A SCHOLARLY BOOK REPOSITORY
Logical empiricism, a program for the study of science that attempted to provide logical analyses of the nature of scientific concepts, the relation between evidence and theory, and the nature of scientific explanation, formed among the famed Vienna and Berlin Circles of the 1920s and '30s and dominated the philosophy of science throughout much of the twentieth century. In recent decades, a "post-positivist" philosophy, deriding empiricism and its claims in light of more recent historical and sociological discoveries, has been the ascendant mode of philosophy and other disciplines in the arts and sciences.
This book features original research that challenges such broad oppositions. In eleven essays, leading scholars from many nations construct a more nuanced understanding of logical empiricism, its history, and development, offering promising implications for current philosophy of science debates.
Tapping rich resources of unpublished material from archives in Haarlem, Konstanz, Pittsburgh, and Vienna, contributors conduct a deep investigation into the origins and development of the Vienna and Berlin Circles. They expose the roots of the philosophy in such varied sources as Cassirer, Poincaire, Husserl, Heidegger, and Wittgenstein. Important connections between the empiricists and other movements--neo-empiricism, British empiricism--are vigorously explored.
Building on these historical studies, a critical reevaluation emerges that shrinks the distance between old and new philosophers of science, between "analytic" and "Continental" philosophy. A number of compelling recent debates, including those involving Kuhn, Feyerabend, Hesse, Glymour, and Hanson, are reopened to show the ways in which logical empiricist theory can still be validly applied.
Logical Empiricism is the result of a remarkable conference, convened in the spirit of reflection and international cooperation, that took place in Florence, Italy, in 1999.
This latest volume in the longest-standing and most influential series in the field of the philosophy of science extends and expands on the discipline’s recent historical turn. These essays take up the historical, sociological, and philosophical questions surrounding the particular intellectual movement of logical empiricism—both its emigration from Europe to North America in the 1930s and 1940s and its development in North America through the 1940s and 1950s. With an introduction placing them in their philosophical and historical context, these essays bear witness to the fact that the history of the philosophy of science, far more than a mere repository of anecdote and chronology, might be able to produce a decisive transformation in the philosophy of science itself.
Contributors: Richard Creath, Arizona State U; Michael Friedman, Stanford U; Rudolf Haller, U of Graz; Don Howard, Notre Dame; Diederick Raven, U of Utrecht; George Reisch; Thomas Ricketts, Northwestern U; Friedrich K. Stadler, U of Vienna; Thomas E. Uebel, U of Manchester.
Unlike traditional formal treatments of reasoning, this package uses both graphical and sentential representations to reflect common situations in everyday reasoning where information is expressed in many forms, such as finding your way to a location using a map and an address. It also teaches students how to construct and check the logical validity of a variety of proofs—of consequence and non-consequence, consistency and inconsistency, and independence—using an intuitive proof system which extends standard proof treatments with sentential, graphical, and heterogeneous inference rules, allowing students to focus on proof content rather than syntactic structure. Building upon the widely used Tarski’s World and Language, Proof and Logic courseware packages, Logical Reasoning with Diagrams and Sentences contains more than three hundred exercises, most of which can be assessed by the Grade Grinder online assessment service; is supported by an extensive website through which students and instructors can access online video lectures by the authors; and allows instructors to create their own exercises and assess their students’ work.
Logical Reasoning with Diagrams and Sentences is an expanded revision of the Hyperproof courseware package.
Renowned for his work at the crossroads of history, sociology, political science, and anthropology, Sewell argues that only by combining a more sophisticated understanding of historical time with a concern for larger theoretical questions can a satisfying social theory emerge. In Logics of History, he reveals the shape such an engagement could take, some of the topics it could illuminate, and how it might affect both sides of the disciplinary divide.
In a torrent of rage, love, and irony, Adrian C. Louis explodes all the myths and hypocrisy of Middle America in the twenty-first century. This is how Walt Whitman or Allen Ginsburg might have written about our post-9/11 world--where the realities of poverty on Indian reservations and the plight of Hurricane Katrina victims come in second place to the vagaries of Homeland Security. For Louis, both he and our nation face an uncertain future. Like many of us he is trapped in a surreal void of the present, where he is faced with middle age and isolation, the death of loved ones, an unsatisfying job, and the battle against loneliness and self-destruction. He writes as if he has nothing left to lose but then fills the page with bittersweet sorrow for everything that has been lost. Armed with unforgettable images, relentless rhythms, and a dark and scathing humor, Louis takes aim at this American life.
Acclaimed science fiction scholar Edward James traces Bujold's career, showing how Bujold emerged from fanzine culture to win devoted male and female readers despite working in genres--military SF, space opera--perceived as solely by and for males. Devoted to old-school ideas such as faith in humanity and the desire to probe and do good in the universe, Bujold simultaneously subverted genre conventions and experimented with forms that led her in bold creative directions. As James shows, her iconic hero Miles Vorkosigan--unimposing, physically impaired, self-conscious to a fault--embodied Bujold's thematic concerns. The sheer humanity of her characters, meanwhile, gained her a legion of fans eager to provide her with feedback, expand her vision through fan fiction, and follow her into fantasy.
The Lokaprakāśa by well-known Kashmirian author Kṣemendra (fl. 1050 CE) is a unique Sanskrit text that deals with details of public administration, from the king down to the village level. It includes private sale and mortgage documents as well as marriage contracts—documents that are little attested outside medieval Kashmir.
In the first decade of the 20th century, famous explorer and Kashmiri specialist Sir M. Aurel Stein asked his friend, learned Kashmiri Pandit Sahaja Bhaṭṭa, to prepare an edition of this significant text with commentary explaining many otherwise obscure terms. The manuscript was originally projected to be published by Stein and Charles Lanman in the early 1930s, in a facsimile edition. Long lost, the manuscript has been recovered in the Société Asiatique in Paris and is now published here. The text fills a large gap in our knowledge of private life and public administration in medieval India and will greatly interest Sanskritists and historians alike.
The Lokaprakāśa by well-known Kashmirian author Kṣemendra (fl. 1050 CE) is a unique Sanskrit text that deals with details of public administration, from the king down to the village level. It includes private sale and mortgage documents as well as marriage contracts—documents that are little attested outside medieval Kashmir.
In the first decade of the twentieth century, famous explorer and Kashmiri specialist Sir M. Aurel Stein asked his friend, learned Kashmiri Pandit Sahaja Bhaṭṭa, to prepare an edition of this significant text with commentary explaining many otherwise obscure terms. The manuscript was originally projected to be published by Stein and Charles Lanman in the early 1930s, in a facsimile edition. Long lost, the manuscript has been recovered in the Société Asiatique in Paris and is now published here with all available additional manuscripts. The text fills a large gap in our knowledge of private life and public administration in medieval India and will greatly interest Sanskritists and historians alike.
M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.
Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.
Called “the flour of Cities all,” London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature.
Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London’s population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city’s history—the beheading of Charles I, the Great Fire, the Blitz—but the majority reflect the quieter routines and anxieties of everyday life through the centuries.
Ford’s selections are arranged chronologically, thus preserving a sense of the strata of the capital’s history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.
This dazzling and yet intimate book is the first modern one-volume history of London from Roman times to the present. An extraordinary city, London grew from a backwater in the Classical age into an important medieval city, a significant Renaissance urban center, and a modern colossus. Roy Porter paints a detailed landscape--from the grid streets and fortresses of Julius Caesar and William the Conqueror to the medieval, walled "most noble city" of churches, friars, and crown and town relationships. Within the crenelated battlements, manufactures and markets developed and street-life buzzed.
London's profile in 1500 was much as it was at the peak of Roman power. The city owed its courtly splendor and national pride of the Tudor Age to the phenomenal expansion of its capital. It was the envy of foreigners, the spur of civic patriotism, and a hub of culture, architecture, great literature, and new religion. From the eighteenth through the twentieth centuries, London experienced a cruel civil war, raging fires, enlightenment in thought, government, and living, and the struggle and benefits of empire. From the lament that "London was but is no more" to "you, who are to stand a wonder to all Years and ages...a phoenix," London became an elegant, eye-catching, metropolitan hub. It was a mosaic, Porter shows, that represented the shared values of a people--both high and low born--at work and play.
London was and is a wonder city, a marvel. Not since ancient times has there been such a city--not eternal, but vibrant, living, full of a free people ever evolving. In this transcendent book, Roy Porter touches the pulse of his hometown and makes it our own, capturing London's fortunes, people, and imperial glory with brio and wit.
London Fashion Week is the pinnacle of the fashion season, and it features an array of native designers, from Burberry and Vivenne Westwood to Alexander McQueen and Nicole Farhi. The roots of London’s place as the international epicenter of haute couture and prêt-à-porter stretch back centuries, and they are explored here by Alistair O’Neill.
Arguing that fashion was central to the impact of modernity in late nineteenth- and twentieth-century London, O’Neill maps the progress of fashion against the city’s neighborhoods and streets. Carnaby Street, Soho, Jermyn Street, and King’s Road each get their turn in London, along with many others, revealing the intersection between London’s urban history and the development of fashion. O’Neill’s analysis is not merely confined to clothing—from the popularity of tattooing in the 1890s to the diverse uses of chintz in the 1980s design aesthetic, he traces the history of fashion in its various manifestations and explores how particular figures were key to disseminating fashion throughout British and international cultures. Participating in fashion, Londonshows, was not only a pleasurable aspect of modern urban life, but also a fundamental element of contemporary cultural sensibilities. London unearths vital moments of revolution in fashion that reflect deeper changes in London’s history and culture, contending that these historic changes are unfairly marginalized in accounts of transformation in the city’s culture.
A fascinating look at style and urbanism, London offers an intriguing reconsideration of the role of fashion in city life and fills in long overlooked gaps in the history of London and modern design.
For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832.
In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love.
Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect.
The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is.
Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.
For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832.
In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love.
Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect.
The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is.
Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.
In this book, Londoner Phil Baker explores the city’s history and the London of today, balancing well-known major events with more curious and eccentric details. He reveals a city of almost unmatched historical density and richness. For Baker, London turns out to be Gothic in all senses of the word and enjoyably haunted by its own often bloody past. And despite extensive redevelopment, as he shows in this engaging and insightful book, some of the magic remains.
A New York Times Book Review Editors’ Choice
A Telegraph Editor’s Choice
An Evening Standard “Best Books about London” Selection
In popular imagination, London is a city of fog. The classic London fogs, the thick yellow “pea-soupers,” were born in the industrial age of the early nineteenth century. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and their lasting effects on our culture and imagination.
“Engrossing and magnificently researched…Corton’s book combines meticulous social history with a wealth of eccentric detail. Thus we learn that London’s ubiquitous plane trees were chosen for their shiny, fog-resistant foliage. And since Jack the Ripper actually went out to stalk his victims on fog-free nights, filmmakers had to fake the sort of dank, smoke-wreathed London scenes audiences craved. It’s discoveries like these that make reading London Fog such an unusual, enthralling and enlightening experience.”
—Miranda Seymour, New York Times Book Review
“Corton, clad in an overcoat, with a linklighter before her, takes us into the gloomier, long 19th century, where she revels in its Gothic grasp. Beautifully illustrated, London Fog delves fascinatingly into that swirling miasma.”
—Philip Hoare, New Statesman
If one went looking for the tipping point in the prelude to the American Revolution, it would not be the destruction of the tea in Boston Harbor, or the blockade of Boston by British warships, or even the gathering of the first Continental Congress; rather, it was the Congress’s decision in late October of 1774 to close the theatres. In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens.
London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. The ambitious Scotsman’s business was teaching provincial colonials to dress and behave as genteel British subjects. Through the plays he staged, the scenery and costumes, and the bearing of his actors, he displayed London fashion and London manners. He counted among his patrons the most influential men in America, from British generals and governors to local leaders, including the avid theatre-goers George Washington and Thomas Jefferson. By 1774, Douglass operated a monopoly of theatres in six colonies and the Anglophone Caribbean, from Jamaica to Charleston and northward to New York City. (Boston remained an impregnable redoubt against theatre.)
How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.
Everyone knows Jack London for his tales of adventure in Alaska and the Canadian Yukon. With his work translated into more than 100 languages, London is one of the most popular American writers in the world, alongside Mark Twain. Yet for the reader tackling The Call of the Wild or White Fang, or perhaps his most often-anthologized short story “To Build a Fire,” many misconceptions about his life confuse his legacy.
London in His Own Time is based on Jeanne Reesman’s nearly thirty-five years of archival research. The book offers surprising perspectives on Jack London’s many sides by family, friends, fellow struggling young writers, business associates, high school and college classmates, interviewers, editors, coauthors, visitors to his Sonoma Valley Beauty Ranch in Glen Ellen, California, and more.
People who have commented on and discussed the mercurial genius include Joseph Conrad, Theodore Dreiser, Upton Sinclair, Sinclair Lewis, Ambrose Bierce, and Mary Austin, as well as his half-sister, Eliza London Shepard, and his first wife, Elizabeth Bess “Bessie” Maddern London. There are a few Klondike pals he kept in touch with, and some fellow writers such as Cloudesley Johns, but many of those closest to him truly demonstrate his wide range of friends: barman Johnny Heinold; his second wife, Charmian, whom he called “Mate Woman”; his daughters, Joan and Becky; his lover, Anna Strunsky; his closest friends, especially the poet George Sterling; his former crewmate on the Snark, Martin Johnson; and his valet/memoirist, Yoshimatsu Nakata. Reesman also includes dozens of entries from Bay-area socialists, friends in Hawai’i and the South Seas, fellow war correspondents, neighbors like Luther Burbank, and his long-time editor at Macmillan, George Brett.
