In this provocative study, Paul Atwood attempts to show Americans that their history is one of constant wars of aggression and imperial expansion.
In his long teaching career, Atwood has found that most students know virtually nothing about America's involvement in the wars of the 20th century, let alone those prior to World War I. War and Empire aims to correct this, clearly and persuasively explaining US actions in every major war since the declaration of independence. The book shows that, far from being dragged reluctantly into foreign entanglements, America's leaders have always picked its battles in order to increase their influence and power, with little regard for the American soldiers and 'enemy' civilians killed or made to suffer in the process.
This book is an eye-opening introduction to the American way of life for undergraduate students of American history, politics and international relations.
Paul Rogers is one of the world's leading security experts. Since the 11 September attacks, he has been a regular guest on TV news channels throughout America and Britain, where he has offered expert advice on the real implications of 9/11 and Bush's 'war on terror'. His articles in newspapers around the world, and in the web journal Open Democracy, have become essential reading for many thousands of people, including government officials, senior military, heads of UN agencies, opinion formers, journalists and peace activists.
A War on Terror is Paul Roger's radical assessment of Bush's new policy, the way it has affected world security and the grave implications that it holds for future peace, not only in the Middle East but throughout the world. Moving from the war in Afghanistan and its aftermath to the Israeli/Palestinian conflict, the continuing development of al-Qaida and its associates through to the war on Iraq, Rogers presents a uniquely cogent analysis of these rapid and traumatic events.
In a world in which the US and other states of the Atlantic community are increasingly speaking a different language to that of the majority of the world, Paul Rogers offers a vital critical assessment of the language of dominance and control as 'the New American Century' unfolds.
For the US, in particular, the post-9/11 world is one in which it is essential to maintain firm control of international security, extending to pre-emptive military action. In this book, Rogers demonstrates how futile, mistaken and deeply counter-productive that belief is, and points the way to more effective routes to a more just and secure world.
2007 — Jane Jacobs Urban Communication Publication Award – Urban Communication Foundation
As twentieth-century city planners invested in new transportation systems to deal with urban growth, they ensured that the automobile rather than mass transit would dominate transportation. Combining an exploration of planning documents, sociological studies, and popular culture, Paul Fotsch shows how our urban infrastructure developed and how it has shaped American culture ever since.
Watching the Traffic Go By emphasizes the narratives underlying our perceptions of innovations in transportation by looking at the stories we have built around these innovations. Fotsch finds such stories in the General Motors "Futurama" exhibit at the 1939 World's Fair, debates in Munsey's magazine, films such as Double Indemnity, and even in footage of the O. J. Simpson chase along Los Angeles freeways.
Juxtaposed with contemporaneous critiques by Lewis Mumford, Theodor Adorno, and Max Horkheimer, Fotsch argues that these narratives celebrated new technologies that fostered stability for business and the white middle class. At the same time, transportation became another system of excluding women and the poor, especially African Americans, by isolating them in homes and urban ghettos.
A timely, interdisciplinary analysis, Watching the Traffic Go By exposes the ugly side of transportation politics through the seldom-used lens of popular culture.
Cabanaconde, a town of 5,000 people, is located in the arid Andean highlands. It is dominated by the foreboding Hualca Hualca mountain peak that is the source of this town’s much-needed water. How the villagers obtain this water, Paul Gelles writes, is not a simple process: the politics of irrigation in this area reflect a struggle for control of vital resources, deeply rooted in the clash between local, ritualized models of water distribution and the secular model put forth by the Peruvian state. Water and Power in Highland Peru provides an insightful case study on the intense conflicts over water rights, and a framework for studying ethnic conflict and the effects of “development,” not only in Peru, but in other areas as well.
Most of the inhabitants of Cabanaconde do not identify themselves with the dominant Spanish-speaking culture found in Peru. And the Peruvian state, grounded in a racist, post-Colonial ethos, challenges the village’s long-standing, non-Western framework for organizing water management.
Gelles demonstrates that Andean culture is dynamic and adaptive, and it is a powerful source of ethnic identity, even for those who leave the village to live elsewhere. Indigenous rituals developed in this part of the world, he states, have become powerful tools of resistance against interference by local elites and the present-day Peruvian state. Most importantly, the micropolitics of Cabanaconde provide a window into a struggle that is taking place around the world.
