front cover of Characterization of Wide Bandgap Power Semiconductor Devices
Characterization of Wide Bandgap Power Semiconductor Devices
Fei Wang
The Institution of Engineering and Technology, 2018
At the heart of modern power electronics converters are power semiconductor switching devices. The emergence of wide bandgap (WBG) semiconductor devices, including silicon carbide and gallium nitride, promises power electronics converters with higher efficiency, smaller size, lighter weight, and lower cost than converters using the established silicon-based devices. However, WBG devices pose new challenges for converter design and require more careful characterization, in particular due to their fast switching speed and more stringent need for protection.
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front cover of Chasing the American Dream in China
Chasing the American Dream in China
Chinese Americans in the Ancestral Homeland
Leslie Kim Wang
Rutgers University Press, 2021
Few studies have highlighted the stories of middle-class children of immigrants who move to their ancestral homelands—countries with which they share cultural ties but haven’t necessarily had direct contact. Chasing the American Dream in China addresses this gap by examining the lives of highly educated American-born Chinese (ABC) professionals who “return” to the People’s Republic of China to build their careers. Analyzing the motivations and experiences of these individuals deepens our knowledge about transnationalism among the second-generation as they grapple with complex issues of identity and societal belonging in the ethnic homeland. This book demonstrates how these professional migrants maneuver between countries and cultures to further their careers and maximize opportunities in the rapidly changing global economy. When used strategically, the versatile nature of their ethnic identities positions them as indispensable bridges between the global superpowers of China and the United States in their competition for global dominance.
 
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front cover of China from Empire to Nation-State
China from Empire to Nation-State
Wang Hui
Harvard University Press, 2014

This translation of the Introduction to Wang Hui’s Rise of Modern Chinese Thought (2004) makes part of his four-volume masterwork available to English readers for the first time. A leading public intellectual in China, Wang charts the historical currents that have shaped Chinese modernity from the Song Dynasty to the present day, and along the way challenges the West to rethink some of its most basic assumptions about what it means to be modern.

China from Empire to Nation-State exposes oversimplifications and distortions implicit in Western critiques of Chinese history, which long held that China was culturally resistant to modernization, only able to join the community of modern nations when the Qing Empire finally collapsed in 1912. Noting that Western ideas have failed to take into account the diversity of Chinese experience, Wang recovers important strains of premodern thought. Chinese thinkers theorized politics in ways that do not line up neatly with political thought in the West—for example, the notion of a “Heavenly Principle” that governed everything from the ordering of the cosmos to the structure of society and rationality itself. Often dismissed as evidence of imperial China’s irredeemably backward culture, many Neo-Confucian concepts reemerged in twentieth-century Chinese political discourse, as thinkers and activists from across the ideological spectrum appealed to ancient precedents and principles in support of their political and cultural agendas. Wang thus enables us to see how many aspects of premodern thought contributed to a distinctly Chinese vision of modernity.

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China in the World
Culture, Politics, and World Vision
Ban Wang
Duke University Press, 2022
In China in the World, Ban Wang traces the evolution of modern China from the late nineteenth century to the present. With a focus on tensions and connections between national formation and international outlooks, Wang shows how ancient visions persist even as China has adopted and revised the Western nation-state form. The concept of tianxia, meaning “all under heaven,” has constantly been updated into modern outlooks that value unity, equality, and reciprocity as key to overcoming interstate conflict, social fragmentation, and ethnic divides. Instead of geopolitical dominance, China’s worldviews stem as much from the age-old desire for world unity as from absorbing the Western ideas of the Enlightenment, humanism, and socialism. Examining political writings, literature, and film, Wang presents a narrative of the country’s pursuits of decolonization, national independence, notions of national form, socialist internationalism, alternative development, and solidarity with Third World nations. Rather than national exceptionalism, Chinese worldviews aspire to a shared, integrated, and equal world.
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China's Avant-Garde Fiction
An Anthology
Jing Wang, ed.
Duke University Press, 1998
Filled with mirages, hallucinations, myths, mental puzzles, and the fantastic, the contemporary experimental fiction of the Chinese avant-garde represents a genre of storytelling unlike any other. Whether engaging the worn spectacle of history, expressing seemingly unmotivated violence, or reinventing outlandish Tibetan myths, these stories are defined by their devotion to theatrics and their willful apathy toward everything held sacred by the generation that witnessed the Cultural Revolution.
Jing Wang has selected provocative examples of this new school of writing, which gained prominence in the late 1980s. Contradicting many long-cherished beliefs about Chinese writers—including the alleged tradition of writing as a political act against authoritarianism—these stories make a dramatic break from conventions of modern Chinese literature by demonstrating an irreverence toward history and culture and by celebrating the artificiality of storytelling. Enriched by the work of a distinguished group of translators, this collection presents an aesthetic experience that may have outraged many revolutionary-minded readers in China, but one that also occupies an important place in the canon of Chinese literature. China’s Avant-Garde Fiction brings together a group of exceptional writers (including Raise the Red Lantern author Su Tong) to the attention of an English-speaking audience.
This book will be enjoyed by those interested in Chinese literature, culture, and society—particularly readers of contemporary fiction.

