A SCHOLARLY BOOK REPOSITORY
Three plays by ancient Greece’s third great tragedian.
One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes.
Volume III contains three plays. Suppliant Women reflects on the rule of law; Electra gives Euripides' version of the legend of Clytaemestra's murder by her children; Heracles testifies to the fragility of human happiness.
Three plays by ancient Greece’s third great tragedian.
One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes.
Three plays are in Volume IV. Trojan Women concerns the tragic unpredictability of life; Iphigenia among the Taurians and Ion exhibit tragic themes and situations but end happily with joyful reunions.
This new translation of Medea by classicist Oliver Taplin, originally published as part of the acclaimed third edition of Chicago’s Complete Greek Tragedies, brilliantly replicates the musicality and strength of Euripides’s verse while retaining the play’s dramatic and emotional impact. Taplin has created an edition of Medea that is particularly suited to performance, while not losing any of the power it has long held as an object of reading or study. This edition is poised to become the new standard, and to introduce a new generation of readers to the heights and depths of Greek tragedy.
On Ecclesiastical Theology, composed circa 338/339 just before Eusebius’s death, and perhaps in response to the amnesty for deposed bishops enacted by Constantius after the death of Constantine in 377 and the possibility of Marcellus’s return to his see, continues to lay out the criticisms initially put forward in Against Marcellus, again utilizing quotations from Marcellus’s book against Asterius. However, we see in this text a much more systematic explanation of Eusebius’s objections to the various elements of Marcellus’s theology and what he sees as the proper orthodox articulation of those elements.
Long overlooked for statements at odds with later orthodoxy, even written off as heretical because allegedly “semi-Arian,” recent scholarship has demonstrated the tremendous influence these texts had on the Greek theological tradition in the fourth century, especially on the orthodox understanding of the Trinity. In addition to their influence, they are some of the few complete texts that we have from Greek theologians in the immediate period following the Council of Nicea in 325, thus filling a gap in the materials available for research and teaching in this critical phase of theological development.
The first comprehensive history of early Christianity.
Eusebius of Caesarea (ca. AD 260–340), born in Palestine, was a student of the presbyter Pamphilus, whom he loyally supported during Diocletian’s persecution. He was himself imprisoned in Egypt, but became Bishop of Caesarea around 314. At the Council of Nicaea in 325 he sat by the emperor, led a party of moderates, and made the first draft of the famous creed.
Of Eusebius’ many learned publications we have the Martyrs of Palestine and the Life of Constantine; several apologetic and polemic works; parts of his commentaries on the Psalms and Isaiah; and the Chronographia, known chiefly in Armenian and Syriac versions of the original Greek. But Eusebius’ chief fame rests on the History of the Christian Church in ten books, published in 324–325, the most important ecclesiastical history of ancient times, a great treasury of knowledge about the early Church.
The first comprehensive history of early Christianity.
Eusebius of Caesarea (ca. AD 260–340), born in Palestine, was a student of the presbyter Pamphilus, whom he loyally supported during Diocletian’s persecution. He was himself imprisoned in Egypt, but became Bishop of Caesarea around 314. At the Council of Nicaea in 325 he sat by the emperor, led a party of moderates, and made the first draft of the famous creed.
Of Eusebius’ many learned publications we have the Martyrs of Palestine and the Life of Constantine; several apologetic and polemic works; parts of his commentaries on the Psalms and Isaiah; and the Chronographia, known chiefly in Armenian and Syriac versions of the original Greek. But Eusebius’ chief fame rests on the History of the Christian Church in ten books, published in 324–325, the most important ecclesiastical history of ancient times, a great treasury of knowledge about the early Church.
W. Y. Evans–Wentz, great Buddhist scholar and translator of such now familiar works as the Tibetan Book of the Dead and the Tibetan Book of the Great Liberation, spent his final years in California. There, in the shadow of Cuchama, one of the Earth’s holiest mountains, he began to explore the astonishing parallels between the spiritual teaching of America’s native peoples and that of the deeply mystical Hindus and Tibetans. Cuchama and Sacred Mountains, a book completed shortly before his death in 1965, is the fruit of those explorations.
To Cuchama, “Exalted High Place,” came the young Cochimi and Yuma boys for initiation into the mystic rites for their people. In solitude they sought and received guidance and wisdom. In this same way, the peoples of ancient Greece, the Hebrews, the early Christians, and the Hindus had found access to inner truth on their own holy mountains: and in this same way must the modern person find the path to inner knowing.
Surveying many of the most Sacred Mountains in North America, South America, Europe, and Asia, Evans–Wentz expresses the belief that the secret power of these high places has not passed away but only awaits the coming of a New Age. This new age, in accord with the oldest prophecies of our continent, will be a time of renaissance, the long–waited era of harmony and peace among all peoples.
This renaissance shall be uniquely American, a renewal based on the values so long honored by the Americans before Columbus, and so ruthlessly trampled by the “civilized” Europeans who overran them. No other race of people has been as spiritual in their way of life than the original Americans, notes Evans–Wentz. Perhaps none other has known such martyrdom. Yet the secret greatness of the Indian religion still lives, ancient as the Earth itself, yet ageless in its power to renew.
Ejected from church and shunned by his family as a young man, Evans embarks on an ambitious overland journey halfway across the world. Riding public transportation, he crosses swamps, deserts, mountains, and jungles, slowly approaching his lifelong dream and ultimate goal: Antarctica. With each new mile comes laughter, pain, unexpected friendship, true weirdness, unsettling realities, and some hair-raising moments that eventually lead to a singular discovery on a remote beach at the bottom of the world.
Evans's 12,000-mile voyage becomes a soulful quest to balance faith, family, and self, reminding us that, in the end, our lives are defined by the roads we take, the places we touch, and those we hold nearest.
Between 1914 and 1918, German anthropologists conducted their work in the midst of full-scale war. The discipline was relatively new in German academia when World War I broke out, and, as Andrew D. Evans reveals in this illuminating book, its development was profoundly altered by the conflict. As the war shaped the institutional, ideological, and physical environment for anthropological work, the discipline turned its back on its liberal roots and became a nationalist endeavor primarily concerned with scientific studies of race.