One of the first longitudinal studies of collective resistance in the developing world, Waves of Protest examines large-scale contentious action in El Salvador during critical eras in the country’s history.
Providing a compelling analysis of the massive waves of protests from the early twentieth century to the present in El Salvador, Paul D. Almeida fully chronicles one of the largest and most successful campaigns against globalization and privatization in the Americas. Drawing on original protest data from newspapers and other archival sources, Almeida makes an impassioned argument that regime liberalization organizes civil society and, conversely, acts of state-sponsored repression radicalize society. He correlates the ebb and flow of protest waves to the changes in regime liberalization and subsequent de-democratization and back to liberalization.
Almeida shows how institutional access and competitive elections create opportunity for civic organizations that become radicalized when authoritarianism increases, resulting at times in violent protest campaigns that escalate to revolutionary levels. In doing so, he brings negative political conditions and threats to the forefront as central forces driving social movement activity and popular contention in the developing world.
Paul D. Almeida is assistant professor of sociology at Texas A&M University. He is coeditor with Hank Johnston of Latin American Social Movements: Globalization, Democratization, and Transnational Networks.
The Space Age began just as the struggle for civil rights forced Americans to confront the long and bitter legacy of slavery, discrimination, and violence against African Americans. Presidents John F. Kennedy and Lyndon Johnson utilized the space program as an agent for social change, using federal equal employment opportunity laws to open workplaces at NASA and NASA contractors to African Americans while creating thousands of research and technology jobs in the Deep South to ameliorate poverty. We Could Not Fail tells the inspiring, largely unknown story of how shooting for the stars helped to overcome segregation on earth.
Richard Paul and Steven Moss profile ten pioneer African American space workers whose stories illustrate the role NASA and the space program played in promoting civil rights. They recount how these technicians, mathematicians, engineers, and an astronaut candidate surmounted barriers to move, in some cases literally, from the cotton fields to the launching pad. The authors vividly describe what it was like to be the sole African American in a NASA work group and how these brave and determined men also helped to transform Southern society by integrating colleges, patenting new inventions, holding elective office, and reviving and governing defunct towns. Adding new names to the roster of civil rights heroes and a new chapter to the story of space exploration, We Could Not Fail demonstrates how African Americans broke the color barrier by competing successfully at the highest level of American intellectual and technological achievement.
In the United States, efforts to develop precision guided munitions—PGMs—began during the First World War and resulted in an 'aerial torpedo' by the 1920s. While World War II was dominated by large-scale strategic bombing—essentially throwing out tons of free-falling munitions in the hope they hit something important—both sides in the war worked to develop airborne munitions that could be steered toward a target. However after that war, U.S. national security policy focused on the atomic bomb, hardly a weapon that needed to be directed with accuracy.
The cost of emphasis on atomic weapons was revealed in the general unsuitability of American tactics and weapons deployment systems during the Vietnam War. Lessons learned in that conflict, coupled with rapid technological developments in aerodynamics, lasers, and solid-state electronics, brought air power dramatically closer to the "surgical strike" now seen as crucial to modern warfare. New technology created attractive choices and options for American policymakers as well as field commanders, and events in the Arab-Israeli wars, the U.S. raid on Libya, and most dramatically in the first Gulf War created an ever-increasing demand for the precision weapons.
The prospect of pinpoint delivery of weapons right to the enemy's door by speeding aircraft seems to presage war in which the messy and politically risky deployment of ground troops is unnecessary. The potential of such weapons, and their strategic limitations, made the Gulf War and Iraqi War living theater for assessing what such weapons can and cannot do and have important implications for planning for future warfare.
In 1882, William Simpson Pearson, writing under the pseudonym Brinsley Matthews, published Well-Nigh Reconstructed, a thinly disguised
autobiographical novel excoriating the enormous societal changes that had beset the former Confederacy during Reconstruction. Pearson’s work was especially notable in that the author was a onetime Radical Republican and supporter of Ulysses S. Grant’s bid for the presidency. A product of Pearson’s perception that northern Reconstruction policies had devastated his native North Carolina, the book set in motion a genre of politically motivated novels that would culminate near the turn of the twentieth century with Thomas Nelson Page’s Red Rock and later Thomas Dixon Jr.’s infamous The Clansman.
