrick Condon outlines the key features of the charrette, an inclusive decision-making process that brings together citizens, designers, public officials, and developers in several days of collaborative workshops.
Drawing on years of experience designing sustainable urban environments and bringing together communities for charrettes, Condon’s manual provides step-by-step instructions for making this process work to everyone’s benefit. He translates emerging sustainable development concepts and problem-solving theory into concrete principles in order to explain what a charrette is, how to organize one, and how to make it work to produce sustainable urban design results.
An in-depth look at life in the “smart” city
Technology has fundamentally transformed urban life. But today’s “smart” cities look little like what experts had predicted. Aaron Shapiro shows us the true face of the revolution in urban technology, taking the reader on a tour of today’s smart city. Along the way, he develops a new lens for interpreting urban technologies—logistical governance—to critique an urban future based on extraction and rationalization.
Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps us peer through cracks in the smart city’s facade. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it ultimately serves the ends of commercial media. He also builds on his experience as a bike courier for a food delivery startup to examine how promises of “flexible employment” in the gig economy in fact pave the way for strict managerial control. And he turns his eye toward hot-button debates around police violence and new patrol technologies, asking whether algorithms are really the answer to reforming our cities’ ongoing crises of criminal justice.
Through these gripping accounts of the new technological urbanism, Design, Control, Predict makes vital contributions to conversations around data privacy and algorithmic governance. Shapiro brings much-needed empirical research to a field that has often relied on “10,000-foot views.” Timely, important, and expertly researched, Design, Control, Predict doesn’t just help us comprehend urbanism today—it advances strategies for critiquing and resisting a dystopian future that can seem inevitable.
These are tales of seekers, often damaged, who find themselves caught up in skewed realities, facing lurking threats, violent deaths, strange entities, and alienating technologies. Confronted with unsettling, escalating, circumstances, the disparate cast of characters are driven toward self-revelation and perverse moments of poignancy.
A troubled high schooler traps a peer in an underground storage space. A traumatized felon returns home to rob the man who molested him as a child. A videogame help-line operator suspects a regular caller, obsessed with a disturbing role-playing game, of real-life misdeeds. In the title story, an unhappy couple adopts a “designer animal,” a genetic hybrid created to be the perfect pet. But the “grot” makes trouble in the neighborhood, becoming emblematic of a deeper problem. “Something is wrong with the world,” the narrator’s husband explains. “A design flaw. It’s so thoroughly corrupted, I’m not sure how to fix it.”
Inventive and unpredictable, these thirteen stories are wholly immersive, showing Sheehy at his captivating best.
We inhabit a vulnerable planet. The devastation caused by natural disasters such as the southern Asian tsunami, Hurricanes Katrina and Ike, and the earthquakes in China's Sichuan province, Haiti, and Chile—as well as the ongoing depletion and degradation of the world's natural resources caused by a burgeoning human population—have made it clear that "business as usual" is no longer sustainable. We need to find ways to improve how we live on this planet while minimizing our impact on it. Design for a Vulnerable Planet sounds a call for designers and planners to go beyond traditional concepts of sustainability toward innovative new design that fosters regeneration and resilience.
Drawing on his own and others' experiences across three continents, Frederick Steiner advocates design practice grounded in ecology and democracy and informed by critical regionalism and reflection. He begins by establishing the foundation for a more ecological approach to planning and design, adopting a broad view of ecology as encompassing human and natural, urban and wild environments. Steiner explores precedents for human ecological design provided by architect Paul Cret, landscape architect Ian McHarg, and developer George Mitchell while discussing their planning for the University of Texas campus, the Lake Austin watershed, and The Woodlands. Steiner then focuses on emerging Texas urbanism and extends his discussion to broader considerations beyond the Lone Star State, including regionalism, urbanism, and landscape in China and Italy. He also examines the lessons to be learned from human and natural disasters such as 9/11, Hurricane Katrina, and the BP oil spill. Finally, Steiner offers a blueprint for designing with nature to help heal the planet's vulnerabilities.
Sim’s lifelong focus has been in shifting the paradigm in architecture and design. Instead of thinking about design primarily in relation to the infrastructure we live in and with—everything from buildings to wireless routing—he advocates for a focus on the people who use and are affected by this infrastructure. Basic design must include a real understanding of human ecology or end-user preferences. Understanding ones motivations and spirituality, Sim believes, is critical to designing with empathy for natural and human communities.
