How acts of violence are rhetorically "managed" by social movements: In the Wake of Violence explores the immediate and longer term aftermath of violence committed by independent radicals involved in single-issue movements. Cheryl R. Jorgensen-Earp explores several specific incidents in recent history—the arson of a Vail ski resort by environmentalists, the murder of Dr. John Britton by an antiabortion activist, and the torching of a University of California research laboratory by animal rights activists among them—to discover how the perpetrators of the violence and the majority of reformers involved in their movements rhetorically framed the violent act for a potentially outraged public.
In the Wake of Violence, claims Jorgensen-Earp, the perpetrators are often forthcoming with both explanations for and a defense of their actions, casting themselves as righteous actors or martyrs for a cause. However, ardent reformers within the same cause might look with genuine revulsion at the actions of their own radical wing. This study claims that the nonviolent majority in single-issue reform movements employs a predictable constellation of rhetorical strategies to manage the impact of radical fringe violence. The primary goal of this rhetoric is to avoid a backlash against the larger movement by a public alienated by violent acts.
In examining specific rhetorical responses by the nonviolent majority in antiabortion, animal welfare, environmental reform, abolition, and women’s suffrage movements, Jorgensen-Earp considers a wide range of discourse types—from newspaper articles, interviews, and editorials to private letters; from editorial cartoons to the homemade signs of movement activists; and from speeches to modern Internet sites. She discovers that the image restoration techniques brought to bear for a reform cause are similar to those employed by a corporation accused of wrongdoing. Ultimately, she finds that the majority of proponents of the causes she examines believe that the violence can or will be condoned and that it must be rhetorically mitigated.
Provides a new understanding of the recurrent rhetorical need to employ conservative rhetoric in support of a radical cause
The Women’s Social and Political Union, the militant branch of the English women’s suffrage movement, turned to arson, bombing, and widespread property destruction as a strategy to achieve suffrage for women. Because of its comparative rarity, terrorist violence by reform (as opposed to revolutionary) movements is underexplored, as is the discursive rhetoric that accompanies this violence. Largely because of the moral stance that drives such movements, the need to justify violence is greater for the reformist than for the revolutionary terrorist. The burden of rhetorical justification falls even more heavily on women utilizing violence, an option generally perceived as open only to men.Mining in North America has long been criticized for its impact on the natural environment. Mica Jorgenson’s The Weight of Gold explores the history of Ontario, Canada’s rise to prominence in the gold mining industry, while detailing a series of environmental crises related to extraction activities. In Ontario in 1909, the discovery of exceptionally rich hard rock gold deposits in the Abitibi region in the north precipitated industrial development modeled on precedents in Australia, South Africa, and the United States. By the late 1920s, Ontario’s mines had reached their maturity, and in 1928, Minister of Mines Charles McRae called Canada “the mineral treasure house to [the] world.”
Mining companies increasingly depended upon their ability to redistribute the burdens of mining onto surrounding communities—a strategy they continue to use today—both at home and abroad. Jorgenson connects Canadian gold mining to its international context, revealing that Ontario’s gold mines informed extractive knowledge which would go on to shape Canada’s mining industry over the next century.
Sonic Spaces of the Karoo is a pioneering study of the sacred music of three coloured (the apartheid designation for people "not white or native") people's church congregations in the rural town of Graaff-Reinet, South Africa. Jorritsma's fieldwork involves an investigation of the choruses, choir music, and hymns of the Karoo region to present a history of the people's traditional, religious, and cultural identity in song. This music is examined as part of a living archive preserved by the community in the face of a legacy of slavery and colonial as well as apartheid oppression.
Jorritsma's findings counteract a lingering stereotype that coloured music is inferior to European or African music and that coloured people should not or do not have a cultural identity. Sonic Spaces of the Karoo seeks to eradicate that bias and articulate a more legitimate place for these people in the contemporary landscape of South Africa.