Though set in Virginia and Alabama, it is clear that Well-Nigh Reconstructed drew heavily on Pearson’s own experiences and that it was conceived as a direct response to A Fool’s Errand, a pro-Reconstruction novel by fellow North Carolinian Albion Tourgée. Echoing Pearson’s own disillusionment with the Radical Republicans, the novel’s protagonist, Archie Moran, comes to see Radical Reconstruction as an attempt to turn the South into a carbon copy of the North, and through a series of encounters involving corrupt carpetbaggers, greedy politicians, and the Klan trials of the late 1870s, Moran grows weary of politics altogether and resigns his Republican Party affiliation. For Pearson and
his doppelganger, Moran, Reconstruction became a vast breeding ground for corruption.
Featuring an extensive introduction by historian Paul D. Yandle, who sets the political and regional scene of Reconstruction North Carolina, this
reissue of Well-Nigh Reconstructed will shed new light on the ways in which sectionalism, regionalism, and the embrace of white supremacy tended to undermine the recently reconstituted Union among Appalachian residents.
As Asia has become more prominent on the international scene in recent decades—economically, politically, and culturally—the scholarly discipline of Asian studies has grown commensurately. But major questions remain about the scope of the discipline and its goals. What about Asia? both surveys the current state of the debate on Asian studies and suggests several fruitful directions for future exploration, especially through the use of multiregional and interdisciplinary approaches.
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle.
What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.”
A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.
This is an anthology of poems in the Age of Trump—and much more than Trump. These are poems that either embody or express a sense of empathy or outrage, both prior to and following his election, since it is empathy the president lacks and outrage he provokes.
There is an extraordinary diversity of voices here. The ninety-three poets featured include Elizabeth Alexander, Julia Alvarez, Richard Blanco, Carolyn Forché, Aracelis Girmay, Donald Hall, Juan Felipe Herrera, Yusef Komunyakaa, Naomi Shihab Nye, Marge Piercy, Robert Pinsky, Danez Smith, Patricia Smith, Brian Turner, Ocean Vuong, Bruce Weigl, and Eleanor Wilner. They speak of persecuted and scapegoated immigrants. They bear witness to violence: police brutality against African Americans, mass shootings in a school or synagogue, the rage inflicted on women everywhere. They testify to poverty: the waitress surviving on leftovers at the restaurant, the battles of a teacher in a shelter for homeless mothers, the emergency-room doctor listening to the heartbeats of his patients. There are voices of labor, in the factory and the fields. There are prophetic voices, imploring us to imagine the world we will leave behind in ruins lest we speak and act.
However, this is not merely a collection of grievances. The poets build bridges. One poet steps up to translate in Arabic at the airport; another walks through the city and sees her immigrant past in the immigrant present; another declaims a musical manifesto after the hurricane that devastated his island; another evokes a demonstration in the street, shouting in an ecstasy of defiance. The poets take back the language, resisting the demagogic corruption of words themselves. They assert our common humanity in the face of dehumanization.
Winner, WILLA Literary Award for Creative Nonfiction, 2008
How do women experience the vast, arid, rugged land of the American Southwest? The Story Circle Network, a national organization dedicated to helping women write about their lives, posed this question, and nearly three hundred women responded with original pieces of writing that told true and meaningful stories of their personal experiences of the land. From this deep reservoir of writing—as well as from previously published work by writers including Joy Harjo, Denise Chávez, Diane Ackerman, Naomi Shihab Nye, Leslie Marmon Silko, Gloria Anzaldua, Terry Tempest Williams, and Barbara Kingsolver—the editors of this book have drawn nearly a hundred pieces that witness both to the ever-changing, ever-mysterious life of the natural world and to the vivid, creative, evolving lives of women interacting with it.