In Design for an Empathic World Van der Ryn shares his thoughts and experience about the design of our world today. With a focus on the strengths and weaknesses in our approach to the design of our communities, regions, and buildings he looks at promising trends and projects that demonstrate how we can help create a better world for others and ourselves. Architects, urban designers, and students of architecture will all enjoy this beautifully illustrated book drawing on a rich and revered career of a noted leader in their field. The journey described in Design for an Empathic World will help to inspire change and foster the collaboration and thoughtfulness necessary to achieve a more empathic future.
Handsomely designed itself, this volume showcases adaptable design models that can improve almost every part of the election process by maximizing the clarity and usability of ballots, registration forms, posters and signs, informational brochures and guides, and even administrative materials for poll workers. Design for Democracy also lays out specific guidelines—covering issues of color palette, typography, and image use—that anchor the comprehensive election design system devised by the group of design specialists from whose name the book takes its title. Part of a major AIGA strategic program, this group's prototypes and recommendations have already been used successfully in major Illinois and Oregon elections and, collected here, are likely to spread across the country as more people become aware of the myriad benefits and broad applicability of improved election design.
An essential tool for designers and election officials, lawmakers and citizens, Design for Democracy harnesses the power of design to increase voter confidence, promote government transparency, and, perhaps most important, create an informed electorate.
“That’s what we do really: we do miracles,” said Anne-Marie Nyiranshimiyimana, who learned masonry in helping to build the Butaro Hospital, a project designed for and with the people of Rwanda using local materials. This, and other projects designed with dignity, show the power of good design. Almost nothing influences the quality of our lives more than the design of our homes, our schools, our workplaces, and our public spaces. Yet, design is often taken for granted and people don’t realize that they deserve better, or that better is even possible.
In Design for Good, John Cary offers character-driven, real-world stories about projects around the globe that offer more—buildings that are designed and created with and for the people who will use them. The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.
For too long, design has been seen as a luxury, the province of the rich, not the poor. That can no longer be acceptable to those of us in the design fields, nor to those affected by design that doesn’t consider human aspects.
From the Mulan Primary School in Guangdong, China to Kalamazoo College’s Arcus Center for Social Justice Leadership, the examples in the book show what is possible when design is a collaborative, dignified, empathic process. Building on a powerful foreword by philanthropist Melinda Gates, Cary draws from his own experience as well as dozens of interviews to show not only that everyone deserves good design, but how it can be achieved. This isn’t just another book for and about designers. It’s a book about the lives we lead, inextricably shaped by the spaces and places we inhabit.
For more than 30 years, John Tillman Lyle (1934-1998) was one of the leading thinkers in the field of ecological design. Design for Human Ecosystems, originally published in 1985, is his classic text that explores methods of designing landscapes that function in the sustainable ways of natural ecosystems. The book provides a framework for thinking about and understanding ecological design, along with a wealth of real-world examples that bring to life Lyle's key ideas.
Lyle traces the historical growth of design approaches involving natural processes, and presents an introduction to the principles, methods, and techniques that can be used to shape landscape, land use, and natural resources in an ecologically sensitive and sustainable manner. Lyle argues that careful design of human ecosystems recognizes three fundamental concerns: scale (the relative size of the landscape and its connections with larger and smaller systems), the design process itself, and the underlying order that binds ecosystems together and makes them work. He discusses the importance of each of these concerns, and presents a workable approach to designing systems that effectively accounts for all of them. The theory presented is supported throughout by numerous case studies that illustrate its practical applications.
This new edition features a foreword by Joan Woodward, noted landscape architecture professor and colleague of Lyle, that places the book in the context of current ecological design thinking and discusses Lyle's contributions to the field. It will be a valuable resource for landscape architects, planners, students of ecological design, and anyone interested in creating landscapes that meet the needs of all an area's inhabitants -- human and nonhuman alike.
Following a vast expansion in the twentieth century, government is beginning to creak at the joints under its enormous weight. The signs are clear: a bloated civil service, low approval ratings for Congress and the President, increasing federal-state conflict, rampant distrust of politicians and government officials, record state deficits, and major unrest among public employees.