John Barth - American Writers 91 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Tennysonian Love was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the century or so since Alfred Tennyson's poetry reached the height of its popularity and critical acclaim, the pendulum of criticism has swung wide in opposite directions. From the earlier idolatry to the later ridicule, that pendulum has now settled into a position of qualified and selective praise from which a more thoughtful consideration of the poet is possible. Consequently, as this critical study suggests, new values and dimensions are recognizable in his work.
Professor Joseph, concentrating on the theme of love but involving in his argument other facets of Tennyson's achievement, demonstrates the thesis that the poet moved as in a "strange diagonal." This phrase used as the subtitle of the book comes from Tennyson's poem The Princess in which the narrator "moved as in a strange diagonal / And maybe neither pleased myself nor them."
As the author shows, Tennyson throughout his work moved between a Platonic conception of love in which the highest kind of spiritual love has disencumbered itself of sense and a Neoplatonic ("Dantesque") one in which sense and soul tend to merge. In coming to terms with the nineteenth-century form of this divided Western heritage, the pietism of the evangelical revival on the one hand and the idealized eroticism of his Romantic predecessors on the other, Tennyson became the exemplary poet of Victorian love. No other Victorian poet, Professor Joseph concludes, exhibits quite his representative and successful blending of these clashing strains. For while moving between the alternate traditions of Western love, Tennyson was able to forge a large body of highly disciplined, beautifully wrought, and far-ranging verse.
Contributors. Sueann Caulfield, Elizabeth Quay Hutchison, Gilbert M. Joseph, Thomas J. Klubock, Martin Nesvig, Pablo Piccato, Cristina Rivera Garza, Karin Rosemblatt, Heidi Tinsman
Contributors and topics covered include:
Susan Deans-Smith and Gilbert M. Joseph on the Arena of Dispute
Eric Van Young on the New Cultural History
William E. French on Cultural History of Nineteenth-Century Mexico
Mary Kay Vaughan on Cultural Approaches to Peasant Politics in the Mexican Revolution
Stephen Haber on Mexico’s "New" Cultural History
Florencia E. Mallon on Cycles of Revisionism
Susan Migden Socolow on Putting the "Cult" in Culture
Claudio Lomnitz on the Politics of the "New Cultural History of Mexico"
Contributors
Michelle Chase
Jeffrey L. Gould
Greg Grandin
Lillian Guerra
Forrest Hylton
Gilbert M. Joseph
Friedrich Katz
Thomas Miller Klubock
Neil Larsen
Arno J. Mayer
Carlota McAllister
Jocelyn Olcott
Gerardo Rénique
Corey Robin
Peter Winn
A diverse collection of more than eighty selections, The Mexico Reader brings together poetry, folklore, fiction, polemics, photoessays, songs, political cartoons, memoirs, satire, and scholarly writing. Many pieces are by Mexicans, and a substantial number appear for the first time in English. Works by Octavio Paz and Carlos Fuentes are included along with pieces about such well-known figures as the larger-than-life revolutionary leaders Pancho Villa and Emiliano Zapata; there is also a comminiqué from a more recent rebel, Subcomandante Marcos. At the same time, the book highlights the perspectives of many others—indigenous peoples, women, politicians, patriots, artists, soldiers, rebels, priests, workers, peasants, foreign diplomats, and travelers.
The Mexico Reader explores what it means to be Mexican, tracing the history of Mexico from pre-Columbian times through the country’s epic revolution (1910–17) to the present day. The materials relating to the latter half of the twentieth century focus on the contradictions and costs of postrevolutionary modernization, the rise of civil society, and the dynamic cross-cultural zone marked by the two thousand-mile Mexico-U.S. border. The editors have divided the book into several sections organized roughly in chronological order and have provided brief historical contexts for each section. They have also furnished a lengthy list of resources about Mexico, including websites and suggestions for further reading.