Combining intellectual and cultural history with the history of science, Anthropology at War examines both the origins and consequences of this shift. Evans locates its roots in the decision to allow scientists access to prisoner-of-war camps, which prompted them to focus their research on racial studies of the captives. Caught up in wartime nationalism, a new generation of anthropologists began to portray the country’s political enemies as racially different. After the war ended, the importance placed on racial conceptions and categories persisted, paving the way for the politicization of scientific inquiry in the years of the ascendancy of National Socialism.
This edition includes an introduction by Evans scholar Diane Roberts about the enduring relevance and legacy of St. Elmo as a work of literature as well as a reflection of gender roles and the seismic societal changes taking place in the United States in the aftermath of the Civil War.
In this work, Brad Evans weaves together the histories of American literature and anthropology. His study brings alive not only the regionalist and ethnographic fiction of the time but also revives a range of neglected materials, including the Zuni sketchbooks of anthropologist Frank Hamilton Cushing; popular magazines such as Century Illustrated Monthly, which published Cushing's articles alongside Henry James's; the debate between Joel Chandler Harris, author/collector of the Uncle Remus folktales, and John Wesley Powell, perhaps the most important American anthropologist of the time; and Du Bois's polemics against the culture concept as it was being developed in the early twentieth century.
Written with clarity and grace, Before Cultures will be of value to students of American literature, history, and anthropology alike.
Whether physical or metaphorical, institutional or interpersonal, violence is everywhere. A seemingly immutable fact of life, it is nonetheless rarely engaged with at the conceptual level. What does violence actually mean? And is it an inevitable part of the human condition?
Conversations on Violence brings together many of the world's leading critical scholars, artists, writers and cultural producers to provide a kaleidoscopic exploration of the concept of violence. Through in-depth interviews with thirty figures including Marina Abramovic, Kehinde Andrews and Simon Critchley, Brad Evans and Adrian Parr interrogate violence in all its manifestations, including its role in politics, art, gender discrimination and decolonisation.
Provocative, eye-opening and bracingly original, Conversations on Violence sheds light on a defining political and ethical concern of our age.
How does the leadership of a Senate committee influence the outcome of bills? In Leadership in Committee C. Lawrence Evans delves into the behavior of legislative leaders and the effects of what they do, how their tactics vary, and why. Using evidence gleaned from personal interviews with a large number of U.S. senators and Senate staff, the author compares the leadership styles of eight committee chairs and ranking minority members in the U.S. Senate. The result is a significant contribution to the literature on American politics, the first book-length, comparative analysis of legislative leadership behavior in the modern Senate.
". . . .this book is highly recommended reading for those interested in both legislative politics and political leadership. . . .Leadership in Committee establishes Evans as one of the handful of political scientists who have done justice to the subtleties of politics in the modern Senate."
---Randall Strahan, Journal of Politics
"Larry Evans has significantly influenced my own work over the years, and Leadership in Committee is one reason why. It is a model of great scholarship, the best work on committee leadership ever written. It has the discriminatory sense of context that appears only when the author truly knows his subject. It is theoretical without being reductionist or vacuously abstract. Its principal claims are general yet sufficiently concrete to be testable, and Evans provides systematic, comparative evidence to support (or qualify) each of them. Larger issues of agenda-setting, institutional structure, partisanship, anticipated reactions, participation, committee-floor bargaining, and strategic action of various kinds receive thoughtful and insightful examination. And the book is simply a terrific read. Too long in coming, the publication of Leadership in Committee in paperback ought to spark a well-deserved revival of interest in this work."
---Richard L. Hall, University of Michigan
The party whips are essential components of the U.S. legislative system, responsible for marshalling party votes and keeping House and Senate party members in line. In The Whips, C. Lawrence Evans offers a comprehensive exploration of coalition building and legislative strategy in the U.S. House and Senate, ranging from the relatively bipartisan, committee-dominated chambers of the 1950s to the highly polarized congresses of the 2000s. In addition to roll call votes and personal interviews with lawmakers and staff, Evans examines the personal papers of dozens of former leaders of the House and Senate, especially former whips. These records allowed Evans to create a database of nearly 1,500 internal leadership polls on hundreds of significant bills across five decades of recent congressional history.
The result is a rich and sweeping understanding of congressional party leaders at work. Since the whips provide valuable political intelligence, they are essential to understanding how coalitions are forged and deals are made on Capitol Hill.
Nadia moves between the competing perspectives of two survivors of the 1990s Balkan Wars who have escaped to London, only to discover that the war has followed them there. Nadia is a young refugee who just wants to forget the past—until Iggy starts temping at her London office. Afraid he may be a sniper from the war she fled, Nadia starts seeing threats everywhere, alongside unsettling visions of her lost girlfriend, Sanja. As her volatile connection with Iggy unravels, Nadia is forced to face the ethically shaky choices she made to escape the war, her survivor guilt, and her disavowed queer sexuality.
Christine Evans's novel takes us to the recent past of a war that broke apart a European country and that presciently foreshadowed the rise of ethno-nationalism in the West. Tense, suspenseful, and mordantly funny, Nadia tracks the complex ways in which a past marked by political violence can shadow and disrupt the present.
Sir John Herschel, one of the founders of Southern Hemisphere astronomy, was a man of extraordinarily wide interests. He made contributions to botany, geology, and ornithology, as well as to astronomy, chemistry, and mathematics. Throughout his scientific career he kept a diary, recording his public and private life. The diaries from 1834 to 1838, years he spent making astronomical observations at the Cape of Good Hope, are reproduced in this book and prove to be much more than an ordinary scientist’s logbook. They present personal and social history, literary commentaries, the results of close observations of nature and numerous scientific experiments, the excitement of travel, political intrigues, gossip, and philosophical reflections—all interpreted through an alert and versatile mind. In the present transcription, the material has been enriched with selected correspondence of Sir John and his wife Lady Herschel (née Margaret Brodie Stewart).
Sir John devoted his working time at the Cape primarily to a systematic observation of the southern sky, complementing his earlier “sweeping” of the northern sky at Slough, England. He later became one of the founders of photography, but at the Cape he used a simple optical device, the camera lucida, in the production of numerous landscape drawings. Many of these, along with reproductions of sketches contained in the diaries and botanical drawings made by Sir John and Lady Herschel, are used to illustrate this book. Sir John was also a leading figure in the foundation of the educational system of the Cape and a supporter of exploratory expeditions into the interior.