In this compact, clearly written book, the noted legal scholar Richard Epstein advocates a much smaller federal government, arguing that our over-regulated state allows too much discretion on the part of regulators, which results in arbitrary, unfair decisions, rent-seeking, and other abuses. Epstein bases his classical liberalism on the twin pillars of the rule of law and of private contracts and property rights—an overarching structure that allows private property to keep its form regardless of changes in population, tastes, technology, and wealth. This structure also makes possible a restrained public administration to implement limited objectives. Government continues to play a key role as night-watchman, but with the added flexibility in revenues and expenditures to attend to national defense and infrastructure formation.
Although no legal system can eliminate the need for discretion in the management of both private and public affairs, predictable laws can cabin the zone of discretion and permit arbitrary decisions to be challenged. Joining a set of strong property rights with sound but limited public administration could strengthen the rule of law, with its virtues of neutrality, generality, clarity, consistency, and forward-lookingness, and reverse the contempt and cynicism that have overcome us.
Design for Society is not an anti-design book; rather, it is an anti-consumerist-design book, in that it reveals what most people would agree are the socially and ecologically unsound values and unsatisfactory implications on which the system of consumerist design is constructed. In so doing, it prepares the ground for a more responsible and just type of design.
In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design.
Published with the support of Furthermore: a program of the J. M. Kaplan Fund.
Charles Darwin’s monumental The Origin of Species, published in 1859, forever changed the landscape of natural science. The scientific world of the time had already established the principle of the “intelligent design” of a Creator; the art world had spent centuries devoting itself to the celebration of such a Designer’s creation. But the language of the book, and its implications, were stunning, and the ripples Darwin made when he rocked the boat spread outward: if he could question the Designer, what effect might there be on the art world, and on mortal designers’ renderings of Creation.
Published in partnership with the Mary and Leigh Block Museum of Art to accompany its exhibit, this catalog of essays and more than fifty color exhibition plates invokes these two senses of “intelligent design”—one from the debates between science and theology and the other from the world of art, particularly architecture and the decorative arts. The extensive exhibition includes furniture, metalware, glassware, textiles, and designs on loan from public and private collections in the United States and England. Among the artwork included are items from William Morris, C. R. Ashbee, Christopher Dresser, C. F. A. Voysey, Frank Lloyd Wright, and Louis Sullivan. Through these pieces and the accompanying examinations, the book explores how popular conceptions of the theory of evolution were used or rejected by British and American artists in the years that followed Darwin’s publication.
Design Integrations calls for an innovative rethinking of design education, one that recognizes the changing modes of design and the shifting forms of user experience. The contributors urge new methods of approach that focus on interdisciplinary collaboration between the academic and business worlds. These essays, among the first to focus on the future of design, often in-depth explorations of inter-institutional projects, cross-cultural learning experiences, and a multinational healthcare project. Design Integrations will be of interest to design teachers and practitioners alike.
Design is central to the appeal, messaging, and usefulness of books, but to most readers, it’s mysterious or even invisible. Through interiors as well as covers, designers provide structure and information that shape the meaning and experience of books. In The Design of Books, Debbie Berne shines a light on the conventions and processes of her profession, revealing both the aesthetic and market-driven decisions designers consider to make books readable and beautiful. In clear, unstuffy language, Berne reveals how books are put together, with discussions of production considerations, typography and fonts, page layouts, use of images and color, special issues for ebooks, and the very face of each book: the cover.
The Design of Books speaks to readers and directly to books’ creators—authors, editors, and other publishing professionals—helping them to become more informed partners in the design of their projects. Berne lays out the practical steps at each stage of the design process, providing insight into who does what when and offering advice for authors on how to be effective advocates for their ideas while also letting go and trusting their manuscripts with teams of professionals. She includes guidance as well for self-publishing authors, including where to find a designer, what to expect from that relationship, and how to art direct your own book.
Throughout, Berne teaches how understanding the whats, hows, and whys of book design heightens our appreciation of these cherished objects and helps everyone involved in the process to create more functional, desirable, and wonderful books.
In The Design of Existence, Wilson Van Dusen offers spiritual explorers a guidebook for mystical experience, describing the inner landscape in detail. Though considering himself a scientist, Van Dusen approaches reality as a mystic, using the writings of 18th-century visionary Emanuel Swedenborg as a lens. For Swedenborg and Van Dusen, our interior realm reflects the external cosmos, which makes a mystical sense of oneness possible: "We are in a massive order, far greater than we can see. Yet we are not alien to this order. We are created out of it."