Exploring a variety of nineteenth- and twentieth-century encounters in Latin America, these theoretically engaged essays by distinguished U.S. and Latin American historians and anthropologists illuminate a wide range of subjects. From the Rockefeller Foundation’s public health initiatives in Central America to the visual regimes of film, art, and advertisements; these essays grapple with new ways of conceptualizing public and private spheres of empire. As such, Close Encounters of Empire initiates a dialogue between postcolonial studies and the long-standing scholarship on colonialism and imperialism in the Americas as it rethinks the cultural dimensions of nationalism and development.
Contributors. Ana María Alonso, Armando Bartra, Marjorie Becker, Barry Carr, Philip Corrigan, Romana Falcón, Gilbert M. Joseph, Alan Knight, Florencia E. Mallon, Daniel Nugent, Elsie Rockwell, William Roseberry, Jan Rus, Derek Sayer, James C. Scott
Contributors. Steven J. Bachelor, Quetzil E. Castañeda, Seth Fein, Alison Greene, Omar Hernández, Jis & Trino, Gilbert M. Joseph, Heather Levi, Rubén Martínez, Emile McAnany, John Mraz, Jeffrey M. Pilcher, Elena Poniatowska, Anne Rubenstein, Alex Saragoza, Arthur Schmidt, Mary Kay Vaughan, Eric Zolov
The collection's contributors examine international and everyday contests over political power and cultural representation, focusing on communities and groups above and underground, on state houses and diplomatic board rooms manned by Latin American and international governing elites, on the relations among states regionally, and, less frequently, on the dynamics between the two great superpowers themselves. In addition to charting new directions for research on the Latin American Cold War, In From the Cold seeks to contribute more generally to an understanding of the conflict in the global south.
Contributors. Ariel C. Armony, Steven J. Bachelor, Thomas S. Blanton, Seth Fein, Piero Gleijeses, Gilbert M. Joseph, Victoria Langland, Carlota McAllister, Stephen Pitti, Daniela Spenser, Eric Zolov
Praise for Lawrence Joseph:
"Poetry of great dignity, grace, and unrelenting persuasiveness… Joseph gives us new hope for the resourcefulness of humanity, and of poetry."
---John Ashbery
"Like Henry Adams, Joseph seems to be writing ahead of actual events, and that makes him one of the scariest writers I know."
---David Kirby, The New York Times Book Review
"The most important lawyer-poet of our era."
---David Skeel, Legal Affairs
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Essays on poetry by the most important poet-lawyer of our era
The Game Changed: Essays and Other Prose presents works by prominent poet and lawyer Lawrence Joseph that focus on poetry and poetics, and on what it is to be a poet. Joseph takes the reader through the aesthetics of modernism and postmodernism, a lineage that includes Wallace Stevens, William Carlos Williams, and Gertrude Stein, switching critical tracks to major European poets like Eugenio Montale and Hans Magnus Enzensberger, and back to American masters like James Schuyler and Adrienne Rich.
Always discerning, especially on issues of identity, form, and the pressures of history and politics, Joseph places his own poetry within its critical contexts, presenting narratives of his life in Detroit, where he grew up, and in Manhattan, where he has lived for 30 years. These pieces also portray Joseph’s Lebanese, Syrian, and Catholic heritages, and his life as a lawyer, distinguished law professor, and legal scholar.
Joseph considers New York's relation to the water that surrounds and defines it. Her reflections reach back to the city's heyday as a world-class port—a past embodied in a Dutch East India Company cannon recently unearthed from the rubble at the World Trade Center site—and they encompass the devastation caused by Hurricane Sandy in 2012. They suggest that New York's future lies in the reclamation of its great water resources—for artistic creativity, civic engagement, and ecological sustainability.
A look at citizenship through the lens of performance.
In a modern world of vast migrations and relocations, the rights—and rites—of citizenship are increasingly perplexing, and ever more important. This book asks how citizenship is enacted when all the world’s the stage.