As the son of Sir William Herschel, in his day the most famous British astronomer and the discoverer of the planet Uranus, Sir John was already celebrated when he arrived from England. Every individual of note, resident at the Cape or visiting, went to see him. He was supported in his work by his wife, who ran an enormous establishment and bore a huge family, but who nevertheless found time to travel in the country around the western Cape with him and to assist in his observations.
The diaries and letters are supplemented by especially valuable editorial notes that provide much needed and highly interesting information concerning persons and events mentioned and described by Sir John. All the original manuscript material used in this volume is archived at the Harry Ransom Center at the University of Texas at Austin. Sir John’s camera lucida drawings are from the South African Public Library in Cape Town.
By day, every year over 40,000 visitors pour in. Across the Rio Grande, a hundred miles away, Mexican mountaineers use the white domes as landmarks. By night, perched almost 7,000 feet above the sleeping, earthbound world, astronomers probe the secrets of the night sky. This is the University of Texas McDonald Observatory, one of the world's largest university-operated astronomical installations.
Big and Bright: A History of the McDonald Observatory is the story of a remarkable collaboration between two major universities, one a prestigious private school, the other a growing southwestern state institution. The University of Chicago had astronomers, but its Yerkes Observatory was aging and underfunded; the University of Texas had money for an observatory but no working astronomer to staff it. Out of their mutual need, they formed a thirty-year compact for a joint venture. Unusual in its day, the Yerkes-McDonald connection presaged the future. In this arrangement, one can see some of the beginnings of today's consortium "big science."
Now the McDonald Observatory's early history can be put in proper perspective. Blessed with a gifted and driving founding director, the world's (then) second-largest telescope, and an isolation that permitted it to be virtually the only major astronomical observatory that continued operations throughout World War II, the staff of McDonald Observatory helped lay the foundations of modern astrophysics during the 1940s. For over a decade after the war, a lonely mountaintop in West Texas was the mecca that drew nearly all the most important astronomers from all over the world.
Based on personal reminiscences and archival material, as well as published historical sources, Big and Bright is one of the few histories of a major observatory, unique in its focus on the human side of the story.
This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment.
Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.
When the cactuses bloom in Big Bend National Park, their vivid pinks and purples, reds and yellows bring an unforgettable beauty to the rugged Chihuahuan Desert landscape. In fact, many people visit the park just see the cactus blossoms and the wildflowers. If you're one of them, this book will increase your enjoyment by helping you identify the wonders at your feet. And if you've never been to Big Bend when the cactuses are blooming, you'll discover here what you've been missing.
Douglas B. Evans describes twelve kinds of cactus—living rock, topflower, stout-spined, hedgehog, pineapple, button, barrel, fishhook, nipple, chollas and pricklypears, and Texas nipple—and their individual species known to occur in the park. Color photographs taken by Doris Evans and Ro Wauer accompany the species descriptions. As you hike or drive through the park, you can identify most of the cactuses you see simply by leafing through these splendid pictures and then checking the descriptions, which indicate the cactuses' characteristic features and habitat.
To make the book even more useful, Evans also briefly defines the parts of a cactus, explains how scientific names work, and offers a quick introduction to the geography and ecology of Big Bend National Park and the Chihuahuan Desert. With this information, you'll enjoy not only seeing the cactuses of the Big Bend but also being able to tell one from another and knowing just what makes each one special.
Why Do Bees Buzz? reports on the mysterious "colony collapse disorder" that has affected honey bee populations, as well as other captivating topics, such as their complex, highly social lives, and how other species of bees are unique and different from honey bees. Organized in chapters that cover everything from these provocative pollinators' basic biology to the aggressive nature of killer bees, this insightful question and answer guide provides a honeycomb of compelling facts.
With clarity and depth, bee biologist Elizabeth Capaldi Evans and coauthor Carol A. Butler examine the lives of honey bees, as well as other species such as orchid bees, bumblebees, and stingless bees. Accessible to readers on every level, and including the latest research and theory for the more sophisticated reader, the authors reveal more than one hundred critical answers to questions about the lives of bees.
Concepts about speciation, evolutionary adaptation and pollination, as well as historical details about topics such as Mayan beekeeping and the appearance of bees in rock art, are arranged in easy-to-follow sidebars that highlight the text. Color and black and white photographs and drawings enhance the beauty and usefulness of Why Do Bees Buzz?
Amid these disadvantages, what is a Mama, PhD to do? This literary anthology brings together a selection of deeply felt personal narratives by smart, interesting women who explore the continued inequality of the sexes in higher education and suggest changes that could make universities more family-friendly workplaces.
The contributors hail from a wide array of disciplines and bring with them a variety of perspectives, including those of single and adoptive parents. They address topics that range from the level of policy to practical day-to-day concerns, including caring for a child with special needs, breastfeeding on campus, negotiating viable maternity and family leave policies, job-sharing and telecommuting options, and fitting into desk/chair combinations while eight months pregnant.
Candid, provocative, and sometimes with a wry sense of humor, the thirty-five essays in this anthology speak to and offer support for any woman attempting to combine work and family, as well as anyone who is interested in improving the university's ability to live up to its reputation to be among the most progressive of American institutions.
The recipient of rave reviews from far and wide (Journal of Hospital Librarianship deemed it “a librarian’s dream … very forward-thinking”), since its initial publication this text has served as an essential resource for both LIS students and practitioners. The new fourth edition offers an updated, comprehensive examination of the myriad of basic skills effective library managers must exercise throughout their careers. Throughout, Evans and new co-author Greenwell pay close attention to management in "new normal" straitened economic conditions and the pervasive impact of technology on a library manager’s role. This book’s coverage includes
- a new focus on how being in the public/nonprofit sector influences the application of management basics such as planning, accountability, trust and delegation, decision making, principles of effective organizational communication, fostering change and innovation, quality control, and marketing;
- the managerial environment, organizational skill sets, the importance of a people-friendly organization, and legal issues;
- key points on leadership, team-building, and human resource management;
- budget, resource, and technology management;
- management ethics, with a lengthy discussion of why ethics matter; and
- tips for planning a library career, with a look at the work/life debate.
This book, to quote Australian Library Journal, is “a recommended text for library science students, but is also an excellent source of information for career librarians wanting to refresh their knowledge of library management in a fast-moving information services environment.”
Fabretti's treatise, De aquis et aquaeductibus veteris Romae dissertationes tres, is cited as a matter of course by all later scholars working in the area of Roman topography. Its findings--while updated and supplemented by more recent archaeological efforts--have never been fully superseded. Yet despite its enormous importance and impact on scholarly efforts, the De aquis has never yet been translated from the original Latin. Aqueduct Hunting in the Seventeenth Century provides a full translation of and commentary on Fabretti's writings, making them accessible to a broad audience and carefully assessing their scholarly contributions.
Harry B. Evans offers his reader an introduction to Fabretti and his scholarly world. A complete translation and a commentary that focuses primarily on the topographical problems and Fabretti's contribution to our understanding of them are also provided. Evans also assesses the contributions and corrections of later archaeologists and topographers and places the De aquis in the history of aqueduct studies.
Evans demonstrates that Fabretti's conclusions, while far from definitive, are indeed significant and merit wider attention than they have received to date. This book will appeal to classicists and classical archaeologists, ancient historians, and readers interested in the history of technology, archaeology, and Rome and Italy in the seventeenth century.
Harry B. Evans is Professor of Classics, Fordham University.
Howard Ensign Evans was a brilliant ethologist and systematist for whom the joy of science included lying on his belly in some remote location, digging out and diagramming a wasp’s nest. During his career, Evans described over 900 species and authored more than a dozen books, both technical and popular, on a wide range of entomological and natural history subjects. Upon his death in 2002, he left behind an unfinished manuscript, intended as an update (though not a revision) of his classic 1966 work, The Comparative Ethology and Evolution of the Sand Wasps. Kevin O’Neill, Evans’s former student and coauthor, has completed and enlarged Evans’s manuscript to provide coverage of all sand-wasp tribes in Evan’s earlier book. The result is a tribe-by-tribe, species-by-species review of studies of the Bembicinae that have appeared over the last four decades.
The Sand Wasps: Natural History and Behavior already has been hailed by specialists as a new bible for those working on solitary wasps and an essential reference for scientists more broadly interested in insect behavioral evolution.
Strategies of Deconstruction was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the past two decades, the "movement" of deconstruction has bad tremendous impact on a number of academic, disciplines in the United States. However, its force has been rather limited in the field of philosophy, despite the fact that in Europe the practice of deconstruction emerged in the work of philosophers. Although the reasons for this can be debated, two of the more obvious explanations are the mainstream Anglo-American philosophers rarely studied the German and French philosophical traditions in great detail, and deconstruction's focus on discourse and interpretation has made it more attractive to the literary and humanistic disciplines.
With this context, Strategies of Deconstruction focuses on the early work of Jacques Derrida, the French philosopher who introduced deconstruction in Speech and Phenomena,his study of Edmund Husserl, and Of Grammatology, and whose philosophical reputation stems in no small part from his work on Husserl. In examining the philosophical import of Derrida's theories of reading, text, and language, specifically as they related to Speech and Phenomena,J. Claude Evans makes careful reference to Husserl's own texts. His analysis indicates that there are many systematic irregularities in Derrida's study and that without those irregularities Derrida's conclusions cannot be substantiated.
Even by modern standards, the Empress Theodora (?-548) had a remarkable rise to power. Born into the lowest class of Byzantine society, she worked as an actress in burlesque theater. Yet she attracted the love of the future emperor Justinian, who, to the astonishment of proper society, made her not only his wife but also his partner in government. Justinian's respect for and trust in Theodora gave her power in her own right unmatched by almost any other Roman or Byzantine empress.
In this book, James Allan Evans provides a scholarly, yet highly accessible account of the life and times of the Empress Theodora. He follows her from her childhood as a Hippodrome bearkeeper's daughter to her imperial roles as Justinian's most trusted counselor and as an effective and powerful advocate for the downtrodden. In particular, he focuses on the ways in which Theodora worked to improve the lives of women. He also explores the pivotal role Theodora played in the great religious controversy of her time, involving a breach between sects in the Christian church.
By June 1953 the Korean War, marked at the outset by extremely fluid advances and retreats up and down the peninsula, had settled into position warfare very near the original pre-war demarcation line between North and South Korea. At this point both sides were fighting to win a peace, to achieve incremental advantages that could be translated into gains at the peace negotiations in Panmunjom. The battle at Outpost Harry devolved into hand-to-hand combat during a period of constant, intense fighting that lasted two days. The author, although seriously wounded that night, refused evacuation and remained on the hill to successfully lead his company in defense of the outpost. It wasn’t romantic; it wasn’t chivalrous; and many died or were badly wounded. Some of the survivors never fully overcame the mental and physical damage they suffered during the nightmare.
Perceptively explores the shifting intersections between algorithmic systems and human practices in the modern era.
How have algorithmic systems and human practices developed in tandem since 1800? This volume of Osiris deftly addresses the question, dispelling along the way the traditional notion of algorithmic “code” and human “craft” as natural opposites. Instead, algorithms and humans have always acted in concert, depending on each other to advance new knowledge and produce social consequences. By shining light on alternative computational imaginaries, Beyond Craft and Code opens fresh space in which to understand algorithmic diversity, its governance, and even its conservation.
The volume contains essays by experts in fields extending from early modern arithmetic to contemporary robotics. Traversing a range of cases and arguments that connect politics, historical epistemology, aesthetics, and artificial intelligence, the contributors collectively propose a novel vocabulary of concepts with which to think about how the history of science can contribute to understanding today’s world. Ultimately, Beyond Craft and Code reconfigures the historiography of science and technology to suggest a new way to approach the questions posed by an algorithmic culture—not only improving our understanding of algorithmic pasts and futures but also unlocking our ability to better govern our present.
Sardis, capital city of the Lydian and Persian kings, stronghold of the Seleukid kings, metropolis of Roman Asia, and episcopal see in the Byzantine period, has been the focus of archaeological research since the early 1900s. This monograph focuses on the over 8,000 coins minted in the Lydian, Hellenistic, Roman, and Byzantine periods that were excavated between 1973 and 2013 in the Harvard-Cornell Expedition.