“When a man is tired of London, he is tired of life; for there is in London all that life can afford.” Samuel Johnson spoke highly of London in Boswell’s famous biography, but not all have shared his enthusiasm. Since, the capital has been characterized as a “riddle,” a “cesspool,” and a “modern Babylon”—the last by none other than Prime Minister Benjamin Disraeli. No tribute to the city would be complete without reference to the notoriously inclement weather, which caused Jane Austen to complain that, “in London it is always a sickly season.”
For fans, foes, and those planning a trip to the city in the hopes of forming an opinion, this collection will be welcomed.
"The recognition that ordinary people could and did trade in slaves, as well as the fact that ordinary people became slaves, is, indeed, the beginning of comprehending the enormity of the forced migration of eleven million people and the attendant deaths of many more."
Rawley draws on material from the year 1700 to the American Civil War as he explores the role of London in the trade. He covers its activity as a port of departure for ships bound for Africa; its continuing large volume after the trade extended to Bristol and Liverpool; and the controversy between London’s parliamentary representatives, who defended the trade, and the abolitionist movement that was quartered there.
Sweeping in scope and thorough in its analysis, this collection of essays from a seasoned scholar will be welcomed by historians concerned with slavery and the slave trade, as well as by students just beginning their exploration of this subject.
This book presents more than a hundred images of Greater London from before 1800, all from the Gough Collection of the Bodleian Library. We see prints of London before and after the Great Fire, images of the 1780 tornado, panoramas of the Thames, depictions of the building and destruction of landmark bridges, and much more. Making brilliant use of the most extensive collection of London images amassed by any private collector of the period, the book will be essential to anyone delving into the history of the city.
The United Kingdom has never had an easy relationship with its capital. By far the wealthiest and most populous city in the country, London is the political, financial, and cultural center of the UK, responsible for almost a quarter of the national economic output. But the city’s insatiable growth and perceived political dominance have gravely concerned national leaders for hundreds of years.
This perception of London as a problem has only increased as the city becomes busier, dirtier, and more powerful. The recent resurgence in anti-London sentiment and plans to redirect power away from the capital should not be a surprise in a nation still feeling the effects of austerity. Published on the eve of the delayed mayoral elections and in the wake of the greatest financial downturn in generations, The London Problem asks whether it is fair to see the capital’s relentless growth and its stranglehold of commerce and culture as smothering the United Kingdom’s other cities, or whether as a global megacity it makes an undervalued contribution to Britain’s economic and cultural standing.
Bringing winter and Christmas celebrations in a variety of places and cultures to life in a selection of beautifully written short stories, Llavina mixes personal experiences with fictional characters to blur the lines between fiction and reality.
It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.
As people crowded into British cities in the nineteenth century, industrial and biological waste byproducts and then epidemic followed. Britons died by the thousands in recurring plagues. Figures like Edwin Chadwick and John Snow pleaded for measures that could save lives and preserve the social fabric.
The solution that prevailed was the novel idea that British towns must build public water supplies, replacing private companies. But the idea was not an obvious or inevitable one. Those who promoted new waterworks argued that they could use water to realize a new kind of British society—a productive social machine, a new moral community, and a modern civilization. They did not merely cite the dangers of epidemic or scarcity. Despite many debates and conflicts, this vision won out—in town after town, from Birmingham to Liverpool to Edinburgh, authorities gained new powers to execute municipal water systems.
But in London local government responded to environmental pressures with a plan intended to help remake the metropolis into a collectivist society. The Conservative national government, in turn, sought to impose a water administration over the region that would achieve its own competing political and social goals. The contestants over London’s water supply matched divergent strategies for administering London’s water with contending visions of modern society. And the matter was never pedestrian. The struggle over these visions was joined by some of the most colorful figures of the late Victorian period, including John Burns, Lord Salisbury, Bernard Shaw, and Sidney and Beatrice Webb.
As Broich demonstrates, the debate over how to supply London with water came to a head when the climate itself forced the endgame near the end of the nineteenth century. At that decisive moment, the Conservative party succeeded in dictating the relationship between water, power, and society in London for many decades to come.
London’s Urban Landscape returns us to the everyday lives of people and the manner in which they understand their lives. The embodied experience of the city is invoked in the descriptions of entangled relationships between people and places and the paths of movement between them.
In the late nineteenth century, theatre’s fundraising for charitable causes shifted from male-dominated and private to female-directed and public. Although elite women had long been involved in such enterprises, they took on more authority in this period. At the same time, regular, high-profile public charity events became more important and much more visible than private philanthropy. Actresses became key figures in making the growing number of large and heavily publicized fundraisers successful. By 1920, the attitude was “Get an actress first. If you can’t get an actress, then get a duchess.” Actresses’ star power, their ability to orchestrate large events quickly, and their skill at performing a kind of genteel extortion made them essential to this model of charity. Actresses also benefited from this new role. Taking a prominent, public, offstage position was crucial in making them, individually and collectively, respectable professionals.
Author Catherine Hindson reveals this history by examining the major types of charity events at the turn of the twentieth century, including fundraising matinees, charity bazaars and costume parties, theatrical tea and garden parties, and benefit performances. Her study concludes with a look at the involvement of actresses in raising funds for British soldiers serving in the Anglo-Boer War and the First World War.
Spolin's improvisational techniques changed the nature and practice of modern theater. Her work has inspired actors, directors, teachers, and writers in theater, television, and film. Her techniques have also influenced the fields of education, mental health, social work, and psychology.
Texas has always staked a large claim on the nation's imagination, and its mystery literature is no exception. Hundreds of crime novels are set within the state, most of which have been published in the last twenty years. From the highest point atop the Guadalupe Mountains in West Texas to the Piney Woods of East Texas, from the High Plains of the Panhandle to the subtropical climate of the lower Rio Grande Valley, mystery writers have covered every aspect of Texas's extraordinarily diverse geography.
The first book to emphasize the wealth of Texas's mystery writers and the images they convey of the state's wide range of regions and cultures, Lone Star Sleuths is a noteworthy introduction not only to the literary genre but also to a sense of Texas as a place in fiction. Celebrating a genre that has expanded to include women and an increasing diversity of cultures, the book features selections from the works of such luminaries as Kinky Friedman and Mary Willis Walker, lesser-known stars in the making, and even some outsiders like Nevada Barr and Carolyn Hart who have succumbed to the allure of the state's weather, geography, and colorful history.
Lone Star Sleuths captures the sense of place that distinguishes much of the great literature set in Texas, and is a must-read for mystery lovers.
Every place is a product of the stories we tell about it—stories that do not merely describe but in fact shape geographic, social, and cultural spaces. Lone Star Vistas analyzes travelogues that created the idea of Texas. Focusing on the forty-year period between Mexico’s independence from Spain (1821) and the beginning of the US Civil War, Astrid Haas explores accounts by Anglo-American, Mexican, and German authors—members of the region’s three major settler populations—who recorded their journeys through Texas. They were missionaries, scientists, journalists, emigrants, emigration agents, and military officers and their spouses. They all contributed to the public image of Texas and to debates about the future of the region during a time of political and social transformation. Drawing on sources and scholarship in English, Spanish, and German, Lone Star Vistas is the first comparative study of transnational travel writing on Texas. Haas illuminates continuities and differences across the global encounter with Texas, while also highlighting how individual writers’ particular backgrounds affected their views on nature, white settlement, military engagement, Indigenous resistance, African American slavery, and Christian mission.
It began in late winter of 2004. Almost 100 years had passed since the last spotting of a wild wolverine in Michigan when coyote hunters caught a glimpse of one of the animals in a frozen farm field in the northern thumb region. For the next six years, Jeff Ford, a local science teacher and amateur naturalist, devoted himself to locating and filming the wolverine that had unexpectedly and inexplicably appeared in the Wolverine State. By the time hikers found the animal dead in early 2010, Ford had taken hundreds of rare live action photos and shot numerous hours of video, with the story of the "Wolverine Guy" attracting national attention through countless newspaper and magazine articles and appearances on Animal Planet and PBS Nature.
This is the tale of Ford's quest as he uncovered answers to mysteries surrounding the animal's territory and movement patterns, while sparking a flurry of controversy surrounding the elusive predator's origin, much of which remains unresolved today. It's an intimate look at research in the raw, from DNA samples stuck on barbed wire to a sophisticated, motion-sensing infrared camera unit strategically placed to observe nocturnal behavior.
The Lone Wolverine brings to vivid life this unforgettable piece of American wildlife lore, using candid interviews, public records, and Ford's own vast storehouse of notes, personal writings, correspondence, and images, offering an extraordinary chronicle of a wild wolverine in its natural habitat, at play and in fierce competition for food and survival. This is a wildlife detective story, recounting years of study and fierce debate as researchers pondered the riddles of Michigan's last wolverine---her origins, habits, and ultimately the cause of her untimely death.
Loneliness and Its Opposite documents how two countries generally imagined to be progressive engage with these questions in very different ways. Denmark and Sweden are both liberal welfare states, but they diverge dramatically when it comes to sexuality and disability. In Denmark, the erotic lives of people with disabilities are acknowledged and facilitated. In Sweden, they are denied and blocked. Why do these differences exist, and how do both facilitation and hindrance play out in practice?
Loneliness and Its Opposite charts complex boundaries between private and public, love and sex, work and intimacy, and affection and abuse. It shows how providing disabled adults with access to sexual lives is not just crucial for a life with dignity. It is an issue of fundamental social justice with far reaching consequences for everyone.
“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds.
A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts—Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s “Experience,” to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower.
Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
In Loner Forensics, Thea Brown dreams up and dissects a city beset by unexplained disappearances, roving silences, and climate collapse. This sprawling collection comprises a series of interviews with denizens of the shifting city, each mediated through the lonely lens of the Detective, a character whose refractive investigation atomizes the scene. As much a study of complicity as a critique of capitalism’s distortive effects on human emotional response, Loner Forensics questions what happens when our innermost terrains become newly unfamiliar in an unraveling natural world.
Dark, fractured, and canny, Brown’s shimmering third collection draws on parallel universes, 1980s video games, social media pop-speak, and ghost towns to immerse the reader in grief, utopia, disaster—and, ultimately, love.
Bernard Lonergan's ambitious study of human knowledge, based on his theory of consciousness, is among the major achievements of twentieth-century philosophy. He challenges the principles of contemporary intellectual culture by finding norms and standards not in external perceptions or reified concepts, but in the dynamism of consciousness itself.
Lonergan and the Philosophy of Historical Existence explores the implications of Lonergan's approach to the philosophy of history in a number of distinct but related contexts, covering a variety of intellectual disciplines. Each chapter can be read independently, but the series of chapters provides a coherent unfolding of Lonergan's case that the norms of inquiry endure as a standard of human thought and action amid continuous changes and fluctuations in politics, morals, religion, science, and scholarship. The book explains how Lonergan's idea of development follows from his theory of consciousness and how his treatment of human development inevitably focuses on historical development. The central theme of the book is that Lonergan's philosophy of history makes a pronounced distinction between historicity and historicism.
McPartland relates Lonergan's work to existentialist themes and, in the last chapters, to the work of Eric Voegelin. The book addresses the existentialist themes of dread, suffering, guilt, shame, and ressentiment—within overall themes of history, philosophy, and religion. McPartland argues that Lonergan's unique perspective on scientific method, epistemology, metaphysics, and critical theory can illuminate what seem to be the quite alien topics of reason as religious experience, the anxiety of existence, the existential roots of bias, and mythopoesis and mystery. Here there is a remarkable parallel to the philosophy of history of Eric Voegelin. The concluding chapters of the book show how the equivalence of the two philosophies offers a mutually enriching dialogue between Lonergan's critical realism and Voegelin's existential exegesis.
Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.
Sharply intelligent, often personal reflections on the global crises of 2020 that are still ongoing
By all accounts, 2020 was the longest year in recent memory, as people in the United States and across the globe careened from one unfolding catastrophe to another. The consequences of this devastating year are sure to impact the planet for decades, if not centuries, to come. This collection considers the question of that long 2020 from the perspective of the lived experience of the year, its long and deep roots in various human and nonhuman pasts, and the transformation of our sense of the future.
The Long 2020 assembles a strikingly interdisciplinary group of scholars and thinkers to address how the many crises of 2020—epidemiological, political, ecological, and social—have unfolded, examining both their origins as well as their ongoing effects. The contributors address questions of time, history, and scale as they have played out, and continue to play out; the relationship between home and environment, with a focus on architecture, breathing, and human–nonhuman relations; and the experience of cultural, political, and social life, deploying cultural and political theory to explore questions of race, gender and sexuality, and democracy.
The global pandemic has still not abated, reflecting the need to rethink our interrelatedness to viruses and other species. In bringing together this diverse group of authors, The Long 2020 offers a variety of perspectives on the impacts of that fraught year, the effects of which continue to permeate daily life.
Contributors: Stacy Alaimo, U of Oregon; Elisabeth Anker, George Washington U; Janelle Baker, Athabasca U, Alberta, Canada; Daniel A. Barber, U of Pennsylvania Weitzman School of Design; Adia Benton, Northwestern U; Levi R. Bryant, Collin College; Beatriz Colomina, Princeton U; William E. Connolly, Johns Hopkins U; Cary Gabriel Costello, U of Wisconsin–Milwaukee; Megan Craig, Stony Brook U; Wai Chee Dimock, Harvard U; Paulla Ebron, Stanford U; Nirmala Erevelles, U of Alabama; Roderick A. Ferguson, Yale U; Rosa E. Ficek, U of Puerto Rico at Cayey; Stefanie Fishel, U of the Sunshine Coast in Queensland; Jonathan Flatley, Wayne State U; Jennifer Gabrys, U of Cambridge; David Gissen, Parsons School of Design and the New School, New York; Dehlia Hannah, The Royal Danish Academy of Fine Arts; Karen Ho, U of Minnesota; Bonnie Honig, Brown U; Frédéric Keck, Laboratory of Social Anthropology (CNRS Paris); Eben Kirksey, Deakin Institute in Melbourne, Australia; Bernard C. Perley, U of British Columbia, Vancouver; Tom Rademacher; Renya Ramirez, U of California, Santa Cruz; Zoe Todd (Métis); Anna Tsing, U of California, Santa Cruz; Sarah E. Vaughn, U of California, Berkeley; Rebecca Wanzo, Washington U; McKenzie Wark, Eugene Lang College, New York City.
"The book is an attack on America's long affair with Jeffersonian ideology of radical individualism: an ideology that, by confusing Jefferson with a secular prophet, will destroy the United States from within."—David C. Ward, Boston Book Review
"With his background as a politician and a diplomat, O'Brien brings a broad perspective to his effort to define Jefferson's beliefs through the prism of his attitudes toward France. . . . This is an important work that makes an essential contribution to the overall picture of Jefferson."—Booklist
"O'Brien traces the roots of Jefferson's admiration for the revolution in France but notes that Jefferson's enthusiasm for France cooled in the 1790s, when French egalitarian ideals came to threaten the slave-based Southern economy that Jefferson supported."—Library Journal
"In O'Brien's opinion, it's time that Americans face the fact that Jefferson, long seen as a champion of the 'wronged masses,' was a racist who should not be placed on a pedestal in an increasingly multicultural United States."—Boston Phoenix
"O'Brien makes a well-argued revisionist contribution to the literature on Jefferson."—Kirkus Reviews
"O'Brien is right on target . . . determined not to let the evasions and cover-ups continue."—Forrest McDonald, National Review
"The Long Affair should be read by anyone interested in Jefferson—or in a good fight."—Richard Brookhiser, New York Times Book Review
With The Long and the Short of It, biologist and writer Jonathan Silvertown offers readers a witty and fascinating tour through the scientific study of longevity and aging. Dividing his daunting subject by theme—death, life span, aging, heredity, evolution, and more—Silvertown draws on the latest scientific developments to paint a picture of what we know about how life span, senescence, and death vary within and across species. At every turn, he addresses fascinating questions that have far-reaching implications: What causes aging, and what determines the length of an individual life? What changes have caused the average human life span to increase so dramatically—fifteen minutes per hour—in the past two centuries? If evolution favors those who leave the most descendants, why haven’t we evolved to be immortal? The answers to these puzzles and more emerge from close examination of the whole natural history of life span and aging, from fruit flies, nematodes, redwoods, and much more.
Civil War historians have long noted that support for the Confederacy in the antebellum South tended to align with geography: those who lived in towns, along railroads, and on land suited for large-scale farming tended to side with the Confederacy, while those who lived a more isolated existence and made their livings by subsistence farming and bartering usually remained Unionist. Bartow County in northwest Georgia, with its distinctive terrain of valley, piedmont, and Appalachian hill country, is an ideal microcosm to examine these issues.
Keith S. Hébert examines the rise and precipitous fall of Confederate nationalism in Bartow County, a shared experience among many counties in the upland South. Hébert’s story tells us much about the war’s origins, Confederate defeat, and the enduring legacy of white supremacy in these rural areas. Although no major battles were fought in Bartow County, Sherman’s Atlanta Campaign saw Federal troops occupying the area, testing the loyalties of Bartow County soldiers serving in the Army of Tennessee and elsewhere. As the home front collapsed, they had to decide if they should remain in the army and fight or return home to protect their families and property. Locals hardly knew whom to trust as Unionists and Confederates—from both home and afar—engaged in guerilla warfare, stole resources from citizens, and made the war a confusing trap rather than a struggle for an emergent nation.
Drawing on the primary source record of newspapers, letters, diaries, and official documents from the county, Hébert compellingly works personalized vignettes into a scholarly study of developments from the advent of war through Reconstruction and the decades following. The Long Civil War in the North Georgia Mountains solidifies recent scholarship about the war in southern Appalachia and opens a window into a community deeply divided by civil war.
KEITH S. HÉBERT, assistant professor of history at Auburn University, was formerly state historian at the Georgia Department of Natural Resources, Historic Preservation Division. His writing has appeared in The Georgia Historical Quarterly and Reconstructing Appalachia: The Civil War’s Aftermath.
On a long dark road in deep East Texas, James Byrd Jr. was dragged to his death behind a pickup truck one summer night in 1998. The brutal modern-day lynching stunned people across America and left everyone at a loss to explain how such a heinous crime could possibly happen in our more racially enlightened times. Many eventually found an answer in the fact that two of the three men convicted of the murder had ties to the white supremacist Confederate Knights of America. In the ex-convict ringleader, Bill King, whose body was covered in racist and satanic tattoos, people saw the ultimate monster, someone so inhuman that his crime could be easily explained as the act of a racist psychopath. Few, if any, asked or cared what long dark road of life experiences had turned Bill King into someone capable of committing such a crime.
In this gripping account of the murder and its aftermath, Ricardo Ainslie builds an unprecedented psychological profile of Bill King that provides the fullest possible explanation of how a man who was not raised in a racist family, who had African American friends in childhood, could end up on death row for viciously killing a black man. Ainslie draws on exclusive in-prison interviews with King, as well as with Shawn Berry (another of the perpetrators), King's father, Jasper residents, and law enforcement and judicial officials, to lay bare the psychological and social forces—as well as mere chance—that converged in a murder on that June night. Ainslie delves into the whole of King's life to discover how his unstable family relationships and emotional vulnerability made him especially susceptible to the white supremacist ideology he adopted while in jail for lesser crimes.
With its depth of insight, Long Dark Road not only answers the question of why such a racially motivated murder happened in our time, but it also offers a frightening, cautionary tale of the urgent need to intervene in troubled young lives and to reform our violent, racist-breeding prisons. As Ainslie chillingly concludes, far from being an inhuman monster whom we can simply dismiss, "Bill King may be more like the rest of us than we care to believe."
Farred shows that issues like race, politics, and war are critical to understanding a sport, especially soccer. And he writes beautifully, with candor and lyricism. Long Distance Love does for soccer what C.L.R. James's Beyond a Boundary did for cricket: it provides poetry and politics in equal measure, along with insights on every page.
Perhaps no event in American history arouses more impassioned debate than the abolition of slavery. Answers to basic questions about who ended slavery, how, and why remain fiercely contested more than a century and a half after the passage of the Thirteenth Amendment. In The Long Emancipation, Ira Berlin draws upon decades of study to offer a framework for understanding slavery’s demise in the United States. Freedom was not achieved in a moment, and emancipation was not an occasion but a near-century-long process—a shifting but persistent struggle that involved thousands of men and women.