Kung Fu cinema, soul music, plays, and speeches are some of the media May Joseph considers as expressive negotiations for legal and cultural citizenship. Nomadic Identities combines material culture and historical approaches to forge connections between East Africa, India, Britain, the Caribbean, and the United States in the struggles for democratic citizenship. Exploring the notion of nomadic citizenship as a modern construct, Joseph emphasizes culture as the volatile mise-en-scène through which popular conceptions of local and national citizenship emerge. Joseph, an Asian African from Tanzania, brings a personal insight to the question of how citizenship is expressed—particularly the nomadic, conditional citizenship related to histories of migrancy and the tenuous status of immigrants. Nomadic Identities investigates the metaphoric, literal, and performed possibilities available in different arenas of the everyday through which individuals and communities experience citizenship, successfully or not. A unique inquiry into contemporary experiences of migrancy linking Tanzania, Britain, and the United States, this book blends political theory, performance studies, cultural studies, and historical writing. It offers vignettes that describe the official and informal cultural transactions that designate citizenship under the globalizing forces of decolonization, the cold war, and transnational networks.Crossing the globe, Nomadic Identities provides fresh insights into the contemporary phenomena of territorial displacement and the resulting local and transnational movements of people.A kaleidoscopic consideration of transnational culture and performance
Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural “hybridity.” The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere.
Contributors use forms such as the essay, poem, photography, and case study to examine historically specific cases in which the notion of hybridity recasts our ideas of identity and performance: the struggle for Aboriginal land rights in Australia; Bahian carnival; the creolization and pidginization of language in the Caribbean world; queer videos; and others. Contributors: Meena Alexander, CUNY; Awam Amkpa, Mount Holyoke; Tony Birch; Barbara Browning, New York U; Manthia Diawara, New York U; Fiona Foley; Sikivu Hutchinson; Deborah A. Kapchan, U of Texas; Toby Miller, New York U; Shani Mootoo; Fred Moten, U of California, Santa Barbara; José Esteban Muñoz, New York U; Chon A. Noriega, UCLA; Celeste Olalquiaga; Ella Shohat, CUNY; Robert Stam, New York U.An unexpected and valuable critique of community that points out its complicity with capitalism
Community is almost always invoked as an unequivocal good, an indicator of a high quality of life, caring, selflessness, belonging. Into this common portrayal, Against the Romance of Community introduces an uncommon note of caution, a penetrating, sorely needed sense of what, precisely, we are doing when we call upon this ideal.
Miranda Joseph explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or "globalization." She shows how community legitimates the social hierarchies of gender, race, nation, and sexuality that capitalism implicitly requires. Joseph argues that social formations, including community, are constituted through the performativity of production. This strategy makes it possible to understand connections between identities and communities that would otherwise seem disconnected: gay consumers in the United States and Mexican maquiladora workers; Christian right "family values" and Asian "crony capitalism." Exposing the complicity of social practices, identities, and communities with capitalism, this truly constructive critique opens the possibility of genuine alliances across such differences.It is commonplace to say that criminals pay their debt to society by spending time in prison, but what is a “debt to society”? How is crime understood as a debt? How has time become the equivalent for crime? And how does criminal debt relate to the kind of debt held by consumers and university students?
In Debt to Society, Miranda Joseph explores modes of accounting as they are used to create, sustain, or transform social relations. Envisioning accounting broadly to include financial accounting, managerial accounting of costs and performance, and the calculation of “debts to society” owed by criminals, Joseph argues that accounting technologies have a powerful effect on social dynamics by attributing credits and debts. From sovereign bonds and securitized credit card debt to student debt and mortgages, there is no doubt that debt and accounting structure our lives.
Exploring central components of neoliberalism (and neoliberalism in crisis) from incarceration to personal finance and university management, Debt to Society exposes the uneven distribution of accountability within our society. Joseph demonstrates how ubiquitous the forces of accounting have become in shaping all aspects of our lives, proposing that we appropriate accounting and offer alternative accounts to turn the present toward a more widely shared well-being.