Through prose, poetry, creative nonfiction, and memoir, the women in this anthology explore both the outer landscape of the Southwest and their own inner landscapes as women living on the land—the congruence of where they are and who they are. The editors have grouped the writings around eight evocative themes:
From the Gulf Coast of Texas to the Pacific Coast of California, and from the southern borderlands to the Great Plains and the Rocky Mountains, these intimate portraits of women's lives on the land powerfully demonstrate that nature writing is no longer the exclusive domain of men, that women bring unique and transformative perspectives to this genre.
Robert S. Paul suggests that the reason detective fiction has won legions of readers may be that "the writer of detective fiction, without conscious intent, appeals directly to those moral and spiritual roots of society unconsciously affirmed and endorsed by the readers."
Because detective stories deal with crime and punishment they cannot help dealing implicitly with theological issues, such as the reality of good and evil, the recognition that humankind has the potential for both, the nature of evidence (truth and error), the significance of our existence in a rational order and hence the reality of truth, and the value of the individual in a civilized society.
Paul argues that the genre traces its true beginning to the Enlightenment and documents two related but different reactions to the theological issues involved: first, a line of writers who are generally positive in relation to their cultural setting, such as Edgar Allan Poe, Wilkie Collins, Conan Doyle; and second, a reactionary strain, critical of the prevailing culture, that begins in William Godwin’s Caleb Williams and continues through the anti-heroic writers like Arsène Lupin to Raymond Chandler, Dashiell Hammett, and John MacDonald.
Wheat Flour Messiah follows the career of Eric Jansson from his boyhood on a farm near Biskopskulla (Bishop’s Hill) in Sweden until his murder in Illinois by a crazed follower in 1850. He was an untutored but brilliant charismatic leader, who by sheer insolence and self-confidence defied both the Swedish state church and the secular government and persuaded some twelve hundred of his wheat flour customers to throw in their lot with him. The essence of his teaching was that anyone who so desired could receive the grace of God in such rich measure that he would instantly be freed of sin and live in angelic innocence from then on. This doctrine was an imperfectly understood version of Methodist perfectionism, held without Wesleyan safeguards, and it doomed his followers to civil war against the Lutheran church.
Jansson went north to Hälsingland in Sweden to sell wheat flour, but his deeper intention was to hold large religious services in the farmyards of followers. On three occasions he and his followers burned all the allegedly heretical books written by such men as Luther, Nohrborg, and Arndt, singing hymns while the flames "destroyed the works of the Devil." Jansson was jailed six times, and six times he was freed. After his last trial, as he was being escorted to jail, he escaped and later arranged passage to America. His disciples followed him in a series of Atlantic crossings during 1847–49 and settled the utopian colony of Bishop Hill, 150 miles west of Chicago. They built impressive buildings, plowed the virgin prairie, and began some successful industry making wagons and weaving rugs.
Two fateful events spelled the doom of this utopian dream. The first, the cholera epidemic of 1849,killed over two hundred of the colonists. The other was the arrival of John Root, who subsequently married Jansson’s cousin, Charlotte, and who, after a series of altercations with Jansson over Charlotte, shot him to death in Cambridge, Illinois. The colony did not long survive without its Prophet, and ten years later the utopian dream ended. Today Bishop Hill remains little changed from a century ago—a colorful memory of American beginnings, a vivid reminder of its fascinating past.
Dr. Elmen’s book tells for the first time the life story of a folk hero, Eric Jansson. The Bishop Hill Colony was clearly the lengthened shadow of this extraordinary man. Students of utopian colonies, teachers and students of American history and religious movements will find here a definitive account of this piece of the American past. Any reader interested in the American Dream will enjoy this account of a vanished people who thought they could find somewhere on earth a great, good place, and who had to learn after much suffering that one cannot express in waking reality the character of man in his dreams.
Millions of Americans take the Bible at its word and turn to like-minded local ministers and TV preachers, periodicals and paperbacks for help in finding their place in God’s prophetic plan for mankind. And yet, influential as this phenomenon is in the worldview of so many, the belief in biblical prophecy remains a popular mystery, largely unstudied and little understood. When Time Shall Be No More offers for the first time an in-depth look at the subtle, pervasive ways in which prophecy belief shapes contemporary American thought and culture.