Contributors
. Bei Cun, Can Xue, Gei Fei, Ma Yuan, Su Tong, Sun Ganlu, Yu Hua

Translators. Eva Shan Chou, Michael S. Duke, Howard Goldblatt, Ronald R. Janssen, Andrew F. Jones, Denis C. Mair, Victor H. Mair, Caroline Mason, Beatrice Spade, Kristina M. Torgeson, Jian Zhang, Zhu Hong
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China’s New Order
Society, Politics, and Economy in Transition
Wang Hui
Harvard University Press, 2003

As the world is drawn together with increasing force, our long-standing isolation from—and baffling ignorance of—China is ever more perilous. This book offers a powerful analysis of China and the transformations it has undertaken since 1989.

Wang Hui is unique in China’s intellectual world for his ability to synthesize an insider’s knowledge of economics, politics, civilization, and Western critical theory. A participant in the Tiananmen Square movement, he is also the editor of the most important intellectual journal in contemporary China. He has a grasp and vision that go beyond contemporary debates to allow him to connect the events of 1989 with a long view of Chinese history. Wang Hui argues that the features of contemporary China are elements of the new global order as a whole in which considerations of economic growth and development have trumped every other concern, particularly those of democracy and social justice. At its heart this book represents an impassioned plea for economic and social justice and an indictment of the corruption caused by the explosion of “market extremism.”

As Wang Hui observes, terms like “free” and “unregulated” are largely ideological constructs masking the intervention of highly manipulative, coercive governmental actions on behalf of economic policies that favor a particular scheme of capitalist acquisition—something that must be distinguished from truly free markets. He sees new openings toward social, political, and economic democracy in China as the only agencies by which the unstable conditions thus engendered can be remedied.

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China’s New Order
Society, Politics, and Economy in Transition
Wang Hui
Harvard University Press

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China’s New Order
Society, Politics, and Economy in Transition
Wang Hui
Harvard University Press

front cover of Chinese Circulations
Chinese Circulations
Capital, Commodities, and Networks in Southeast Asia
Eric Tagliacozzo and Wen-Chin Chang, eds.
Duke University Press, 2011
Chinese merchants have traded with Southeast Asia for centuries, sojourning and sometimes settling, during their voyages. These ventures have taken place by land and by sea, over mountains and across deserts, linking China with vast stretches of Southeast Asia in a broad, mercantile embrace. Chinese Circulations provides an unprecedented overview of this trade, its scope, diversity, and complexity. This collection of twenty groundbreaking essays foregrounds the commodities that have linked China and Southeast Asia over the centuries, including fish, jade, metal, textiles, cotton, rice, opium, timber, books, and edible birds’ nests. Human labor, the Bible, and the coins used in regional trade are among the more unexpected commodities considered. In addition to focusing on a certain time period or geographic area, each of the essays explores a particular commodity or class of commodities, following its trajectory from production, through exchange and distribution, to consumption. The first four pieces put Chinese mercantile trade with Southeast Asia in broad historical perspective; the other essays appear in chronologically ordered sections covering the precolonial period to the present. Incorporating research conducted in Chinese, Japanese, Vietnamese, Thai, Burmese, Malay, Indonesian, and several Western languages, Chinese Circulations is a major contribution not only to Sino-Southeast Asian studies but also to the analysis of globalization past and present.

Contributors. Leonard Blussé, Wen-Chin Chang, Lucille Chia, Bien Chiang, