In celebration of the fiftieth anniversary of the Stolper-Samuelson Theorem, this volume collects in one place the original Stolper-Samuelson articles as well as the most significant later contributions that interpret, extend, and test the basic result. It also includes reflective papers by both Wolfgang F. Stolper and Paul A. Samuelson, an overview of the literature, and an annotated bibliography. Contributors to the volume, either in reprints of their original articles or in new commentary, are Robert E. Baldwin, Sundari R. Baru, Jagdish N. Bhagwati, John S. Chipman, Alan V. Deardorff, Wilfred Ethier, Ronald W. Jones, Murray C. Kemp, Ulrich Kohli, Paul R. Krugman, Edward E. Leamer, Stephen P. Magee, Lloyd A. Metzler, Ronald Rogowski, Paul A. Samuelson, Jose A. Scheinkman, Robert M. Stern, Wolfgang F. Stolper, and Leon Wegge.

Immigration is often discussed in broad, statistical terms, with a focus on how it affects labor markets, schools, and social services. But at its most basic level, immigration is a process that affects people and their identities in deeply personal ways. In To Be an Immigrant, social psychologist Kay Deaux explores the role of both social conditions and individual capacities in determining how well immigrants adapt to life in their new homelands, and makes a strong case for the relevance of social psychology in immigration studies. To Be an Immigrant looks at how immigrants are defined, shaped, and challenged by the cultural environment they encounter in their new country and offers an integrated psychological framework for studying the immigrant experience. Deaux argues that in addition to looking at macro-level factors like public policies and social conditions and micro-level issues like individual choices, immigration scholars should also study influences that occur on an intermediate level, such as interpersonal encounters. Each of these three levels of analysis is essential to understanding how immigrants adapt to a new homeland and form distinct identities. As a case study for her framework, Deaux examines West Indians, exploring their perceptions of the stereotypes they face in the United States and their feelings of connection to their new home. Though race plays a limited role in the West Indies, it becomes more relevant to migrants once they arrive in the United States, where they are primarily identified by others as black, rather than Guyanese or Jamaican. Deaux's research adds to a growing literature in social psychology on stereotype threat, which suggests that negative stereotypes about one's group can hinder an individual's performance. She finds that immigrants who have been in the United States longer and identify themselves as African American suffer from the negative effects of stereotype threat more than recent immigrants. More than a discrete event, immigration can be understood as a life-long process that continues to affect people well after they have migrated. To Be an Immigrant takes a novel approach to the study of immigration, looking at how societal influences help shape immigrants and their understanding of who they are.

Since the 1960s, the United States has undergone a profound demographic transformation due to increased immigration from Asia, Latin America, the Caribbean, and elsewhere. Today immigrants and their U.S.-born children represent approximately 25 percent of the population, or more than 85 million people. How has immigration changed the way that both newcomers and the native-born understand what it means to be American? This issue of RSF, edited by immigration scholars Kay Deaux, Katharine Donato, and Nancy Foner investigates how  immigration has shaped the way longer-established Americans, as well as immigrants and their children, see themelves and others in terms of race, ethnicity, and national identity --- and also considers the implications for intergroup relations. 
 
Several articles explore how immigrants negotiate their positions in the racial hierarchy and how they perceive themselves in relation to native-born groups. Michael Jones-Correa and coauthors find that while Mexican immigrants are more likely to identify as Americans the more they report positive interactions with both native-born whites and blacks, Indian immigrants’ identification with being American is largely shaped by positive interactions just with whites. Prema Kurien shows that in response to the wave of hate crimes after 9/11, Sikh Americans sought to be recognized as an American religious minority, as well as an ethnic group distinct from Indian Americans. In their study of the children of immigrants in middle adulthood, Cynthia Feliciano and Rubén G. Rumbaut find that some second-generation immigrants retain a strong attachment to an ethnic identity into their late thirties, but that ethnic identification for others wanes as their social identities as parents, workers, or spouses become more important.
 
Other contributors investigate the extent to which longer-established Americans  respond to increased immigration. Maureen Craig and Jennifer Richeson show that whites living in areas with large or increasing racial minority populations are more likely to believe that anti-white discrimination is on the rise. Deborah Schildkraut and Satia Morotta similarly find that when millennials—particularly those who identify as white and Republican—are exposed to information on the changing racial makeup of the U.S., they express more conservative political views.
 
At a time when questions of immigration and national identity are at the forefront of our political and public discourse, understanding how immigrants and their offspring influence—and are influenced by—conceptions of race and identity is critical for social scientists. This issue provides key insights into the challenges of a rapidly changing population.
 

Anthropology has long had a vexed relationship with literature, and nowhere has this been more acutely felt than in France, where most ethnographers, upon returning from the field, write not one book, but two: a scientific monograph and a literary account. In Far Afield—brought to English-language readers here for the first time—Vincent Debaene puzzles out this phenomenon, tracing the contours of anthropology and literature’s mutual fascination and the ground upon which they meet in the works of thinkers from Marcel Mauss and Georges Bataille to Claude Lévi-Strauss and Roland Barthes.
           
The relationship between anthropology and literature in France is one of careful curiosity. Literary writers are wary about anthropologists’ scientific austerity but intrigued by the objects they collect and the issues they raise, while anthropologists claim to be scientists but at the same time are deeply concerned with writing and representational practices. Debaene elucidates the richness that this curiosity fosters and the diverse range of writings it has produced, from Proustian memoirs to proto-surrealist diaries. In the end he offers a fascinating intellectual history, one that is itself located precisely where science and literature meet.

We have entered a new era of nature. What remains of the frontiers of modern thought that divided the living from the inert, subjectivity from objectivity, the apparent from the real, value from fact, and the human from the nonhuman? Can the great oppositions that presided over the modern invention of nature still claim any cogency? In Nature as Event, Didier Debaise shows how new narratives and cosmologies are necessary to rearticulate that which until now had been separated. Following William James and Alfred North Whitehead, Debaise presents a pluralistic approach to nature. What would happen if we attributed subjectivity and potential to all beings, human and nonhuman? Why should we not consider aesthetics and affect as the fabric that binds all existence? And what if the senses of importance and value were no longer understood to be exclusively limited to the human?

In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material realities but as social constructs, ones that can mean radically different things to different people in different settings.
 
From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics, the book promises to forever change the way we look at mountains.