Belief in prophecy dates back to antiquity, and there Paul Boyer begins, seeking out the origins of this particular brand of faith in early Jewish and Christian apocalyptic writings, then tracing its development over time. Against this broad historical overview, the effect of prophecy belief on the events and themes of recent decades emerges in clear and striking detail. Nuclear war, the Soviet Union, Israel and the Middle East, the destiny of the United States, the rise of a computerized global economic order—Boyer shows how impressive feats of exegesis have incorporated all of these in the popular imagination in terms of the Bible’s apocalyptic works. Reflecting finally on the tenacity of prophecy belief in our supposedly secular age, Boyer considers the direction such popular conviction might take—and the forms it might assume—in the post–Cold War era.
The product of a four-year immersion in the literature and culture of prophecy belief, When Time Shall Be No More serves as a pathbreaking guide to this vast terra incognita of contemporary American popular thought—a thorough and thoroughly fascinating index to its sources, its implications, and its enduring appeal.
Winner of the John Collier Jr. Award for Still Photography
Where the Roads All End tells the remarkable story of an American family’s eight anthropological expeditions to the remote Kalahari Desert in South-West Africa (Namibia) during the 1950s. Raytheon co-founder Laurence Marshall, his wife Lorna, and children John and Elizabeth recorded the lives of some of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important ventures in the anthropology of Africa. Largely self-taught as ethnographers, the family supplemented their research with motion picture film and still photography to create an unparalleled archive that documents the Ju/’hoansi and the /Gwi just as they were being settled by the government onto a “Bushman Preserve.” The Marshalls’ films and publications popularized a strong counternarrative to existing negative stereotypes of the “Bushman” and revitalized academic studies of these southern African hunter-gatherers.
This vivid and multilayered account of a unique family enterprise focuses on 25,000 still photographs in the archives of Harvard’s Peabody Museum of Archaeology and Ethnology. Illustrated with over 300 images, Where the Roads All End reflects on the enduring ethnographic record established by the Marshalls and the influential pathways they charted in anthropological fieldwork, visual anthropology, ethnographic film, and documentary photography.
Whoop-up Country was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In the frontier days before the railroads penetrated the western plains, the Whoop-Up Trail was a high road of adventure and commerce. It led Indians, traders, and cattlemen into a great interior market stretching northward from the Missouri River in Montana to the Bow River valley in the Canadian province of Alberta. From Fort Benton on the Great Muddy to Fort Macleod on the Oldman, the trail with the rowdy name wrote its history in whisky, guns, furs, and pioneer enterprise.
But, as the Whoop-Up Trail faded away with the passing of the western frontier, people forgot about its existence and its part in the building of the West. Historians have largely overlooked this colorful chapter in the story of westward migration.
Now Paul Sharp tells about the Whoop-Up country in vivid detail. By first describing the region geographically, he demonstrates an important point—that there was no natural boundary in this area between Canada and the United States. He then relates the economic, social, and political events that ultimately divided the territory between the two nations in fact as well as in name.
The volume contains an excellent account of the beginnings of the Northwest Mounted Police. It provides a fresh viewpoint on the Indian problem by considering it impartially and as a whole, without the restricting and artificial limitations of national boundaries. Told by a perceptive and forceful writer, this is the story of the creation of two societies—Canadian and American—formed under similar circumstances yet developing very different political and cultural identities.
Rashid al-Daif’s provocative novel Who’s Afraid of Meryl Streep? takes an intimate look at the life of a recently married Lebanese man. Rashoud and his wife struggle as they work to negotiate not only their personal differences but also rapidly changing attitudes toward sex and marriage in Lebanese culture. As their fragile bond disintegrates, Rashoud finds television playing a more prominent role in his life; his wife uses the presence of a television at her parents’ house as an excuse to spend time away from her new home. Rashoud purchases a television in the hopes of luring his wife back home, but in a pivotal scene, he instead finds himself alone watching Kramer vs. Kramer. Without the aid of subtitles, he struggles to make sense of the film, projecting his wife’s behavior onto the character played by Meryl Streep, who captivates him but also frightens him in what he sees as an effort to take women’s liberation too far.
Who’s Afraid of Meryl Streep? offers a glimpse at evolving attitudes toward virginity, premarital sex, and abortion in Lebanon and addresses more universal concerns such as the role of love and lust in marriage. The novel has found wide success in Arabic and several European languages and has also been dramatized in both Arabic and French.