The book places coins within eastern Mediterranean historical, cultural, and economic contexts, in order to better understand the monetized economy of Sardis. It adds important archaeological context to shed light on the uses of coins and the nature of the deposits, with attention paid to the problems of monetary circulation and chronological development of the deposits, especially in the Late Roman period. Statistical analyses, including a new method of analyzing the deposits, help define the nature and chronological horizons of the strata. A catalog of the coins concludes the main body of the study, followed by appendices on countermarks, monograms, and statistical analyses.
Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.
Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.
Scientific breakthroughs have led us to a point where soon we will be able to make specific choices about the genetic makeup of our offspring. In fact, this reality has arrived—and it is only a matter of time before the technology becomes widespread.
Much like past arguments about stem-cell research, the coming debate over these reproductive genetic technologies (RGTs) will be both political and, for many people, religious. In order to understand how the debate will play out in the United States, John H. Evans conducted the first in-depth study of the claims made about RGTs by religious people from across the political spectrum, and Contested Reproduction is the stimulating result.
Some of the opinions Evans documents are familiar, but others—such as the idea that certain genetic conditions produce a “meaningful suffering” that is, ultimately, desirable—provide a fascinating glimpse of religious reactions to cutting-edge science. Not surprisingly, Evans discovers that for many people opinion on the issue closely relates to their feelings about abortion, but he also finds a shared moral language that offers a way around the unproductive polarization of the abortion debate and other culture-war concerns. Admirably evenhanded, Contested Reproduction is a prescient, profound look into the future of a hot-button issue.
Playing God? asks why and explores the social forces that have led to the thinning out of public debate over human genetic engineering. John H. Evans contends that the problem lies in the structure of the debate itself. Disputes over human genetic engineering concern the means for achieving assumed ends, rather than being a healthy discussion about the ends themselves. According to Evans, this change in focus occurred as the jurisdiction over the debate shifted from scientists to bioethicists, a change which itself was caused by the rise of the bureaucratic state as the authority in such matters. The implications of this timely study are twofold. Evans not only explores how decisions about the ethics of human genetic engineering are made, but also shows how the structure of the debate has led to the technological choices we now face.
The history of biology is populated by numerous model species or organisms. But few vertebrate groups have aided evolutionary and ecological research more than the live-bearing fishes of the family Poeciliidae. Found throughout tropical and subtropical waters, poeciliids exhibit a fascinating variety of reproductive specializations, including viviparity, matrotrophy, unisexual reproduction, and alternative mating strategies, making them ideal models for research on patterns and processes in ecology, behavior, and evolution.
Ecology and Evolution of Poeciliid Fishes is a much-needed overview of the scientific potential and understanding of these live-bearing fishes. Chapters by leading researchers take up a wide range of topics, including the evolution of unisexual reproduction, life in extreme environments, life-history evolution, and genetics. Designed to provide a single and highly approachable reference, Ecology and Evolution of Poeciliid Fishes will appeal to students and specialists interested in all aspects of evolutionary ecology.
An entirely fresh approach to Moby Dick, by way of Ludwig Wittgenstein
The aim of this thoroughly unconventional work is to demonstrate that Herman Melville’s Moby Dick and Ludwig Wittgenstein’s Philosophical Investigations share the same projects and are, in effect, one and the same book. Confounding and improbable as such an enterprise might seem, Whale! not only successfully reveals the vital intersections between Melville and Wittgenstein but also, more important, makes a compelling argument for why such intersections are essential to understanding common political projects in literature and philosophy.
Written with grace, passion, and wit, Whale! manages to produce a startling and remarkably original reading of one of the most written-about and interpreted books in the American canon. K. L. Evans explores Melville’s vast work as a tale not of vengeance but of affection, and Ahab’s near-pathological agitation as indicative of his refusal to accept the world as unknowable. Between Ahab and the whale, Evans traces a longing for connection and meaning and finds a forceful response to the skeptical view that language is bankrupt and knowledge is uncertain. In Ahab’s hunt for Moby Dick, Whale! discovers a way to reconnect matter with meaning, object with knowledge.
A beautifully produced companion volume to the public television documentary The Appalachians fills the void in information about the region, offering a rich portrait of its history and its legacy in music, literature, and film. The text includes essays by some of Appalachia’s most respected scholars and journalists; excerpts from never-before-published diaries and journals; firsthand recollections from native Appalachians including Loretta Lynn, Ricky Skaggs, and Ralph Stanley; indigenous song lyrics and poetry; and oral histories from common folk whose roots run strong and deep. The book also includes more than one hundred illustrations, both archival and newly created. Here is a wondrous book celebrating a unique and valuable heritage.
Evans’s compelling story, influenced by her own experiences during the Exxon Valdez oil spill, is a provocative look at the choice that must be made between environmental safety and economic survival. A PEN/Bellwether Prize finalist, it will have readers reconsidering where they draw their own lines.
Reflecting on the role and function of art galleries, Artwash considers how the association with oil money might impede these institutions in their cultural endeavors. Outside the gallery space, Mel Evans examines how corporate sponsorship of the arts can obscure the strategies of corporate executives to maintain brand identity and promote their public image through cultural philanthropy. Ultimately, Evans sounds a note of hope, presenting ways artists themselves have challenged the ethics of contemporary art galleries and examining how cultural institutions might change.
During Mexico's first century of independence, European and American explorers rediscovered its pre-Hispanic past. Finding the jungle-covered ruins of lost cities and artifacts inscribed with unintelligible hieroglyphs—and having no idea of the age, authorship, or purpose of these antiquities—amateur archaeologists, artists, photographers, and religious writers set about claiming Mexico's pre-Hispanic patrimony as a rightful part of the United States' cultural heritage.
In this insightful work, Tripp Evans explores why nineteenth-century Americans felt entitled to appropriate Mexico's cultural heritage as the United States' own. He focuses in particular on five well-known figures—American writer and amateur archaeologist John Lloyd Stephens, British architect Frederick Catherwood, Joseph Smith, founder of the Church of Jesus Christ of Latter-Day Saints, and the French émigré photographers Désiré Charnay and Augustus Le Plongeon. Setting these figures in historical and cultural context, Evans uncovers their varying motives, including the Manifest Destiny-inspired desire to create a national museum of American antiquities in New York City, the attempt to identify the ancient Maya as part of the Lost Tribes of Israel (and so substantiate the Book of Mormon), and the hope of proving that ancient Mesoamerica was the cradle of North American and even Northern European civilization. Fascinating stories in themselves, these accounts of the first explorers also add an important new chapter to the early history of Mesoamerican archaeology.