     Mixing film history with social history, Reel Patriotism examines the role played by the American film industry during World War I and the effects of the industry’s pragmatic patriotism in the decade following the war. Looking at such films as Joan the Woman and Wings and at the war-time activities of Mary Pickford and Charlie Chaplin, film distributors, including George Kleine, and the National Association of the Motion Picture Industry, this book shows how heavily publicized gestures of patriotism benefited the reputation and profits of the movie business.
     Leslie Midkiff DeBauche shows how the United States government’s need to garner public support for the war, conserve food, raise money, and enlist soldiers was met by the film industry. Throughout the nineteen months of American involvement in World War I, film studios supported the war effort through the production of short instructional films, public speaking activities of movie stars, the civic forum provided by movie theaters, and the National Association of the Motion Picture Industry’s provision of administrative personnel to work directly with government agencies. While feature films about the war itself never dominated the release schedules of film distributors, they did become a staple film industry offering throughout the late 1910s and 1920s.
     The film industry had much to gain, DeBauche demonstrates, from working closely with the U.S. government. Though the war posed a direct challenge to the conduct of business as usual, the industry successfully weathered the war years. After the war, film producers, distributors, and exhibitors were able to capitalize on the good will of the movie-goer and the government that the industry’s war work created. It provided a buffer against national censorship when movie stars became embroiled in scandal, and it served as a selling point in the 1920s when major film companies began to trade their stock on Wall Street.

Botticelli gave us some of the most stunning Renaissance masterpieces. Paintings like Primavera and The Birth of Venus are as beloved today as at the time of their creation, as evidenced by recent exhibitions around the world. Botticelli’s influence and innovations also continue to inspire interest and passionate debate among art historians and lovers of art.

In four chapters, spanning centuries of Botticelli’s artistic fame and reception, Botticelli Past and Present engages with the significant debates about Botticelli. Each chapter collects several essays and includes a short introduction that positions them within the wider scholarly literature on Botticelli. The chapters are organized chronologically, beginning with discussion of the artist and his work in his own time, moving on to the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design.
 

The author examines ceramic material from the Parthian site of Seleucia-on-the-Tigris; more than 1500 extant examples are arranged into type groups, and selections published. Parthian Pottery from Seleucia on the Tigris offers a satisfactory presentation of Parthian ware in the Mesopotamian valley.

When Arkansas seceded from the Union in 1861, it was a thriving state. But the Civil War and Reconstruction left it reeling, impoverished, and so deeply divided that it never regained the level of prosperity it had previously enjoyed. Although most of the major battles of the war occurred elsewhere, Arkansas was critical to the Confederate war effort in the vast Trans-Mississippi region, and Arkansas soldiers served—some for the Union and more for the Confederacy—in every major theater of the war. And the war within the state was devastating. Union troops occupied various areas, citizens suffered greatly from the war’s economic disruption, and guerilla conflict and factional tensions left a bitter legacy. Reconstruction was in many ways a continuation of the war as the prewar elite fought to regain economic and political power.

In this, the fourth volume in the Histories of Arkansas series, Thomas DeBlack not only describes the major players and events in this dramatic and painful story, but also explores the experiences of ordinary people. Although the historical evidence is complex—and much of the secondary literature is extraordinarily partisan—DeBlack offers a balanced, vivid overview of the state’s most tumultuous period.

In neighborhoods, schools, community centers, and workplaces, people are using oral history to capture and collect the kinds of stories that the history books and the media tend to overlook: stories of personal struggle and hope, of war and peace, of family and friends, of beliefs, traditions, and values—the stories of our lives.

Catching Stories: A Practical Guide to Oral History is a clear and comprehensive introduction for those with little or no experience in planning or undertaking oral history projects. Opening with the key question, “Why do oral history?” the guide outlines the stages of a project from idea to final product—planning and research, the interviewing process, basic technical principles, and audio and video recording techniques. The guide covers interview transcribing, ethical and legal issues, archiving, funding sources, and sharing oral history with audiences.

Intended for teachers, students, librarians, local historians, and volunteers as well as individuals, Catching Stories is the place to start for anyone who wants to document the memories and collect the stories of community or family.

Making extensive use of material in the Beinecke Rare Book and Manuscript Library at Yale—including correspondences, unpublished autobiographical writings, family papers, photographs, and Professor Norman Holmes Pearson’s notes for a planned biography of H.D.—Debo’s American H.D. reveals details about its subject never before published. Adroitly weaving together literary criticism, biography, and cultural history, The American H.D. tells a new story about the significance of this important writer.

Written with clarity and sincere affection for its subject, The American H.D. brings together a sophisticated understanding of modernism, the poetry and prose of H.D., the personalities of her era, and the historical and cultural context in which they developed: America’s emergence as a dominant economic and political power that was riven by racial and social inequities at home.

Uncovering how poetry refigures Black history to imagine a more just present and future
 
“Poets are lyric historians,” proclaimed Langston Hughes. Today, historical poetry offers a lyric history necessary to our current moment—poetry with the power to correct the past, realign the present, and create a more hopeful, or even hoped-for, future. The Necessary Past: Revising History in Contemporary African American Poetry focuses on six of today’s most celebrated poets: Elizabeth Alexander, Natasha Trethewey, A. Van Jordan, Kevin Young, Frank X Walker, and Camille T. Dungy. Their works reimagine the interiority of Black historical figures like the so-called Venus Hottentot Sara Baartman and the would-be spelling champion MacNolia Cox, the African American Native Guard who fought in the Civil War and the unknown victims of domestic violence, Jack Johnson and Jean-Michel Basquiat, Medgar Evers and those freed and enslaved in the early nineteenth century. These poets shift the power dynamic in revising our shared history, reconfiguring who speaks and whose stories are told, and writing a past that frees readers to change the present and envision a more just future.

Since the 1980s there has been much speculation about the demise of public service television, initially because of the advent of cable and satellite television and the variety of entertainment channels they offer. While the proliferation of global niche media might seem to accelerate the demise of public television, in reality, public broadcasters are undergoing a reinvention. Reinventing Public Service Television for the Digital Future draws on fifty interviews with media industry and academic specialists from four countries to discuss on how public service broadcasting institutions are responding to the changes in digital media. This seminal work offers superior insights into the constraints and possibilities of the public service system and its prospects for survival in the age of on-demand media.

A timely consideration of the meaning of transnational cultural interactions today

In an era of increasing globalization, the cultural and the international have borders as permeable as most nations’s—and an understanding of one requires making sense of the other. Foregrounding the role of mediation—understood here as a site of representation, transformation, and pluralization—the authors engage two specific questions: How might we make theoretical and practical sense of transnational cultural interactions? And how are we to understand the ways in which the sites of mediation represent, transform, and remediate internationals? Accordingly, the authors consider international issues like security, development, political activism, and the war against terrorism through the lens of cultural practices such as traveling through airports, exhibiting art and photography, logging on to the Internet, and spinning news stories.