Analyzing emblematic representations of multiracial figures in popular culture—Jennifer Beals's character in the The L Word; the protagonist in Danny Senza's novel Caucasia; the title character in the independent film Mixing Nia; and contestants in a controversial episode of the reality show America's Next Top Model, who had to "switch ethnicities" for a photo shoot—Joseph identifies the persistence of two widespread stereotypes about mixed-race African Americans, those of "new millennium mulattas" and "exceptional multiracials." The former inscribes multiracial African Americans as tragic figures whose blackness predestines them for misfortune; the latter rewards mixed-race African Americans for successfully erasing their blackness. Addressing questions of authenticity, sexuality, and privilege, Transcending Blackness refutes the idea that race no longer matters in American society.
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society."
Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
The construction of the Three Gorges Dam on China's Yangtze River. The transformation of the Amazon into a site for huge cattle ranches and aluminum smelters. The development of Nevada's Yucca Mountain into a repository for nuclear waste. The extensive irrigation networks of the Grand Coulee and Kuibyshev Dams. On the face of it, these massive projects are wonders of engineering, financial prowess, and our seldom-questioned ability to modify nature to suit our immediate needs. For nearly a century we have relied increasingly on science and technology to harness natural forces, but at what environmental and social cost?
In Industrialized Nature, historian Paul R. Josephson provides an original examination of the ways in which science, engineering, policy, finance, and hubris have come together, often with unforeseen consequences, to perpetuate what he calls "brute-force technologies"—the large-scale systems created to manage water, forest, and fish resources. Throughout the twentieth century, nations with quite different political systems and economic orientations all pursued this same technological subjugation of nature. Josephson compares the Soviet Union's heavy-handed efforts at resource management to similar projects undertaken in the United States, Norway, Brazil, and China. He argues that brute-force technologies require brute-force politics to operate. He shows how irresponsible—or well-intentioned but misguided—large-scale manipulation of nature has resulted in resource loss and severe environmental degradation.
Josephson explores the ongoing industrialization of nature that is happening in our own backyards and around the world. Both a cautionary tale and a call to action, Industrialized Nature urges us to consider how to develop a future for succeeding generations that avoids the pitfalls of brute-force technologies.
In the 1950s, Soviet nuclear scientists and leaders imagined a stunning future when giant reactors would generate energy quickly and cheaply, nuclear engines would power cars, ships, and airplanes, and peaceful nuclear explosions would transform the landscape. Driven by the energy of the atom, the dream of communism would become a powerful reality. Thirty years later, that dream died in Chernobyl. What went wrong? Based on exhaustive archival research and interviews, Red Atom takes a behind-the-scenes look at the history of the Soviet Union's peaceful use of nuclear power. It explores both the projects and the technocratic and political elite who were dedicated to increasing state power through technology. And it describes the political, economic, and environmental fallout of Chernobyl.
Spanning nine time zones from Norway to the Bering Strait, the immense Russian Arctic was mostly unexplored before the twentieth century. This changed rapidly in the 1920s, when the Soviet Union implemented plans for its conquest. The Conquest of the Russian Arctic, a definitive political and environmental history of one of the world’s remotest regions, details the ambitious attempts, from Soviet times to the present, to control and reshape the Arctic, and the terrible costs paid along the way.
Paul Josephson describes the effort under Stalin to assimilate the Arctic into the Soviet empire. Extraction of natural resources, construction of settlements, indoctrination of nomadic populations, collectivization of reindeer herding—all was to be accomplished so that the Arctic operated according to socialist principles. The project was in many ways an extension of the Bolshevik revolution, as planners and engineers assumed that policies and plans that worked elsewhere in the empire would apply here. But as they pushed ahead with methods hastily adopted from other climates, the results were political repression, destruction of traditional cultures, and environmental degradation. The effects are still being felt today. At the same time, scientists and explorers led the world in understanding Arctic climes and regularities.
Vladimir Putin has redoubled Russia’s efforts to secure the Arctic, seen as key to the nation’s economic development and military status. This history brings into focus a little-understood part of the world that remains a locus of military and economic pressures, ongoing environmental damage, and grand ambitions imperfectly realized.
Democratic or authoritarian, every society needs clean air and water; every state must manage its wildlife and natural resources. In this provocative, comparative study, Paul R. Josephson asks to what extent the form of a government and its economy--centrally planned or market, colonial or post-colonial--determines how politicians, bureaucrats, scientists, engineers, and industrialists address environmental and social problems presented by the transformation of nature into a humanized landscape.
Looking at the experiences of the industrialized and industrializing world, Resources under Regimes explores the relationship between science, technology, and the environment. Josephson considers global responses to deforestation, water pollution, and global warming, showing how different societies bring different values and assumptions to bear on the same problem, and arrive at different conclusions about the ideal outcome and the best way of achieving it. He reveals the important ways in which modern governments facilitate power generation, transportation, water production, and other technologies that improve the quality of life; and the equally critical ways in which they respond to the resulting depredations--the pollution, waste, and depletion that constitute the global environmental crisis at the beginning of the twenty-first century.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
In this compelling look at second-generation Indian Americans, Khyati Y. Joshi draws on case studies and interviews with forty-one second-generation Indian Americans, analyzing their experiences involving religion, race, and ethnicity from elementary school to adulthood. As she maps the crossroads they encounter as they navigate between their homes and the wider American milieu, Joshi shows how their identities have developed differently from their parents’ and their non-Indian peers’ and how religion often exerted a dramatic effect.
The experiences of Joshi’s research participants reveal how race and religion interact, intersect, and affect each other in a society where Christianity and whiteness are the norm. Joshi shows how religion is racialized for Indian Americans and offers important insights in the wake of 9/11 and the backlash against Americans who look Middle Eastern and South Asian.
Through her candid insights into the internal conflicts contemporary Indian Americans face and the religious and racial discrimination they encounter, Joshi provides a timely window into the ways that race, religion, and ethnicity interact in day-to-day life.
Ambrose Bierce was a well-known and highly admired journalist, short story writer, and satirist. After distinguished Civil War service, Bierce became a journalist, and in 1887 he became a columnist for William Randolph Hearst’s Sunday Examiner. His work for the San Francisco Examiner made his reputation, especially on the West Coast. In 1914 he vanished on a trip to Mexico.
The work for which he is best know, The Devil’s Dictionary, was first published in 1906. Bierce also published volumes of short stories. His Tales of Soldiers and Civilians (1891) represents some of the finest writing to come out of the Civil War. Bierce’s stories of the supernatural, collected in Can Such Things Be? (1893), established him as one of the leading American authors of supernatural fiction.
This volume gathers together for the first time the 850 fables written by Bierce over his forty-year career, including more than 400 fables never reprinted from the magazines and newspapers in which they originally appeared.
Bierce’s fables are distinguished for their biting wit and their cynical reflection of the political and social events of his time. Local and national political figures; corrupt lawyers, judges, and clergymen; and even incidents in the Spanish-American War are all mercilessly lampooned. The fables not only testify to Bierce’s hatred of “hypocrisy, cant, and all sham” but provide a window into late nineteenth-century American society. S. T. Joshi has provided extensive commentary explaining historical and literary references in the fables.
India's nuclear profile, doctrine, and practices have evolved rapidly since the country’s nuclear breakout in 1998. However, the outside world's understanding of India's doctrinal debates, forward-looking strategy, and technical developments are still two decades behind the present. India and Nuclear Asia will fill that gap in our knowledge by focusing on the post-1998 evolution of Indian nuclear thought, its arsenal, the triangular rivalry with Pakistan and China, and New Delhi's nonproliferation policy approaches. Yogesh Joshi and Frank O'Donnell show how India's nuclear trajectory has evolved in response to domestic, regional, and global drivers.
The authors argue that emerging trends in all three states are elevating risks of regional inadvertent and accidental escalation. These include the forthcoming launch of naval nuclear forces within an environment of contested maritime boundaries; the growing employment of dual-use delivery vehicles; and the emerging preferences of all three states to employ missiles early in a conflict. These dangers are amplified by the near-absence of substantive nuclear dialogue between these states, and the growing ambiguity of regional strategic intentions.
Based on primary-source research and interviews, this book will be important reading for scholars and students of nuclear deterrence and India's international relations, as well as for military, defense contractor, and policy audiences both within and outside South Asia.
Jane Addams, a Writer's Life is an expansive, revealing, and refreshing reexamination of the renowned reformer as an imaginative writer. Jane Addams is best known for her groundbreaking social work at Hull-House, the force of her efforts toward Progressive political and social reform, and the bravery of her commitment to pacifism, for which she received the Nobel Peace Prize. Katherine Joslin moves beyond this history to present Addams as a literary figure, one whose writing employed a synthesis of fictional and analytical prose that appealed to a wide audience.
Joslin traces Addams's style from her early works, Philanthropy and Social Progress and her contributions to Hull House Maps and Papers, influenced by Florence Kelley, to her modernist and experimental last books, The Second Twenty Years at Hull-House and My Friend, Julia Lathrop, placing Addams in the context of other Chicago writers including Theodore Dreiser, Upton Sinclair, Harriet Monroe, Frank Norris and James T. Farrell. Joslin's close readings showcase Addams's distinguishing literary devices, such as using stories about people rather than sociological argument to make moral points. As Joslin pursues the argument that Addams's power as a public figure stemmed from the success of her books and essays, Addams herself emerges as a literary woman.
A leading psychologist explains why nearly all of us—including many of those who are persecuted and powerless—so often defend the social systems that cause misery and injustice.
Why do we so often defend the very social systems that are responsible for injustice and exploitation? In A Theory of System Justification, John Jost argues that we are motivated to defend the status quo because doing so serves fundamental psychological needs for certainty, security, and social acceptance. We want to feel good not only about ourselves and the groups to which we belong, but also about the overarching social structure in which we live, even when it hurts others and ourselves.
Jost lays out the wide range of evidence for his groundbreaking theory and examines its implications for our communities and our democracy. Drawing on twenty-five years of research, he provides an accessible account of system justification theory and its insights. System justification helps to explain deep contradictions, including the feeling among some women that they don’t deserve the same salaries as men and the tendency of some poor people to vote for policies that increase economic inequality.
The theory illuminates the most pressing social and political issues of our time—why has it been so hard to combat anthropogenic climate change?—as well as some of the most intimate—why do some black children prefer white dolls to black ones and why do some people stay in bad relationships? Jost’s theory has far-reaching implications, and he offers numerous insights that political activists and social justice advocates can use to promote change.
In this concise, straightforward analysis, Jost challenges the historical and theoretical assumptions on which the consumer-driven health care movement is based and reexamines the empirical evidence that it claims as support. He traces the histories of both private health insurance in the United States and the CDHC movement. The idea animating the drive for consumer-driven health care is that the fundamental problem with the American health care system is what economists call “moral hazard,” the risk that consumers overuse services for which they do not bear the cost. Jost reveals moral hazard as an inadequate explanation of the complex problems plaguing the American health care system, and he points to troubling legal and ethical issues raised by CDHC. He describes how other countries have achieved universal access to high-quality health care at lower cost, without relying extensively on cost sharing, and he concludes with a proposal for how the United States might do the same, incorporating aspects of CDHC while recognizing its limitations.