In The Remembered Gate, nationally prominent fiction writers, essayists, and poets recall how their formative years in Alabama shaped them as people and as writers. The essays range in tone from the pained and sorrowful to the wistful and playful, in class from the privileged to the poverty-stricken, in geography from the rural to the urban, and in time from the first years of the 20th century to the height of the Civil Rights era and beyond.
In all the essays we see how the individual artists came to understand something central about themselves and their art from a changing Alabama landscape. Whether from the perspective of C. Eric Lincoln, beaten for his presumption as a young black man asking for pay for his labors, or of Judith Hillman Paterson, floundering in her unresolved relationship with her troubled family, these personal renderings are intensely realized visions of a writer's sense of being a writer and a human being. Robert Inman tells of exploring his grandmother's attic, and how the artifacts he found there fired his literary imagination. William Cobb profiles the lasting influence of the town bully, the diabolical Cletus Hickey. And in “Growing up in Alabama: A Meal in Four Courses, Beginning with Dessert,” Charles Gaines chronicles his upbringing through the metaphor of southern cooking.
What emerges overall is a complex, richly textured portrait of men and women struggling with, and within, Alabama’s economic and cultural evolution to become major voices of our time.
For thousands of young women in the 1950s and 1960s, involvement with the student Christian movement (SCM) changed their worldviews. Religious organizations fostered women’s leadership at a time when secular groups like Students for a Democratic Society, and the Left in general, relegated most female participants to stereotypical roles.
The SCM introduced young women to activism in other parts of the country and around the world. As leaders, thinkers, and organizers, they encountered the social realities of poverty and racial prejudice and worked to combat them. The SCM took women to Selma and Montgomery, to Africa and Latin America, and to a lifelong commitment to work for social justice.
In Free Spaces, Sara M. Evans and Harry C. Boyte argue for a new understanding of the foundations for democratic politics by analyzing the settings in which people learn to participate in democracy. In their new Introduction, the authors link the concept of free spaces to recent theoretical discussions about community, public life, civil society, and social movements.
"A perceptive and judicious analysis of comparable worth."—Wendy Kaminer, New York Times Book Review
"Very well-crafted. . . . Wage Justice has admirably launched the scholarly evaluation of pay equity, revealing the unforeseen complexities of this key feminist public policy innovation."—Maurine Weiner Greenwald, Journal of American History
"An insightful glimpse of the policy process."—Marian Lief Palley, American Political Science Review
Although Portland, Oregon, is sometimes called “America’s whitest city,” Black residents who grew up in the neighborhoods of northeast Portland have made it their own. The district of Albina, also called “Northeast,” was their haven and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority white.
In We Belong Here, sociologist Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of the residents of Albina as the racial demographics of their neighborhood shift. As white culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “white watching,” the questioning look on the faces of white people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “white spacemaking”: the establishment of white space—spaces in which whiteness is assumed to be the norm—in formerly non-white neighborhoods. While gentrification typically describes socioeconomic changes that may have racial implications, white spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and white spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change.
The story of the garden unfolds through photographs and the words of survivors, first responders, family members, medical professionals, counselors, and members of the community. In only a matter of days, volunteers and local businesses transformed a vacant downtown lot into a serene urban oasis. Families and friends of those lost in the tragedy soon adopted each of the fifty-eight trees planted in honor of their loved ones, and visitors left behind colorful mementos, including painted rocks, photographs, and ornaments, as well as words of encouragement, love, loss, and strength.
In the aftermath of 1 October, an often misunderstood city revealed its soul under the most heartbreaking of circumstances. The inspirational voices and stories from a community touched by tragedy provide comfort and encouragement. And the organic response to the unthinkable is a testament to how one community came together at its darkest hour, chose hope over despair, unity over hate.
With over 25 percent of its land set aside in national parks and other protected areas, Costa Rica is renowned worldwide as "the green republic." In this very readable history of conservation in Costa Rica, Sterling Evans explores the establishment of the country's national park system as a response to the rapid destruction of its tropical ecosystems due to the expansion of export-related agriculture.
Drawing on interviews with key players in the conservation movement, as well as archival research, Evans traces the emergence of a conservation ethic among Costa Ricans and the tangible forms it has taken. In Part I, he describes the development of the national park system and "the grand contradiction" that conservation occurred simultaneously with massive deforestation in unprotected areas. In Part II, he examines other aspects of Costa Rica's conservation experience, including the important roles played by environmental education and nongovernmental organizations, campesino and indigenous movements, ecotourism, and the work of the National Biodiversity Institute.
First published in 1932, this was the first thoroughly researched biography of Mary Lincoln ever written, and it remains the most balanced and complete work on this controversial First Lady. Author W. A. Evans challenges the disparaging views of Mary Lincoln that were generally accepted at the time, offering a comprehensive and informed look at a woman whose physical and mental health problems have often been misconstrued or overlooked by other biographers. Evans conducted extensive research, interviewing Mrs. Lincoln’s family members, seeking advice and assistance from numerous Lincoln scholars and historians, scouring thousands of pages of contemporary newspapers and primary resources, reviewing correspondence Mary wrote during her stay at Bellevue Place sanitarium, and consulting with several medical experts. The result of all this research is an objective and detailed portrait of Mrs. Lincoln and her influence on her husband that still has a great deal of historical value for readers today.
A new foreword by Jason Emerson, author of The Madness of Mary Lincoln, provides biographical information on Evans and background on the origins of the book and its reception and influence. Finally back in print, this classic biography is essential reading for all with an interest in the Lincoln family.
Alexander Pushkin’s four compact plays, later known as The Little Tragedies, were written at the height of the author’s creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin’s lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin’s work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres.
This volume includes a significant new translation by James Falen of the plays—"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
Svetlana Evdokimova tackles this gap in Chekhov scholarship, examining the profound connections between his unstated philosophy and his artistic production. Arguing that Chekhov’s four major plays (The Cherry Orchard, Three Sisters, The Seagull, and Uncle Vanya) constitute a kind of cycle, Staging Existence offers a major reappraisal of this critical playwright in Russian intellectual history. Evdokimova’s deep, careful research into Chekhov’s engagement with contemporary philosophy provides insight into both Chekhov’s oeuvre and the writer himself.