Contributors: Robin Brown, U of Leeds; David Campbell, U of Newcastle upon Tyne; Michael Dillon, U of Lancaster; Debbie Lisle, Queen’s U, Belfast; Moya Lloyd, Queen’s U, Belfast; Timothy W. Luke, Virginia Polytechnic Institute and State U; Patricia L. Price, Florida International U; Jayne Rodgers, U of Leeds; Marysia Zalewski, Queen’s U, Belfast.

SLIFE: What Every Teacher Needs to Know helps readers deepen their understanding of Students with Limited or Interrupted Formal Education (SLIFE). Because of their limited, greatly interrupted, or sometimes nonexistent participation in formal education, SLIFE face challenges in the classroom that go beyond language and content. Often SLIFE need to develop basic literacy skills and foundational subject-area knowledge, as well as to learn how to engage in the discourse and practices of formal educational settings. So what can teachers do to help these students succeed and to recognize and honor their knowledge, skills, and cultural capital? SLIFE: What Every Teacher Needs to Know centers around four guidelines for teaching SLIFE: question assumptions, foster two-way communication, explicitly teach school tasks and academic ways of thinking, and promote project-based learning. Discussion of the Mutually Adaptive Learning Paradigm (MALP), is also included.

In its second edition, Breaking New Ground for SLIFE builds on its model for supporting students who are new to English and may have experienced a disruption in their schooling. The practices presented in this book emerge from the belief that education for students with limited or interrupted formal education, also known as SLIFE, should not be remedial but should build on the students’ prior learning experiences and existing areas of knowledge. This second edition has been significantly updated, informed by recent research in the field, feedback from teachers, and new scholarly treatments of the topic. Breaking New Ground for SLIFE, second edition, explores the MALP approach, highlights how technology can be incorporated into classroom activities, and includes actual MALP projects implemented by MALP-trained teachers of both young and adolescent learners. In addition, the authors provide a newly revised MALP Teacher Planning Checklist.

By reading Breaking New Ground for SLIFE, educators will:

Today's public schools are brimming with students who are not only new to English but who also have limited or interrupted schooling. These students, referred to as SLIFE (or SIFE), create unique challenges for teachers and administrators.
 
Like its predecessor, this book is grounded in research and is designed to be an accessible and practical resource for teachers, staff, and administrators who work with students with limited or interrupted formal education. Chapters 3-5 focus on classroom instruction, but others address issues of concern to administrators and staff too. For example, Chapter 6 explores different program models for SLIFE instruction, but the planning and commitment to creating a successful program require the involvement of many across the school community, not just teachers. 
 
This edition features case studies, model programs, and teaching techniques and tips; also included is a new chapter focused on the Mutually Adaptive Learning Paradigm (MALP (R)). A major theme of this new edition is moving school personnel away from a deficit perspective, when it comes to teaching SLIFE, and toward one of difference. The goal is to help all stakeholders in the school community create and foster inclusion of, and equity for, a population that is all too often marginalized, ignored, and underserved.

Covering the spectrum of grammatical structures, The Structure of English teaches why grammatical structures are important and how to use them through literary illustrations and clear explanations of grammar's effective use and communicative function. It is directed at future English teachers, as well as the new ESL/EFL teacher.

With an emphasis on discourse function throughout, students are never expected to rely on lists of unrelated, constructed example sentences. Rather, when major points of grammar are presented, the structures are illustrated with rich, "real world" contexts excerpted from literature (mostly American), including novels, short stories, poems, essays, and drama. Exercises in the companion workbook are likewise based on naturally occurring stretches of discourse.

Though informed by modern linguistic theory, explanations are framed in more traditional terminology and are designed to help build students' confidence in using English grammar by deepening their understanding of its forms and functions..

For advanced ESL students and graduate TESOL and certificate programs.

Tacit Subjects is a pioneering analysis of how gay immigrant men of color negotiate race, sexuality, and power in their daily lives. Drawing on ethnographic research with Dominicans in New York City, Carlos Ulises Decena explains that while the men who shared their life stories with him may self-identify as gay, they are not the liberated figures of traditional gay migration narratives. Decena contends that in migrating to Washington Heights, a Dominican enclave in New York, these men moved from one site to another within an increasingly transnational Dominican society. Many of them migrated and survived through the resources of their families and broader communities. Explicit acknowledgment or discussion of their homosexuality might rupture these crucial social and familial bonds. Yet some of Decena’s informants were sure that their sexuality was tacitly understood by their family members or others close to them. Analyzing their recollections about migration, settlement, masculinity, sex, and return trips to the Dominican Republic, Decena describes how the men at the center of Tacit Subjects contest, reproduce, and reformulate Dominican identity in New York. Their stories reveal how differences in class, race, and education shape their relations with fellow Dominicans. They also offer a view of “gay New York” that foregrounds the struggles for respect, belonging, and survival within a particular immigrant community.

Addressing how national immigration concerns play out at urban, rural, and suburban levels in the state of New York, this special issue of Social Text offers new insight into an area of study that has long been focused primarily on cities. As new Latino/a immigrants change the culture and social fabric of small communities and reshape policy concerns, suburban and rural regions are becoming key locations for anti-immigrant acts and immigrant social justice organizing. This special issue presents immigrant stories and community and advocacy responses that underscore the need to recognize the diversity of Latino/a immigrant experiences, and it explores the widely varying responses of towns, counties, and both new and established immigrant groups to the race, ethnic, and class tensions usually associated with cities.

While focusing on Central American and Mexican immigrants in New York state, the contributors to this issue—scholars, activists, artists, and filmmakers—situate their work within a national context and consider the paradox of the experience of Latino/a immigrants, who face increasing repression on the one hand and emerging opportunities on the other. Essays address the experience of transnational mothers who leave their children in the care of extended family to pursue low-wage U.S. jobs; the politics of gender and sexuality in immigrant communities; the social practices of day laborers as they wait for work on street corners; and the unlikely pairing of the Virgen de Guadalupe and New York State attorney general Eliot Spitzer as figures to whom Mexican immigrants appeal in their demands for rights and dignity. Other articles address the upsurge of immigrant mobility, anti-immigrant activities, and immigrant advocacy in non-urban locations.