Novelist Cormac McCarthy’s brilliant and challenging work demands deep engagement from his readers. In Cormac McCarthy’s House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy’s work, how it is achieved, and how it is interpreted.
As a visual artist, Josyph wrestles with the challenge of rendering McCarthy’s former home in El Paso as a symbol of a great writer’s workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of “our brother’s keeper” in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener’s Son about a controversial scene in that film; actress Miriam Colon’s perspective on portraying the Dueña Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph’s views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph’s unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness.
The Wounded River takes the reader back more than 130 years to reveal a marvelous, first-hand account of nineteenth-century warfare. In the process, the work cuts the legends and mythology that have come to frame and define accounts of America's bloodiest war. Of equal significance, Peter Josyph's editorial work on this superb collection of letters from the Western Americana Division of Yale University's Beinecke Rare Book and Manuscripts Library enhances and clarifies Lauderdale's experinces as a surgeon aboard the U.S. Army hospital ship D. A. January.
The reader looks on while Lauderdale, a New York civilian contract surgeon, operates on hundreds of Confederate and Union wounded. The young doctor's clear writing style and his great compassion for these unfortunate men whose bodies were ripped apart by bullets, shell fragments, and bayonets permits us to catch a disturbiing glimpse of what modern warfare does to humanity. Finally, we learn of Lauderdale's motives for volunteering, his impressions of the "hospital ship" D. A. January, Confederate morale, the Abolitionist cause, and black slavery. The Wounded River is a must read for anyone interested in the real American Civil War.
Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science.
English translation of the second volume of Laurent Joubert’s 1578 French work Erreurs Populaires
Joubert proposed to dispel folk remedies and folklore still relied on by doctors and care-givers in France. It also challenged medical theories and advice from classical Greek and Latin writers that French doctors followed uncritically.
Laurent Joubert (b. 1529) was an important figure in the medical world of the French Renaissance. His monumental Treatise on Laughter provides categories and examples of the laughable. The work describes laughter, its causes and effects, its types and differences. His subdivisions and categories, along with their examples, furnish today's critic and reader with a Renaissance vision of comic commonplaces. It is this vision that may prove to be of great value in analyzing comic literature of the Renaissance.
Brazilians in the United States are a relatively new wave of immigrants from South America. In the past their vast country of origin was used to receiving immigrants, not sending them out. The shift is new, and these arrivals do not necessarily fit comfortably in the midst of the huge Spanish-speaking U.S. immigration. This volume offers a broad-ranging discussion of an understudied population and also brings insights into the core issues of immigration research: how immigration can complicate issues of social class, race, and ethnicity, how it intersects with the educational system, and how it fits into the assimilation paradigm.
Within the three broad categories that separate these 14 chapters, discussions by the 24 contributors illuminate the various facets of Brazilian immigration and put them in the broader context of life in the twenty-first century. Discussions of cultural icons like Carmen Miranda and Carnival, of Brazilian immigrant women, of the new generation, and of the economy of remittances are just a few examples of the wide range of topics covered in these pages.
This work includes twenty-four essays including a preface, introduction, afterword, and sections containing seminal methodological pieces by such giants as Edward Said and Michel Foucault, as well as contemporary applications to Beowulf and other Old English and Germanic texts focusing on historicism, psychoanalysis, gender, textuality, and post-colonialism.
This period saw the earliest agricultural settlements in the region as well as the origins of sedentism and social complexity, and witnessed major changes in floodplain and coastal environments that expanded the productivity of subsistence resources. The book addresses theoretically significant questions of broad relevance such as the origins and spread of agriculture, the social negotiation of complex political formations, the effects of long-distance trade and interaction, the macroregional effects of landscape change, and prehispanic ideology and political power.
Focusing on questions of interregional interaction, environmental change, and political centralization, Polity and Ecology in Formative Period Coastal Oaxaca provides a comprehensive understanding of the Formative period archaeology of this important and long neglected region of Oaxaca.
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