For Van Dusen's mysticism, Swedenborg is the exemplar of universality. A scientist who mastered fields as varied as chemistry, physiology, optics, and metallurgy, Swedenborg turned inward to investigate the psychological and the spiritual. He affirmed the value of other religious cultures and even wrote in gender-inclusive Latin. He had startlingly contemporary insights: he saw that the spiritual must inform everyday experience, that feelings must aid the intellect in seeking the spiritual, that the quest for the soul leads to understanding the cosmos and vice versa.
Van Dusen uses Swedenborg's ideas as the basis for a true universal mysticism. In The Design of Existence, he invites each of us to confront mystical experience as proof that we and the cosmos share a spiritual design, which orders our lives as surely as it orders the universe itself.
Public protests are a vital tool for asserting grievances and creating temporary, yet tangible, communities as the world becomes more democratic and urban in the twenty-first century. While the political and social aspects of protest have been extensively studied, little attention has been paid to the physical spaces in which protests happen. Yet place is a crucial aspect of protests, influencing the dynamics and engagement patterns among participants. In The Design of Protest, Tali Hatuka offers the first extensive discussion of the act of protest as a design: that is, a planned event in a space whose physical geometry and symbolic meaning are used and appropriated by its organizers, who aim to challenge socio-spatial distance between political institutions and the people they should serve.
Presenting case studies from around the world, including Tiananmen Square in Beijing; the National Mall in Washington, DC; Rabin Square in Tel Aviv; and the Plaza de Mayo in Buenos Aires, Hatuka identifies three major dimensions of public protests: the process of planning the protest in a particular place; the choice of spatial choreography of the event, including the value and meaning of specific tactics; and the challenges of performing contemporary protests in public space in a fragmented, complex, and conflicted world. Numerous photographs, detailed diagrams, and plans complement the case studies, which draw upon interviews with city officials, urban planners, and protesters themselves.
With the role of the landscape architect increasing as it is in importance, this first comprehensive survey of the art and practice of landscape architecture fills a great need.
Norman T. Newton has included over 400 illustrations in his book, which conveys a basic understanding of the aims and scope of landscape architecture and offers visual analyses of major historic works, each in the context of its own time.
The first third of the study is concerned with landscape architecture in the Western world, mainly Europe, from ancient times to the mid-nineteenth century. But the major part of the work is devoted to the development of landscape architecture in the century that has passed since it acquired the status of a profession and an independent discipline.
Concentrating primarily on the United States, Mr. Newton reviews his subject from its beginnings in colonial days to the work of Olmsted, Vaux, Cleveland, Weidenmann, Eliot, Platt, and the founders of the American Society of Landscape Architects. He discusses the Columbian Exposition of 1893, the "City Beautiful" movement and the growth of city planning, the Country Place Era, town planning in England and America, American national and state parks, parkways, urban open spaces, and recent variations in professional practice.
Mr. Newton concludes his book with a timely discussion of the vital role that landscape architecture plays in the conservation of natural resources and in protection of the environment.
In the Design Professional’s Guide to Zero Net Energy Buildings, Charles Eley draws from over 40 years of his own experience, and interviews with other industry experts, to lay out the principles for achieving ZNE buildings and the issues surrounding their development. Eley emphasizes the importance of building energy use in achieving a sustainable future; describes how building energy use can be minimized through smart design and energy efficiency technologies; and presents practical information on how to incorporate renewable energy technologies to meet the lowered energy needs. The book identifies the building types and climates where meeting the goal will be a challenge and offers solutions for these special cases. It shows the reader, through examples and explanations, that these solutions are viable and cost-effective.
ZNE buildings are practical and cost-effective ways to address climate change without compromising our quality of life. ZNE buildings are an energizing concept and one that is broadly accepted yet, there is little information on what is required to actually meet these goals. This book shows that the goal is feasible and can be practically achieved in most buildings, that our construction industry is up to the challenge, and that we already have the necessary technologies and knowledge.
Brown describes the effects that climate has on outdoor spaces-using vivid illustrations and examples-while providing practical tools that can be used in everyday design practice. The heart of the book is Brown's own design process, as he provides useful guidelines that lead designers clearly through the complexity of climate data, precedents, site assessment, microclimate modification, communication, design, and evaluation. Brown strikes an ideal balance of technical information, anecdotes, examples, and illustrations to keep the book engaging and accessible. His emphasis throughout is on creating microclimates that attend to the comfort, health, and well-being of people, animals, and plants.