Contributors. James E. Claffey, Carlos Ulises Decena, Alyshia Gálvez, Margaret Gray, Angela Martínez, Melanie Nicholson, Pilar A. Parra, Max J. Pfeffer, Michele G. Shedlin, Carolyn Pinedo Turnovsky

Finalist for the 2015 Aidoo-Snyder Prize

In Idi Amin’s Shadow is a rich social history examining Ugandan women’s complex and sometimes paradoxical relationship to Amin’s military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin’s militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of watching their brothers, husbands, or sons “disappeared” by the state’s security forces. In Idi Amin’s Shadow considers the crucial ways that gender informed and was informed by the ideology and practice of militarism in this period. By exploring this relationship, Alicia C. Decker offers a nuanced interpretation of Amin’s Uganda and the lives of the women who experienced and survived its violence.

Each chapter begins with the story of one woman whose experience illuminates some larger theme of the book. In this way, it becomes clear that the politics of military rule were highly relevant to women and gender relations, just as the politics of gender were central to militarism. By drawing upon critical security studies, feminist studies, and violence studies, Decker demonstrates that Amin’s dictatorship was far more complex and his rule much more strategic than most observers have ever imagined.

This special issue, edited by the co-directors of the African Feminist Initiative (AFI) at Pennsylvania State University, is a partnership between Meridians and the AFI. The issue builds on the AFI's work to promote the study of African feminist thought and activism within the U.S. academy and to create equitable partnerships between scholars and practitioners of African feminism. Through the multiplicity of feminisms theorized in this issue, contributors challenge patriarchal ideologies and structures on myriad fronts, both on the African continent and beyond. The issue includes poetry, memoirs, essays, interviews, reflections, and testimonials on African feminisms, addressing such topics as hip hop, ethnography, secessionist movements, “saving” Nigerian girls, and women's writing.

Contributors. Gabeba Baderoon, Abena P. A. Busia, Ginetta E. B. Candelario, Msia Kibona Clark, Alicia C. Decker, Chipo Dendere, Abosede George, Tsitsi Jaji, Selina Makana, Patricia McFadden, Anne Moraa, Jacqueline-Bethel Tchouta Mougoué, Neo Sinoxolo Musangi, Wambui Mwangi, Aziza Ouguir, Charmaine Pereira, Fatima Sadiqi, Toni Stuart, Makhosazana Xaba, Ntokozo Yingwana

The first look at self-made men and women from a multicultural perspective.

Brings gender, race, and ethnicity to bear on the myth of the “self-made man.”

Made in America presents the first look at self-made men and women from a multicultural perspective. Jeffrey Louis Decker discusses the emergence of self-starters like Andrew Carnegie, Booker T. Washington, Madam C. J. Walker, Younghill Kang, and Lee Iacocca in relation to the changing consumer markets of the twentieth century.Decker locates the new breed of entrepreneurs within the changing rhetoric of personal success, which shifted its emphasis over the past century from religious “character” to psychological “personality” to celebrity “image.” The book concludes by surveying the life stories of enterprising celebrities such as Oprah Winfrey and Arnold Schwarzenegger.Decker analyzes the autobiographical expressions of famous entrepreneurs, from Carnegie to Ross Perot, alongside more marginal ones in order to examine how mainstream society shapes and is shaped by the cultures of subordinate groups. In addition, he looks at the link between self-making and nation-building, and in doing so discovers the origins of another pervasive myth: the “American dream.”Underlying Decker’s study are these questions: What happened to the myth of self-making in America? If it is dead, what caused its demise? If it lives on, what form has it taken? Written in a lucid and engaging style, Made in America uncovers the richness, complexity, and diversity of self-styled success in our time. By bringing gender, race, and ethnicity to bear on the myth of the “self-made man,” this book provides a timely and fascinating reexamination of a traditional area of inquiry in American cultural studies.200 pages Translation rights: University of Minnesota Press

In a time when Mormons appear to have larger roles in everything from political conflict to television shows and when Mormon-related topics seem to show up more frequently in the news, eight scholars take a close look at Mormonism in popular media: film, television, theater, and books.

Some contributors examine specific works, including the Tony-winning play Angels in America, the hit TV series Big Love, and the bestselling books Under the Banner of Heaven: A Story of Violent Faith and The Miracle Life of Edgar Mint. Others consider the phenomena of Mormon cinema and Mormon fiction; the use of the Mormon missionary as a stock character in films; and the noticeably prominent presence of Mormons in reality television shows.

A Complete Overview of One of the Most Important Military Forces in the History of the World
The Byzantine Art of War explores the military history of the thousand-year empire of the eastern Mediterranean, Byzantium. Throughout its history the empire faced a multitude of challenges from foreign invaders seeking to plunder its wealth and to occupy its lands, from the deadly Hunnic hordes of Attila, to the Arab armies of Islam, to the western Crusaders bent on carving out a place in the empire or its former lands. In order to survive the Byzantines relied on their army that was for centuries the only standing, professional force in Europe. Leadership provided another key to survival; Byzantine society produced a number of capable strategic thinkers and tacticians—and several brilliant ones. These officers maintained a level of professionalism and organization inherited and adapted from Roman models. The innovations of the Byzantine military reforms of the sixth century included the use of steppe nomad equipment and tactics, the most important of which was the refinement of the Roman mounted archer. Strategy and tactics evolved in the face of victory and defeat; the shock of the Arab conquests led to a sharp decline in the number and quality of imperial forces. By the eighth and ninth centuries Byzantine commanders mastered the art of the small war, waging guerrilla campaigns, raids, and flying column attacks that injured the enemy but avoided the decisive confrontation the empire was no longer capable of winning. A century later they began the most sustained, glorious military expansion of their history. This work further sketches the key campaigns, battles, and sieges that illustrate Byzantine military doctrine, vital changes from one era to another, the composition of forces and the major victories and defeats that defined the territory and material well-being of its citizens. Through a summary of their strategies, tactics, and innovations in the tools of war, the book closes with an analysis of the contributions of this remarkable empire to world military history.

From the tempestuous fight for statehood to the evolution of Utah voters from Democrats to Republicans, Rod Decker analyzes the intersection of politics and faith in the complex political culture of modern Utah. Beginning with the state’s roots as a communal theocracy, Utah Politics deftly examines how Mormon morality influenced and continues to shape conflicts on both the local and federal levels. Whether determining the role nuclear fallout played in causing cancer epidemics throughout the state or the influence of Mormon lobbyists, Decker demonstrates how the rose that blossomed in the desert was sometimes fertilized by conspiracy, debate, and political machination.

Some themes reoccur: governors become popular by fighting federal oversight— signaling a lingering distrust that Washington could alter the Mormon way of life—and liberals use the court system to circumvent conservative legislatures who see public morality as a defining feature of government. Through this lens, issues both deceptively innocuous and deeply complex underscore Utah’s dance with religious freedom and civil liberty.

Drug Smugglers on Drug Smuggling features interviews with 34 convicted drug smugglers -- most of them once major operators -- detailing exactly how drugs are smuggled into the U.S. from Latin America.  These sources provide tangible evidence of the risks, rewards, and organization of international drug smuggling.

Quoting frequently from their interviews, Decker and Chapman explain how individuals are recruited into smuggling, why they stay in it, and how their roles change over time.  They describe the specific strategies their interviewees employed to bring drugs into the country and how they previously escaped apprehension.  Over-all, the authors find that drug smuggling is organized in a series of networks which are usually unconnected.

This extraordinarily informative book will be of particular interest to law enforcement officials and policymakers, but it will appeal to anyone who wants to know how the drug business actually works.

In the field of criminal justice, public policy is designed to address the problems brought on by criminal behavior and the response to that behavior. However, too often, the theories carefully developed in the academy fail to make their way into programs and policy. The editors and contributors to this second edition of Criminology and Public Policy highlight the recent development of “translational criminology” to address the growing movement in criminology to use the results of criminological research and theory to better inform policy and practice.  

The essays in Criminology and Public Policy propose an in-depth look at both theory and practice and how they are integrated across a number of key criminal justice problems—from racial and environmental concerns to gun control and recidivism rates as well as police use of force and mass incarceration. The end result is an essential volume that blends both theory and practice in an effort to address the critical problems in explaining, preventing, responding to, and correcting criminal behavior.    

Contributors include: Robert K. Ax, Michelle N. Block, Anthony A. Braga, Rod K. Brunson, Jennifer Carlson, Ronald V. Clarke, Shea Cronin, Megan Denver, Kevin M. Drakulich, Grant Duwe, Amy Farrell, Cheryl Jonson, Charis E. Kubrin, Justin Kurland, Megan Kurlychek, Shannon Magnuson, Daniel P. Mears, Robert D. Morgan, Kathleen Powell, Danielle Rudes, Cassia Spohn, Cody Telep, Natalie Todak, Glenn Trager, Jillian J. Turanovic, Sara Wakefield, Patricia Warren, David Weisburd, Michael D. White, Rob White, Lauren Wilson and the editors

African American writing commonly represents New World topography as a set of entrapments, contesting the open horizons, westward expansion, and individual freedom characteristic of the white, Eurocentric literary tradition. Geographies of Flight: Phillis Wheatley to Octavia Butler provides the first comprehensive treatment of the ways in which African American authors across three centuries have confronted the predicament of inhabiting space under conditions of bondage and structural oppression. William Merrill Decker examines how, in testifying to those conditions, fourteen black authors have sought to transform a national cartography that, well into the twenty-first century, reflects white supremacist assumptions. These writers question the spatial dimensions of a mythic American liberty and develop countergeographies in which descendants of the African diaspora lay claim to the America they have materially and culturally created.

Tracking the testimonial voice in a range of literary genres, Geographies of Flight explores themes of placement and mobility in the work of Phillis Wheatley, Olaudah Equiano, David Walker, Frederick Douglass, Harriet Jacobs, Booker T. Washington, Ida B. Wells-Barnett, W. E. B. Du Bois, Richard Wright, Ralph Ellison, Malcolm X, James Baldwin, Toni Morrison, and Octavia Butler.

Protests against racial injustice and anti-Blackness have swept across elite colleges and universities in recent years, exposing systemic racism and raising questions about what it means for Black students to belong at these institutions. In Black Space, Sherry L. Deckman takes us into the lives of the members of the Kuumba Singers, a Black student organization at Harvard with racially diverse members, and a self-proclaimed safe space for anyone but particularly Black students. Uniquely focusing on Black students in an elite space where they are the majority, Deckman provides a case study in how colleges and universities might reimagine safe spaces. Through rich description and sharing moments in students’ everyday lives, Deckman demonstrates the possibilities and challenges Black students face as they navigate campus culture and the refuge they find in this organization. This work illuminates ways administrators, faculty, student affairs staff, and indeed, students themselves, might productively address issues of difference and anti-Blackness for the purpose of fostering critically inclusive campus environments.
 

Once a marginal political coalition, the French National Front has become the most high-profile far-right organization in Europe. In Politics on the Fringe Edward G. DeClair provides the first extensive analysis of the Front’s history, from its creation in 1972 and outcast status in the early 1980s to its achievement of broad-based support and show of political strength in the 1997 elections.

Using rare, in-depth interviews with twenty-nine members of the Front elite, as well as public opinion survey data and electoral results, DeClair examines the internal structure of the Front, its political agenda, and its growing influence in France. DeClair shows how the party has dramatically expanded its traditionally narrow core constituency by capitalizing upon anxieties about national identity, immigration, European unification, and rising unemployment. In illustrating how the rhetoric surrounding such topics is key to the Front’s success, DeClair examines the Front’s legacy by detailing the links between the French far-right and similar movements in such countries as Germany, Belgium, Austria, Italy, and the United States. Finally, Politics on the Fringe offers not only a complete picture of the Front’s increasingly influential role in French partisan politics but also further insight into the resurgence of right-wing extremism throughout western societies in the late twentieth century.

This volume will be of primary importance to political scientists and those engaged with European politics, culture, and history. It will also appeal to those concerned with right-wing populism and political movements.

Moving pictures existed for over a decade before anything resembling a star system appeared. Then, within the space of a very few years, American cinema went from being completely devoid of stars to being completely dependent on them. Picture Personalities is an invaluable account of this crucial development in cinema and modern culture.
 
Conventional wisdom attributes the rise of the star system to the charisma of individual performers or to the public's desire to idolize an appealing star. In Picture Personalities, Richard deCordova argues that the fledgling movie industry and the press conspired to develop the star system, along with a system of discourse to support it.
 
How actors became stars and how they began to assume public identities distinct from their fictional roles was closely tied to the journalistic discourse of the period, produced by the trade press, newspapers, general periodicals, fan magazines, publicity stills, posters, and other material. DeCordova shows how the studios worked to fabricate moral images of the stars' marriages and personal lives and how a series of star scandals in the 1920s challenged those images and brought about changes in the conventions of representing stars. A new foreword by Corey K. Creekmur enhances this first paperback edition.
 

In the years since the end of apartheid, South Africans have enjoyed a progressive constitution, considerable access to social services for the poor and sick, and a booming economy that has made their nation into one of the wealthiest on the continent. At the same time, South Africa experiences extremely unequal income distribution, and its citizens suffer the highest prevalence of HIV in the world. As Archbishop Desmond Tutu has noted, “AIDS is South Africa’s new apartheid.”