These diagrams not only allow a glimpse into the thinking practices of the past but also constitute a chapter in the history of how people learned to rely on external devices—from stone to parchment to slide rules to smartphones—for recording, storing, and processing information. Beautifully illustrated throughout with previously unstudied and unedited diagrams, Lines of Thought is a historical overview of an important cognitive habit, providing a new window into the world of medieval scholars and their patterns of thinking.
The Negev, first published in 1971, told the story of some twenty years of study of southern Israel’s desert. It synthesized the findings of botanists, geologists, soil scientists, agronomists, archaeologists, historians, and engineers and told how the applications of their work produced an agricultural surplus in this forbiddingly dry, hot region.
Now Michael Evenari has amplified the book with data from another decade of work. He describes the efforts at a new farm at Wadi Mashash, extends the weather data another ten years, presents further work on the adaptations of plants and animals to desert conditions, and takes a much deeper look at the historical precedents for the method of runoff agriculture, which has made the desert bloom.
A groundbreaking critique of the digital world that analyzes its universal technological foundations
Whence that nagging sense that something in the digital is amiss—that, as wonderful as our devices are, time spent on smartphones and computers leaves us sour, enervated, alienated? The Digital and Its Discontents uniquely explains that worry and points us toward a more satisfying relationship between our digital lives and our nondigital selves, one that requires a radical change in the way we incorporate technology into our lives.
Aden Evens analyzes universal technological principles—in particular, the binary logic—to show that they encourage certain ways of thinking while making others more challenging or impossible. What is out of reach for any digital machine is contingency, the ontological principle that refuses every rule. As humans engage ourselves and our world ever more through digital machines, we are losing touch with contingency and so banishing from our lives the accidental and unexpected that fuel our most creative and novel possibilities for living.
Taking cues from philosophy rather than cultural or media theory, Evens argues that the consequences of this erosion of contingency are significant yet often overlooked because the same values that make the digital seem so desirable also make contingency seem unimportant—without contingency the digital is confined to what has already been thought, and yet the digital’s ubiquity has allowed it to disguise this inherent sterility. Responsive only to desires that meet the demands of its narrow logic, the digital requires its users to practice those same ideological dictates, instituting a hegemony of thought and value sustained by the pervasive presence of digital mechanisms. Interweaving technical and philosophical concepts, The Digital and Its Discontents advances a powerful and urgent argument about the digital and its impact on our lives.
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Two Kinds of Rationality was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Beginning with a discussion of mind-body dualism in social anthropology, Evens presents a profound theory of human conduct that deploys notions of hierarchy and practice. He uses the case study of an Israeli kibbutz to address the central anthropological problem of rationality.
Of particular interest is Evens's interpretation of the Genesis myth, as well as his reading of Rousseau's revision of this myth, as paradigms of generational conflict and the kibbutz's logic of moral order. These interpretations are tied to Evens's detailed discussion of a controversial attempt to introduce secret balloting into a particular kibbutz's directly democratic process.
Two Kinds of Rationality distinguishes between instrumental and mythic rationality, picturing the latter as a value rationality. Projecting reality as basically ambiguous, Evens offers a critique of theoretical approaches to social action and a rethinking of contemporary notions of human agency. This revolutionary theoretical work will appeal to social and political theorists, anthropologists, and students of cultural studies, social movements, and Jewish studies.
T. M. S. Evens is professor of anthropology at the University of North Carolina, Chapel Hill. He is the author of numerous articles and coeditor of Transcendence in Society: Case Studies (1990), a comparative study of social movements.
Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.
"[An] energetic, aphoristic, wide-ranging book."—Marcus Cunliffe, Washington Post Book World
"Ambitious in conception and presented in a clear and sprightly prose. . . . [This] excellent study . . . is the best statement of the republican faith since Alphonse Aulard's essays almost a century ago." —Choice
"A book which ought to be in the hand of every American who agrees with Benjamin Franklin that the Founding Fathers gave us a Republic and hoped that we would be able to keep it."-Sam J. Ervin, Jr.
"This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World
"The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review
"In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review
"Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist
"Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator
"A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist
"[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review
"Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader
A social history of alcohol, identity, secularism, and modernization from the late Ottoman and early Turkish republican eras to the present day.
Prohibition in Turkey investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates.
Historian Emine Ö. Evered’s account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation.
To see video demonstrations of key concepts from the book, please visit this website: http://www.press.uchicago.edu/sites/timewarp/
Sci-fi makes it look so easy. Receive a distress call from Alpha Centauri? No problem: punch the warp drive and you're there in minutes. Facing a catastrophe that can't be averted? Just pop back in the timestream and stop it before it starts. But for those of us not lucky enough to live in a science-fictional universe, are these ideas merely flights of fancy—or could it really be possible to travel through time or take shortcuts between stars?
Cutting-edge physics may not be able to answer those questions yet, but it does offer up some tantalizing possibilities. In Time Travel and Warp Drives, Allen Everett and Thomas A. Roman take readers on a clear, concise tour of our current understanding of the nature of time and space—and whether or not we might be able to bend them to our will. Using no math beyond high school algebra, the authors lay out an approachable explanation of Einstein's special relativity, then move through the fundamental differences between traveling forward and backward in time and the surprising theoretical connection between going back in time and traveling faster than the speed of light. They survey a variety of possible time machines and warp drives, including wormholes and warp bubbles, and, in a dizzyingly creative chapter, imagine the paradoxes that could plague a world where time travel was possible—killing your own grandfather is only one of them!
Written with a light touch and an irrepressible love of the fun of sci-fi scenarios—but firmly rooted in the most up-to-date science, Time Travel and Warp Drives will be a delightful discovery for any science buff or armchair chrononaut.
Culling black newspapers, magazines, scholarly and political journals, and monographs, Everett has produced an unparalleled investigation of black critical writing on the early cinema during the era of racial segregation in America. Correcting the notion that black critical interest in the cinema began and ended with the well-documented press campaign against D. W. Griffith’s Birth of a Nation, she discovers that as early as 1909 black newspapers produced celebratory discourses about the cinema as a much-needed corrective to the predominance of theatrical blackface minstrelsy. She shows how, even before the Birth of a Nation controversy, the black press succeeded in drawing attention to both the callous commercial exploitation of lynching footage and the varied work of black film entrepreneurs. The book also reveals a feast of film commentaries that were produced during the “roaring twenties” and the jazz age by such writers as W.E.B. DuBois, Langston Hughes, and Zora Neale Hurston, as well as additional pieces that were written throughout the Depression and the pre– and post–war periods. Situating this wide-ranging and ideologically complex material in its myriad social, political, economic, and cultural contexts, Everett aims to resuscitate a historical tradition for contemporary black film literature and criticism.
Returning the Gaze will appeal to scholars and students of film, black and ethnic studies, American studies, cultural studies, literature, and journalism.
In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood icons who reflect how stardom in that decade was transformed as the nation itself was signaling significant changes to familiar ideas about gender, race, ethnicity, age, class, sexuality, and nationality.
Such actors as Denzel Washington, Andy Garcia, Halle Berry, Angela Bassett, Will Smith, Jennifer Lopez, and Antonio Banderas became bona fide movie stars who carried major films to amazing box-office success. Five of the decade’s top ten films were opened by three women—Julia Roberts, Jodie Foster, and Whoopi Goldberg. “Chick flick” entered the lexicon as Leonardo DiCaprio became the “King of the World,” ushering in the cult of the mega celebrity. Tom Hanks and Tom Cruise defined screen masculinity as stark contrasts between “the regular guy” and “the intense guy” while the roles of Michael Douglas exemplified the endangered “Average White Male.” A fascinating composite portrait of 1990s Hollywood and its stars, this collection marks the changes to stardom and society at century’s end.
“A fascinating book.”
—James Ryerson, New York Times Book Review
A Smithsonian Best Science Book of the Year
Winner of the PROSE Award for Best Book in Language & Linguistics
Carved into our past and woven into our present, numbers shape our perceptions of the world far more than we think. In this sweeping account of how the invention of numbers sparked a revolution in human thought and culture, Caleb Everett draws on new discoveries in psychology, anthropology, and linguistics to reveal the many things made possible by numbers, from the concept of time to writing, agriculture, and commerce.
Numbers are a tool, like the wheel, developed and refined over millennia. They allow us to grasp quantities precisely, but recent research confirms that they are not innate—and without numbers, we could not fully grasp quantities greater than three. Everett considers the number systems that have developed in different societies as he shares insights from his fascinating work with indigenous Amazonians.
“This is bold, heady stuff… The breadth of research Everett covers is impressive, and allows him to develop a narrative that is both global and compelling… Numbers is eye-opening, even eye-popping.”
—New Scientist
“A powerful and convincing case for Everett’s main thesis: that numbers are neither natural nor innate to humans.”
—Wall Street Journal
Everett sketches a blank-slate picture of human cognition that focuses not on what is in the mind but, rather, what the mind is in—namely, culture. He draws on years of field research among the Amazonian people of the Pirahã in order to carefully scrutinize various theories of cognitive instinct, including Noam Chomsky’s foundational concept of universal grammar, Freud’s notions of unconscious forces, Adolf Bastian’s psychic unity of mankind, and works on massive modularity by evolutionary psychologists such as Leda Cosmides, John Tooby, Jerry Fodor, and Steven Pinker. Illuminating unique characteristics of the Pirahã language, he demonstrates just how differently various cultures can make us think and how vital culture is to our cognitive flexibility. Outlining the ways culture and individual psychology operate symbiotically, he posits a Buddhist-like conception of the cultural self as a set of experiences united by various apperceptions, episodic memories, ranked values, knowledge structures, and social roles—and not, in any shape or form, biological instinct.
The result is fascinating portrait of the “dark matter of the mind,” one that shows that our greatest evolutionary adaptation is adaptability itself.
Colorado Day by Day is an engaging, this-day-in-history approach to the key figures and forces that have shaped Colorado from ancient times to the present. Historian Derek R. Everett presents a vignette for each day of the calendar year, exploring Colorado’s many facets through distilled tales of people, places, events, and trends.
Entries incorporate tales from each of the state’s sixty-four counties and feature both well-known and obscure cultural moments, including events in Native American, African American, Asian American, Hispano, and women’s history. Allowing the reader to explore the state’s heritage as individual threads or as part of the greater tapestry, Colorado Day by Day recovers much lost history and will be an entertaining and useful source of lore for anyone who enjoys or is curious about Colorado history.
In one comprehensive volume historian Derek Everett traces the establishment, planning, construction, and history of Colorado's state capitol - including a discussion on the importance of restoring and preserving the building for current and future generations of Coloradoans.
Why are there proportionally more African American children in foster care than white children? Why are white children often readily adoptable, while African American children are difficult to place? Are these imbalances an indication of institutional racism or merely a coincidence?
In this revised and expanded edition of the classic volume, Child Welfare, twenty-one educators call attention to racial disparities in the child welfare system by demonstrating how practices that are successful for white children are often not similarly successful for African American children. Moreover, contributors insist that policymakers and care providers look at African American family life and child-development from a culturally-based Africentric perspective. Such a perspective, the book argues, can serve as a catalyst for creativity and innovation in the formulation of policies and practices aimed at improving the welfare of African American children.
Child Welfare Revisited offers new chapters on the role of institutional racism and economics on child welfare; the effects of substance abuse, homelessness, HIV/AIDS, and domestic violence; and the internal strengths and challenges that are typical of African American families. Bringing together timely new developments and information, this book will continue to be essential reading for all child welfare policymakers and practitioners.
While the book’s critical essays offer keen insight into the complex identities of European cinema, its combination of breadth and detail, and its interdisciplinary focus and background ensure its wider relevance to anyone interested in questions of contemporary culture and European affairs in general. Its stylistic clarity and freedom from jargon make it readable and accessible.
Topics include questions of memory and identity; filmic autobiography and first-person narration; cultural identity; peripheral voices; popular film and political film. Individual directors, and different national cinemas, including those of France, Germany, Northern Ireland, Russia, Scotland and Spain, are viewed in a wider pan- European context.
Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.
ensures biological diversity.
One of an elite cadre of Park Service employees who served in the system for many years, Everhart would smile knowingly at a comrade's recollection of an old-timer who left often unnecessary instructions that regularly concluded with, "Take down flag & feed horses (TDF &; FH)." His book, a gentle excursion through places and among people, will be attractive to a wide range of readers.
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