Design with Microclimate is a vital resource for students and practitioners in landscape architecture, architecture, planning, and urban design.
Design with Nature on Cape Cod and the Islands seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.
Designating Place showcases the diverse ways archaeologists approach ancient urban spaces—including geophysical, spatial, iconographic, and epigraphic analyses. Drawing on techniques as wide-ranging as Space Syntax, shallow seismic reflection surveys, linguistic landscape studies, and collective memory studies, this international team of scholars presents the latest insights from cutting-edge research into urban societies near Rome and Pompeii.
Designed for Flight both continues and enlarges the exploration of the rhythms of our emotional lives undertaken in Gregory Fraser’s first two collections. A master of metaphor, Fraser works magic within tightly controlled forms, loading lines with surprising juxtapositions and changes of direction. Taken together, the poems trace the sometimes instant, sometimes decades-long movement from incomprehensible loss and grief to rueful reflection and, if we’re lucky, uneasy accommodation. Casting a sharply observant eye on past selves, always steering clear of simple sentiment, the speaker in this collection looks back with bitter irony and forgiveness in equal measure. Against the fears and frustrations of childhood, the dissolution of a doomed relationship, and the distance between the hoped for and the actual, Fraser’s poems offer the imagination’s capacity for endless invention and the compensatory pleasures of art.
For people who care about urban school districts like Philadelphia’s, addressing the challenges that these schools face often boils down to the need for more money. But why are urban districts that serve Black and Brown students still so perennially underfunded compared to majority-white ones? Why is racial equity in school funding so hard to achieve?
In Designed to Fail, Roseann Liu provides an inside look at the Pennsylvania state legislature and campaigns for fair funding to show how those responsible for the distribution of school funding work to maintain the privileges of majority-white school districts. Liu analyzes how colorblind policies, political structures, and the maintenance of the status quo by people in power perpetuate wide and deepening racial disparities in education funding. Taking a lesson from community organizers fighting for a racially equitable school funding system, Liu’s work is a bold call to address structural racism at the root and organize from a place of abundant justice.
The Atlas is neither a how-to manual nor collection of recipes for sustainable design, but a compendium of fresh approaches to sustainability that designers can incorporate into daily thinking and practice. Illuminating many facets of this exciting field, the book offers ideas on how to harmonize human and natural systems, and then explores practical options for making the business of design more supportive of long-term sustainability. An examination of the ethical dimensions of sustainable development in our public and private lives is the theme present throughout. Like other kinds of atlases, The Designer's Atlas of Sustainability illustrates its subject, but it goes far beyond its visual appeal, stimulating design solutions for "development that cultivates environmental and social conditions that will support human well-being indefinitely."
Designing Climate Solutions: A Policy Guide for Low-Carbon Energy is the first such guide, bringing together the latest research and analysis around low carbon energy solutions. Written by Hal Harvey, CEO of the policy firm Energy Innovation, with Robbie Orvis and Jeffrey Rissman of Energy Innovation, Designing Climate Solutions is an accessible resource on lowering carbon emissions for policymakers, activists, philanthropists, and others in the climate and energy community. In Part I, the authors deliver a roadmap for understanding which countries, sectors, and sources produce the greatest amount of greenhouse gas emissions, and give readers the tools to select and design efficient policies for each of these sectors. In Part II, they break down each type of policy, from renewable portfolio standards to carbon pricing, offering key design principles and case studies where each policy has been implemented successfully.
We don’t need to wait for new technologies or strategies to create a low carbon future—and we can’t afford to. Designing Climate Solutions gives professionals the tools they need to select, design, and implement the policies that can put us on the path to a livable climate future.
Working beyond the traditions established for Latin, scribes of English needed to be more inventive, using each book as an opportunity to redesign. Surveying eight centuries of graphic design in manuscripts and inscriptions, Designing English focuses on the craft, agency, and intentions of scribes, painters, and engravers from the Anglo-Saxon to the early Tudor periods. The book examines format, layout, and decoration, as well as bilingual manuscripts and oral recitations, weighing the balance of ingenuity and copying, imagination and practicality, behind early English book design. With over ninety illustrations, drawn especially from the holdings of the Bodleian Library, Designing English gives a comprehensive overview of English books and other material texts across the Middle Ages.