Do your ears burn whenever you eat hot chile peppers? Does your face immediately flush when you drink alcohol? Does your stomach groan if you are exposed to raw milk or green fava beans? If so, you are probably among the one-third of the world's human population that is sensitive to certain foods due to your genes' interactions with them.
Formerly misunderstood as "genetic disorders," many of these sensitivities are now considered to be adaptations that our ancestors evolved in response to the dietary choices and diseases they faced over millennia in particular landscapes. They are liabilities only when we are "out of place," on globalized diets depleted of certain chemicals that triggered adaptive responses in our ancestors.
In Why Some Like It Hot, an award-winning natural historian takes us on a culinary odyssey to solve the puzzles posed by "the ghosts of evolution" hidden within every culture and its traditional cuisine. As we travel with Nabhan from Java and Bali to Crete and Sardinia, to Hawaii and Mexico, we learn how various ethnic cuisines formerly protected their traditional consumers from both infectious and nutrition-related diseases. We also bear witness to the tragic consequences of the loss of traditional foods, from adult-onset diabetes running rampant among 100 million indigenous peoples to the historic rise in heart disease among individuals of northern European descent.
In this, the most insightful and far-reaching book of his career, Nabhan offers us a view of genes, diets, ethnicity, and place that will forever change the way we understand human health and cultural diversity. This book marks the dawning of evolutionary gastronomy in a way that may save and enrich millions of lives.
Wildlife and Recreationists defines and clarifies the issues surrounding the conflict between outdoor recreation and the health and well-being of wildlife and ecosystems. Contributors to the volume consider both direct and indirect effects of widlife-recreationist interactions, including:
Wildlife Restoration links restoration ecology and wildlife management in an accessible and comprehensive guide to restoring wildlife and the habitats upon which they depend. It offers readers a thorough overview of the types of information needed in planning a wildlife-habitat restoration project and provides the basic tools necessary for developing and implementing a rigorous monitoring program. The book:
The author does not offer a "cookbook" approach, but rather provides basic tools for understanding ecological concepts that can be used to design restoration projects with specific goals for wildlife. He focuses on developing an integrated approach to large-scale landscape restoration. In addition, he provides guidance on where more advanced and detailed literature can be found.
Wildlife Restoration sets forth a clear explanation of key principles of wildlife biology for the restorationist, and will allow wildlife biologists to bring the insights of their field to restoration projects. It is an essential source of information for everyone involved with studying, implementing, or managing wildlife restoration projects, including students, ecologists, administrators, government agency staff, and volunteer practitioners.
People call it everything from “walking your dog” to “scratching your bean.” Women usually do it at home. Men, it sometimes seems, do it everywhere. Some people think it’s healthy; others think it is a sin that will send you straight to hell. But while many people declare that everyone’s doing it, no one actually talks about it—outside the pages of Cosmo, masturbation is among the most taboo of topics, not suitable for polite society or public conversation.
The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.
Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to the woodland and bog rein orchids forms part of a series that will cover all the wild orchids of the continental United States and Canada.
Brown provides a description, general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so challenging. For the woodland and bog rein orchids, which make up some of the most delicate and subtly colored of all wild orchids, he includes information on nineteen species, four subspecies and varieties, and seven hybrids.
The genus Platanthera is the largest genus of orchids to be found in North America north of Mexico; the woodland and bog rein orchids comprise a significant group of species found throughout much of temperate U.S. and Canada. The luminously green rein orchids, so-called because of the resemblance of some of the flowers to the reins used on horses, are especially abundant in rich woodlands, wetlands, and bogs in the more northerly and cooler habitats. Most are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plants with the striking photos in this backpack-friendly laminated guide and the information in the simple key should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.
The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.
In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.
The lavish array of organisms known as "biodiversity" is an intricately linked web that makes the earth a uniquely habitable planet. Yet pressures from human activities are destroying biodiversity at an unprecedented rate. How many species can be lost before the ecological systems that nurture life begin to break down?