In Ancestors and Antiretrovirals, Claire Laurier Decoteau backs up Tutu’s assertion with powerful arguments about how this came to pass. Decoteau traces the historical shifts in health policy after apartheid and describes their effects, detailing, in particular, the changing relationship between biomedical and indigenous health care, both at the national and the local level. Decoteau tells this story from the perspective of those living with and dying from AIDS in Johannesburg’s squatter camps. At the same time, she exposes the complex and often contradictory ways that the South African government has failed to balance the demands of neoliberal capital with the considerable health needs of its population.

"The desert may seem timeless from within the Yellow Circle tonight, but the permanence of the surrounding landscape is only an illusion. Even the land is alive here, constantly changing and evolving as do all living things. Nothing here is 'finished.' Everything around us—the plants, the animals, the rocks, and the terrain itself—is in the process of becoming something else. And, of course, so are we. None of us around the campfire tonight are the same people we were yesterday, or will be tomorrow."—from the book

The Broken Land surveys the geological phenomena of the magnificent Great Basin landscape of western Utah, Nevada, eastern California, and adjacent regions. Each chapter focuses on a locality or area that provides insight into the deep history of one of North America's most remote regions—one of its continental margins. It is the only book available covering the geology of the entire Great Basin. Written for anyone with a casual to serious interest in natural history, The Broken Land conveys Frank DeCourten's awe at the story written in the rock of the basin.

Since the late 1800s, when professional fossil hunters vied with each other to bring the largest and most complete specimens to the museum market, Utah has been one of the most fertile grounds for dinosaur discovery. Because rock from the Mesozoic era covers more than 25,000 square miles in Utah, the state is a natural museum of the great age of dinosaurs. The presence of sites such as Dinosaur National Park and the Cleveland- Lloyd Dinosaur Quarry underline Utah’s ongoing paleontological significance. There are probably more paleontologists residing and working in Utah now than at any time in the past, and the state even has an official dinosaur, the Allosaurus.

Dinosaurs of Utah is an ambitious book bridging the gap between the voluminous technical literature on Utah’s Mesozoic era and the numerous publications that describe dinosaurs at the elementary level. “Utah” dinosaurs are presented here as part of the Mesozoic terrestrial ecosystems that evolved in the Colorado Plateau region and are discussed in the context of the changing landscapes, environments, and biota recorded in the geological record.

More than one hundred of author Frank DeCourten’s meticulous line drawings illustrate fossil remains and various features of dinosaur anatomy, as do five stunning paintings by Carel Brest van Kempen. More than forty color landscape photographs by John Telford and Frank DeCourten show modern geologic contexts in most parts of the state and emphasize the dynamic nature of the region’s geologic history. There is also a series of detailed maps, including several new to this edition, that show the tremendous topographical shifts that occurred within the Mesozoic era from the early Triassic to the late Cretaceous periods, a span of over 175 million years.

This second edition of Dinosaurs of Utah enlivens our understanding of these amazing vanished creatures by explaining them and their world to us. It moves beyond the often superficial representations that have been so prevalent and more accurately portrays the variety of dinosaurs that once roamed the region now known as Utah.

Rocking My Life Away represents nearly twenty years of writing by one of the premier critics of popular music in America today. In these pieces from Rolling Stone, the New York Times, and other publications, Anthony DeCurtis reveals his ongoing engagement with rock & roll as artistic forum, source of personal inspiration, and compelling site of cultural struggle. Including significant new work—liner notes commissioned for the Phil Spector box set and a spirited discussion with Peter Buck of R.E.M. about rock criticism, for example—DeCurtis also ventures with insight and power beyond the world of rock & roll. A joint profile of the political writers Neil Sheehan and Taylor Branch and provocative looks at the work of novelists Don DeLillo and T. Coraghessan Boyle round out this eclectic collection.

The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time.
In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves.

Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith

After fleeing from occupied Beograd to the liberated territory in the Sumadija, Vladimir Dedijer began his life as a Yugoslavian Partisan. Commissioned at the request of then Commander Tito, Vladimir Dedijer began writing his diaries in April of 1941 to record the daily lives, battles, and casualties of the Yugoslavian Partisan Army. The War Diaries of Vladimir Dedijer represents a wealth of primary information about the lives and struggles of the Partisan brigades. There can be no complete understanding of Tito's Yugoslavia without knowing the Diaries' account of the extent of the Second World War's impact on Yugoslavia's people. Tito, who was a frequent reader of the Diaries as the Partisan Army fought across Yugoslavia, called this work "Our Great Obituary." To maintain a diary under the hardships of war was difficult. Among the hazards were river crossings, rain, self-censorship should the Germans find the diaries, and in many instances a shortage of ink. In fact, ink was in such demand that German supplies were targeted by Partisans during raids. Despite these difficulties, Dedijer continually recorded day-to-day life throughout the war. These three volumes contain his writings up to the liberation of Prague in November of 1944. The Diaries were originally published in Yugoslavia more than forty years ago, and have since gone through four editions. The original publication in 1945 caused great debate because of Dedijer's fierce commitment to speaking his views and his uncompromising dedication to recording what he lived. Many felt that Dedijer should not make public the names of Partisan heroes who supported Stalin during the bitter Stalin-Tito split, but in keeping with his values, Dedijer refused, with Tito supporting his decision.

After fleeing from occupied Beograd to the liberated territory in the Sumadija, Vladimir Dedijer began his life as a Yugoslavian Partisan. Commissioned at the request of then Commander Tito, Vladimir Dedijer began writing his diaries in April of 1941 to record the daily lives, battles, and casualties of the Yugoslavian Partisan Army. The War Diaries of Vladimir Dedijer represents a wealth of primary information about the lives and struggles of the Partisan brigades. There can be no complete understanding of Tito's Yugoslavia without knowing the Diaries' account of the extent of the Second World War's impact on Yugoslavia's people. Tito, who was a frequent reader of the Diaries as the Partisan Army fought across Yugoslavia, called this work "Our Great Obituary." To maintain a diary under the hardships of war was difficult. Among the hazards were river crossings, rain, self-censorship should the Germans find the diaries, and in many instances a shortage of ink. In fact, ink was in such demand that German supplies were targeted by Partisans during raids. Despite these difficulties, Dedijer continually recorded day-to-day life throughout the war. These three volumes contain his writings up to the liberation of Prague in November of 1944. The Diaries were originally published in Yugoslavia more than forty years ago, and have since gone through four editions. The original publication in 1945 caused great debate because of Dedijer's fierce commitment to speaking his views and his uncompromising dedication to recording what he lived. Many felt that Dedijer should not make public the names of Partisan heroes who supported Stalin during the bitter Stalin-Tito split, but in keeping with his values, Dedijer refused, with Tito supporting his decision.