“Ira Berlin ranks as one of the greatest living historians of slavery in the United States… The Long Emancipation offers a useful reminder that abolition was not the charitable work of respectable white people, or not mainly that. Instead, the demise of slavery was made possible by the constant discomfort inflicted on middle-class white society by black activists. And like the participants in today’s Black Lives Matter movement, Berlin has not forgotten that the history of slavery in the United States—especially the history of how slavery ended—is never far away when contemporary Americans debate whether their nation needs to change.”
—Edward E. Baptist, New York Times Book Review
For decades, Rachel Blau DuPlessis has shown readers how genres, forms, and the literal acts of writing and reception can be understood as sites of struggle. In her own words, “writing is . . . a praxis . . . in which the author disappears into a process, into a community, into discontinuities, and into a desire for discovery.” It is cause for celebration, then, that we have another work of warm, incisive, exploratory writing from DuPlessis in A Long Essay on the Long Poem.
Long poems, DuPlessis notes, are elusive, particularly in the slippery forms that have emerged in the postmodern mode. She cites both Nathaniel Mackey and Anne Waldman in thinking of the poem as a “box,” both in the sense of a vessel that contains and as a machine that processes, an instrument on which language is played. This study’s central attention is on the long poem as a sociocultural Book, distinctively envisioned by a range of authors.
To reckon with these shifting and evolving forms, DuPlessis works in a polyvalent mode, a hybrid of critical analysis and speculative essay. She divides the long poem and the long poets into three genres: epics, quests, and a composite she terms “assemblages.” The poets she surveys include T. S. Eliot, Ezra Pound, H.D., Louis Zukofsky, Gwendolyn Brooks, Charles Olson, Alice Notley, Nathaniel Mackey, Ron Silliman, Robert Duncan, Kamau Brathwaite, and, finally, Mallarmé and Dante. Instead of a traditional lineage, she deliberately seeks intersecting patterns of connection between poems and projects, a nexus rather than a family tree. In doing so she navigates both some challenges of long poems and her own attempt to “essay” them. The result is a fascinating and generous work that defies categorization as anything other than essential.
The conflict in Afghanistan looms large in the collective consciousness of Americans. What has the United States achieved, and how will it withdraw without sacrificing those gains? The Soviet Union confronted these same questions in the 1980s, and Artemy Kalinovsky’s history of the USSR’s nine-year struggle to extricate itself from Afghanistan and bring its troops home provides a sobering perspective on exit options in the region.
What makes Kalinovsky’s intense account both timely and important is its focus not on motives for initiating the conflict but on the factors that prevented the Soviet leadership from ending a demoralizing war. Why did the USSR linger for so long, given that key elites recognized the blunder of the mission shortly after the initial deployment?
Newly available archival material, supplemented by interviews with major actors, allows Kalinovsky to reconstruct the fierce debates among Soviet diplomats, KGB officials, the Red Army, and top Politburo figures. The fear that withdrawal would diminish the USSR’s status as leader of the Third World is palpable in these disagreements, as are the competing interests of Afghan factions and the Soviet Union’s superpower rival in the West. This book challenges many widely held views about the actual costs of the conflict to the Soviet leadership, and its findings illuminate the Cold War context of a military engagement that went very wrong, for much too long.
A Long Goodbye to Bismarck? is the first study to provide an exhaustive comparative account of all welfare reforms in continental Europe during the past three decades, covering Austria, Belgium, the Czech Republic, France, Germany, Hungary, Italy, the Netherlands, Poland, Slovakia, Spain, and Switzerland.
Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmate’s murder, his father’s alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined.
This lyrical memoir expresses a boy’s search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever.
Chiefs Joseph, Looking Glass, White Bird, and Their People Against the United States
In 1877, the U.S. Government opened the Nez Perce lands in Oregon to settlers and ordered the tribe to move to a reservation in Idaho Territory. Although reluctant to leave their homeland, the Nez Perce began the long trek eastward. A small band of young warriors vented their frustration, however, in two days of deadly attacks on settlements along the Salmon River. Realizing that the U.S. response would be overwhelming—particularly in light of Custer’s defeat the year before—the Nez Perce leaders, including Chiefs Joseph, Looking Glass, and White Bird, prepared their people for war. A U.S. Army battalion led by Civil War general Oliver O. Howard along with several other coordinated army units began pursuit in an effort to subdue the Nez Perce and forceably move them to the reservation. The Nez Perce resolved to escape to freedom in Canada. Using their intimate knowledge of the land and their native Appaloosa horses skillfully, the Nez Perce were able to successfully check and elude the much larger American force for more than three months as they wound their way across the Rocky Mountains, through the newly established Yellowstone National Park, and into Montana. The war finally ended when the exhausted Indians—men, women, and children—were surrounded in the Bear Paw Mountains. Looking Glass was shot dead, and at this point, Chief Joseph relinquished and gave his famous address of surrender to General Howard. While most of the Nez Perce ended up on a reservation, the band led by White Bird was able to make their way to Canada and freedom.
The Nez Perce War is one of the most important and emotional campaigns of the Indian Wars. It essentially closed an era in American history, and the amount of time, money, and troops required to subdue the Nez Perce brought the plight of American Indians and the reservation system to the front pages of newspapers around the world. In The Long Journey of the Nez Perce: A Battle History from Cottonwood to Bear Paw, former U.S. Army engineering officer Kevin Carson brings his intimate knowledge of the territory crossed by the Nez Perce along with his skill as a cartographer to reconstruct in detail the battles and skirmishes along the entire route of the conflict.
Drawing on two decades of work with former refugees from El Salvador as well as unprecedented access to private archives and oral histories, Molly Todd’s compelling history provides the first in-depth look at “grassroots sistering.” This model of citizen diplomacy emerged in the mid-1980s out of relationships between a few repopulated villages in Chalatenango, El Salvador, and US cities.
Todd shows how the leadership of Salvadorans and left-leaning activists in the US concerned with the expansion of empire as well as the evolution of human rights–related discourses and practices created a complex dynamic of cross-border activism that continues today.
Based on extensive use of Soviet and Israeli archives, interviews, memoirs, and secondary sources, Kaganovitch’s acclaimed work, originally published in Russian, is presented here in a significantly revised English translation by the author. Details of demographic, social, economic, and cultural changes in Rechitsa’s evolution, presented over the sweep of centuries, reveal a microcosm of daily Jewish life in Rechitsa and similar communities. Kaganovitch looks closely at such critical developments as the spread of Chabad Hasidism, the impact of multiple political transformations and global changes, and the mass murder of Rechitsa’s remaining Jews by the German army in November to December 1941.
Kaganovitch also documents the evolving status of Jews in the postwar era, starting with the reconstitution of a Jewish community in Rechitsa not long after liberation in 1943 and continuing with economic, social, and political trends under Stalin, Khrushchev, and Brezhnev, and finally emigration from post-Soviet Belarus. The Long Life and Swift Death of Jewish Rechitsa is a major achievement.
Winner, Helen and Stan Vine Canadian Jewish Book Award for Scholarship, Koffler Centre of the Arts
Cervone describes how the Inca Atahualpa contested racial subordination by intervening in matters of resource distribution, justice, and cultural politics. Considering local indigenous politics and indigenous mobilization at the national and international levels, she explains how, beginning in the 1960s, state-led modernization created political openings by generating new economic formations and social categories. Long Live Atahualpa sheds new light on indigenous peoples operating at the crossroads of global capitalism and neoliberal reforms as they redefine historically rooted relationships of subordination.
Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
Long March Ahead emphasizes the need for African American churches to complement the excellent work they do in implementing policies set by others by getting more involved in shaping public policy. The contributors explore the efficacy of different means of public policy advocacy and social service delivery, including faith-based initiatives. At the same time, they draw attention to trends that have constrained political involvement by African American churches: the increased professionalization of policy advocacy and lobbying, the underdevelopment of church organizational structures devoted to policy work, and tensions between religious imperatives and political activism. Long March Ahead takes an important look at the political role of African American churches after the great policy achievements of the civil rights era.
Contributors
Cathy J. Cohen
Megan McLaughlin
Columba Aham Nnorum
Michael Leo Owens
Desiree Pedescleaux
Barbara D. Savage
R. Drew Smith
Emilie Townes
Christopher Winship
During a distinguished military career, in which he rose to the rank of brigadier general and twice won the Medal of Honor, Frank Baldwin saw service in the Civil War, the Indian wars on the Great Plains, and the Spanish-American War. His wife, Alice Blackwood Baldwin, shared the "long march" with him, from his Plains service onward. In this first biography of the Baldwins, Robert Steinbach combines military and personal history to vividly portray a marriage that survived both the harshness of frontier army life and the restrictive Victorian concept of "separate spheres" for husband and wife.
Drawing on a wealth of diaries, letters, and other family papers, Steinbach re-creates the Baldwins' life on the Plains. Moving from post to post in Kansas, New Mexico, Montana, North Dakota, and Texas, they faced danger, excitement, separations, poverty, and many other hardships. Frequently they clashed over Alice's desire to be something more than "an ornament to society"—a wish eventually granted as Frank's long absences and chronic ill health required Allie to take responsibility for herself and their daughter.
With insights into military campaigns on the Great Plains in the years 1865–1890 and a revealing look at the human side of those campaigns, A Long March will appeal to a wide audience.
A first-rate novel that provides vivid descriptions of Alabama during an important period in the state’s history, The Long Night is set in the vicinity of Montgomery, Alabama, between 1850 and 1865. Originally published in 1936, the book is based on a true story related to Lytle by one of his close friends and colleagues at Vanderbilt University, Frank L. Owsley, who later became the chairman of The University of Alabama Department of History. In fact, the novel opens with a letter to Professor Owsley from the author, and Owsley’s son has written the introduction to this edition.
As described by George B. Tindall, The Long Night is “the episodic story of a young Alabamian beset by the moral dilemma of desire for revenge against the persecutors of his father and his larger duty in the war, a story that rose to its climax in the Battle of Shiloh.” The work is rich in its description of the land and people of Black-Belt Alabama during the mid-19th century.
On the morning of November 20, 1776, General Charles Cornwallis overran patriot positions at Fort Lee, on the New Jersey side of the Hudson River. The attack threw George Washington's army into turmoil. Thus began an American retreat across the state, which ended only after the battered rebels crossed the Delaware river at Trenton on December 7. It was a three-week campaign that marked the most dramatic and desperate period of the War for Independence. In The Long Retreat, Arthur Lefkowitz has written the first book-length study of this critical campaign. He adds compelling new detail to the narrative, and offers the most comprehensive account in the literature of the American retreat to the Delaware and of the British pursuit. What emerges is a history misconceptions about the movements of the armies, the intentions of their leaders, and the choices available to rebel commanders and their British counterparts. Lefkowitz presents a patriot military pounded into desperate straights by the forces of the Crown, but in the end more resilient and wily than most previous scholarship has allowed. If brought low over November and December of 1776, Washington's battalions were still a force to reckon with as they pulled away from the advancing British. Despite serious losses in material and personnel, Washington managed to keep his units operational; and even while making mistakes, he sought to consolidate patriot regiments and longed for a chance to counterattack. The Christmas night riposte at Trenton, a dramatic reversal of fortune in any case, stemmed from measures the rebel Commander-in-Chief had initiated even as he completed his retrograde across New Jersey. How all of this came about emerges and crisp narrative of The Long Retreat. It is the definitive book on a crucial chapter in the history of American Arms.
These women, usually rather withdrawn from the community, seemed to spring to life in response to this apocryphal story--and to be inspired to tell stories of their own. The tales they shared with Addams in the wake of the Devil Baby were more personal and revealing than any they had previously told her: stories of abusive mates, lost or neglectful children, and endless, ill-paid menial labor endured on behalf of loved ones. In response to these sometimes wrenching conversations, Addams wrote The Long Road of Woman's Memory, an extended musing on the role of memory and myth in women's lives.
As Addams records the difficult recollections of these women she ponders the transformation of their experiences--so debilitating and full of anguish--into memories devoid of rancor and pain. She explores the catalytic function of cautionary tales in reviving older women's sense of agency. Through moving conversations with women who had lost sons on the battlefield, she emphasizes the importance of voicing a female perspective on war. The women's stories, graphically depicting the conditions in which they lived and labored and the purposefulness that sustained them, are gracefully woven together with Addams's insights on the functioning and purpose of memory.
Seen in the context of Addams's personal connection with these diverse women and their stories, her larger efforts to bring about equity and social justice appear all the more courageous and vital. Charlene Haddock Seigfried's new introduction sets Addams's observations in the context of pragmatist and feminist traditions.
Offering new and fascinating insights into the cast of characters who created a homegrown socialist movement in America—from Thomas Paine’s revolution to Robert Owen’s utopianism, and from Thomas Skidmore’s agrarianism to George Henry Evans’s industrial workers’ reforms—Long Road to Harpers Ferry captures the spirit of the times. Showing how class solidarity and consciousness became more important to a generation of workers than notions of American citizenship, the book offers a fascinating historical background to help us understand the rise of radicalism in the United States today.
In a stimulating series of conversations, Steiner and journalist Laure Adler discuss a range of topics, including Steiner’s boyhood in Vienna and Paris, his education at the University of Chicago and Harvard, and his early years in academia. Books are a touchstone throughout, but Steiner and Adler’s conversations also range over music, chess, psychoanalysis, the place of Israel in Jewish life, and beyond. Blending thoughts on subjects of broad interest in the humanities—the issue of honoring Richard Wagner and Martin Heidegger in spite of their politics, or Virginia Woolf’s awareness of the novel as a multivocal form, for example—with personal reflections on life and family, Steiner demonstrates why he is considered one of today’s greatest minds. Revealing and exhilarating, A Long Saturday invites readers to pull up a chair and listen in on a conversation with a master.
The jist of what he learned--of what his "lessons" taught him--was (in the sentence of Oliver Wendell Holmes): "Where most men have died, there is the greatest interest." According to Grossman, violence arises not merely from the "barbarian" outside of the culture the poet serves, but from the inner logic of that culture; not, as he would now say, from the defeat of cultural membership but from the terms of cultural membership itself.
Grossman analyzes the "bitter logic of the poetic principle" as it is articulated in exemplary texts and figures, including Bede's Caedmon and Milton. But the heart of The Long Schoolroom is American, ranging from essays on Whitman and Lincoln to an in-depth review of the work of Hart Crane. His final essays probe the example of postmodern Jewish and Christian poetry in this country, most notably the work of Robert Lowell and Allen Ginsburg, as it searches for an understanding of "holiness" in the production and control of violence.
Allen Grossman is author of The Ether Dome and Other Poems: New and Selected, The Sighted Singer: Two Works on Poetry for Readers and Writers (with Mark Halliday), and most recently, The Philosopher's Window. He is Mellon Professor in the Humanities at The Johns Hopkins University.
We have seen these children—the shy and the sociable, the cautious and the daring—and wondered what makes one avoid new experience and another avidly pursue it. At the crux of the issue surrounding the contribution of nature to development is the study that Jerome Kagan and his colleagues have been conducting for more than two decades. In The Long Shadow of Temperament, Kagan and Nancy Snidman summarize the results of this unique inquiry into human temperaments, one of the best-known longitudinal studies in developmental psychology. These results reveal how deeply certain fundamental temperamental biases can be preserved over development.
Identifying two extreme temperamental types—inhibited and uninhibited in childhood, and high-reactive and low-reactive in very young babies—Kagan and his colleagues returned to these children as adolescents. Surprisingly, one of the temperaments revealed in infancy predicted a cautious, fearful personality in early childhood and a dour mood in adolescence. The other bias predicted a bold childhood personality and an exuberant, sanguine mood in adolescence. These personalities were matched by different biological properties. In a masterly summary of their wide-ranging exploration, Kagan and Snidman conclude that these two temperaments are the result of inherited biologies probably rooted in the differential excitability of particular brain structures. Though the authors appreciate that temperamental tendencies can be modified by experience, this compelling work—an empirical and conceptual tour-de-force—shows how long the shadow of temperament is cast over psychological development.
The Long Shadows is the first book-length work to offer global perspectives on the environmental history of World War II. Based on long-term research, the selected articles represent the best available studies in different fields and countries. With contributions touching on Europe, America, Asia, and Africa, the book has a truly global approach.
While other edited volumes on the environmental history of warfare discuss multiple wars and various time periods, The Long Shadows is devoted exclusively to World War II and its profound and lasting impact on global environments, encompassing polar, temperate and tropical ecological zones. Divided into three main sections, the first offers an introduction to and holistic overview of the War. The second section of the book examines the social and environmental impacts of the conflict, while the third focuses on the history and legacy of resource extraction. A fourth and final section offers conclusions and hypotheses. Numerous themes and topics are explored in these previously unpublished essays, including the new and innovative field of acoustic ecology, the environmental policies of the Third Reich, Japanese imperialism and marine resources, and the control of Typhus fever.
Aimed at researchers and students in the fields of environmental history, military history, and global history, The Long Shadows will also appeal to a general audience interested in the environmental impact of the greatest military conflict in the history of the world.
CONTRIBUTORSOuti Ampuja
Alla Bolotova
Chris Boyer
Matthew Evenden
Paul Josephson
Simo Laakkonen
Helene Laurent
Carol MacLennan
Gregory Maddox
Ilmo Massa
Evan Mawdsley
Micah Muscolino
William Tsutsui
Richard Tucker
Timo Vuorisalo
Anna-Katharina Wöbse
At the turn of the twenty-first century, the United States contended with a state-run biological warfare program, bioterrorism, and a pandemic. Together, these threats spurred large-scale government demand for new vaccines, but few have materialized. A new anthrax vaccine has been a priority since the first Gulf War, but twenty years and a billion dollars later, the United States still does not have one. This failure is startling.
Historically, the United States has excelled at responding to national health emergencies. World War II era programs developed ten new or improved vaccines, often in time to meet the objectives of particular military missions. Probing the history of vaccine development for factors that foster timely innovation, Kendall Hoyt discovered that vaccine innovation has been falling, not rising, since World War II. This finding is at odds with prevailing theories of market-based innovation and suggests that a collection of nonmarket factors drove mid-century innovation. Ironically, many late-twentieth-century developments that have been celebrated as a boon for innovation—the birth of a biotechnology industry and the rise of specialization and outsourcing—undercut the collaborative networks and research practices that drove successful vaccine projects in the past.
Hoyt’s timely investigation teaches important lessons for our efforts to rebuild twenty-first-century biodefense capabilities, especially when the financial payback for a particular vaccine is low, but the social returns are high.
Xbox videogamer cholo cyberpunks. Infants who read before they talk. Vatos locos, romancing abuelos, border crossers and border smugglers, drug kingpins, Latina motorbike riders, philosophically musing tweens, and so much more.
The stories in this dynamic bilingual prose-art collection touch on the universals of romance, family, migration and expulsion, and everyday life in all its zany configurations. Each glimpse into lives at every stage—from newborns and children to teens, young adults, and the elderly—further submerges readers in psychological ups and downs. In a world filled with racism, police brutality, poverty, and tensions between haves and have-nots, these flashes of fictional insight bring gleaming clarity to life lived where all sorts of borders meet and shift.
Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot offers an unsentimentally complex glimpse into what it means to exist at the margins of society today. These unflinching and often brutal fictions crisscross spiritual, emotional, and physical borders as they give voice to all those whom society chooses not to see.
A runaway circus lion haunts a small town where two lovers risk more than their respective marriages. A junket to Cuba and an ambassador’s dalliance with a niece hide dark secrets and political revolution. “I’ve always had a knife,” says the unstable stepson to his parents. Inventive, dark, and absurd, the stories in The Long Swim capture Terese Svoboda’s clear-eyed, wry angle on the world: a place of violence and uncertainty but also wild beauty, adventure, and love both lasting and ephemeral. Her characters strive for escape—through romance, travel, or more self-destructive pursuits—and collide with the constraints of family and home, their longing for freedom and autonomy often at odds with the desire for safety and harmony.
Cynical, irreverent, and formally daring, Svoboda’s stories in The Long Swim are a deft exploration of womanhood and humanity. Waves of provocation and wonder toss the reader and leave them wanting more.
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