In The Work of Nature, noted science writer Yvonne Baskin examines the threats posed to humans by the loss of biodiversity. She summarizes and explains key findings from the ecological sciences, highlighting examples from around the world where shifts in species have affected the provision of clean air, pure water, fertile soils, lush landscapes, and stable natural communities.
As Baskin makes clear, biodiversity is much more than number of species -- it includes the complexity, richness, and abundance of nature at all levels, from the genes carried by local populations to the layout of communities and ecosystems across the landscape. Ecologists are increasingly aware that mankind's wanton destruction of living organisms -- the planet's work force -- threatens to erode our basic life support services. With uncommon grace and eloquence, Baskin demonstrates how and why that is so.
Distilling and bringing to life the work of the world's leading ecologists, The Work of Nature is the first book of its kind to clearly explain the practical consequences of declining biodiversity on ecosystem health and function.
The best kind of learning is that which never ends—and a culture of training means that staff will be more flexible and responsive to new ideas and strategies, imperative in today's libraries. In this practical resource, leading workplace trainers Reed and Signorelli offer guidance on improving the effectiveness of training programs. Their book takes readers through the entire process of developing, implementing, and sustaining training programs and communities of learning, in order to
The 1969 publication of Brent Berlin and Paul Kay's Basic Color Terms proved explosive and controversial. Contrary to the then-popular doctrine of random language variation, Berlin and Kay's multilingual study of color nomenclature indicated a cross-cultural and almost universal pattern in the selection of colors that received abstract names in each language. The ensuing debate helped reform the views of anthropologists, linguists, and psychologists alike. After four decades in print, Basic Color Terms now has a sequel: in this book, the authors authoritatively extend the original survey, studying 110 additional unwritten languages in detail and in situ. The results are presented with charts showing the overall palette of color terms within each language as well as the levels of agreement among speakers.
Icons and murals depicting the biblical scene of the Last Judgment adorned many Eastern-rite churches in medieval and early modern Ukraine. Dating from the twelfth to the eighteenth centuries, these images were extraordinarily elaborate, composed of dozens of discrete elements reflecting Byzantine, Novgorodian, Moldavian, and Catholic influences, in addition to local and regional traditions. Over time, the details of the iconography evolved in response to changing cultural resources, the conditions of material life at the time, and new trends in mentality and taste.
The World to Come lists and describes more than eighty Last Judgment images from present-day Ukraine, eastern Slovakia, and southeastern Poland, making it the largest compilation of its kind. Photographs show overviews and details of the images, and most are printed in full color. The icons and murals provide a valuable source of knowledge about the culture in which they were created: what was meant by good and evil, what was prophesied for the future, and what awaited in the afterlife.
2001 CCCC Outstanding Book Award
The vast majority of academic books are written from the scholar’s position, even those that primarily concern teaching. Writing/Teaching, on the other hand, is a book about teaching written from the position of the teacher. As the title suggests, Kameen’s book is split into two halves—yet both, in different ways and through different discourses, are derived from his work in the classroom, and his own struggle with issues and problems all teachers of writing must face.
The first half is a series of essays originating from a graduate seminar Kameen team-taught with professor and poet Toi Derricotte in 1994. Included are essays Kameen wrote, a selection of pieces written by other members of the group, and a reflective “postscript.” These essays combine personal narrative, reflective meditation, and critical inquiry—all used as discourse to depict and examine the process of teaching.
The second half of the book contains essays on Plato’s dialogues—primarily Phaedrus and Protagoras—as a means to interrogate the position of teacher through the lens of the most famous of Western pedagogues—Socrates. Here, Socrates is used as a tool to examine and critique both Kameen’s own teacherly identity and, in a wider sense, the set of cultural forces that pre-figure the available positions for both “teacher” and “student” in contemporary education.
What unites both halves is the way Kameen approaches each—the “personal” and the “scholarly”—from his position as teacher. The texts presented provide the occasion for a complex and nuanced meditation on the classroom as a legitimate arena for the production of knowledge and research. Sure to be timely and controversial, Writing/Teaching will enter into the debate on whether to reconfigure the relationship between research and teaching currently taking place among teachers of composition, cultural studies, and rhetoric. Compelling reading for teachers or those contemplating a career in the profession.
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