After fleeing from occupied Beograd to the liberated territory in the Sumadija, Vladimir Dedijer began his life as a Yugoslavian Partisan. Commissioned at the request of then Commander Tito, Vladimir Dedijer began writing his diaries in April of 1941 to record the daily lives, battles, and casualties of the Yugoslavian Partisan Army. The War Diaries of Vladimir Dedijer represents a wealth of primary information about the lives and struggles of the Partisan brigades. There can be no complete understanding of Tito's Yugoslavia without knowing the Diaries' account of the extent of the Second World War's impact on Yugoslavia's people. Tito, who was a frequent reader of the Diaries as the Partisan Army fought across Yugoslavia, called this work "Our Great Obituary." To maintain a diary under the hardships of war was difficult. Among the hazards were river crossings, rain, self-censorship should the Germans find the diaries, and in many instances a shortage of ink. In fact, ink was in such demand that German supplies were targeted by Partisans during raids. Despite these difficulties, Dedijer continually recorded day-to-day life throughout the war. These three volumes contain his writings up to the liberation of Prague in November of 1944. The Diaries were originally published in Yugoslavia more than forty years ago, and have since gone through four editions. The original publication in 1945 caused great debate because of Dedijer's fierce commitment to speaking his views and his uncompromising dedication to recording what he lived. Many felt that Dedijer should not make public the names of Partisan heroes who supported Stalin during the bitter Stalin-Tito split, but in keeping with his values, Dedijer refused, with Tito supporting his decision.

In 1860, Ohio was among the most influential states in the nation. As the third-most-populous state and the largest in the middle west, it embraced those elements that were in concert-but also at odds-in American society during the Civil War era. Ohio’s War uses documents from that vibrant and tumultuous time to reveal how Ohio’s soldiers and civilians experienced the Civil War. It examines Ohio’s role in the sectional crises of the 1850s, its contribution to the Union war effort, and the war’s impact on the state itself. In doing so, it provides insights into the war’s meaning for northern society.

Ohio’s War introduces some of those soldiers who left their farms, shops, and forges to fight for the Union. It documents the stories of Ohio’s women, who sustained households, organized relief efforts, and supported political candidates. It conveys the struggles and successes of free blacks and former slaves who claimed freedom in Ohio and the distinct wartime experiences of its immigrants. It also includes the voices of Ohioans who differed over emancipation, freedom of speech, the writ of habeas corpus, the draft, and the war’s legacy for American society.

From Ohio’s large cities to its farms and hamlets, as the documents in this volume show, the war changed minds and altered lives but left some beliefs and values untouched. Ohio’s War is a documentary history not only of the people of one state, but also of a region and a nation during the pivotal epoch of American history.

What does it mean to be Latinx? This pressing question forms the core of Latinx Belonging, which brings together cutting-edge research to discuss the multilayered ways this might be answered.

Latinx Belonging is anchored in the claim that Latinx people are not defined by their marginalization but should instead be understood as active participants in their communities and contributors to U.S. society. The volume’s overarching analytical approach recognizes the differences, identities, and divisions among people of Latin American origin in the United States, while also attending to the power of mainstream institutions to shape their lives and identities. Contributors to this volume view “belonging” as actively produced through struggle, survival, agency, resilience, and engagement.

This work positions Latinxs’ struggles for recognition and inclusion as squarely located within intersecting power structures of gender, race, sexuality, and class and as shaped by state-level and transnational forces such as U.S. immigration policies and histories of colonialism. From the case of Latinxs’ struggles for recognition in the arts, to queer Latinx community resilience during COVID-19 and in the wake of mass shootings, to Indigenous youth’s endurance and survival as unaccompanied minors in Los Angeles, the case studies featured in this collection present a rich and textured picture of the diversity of the U.S. Latinx experience in the twenty-first century.

Contributors
Andrés Acosta
Jack “Trey” Allen
Jennifer Bickham Mendez
Stephanie L. Canizales
Christopher Cuevas
Natalia Deeb-Sossa
Yvette G. Flores
Melanie Jones Gast
Monika Gosin
Pierrette Hondagneu-Sotelo
Nolan Kline
Verónica Montes
Yvonne Montoya
Michael De Anda Muñiz
Suzanne Oboler
Gilda L. Ochoa
Dina G. Okamoto
Marco Antonio Quiroga
Michelle Téllez

The first English-language collection of Latina/x caregiving testimonios, this volume gives voice to diverse Chicana/x and Latina/x caregiving experiences. Bringing together thirteen first-person accounts, these testimonios speak to the tragic flaws in our health-care system and the woefully undervalued labor of providing care to family and community.

The book opens with an introductory chapter by the three co-editors, and then is divided into three sections exploring the caregiver voice, community caregiving, and reflections that outline a Caregiver Bill of Rights and present a call to action. Throughout, contributors discuss kinship care, including formal and informal adoptions, community care, caregiving in professional health contexts, and the implicit caregiving inherent in teaching BIPOC students, which largely falls upon faculty of color.

Testimonios of Care gives voice to those who often are voiceless in histories of caregiving and is guided by Chicana and Latina feminist principles, which include solidarity between women of color, empathy, willingness to challenge the patriarchal medical health-care systems, questioning traditional gender roles and idealization of familia, and caring for self while caring for loved ones and community.

Contributors
yvonne hurtado allen
Angie Chabram
Natalia Deeb-Sossa
Yvette G. Flores
Inés Hernández-Ávila
ire’ne lara silva
Josie Méndez-Negrete
Maria R. Palacios
Hector Rivera-Lopez
Maria Angelina Soldatenko
Anita Tijerina Revilla
Mónica Torreiro-Casal
Enriqueta Valdez-Curiel

For most people, grocery shopping is a mundane activity. Few stop to think about the massive, global infrastructure that makes it possible to buy Chilean grapes in a Philadelphia supermarket in the middle of winter. Yet every piece of food represents an interlocking system of agriculture, manufacturing, shipping, logistics, retailing, and nonprofits that controls what we eat—or don’t.

The Problem with Feeding Cities is a sociological and historical examination of how this remarkable network of abundance and convenience came into being over the last century. It looks at how the US food system transformed from feeding communities to feeding the entire nation, and it reveals how a process that was once about fulfilling basic needs became focused on satisfying profit margins. It is also a story of how this system fails to feed people, especially in the creation of food deserts. Andrew Deener shows that problems with food access are the result of infrastructural failings stemming from how markets and cities were developed, how distribution systems were built, and how organizations coordinate the quality and movement of food. He profiles hundreds of people connected through the food chain, from farmers, wholesalers, and supermarket executives, to global shippers, logistics experts, and cold-storage operators, to food bank employees and public health advocates. It is a book that will change the way we see our grocery store trips and will encourage us all to rethink the way we eat in this country.

Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafés and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles, Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there.

 

In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community. Through stories from five different parts of Venice—Oakwood, Rose Avenue, the Boardwalk, the Canals, and Abbot Kinney Boulevard— Deener identifies why Venice maintained its diversity for so long and the social and political factors that threaten it. Drenched in the details of Venice’s transformation, the themes and explanations will resonate far beyond this one city. 

 

Deener reveals that Venice is not a single locale, but a collection of neighborhoods, each with its own identity and conflicts—and he provides a cultural map infinitely more useful than one that merely shows streets and intersections. Deener's Venice appears on these pages fully fleshed out and populated with a stunning array of people. Though the character of any neighborhood is transient, Deener's work is indelible and this book will be studied for years to come by scholars across the social sciences.

Through his work as a scholar, as a critic, and as a political commentator, Edward Said asked insistently: Who speaks? For what and whom? How does an intellectual articulate his or her place in the West? Or in the developing world? What is the specific contribution and intervention to be made by the intellectual? This Social Text special issue in memory of Said examines how he challenged established authority and identity with these questions and shaped a culture of criticism.

This special issue of Social Text examines the self-perpetuating nature of postmodern war and war culture. It looks at the instrumental nature of war discourse as a political force and challenges its vision of endless warfare as the means to control both domestic and foreign populations in an era of globalization. Essays analyze the historical and material interests that war serves and challenge the seductive mythology of high-tech precision warfare, which allows the traumatic effects of war to be considered at a great distance. The issue also argues that the increasing tendency to discuss war metaphorically—as in the phrases “War on Drugs” and “War on Terror”—blurs the boundaries between civilian and soldier and between combatant and noncombatant and defers the human cost of permanent warfare.

The contributors to this special issue—drawing on cultural studies, anthropology, economics, psychoanalysis, gender studies, postcolonial studies, and war literature—target the blind spots in current debates about war. One essay examines the financing of war, challenging the myth that our military-industrial complex generates economic bounty. Another contributor addresses strategies of high-tech urban warfare now being developed by the U.S. military and warns of the historical limits of colonial policing techniques that build on practices of surveillance. Other essays discuss the eroticization of “consent” embodied in the practice of torture at Abu Ghraib; the paradoxes of paramilitary policing and popular resistance along the militarized Mexico-U.S. border; and the continuities between the permanent war economy that emerged in the United States during World War II and the current disastrous confluence of militarism, global outsourcing, and economic depletion.

Contributors. Ashley Dawson, Patrick Deer, Jonathan Michael Feldman, Kennan Ferguson, Jean Franco, Randy Martin, Leerom Medovoi, Rosalind C. Morris, Gilberto Rosas

This issue follows the punk movement’s lingering aftereffects, investigating its unruly profligacy of meanings within music and popular culture and outside and beyond genre. The contributors track punk’s affect and aesthetics across media and geography from the 1970s to the present, seeking to disrupt conventional linear narratives of punk’s development. This collection participates in a growing body of literature focusing on the stories and creative articulations of punk by women, people of color, and queer individuals. The contributors reconsider the presence of masculinity in emo; posit a queer minstrelsy underlying the homophobia in 1980s hardcore punk; analyze the “shadow feminism” within the screams of Rhoda Dakar, Yoko Ono, Grace Jones, and Janelle Monáe; and confront the relationship of faith, feminism, and aesthetics in Pussy Riot’s work. Other essays offer a realignment of punk’s Los Angeles–New York–London axis by investigating South Tejas punk bands and disentangling punk’s thorny connections to ska, dub, dubstep, and pop.

Jayna Brown is Associate Professor of Ethnic Studies at the University of California, Riverside. Patrick Deer is Associate Professor of English at New York University. Tavia Nyong’o is Associate Professor of Performance Studies at the Tisch School of the Arts at New York University.

The expansion of married women’s property rights was a main achievement of the first wave of feminism in Latin America. As Carmen Diana Deeere and Magdalena Leon reveal, however, the disjuncture between rights and actual ownership remains vast. This is particularly true in rural areas, where the distribution of land between men and women is highly unequal. In their pioneering, twelve-country comparative study, the authors argue that property ownership is directly related to women’s bargaining power within the household and community, point out changes resulting from recent gender-progressive legislation, and identify additional areas for future reform, including inheritance rights of wives.

A historiographical analysis of human geography and a social history of nationalist separatism and cultural identity in southern Senegal. This book is a spatial history of the conflict in Casamance, the portion of Senegal located south of The Gambia. Mark W. Deets traces the origins of the conflict back to the start of the colonial period in a select group of contested spaces and places where the seeds of nationalism and separatism took root. Each chapter examines the development of a different piece of the still unrealized Casamançais nation: river, rice field, forest, school, and stadium. Each of these locations forms a spatial discourse of grievance that transformed space into place, rendering a separatist nation from the pieces where a particular Casamançais identity emerged. However, not every Casamançais identified with these spaces and places in the same way. Many refused to tie their beloved culture and landscape to the project of separatism, revealing a layer of counter-mapping below that of the separatist leaders like Father Augustin Diamacoune Senghor and Mamadou “Nkrumah” Sané. The Casamance conflict began on December 26, 1982. After an oath-taking ceremony in a sacred forest on the edge of Ziguinchor, hundreds of separatists from the Movement of Democratic Forces of the Casamance (MFDC) marched into the town to remove the Senegalese flag in front of the regional governor’s office and replace it with a white flag. The marchers were met by gendarmes who quickly found themselves outnumbered. Government surveillance, arrests, and interrogations followed into the next year, when gendarmes went to the sacred forest to stop another MFDC meeting. This time, the separatists greeted the gendarmes with a burst of violence that left four dead, their bodies mutilated. Senegalese security responded with force, driving the separatists—armed only with improvised rifles, bows and arrows, and machetes—into the forest. The Casamance conflict continues to the present day, so far having left more than five thousand dead, four hundred killed or maimed by land mines, and another eight hundred thousand living in a state of insecurity, with limited possibility for economic development. Ordinary Casamançais—on the Casamance River, in the rice fields, in the forests, in the schools, and in the sports stadiums—have demonstrated a diversity of opinions about the separatist project. Whether by the Senegalese state or by the separatists, these ordinary Casamançais have refused to be mapped. They have made the Casamance “a country of defiance.”

María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors.

In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo’s and Izquierdo’s oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist’s oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.