Each chapter addresses a particular classification of material culture-ceramics, stone tools, perishable materials, composite hunting technology, butchering practices and bone tools, and experimental zooarchaeology-detailing issues that must be considered in the development of experimental archaeology projects and discussing potential pitfalls. The experiments follow coherent and consistent research designs and procedures and are placed in a theoretical context, and contributors outline methods that will serve as a guide in future experiments. This degree of standardization is uncommon in traditional archaeological research but is essential to experimental archaeology.
The field has long been in need of a guide that focuses on methodology and design. This book fills that need not only for undergraduate and graduate students but for any archaeologist looking to begin an experimental research project.
Anyone working in biodiversity conservation or field ecology should understand and utilize the common-sense process of scientific inquiry: observing surroundings, framing questions, answering those questions through well-designed studies, and, in many cases, applying results to decision making. Yet the interdisciplinary nature of conservation means that many workers are not well versed in the methods of science and may misunderstand or mistrust this indispensable tool.
Designing Field Studies for Biodiversity Conservation addresses that problem by offering a comprehensible, practical guide to using scientific inquiry in conservation work. In an engaging and accessible style, award-winning tropical ecologist and teacher Peter Feinsinger melds concepts, methods, and intellectual tools into a unique approach to answering environmental questions through field studies. Focusing on the fundamentals of common sense, independent thinking, and natural history, he considers:
- framing the question and designing the study
- interpreting and applying results through judicious use of statistical inference
- taking into account the natural history of plants, animals, and landscapes
- monitoring and assessing progress through approaches such as "bioindicator species" or "species diversity measures"
- helping other interested parties (park guards, local communities, school teachers) use scientific inquiry in addressing their own concerns
Detailed appendixes explain technical issues, while numerous sidebars and illustrations provide important background and thought-provoking exercises. Throughout, the author challenges the reader to integrate conceptual thinking with on-the-ground practice in order to make conservation truly effective. Feinsinger concentrates on examples from Latin America but stresses that the approach applies to local conservation concerns or field biology questions in any landscape.
Designing Field Studies for Biodiversity Conservation is an essential handbook for staff and researchers working with conservation institutions or projects worldwide, as well as for students and professionals in field ecology, wildlife biology, and related areas.
A powerful statement about the repercussions of discrimination and the benefits of diversity in architecture
Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color.
Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur most frequently in architecture: being offered added responsibility without a commensurate rise in position, salary, or credit; not being allowed to engage in client contact, field experience, or construction supervision; and being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian American architects.
Anthony discusses the profession's attitude toward flexible schedules, part-time contracts, and the demands of family and identifies strategies that have helped underrepresented individuals advance in the profession, especially establishing a strong relationship with a mentor. She also observes a strong tendency for underrepresented architects to leave mainstream practice, either establishing their own firms, going into government or corporate work, or abandoning the field altogether.
Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Designing for Diversity argues convincingly that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Why indigenous plants, you may ask? What makes them so special to butterflies and bees and boys and girls? For Carolyn Summers, the answer is as natural as an ephemeral spring wildflower or berries of the gray dogwood, "As I studied indigenous plants, a strange thing happened. The plants grew on me. I began to love the plants themselves for their own unique qualities, quite apart from their usefulness in providing food and shelter for wildlife.
Emphasizing the importance of indigenous plant gardening and landscape design, Summers provides guidelines for skilled sowers and budding bloomers. She highlights . . .
- The best ways to use exotic and non-indigenous plants responsibly
- Easy-to-follow strategies for hosting wildlife in fields, forests, and gardens
- Designs for traditional gardens using native trees, shrubs, groundcovers as substitutes for exotic plants
- Examples of flourishing plant communities from freshwater streams to open meadows
- How to control plant reproduction, choose cultivars, open-pollinated indigenous plants, and different types of hybrids, and practice “safe sex in the garden
In this fully revised second edition of the classic guide Designing Gardens with Flora of the American East, gardening expert Carolyn Summers draws on the most recent research on sustainable landscaping. She is joined in this edition by her daughter, landscape designer Kate Brittenham, offering an intergenerational dialogue about the importance of using indigenous plants that preserve insect and bird habitats. The practical information they provide is equally useful for home gardeners and professionals, including detailed descriptions of keystone trees, shrubs, perennials, vines, and grasses that are native to the eastern United States. Accompanied by entirely new illustrations and updated plant lists, they offer chic yet eco-friendly landscape designs fully customized for different settings, from suburban yards to corporate office parks.
The states covered in this book are CT, DE, IA, IL, IN, KY, MA, MD, ME, MI, MN, MO, NC, NH, NJ, NY, OH, PA, RI, TN, VA, VT, WI, and WV, as well as southern Quebec and Ontario.
How are greenways designed? What situations lead to their genesis, and what examples best illustrate their potential for enhancing communities and the environment? Designing greenways is a key to protecting landscapes, allowing wildlife to move freely, and finding appropriate ways to bring people into nature. This book brings together examples from ecology, conservation biology, aquatic ecology, and recreation design to illustrate how greenways function and add value to ecosystems and human communities alike.
Encompassing everything from urban trail corridors to river floodplains to wilderness-like linkages, greenways preserve or improve the integrity of the landscape, not only by stemming the loss of natural features, but also by engendering new natural and social functions. From 19th-century parks and parkways to projects still on the drawing boards, Designing Greenways is a fascinating introduction to the possibilities-and pitfalls-involved in these ambitious projects. As towns and cities look to greenways as a new way of reconciling man and nature, designers and planners will look to Designing Greenways as an invaluable compendium of best practices.
In 2006 anthropologists Paul Rabinow and Gaymon Bennett set out to rethink the role that human sciences play in biological research, creating the Human Practices division of the Synthetic Biology Engineering Research Center—a facility established to create design standards for the engineering of new enzymes, genetic circuits, cells, and other biological entities—to formulate a new approach to the ethical, security, and philosophical considerations of controversial biological work. They sought not simply to act as watchdogs but to integrate the biosciences with their own discipline in a more fundamentally interdependent way, inventing a new, dynamic, and experimental anthropology that they could bring to bear on the center’s biological research.
Designing Human Practices is a detailed account of this anthropological experiment and, ultimately, its rejection. It provides new insights into the possibilities and limitations of collaboration, and diagnoses the micro-politics which effectively constrained the potential for mutual scientific flourishing. Synthesizing multiple disciplines, including biology, genetics, anthropology, and philosophy, alongside a thorough examination of funding entities such as the National Science Foundation, Designing Human Practices pushes the social study of science into new and provocative territory, utilizing a real-world experience as a springboard for timely reflections on how the human and life sciences can and should transform each other.
This fascinating book examines the Regional Planning Association of America (RPAA), a loosely organized association of ambitious and influential planners who hoped to guide the new urban and industrial developments of the early twentieth century and thereby design a radically improved America. After discussing the roots of this effort in the Progressive and World War I periods, Edward K. Spann traces the development of the RPAA from its formation in 1923 through the decades of its greatest effort (which ended in 1934) to its decline and ultimate demise in the late 1930s. Taking a biographical approach and drawing on both published works and private correspondence, the book focuses on the richly varied thoughts and activities of the leading members of the RPAA regarding significant aspects of urban and regional planning.
The members of the RPAA discussed here include Charles Harris Whitaker, Frederick L. Ackerman, Robert D. Kohn, Benton MacKaye, Clarence Stein, Lewis Mumford, Henry Wright, Robert Bruere, Stuart Chase, Edith Elmer Wood, and Catherine Bauer. Spann threads together the philosophies and work of these individuals by focusing on important points in the movement's history, such as the emergence of a community housing movement in World War I, the development of Benton MacKaye's seminal idea of the Appalachian Trail as an instrument for rural reconstruction, and Lewis Mumford's efforts to foster the idealism he thought necessary for successful planning. Spann also looks at Clarence Stein's work with regional planning in New York State during the governorship of Alfred E. Smith; the birth of the RPAA and its early publicity efforts, which culminated in the famous regional planning issue of Survey Graphic; the RPAA's differences with the Regional Plan of New York; the relationship between the RPAA and Franklin Delano Roosevelt during the Great Depression; and the early years of the Tennessee Valley Authority.
This work should appeal not only to students of city and regional planning, of architecture, and of environmentalism, but to all those interested in the intellectual developments of the period between 1914 and 1938, especially as they relate to an important phase of modernization in the United States.
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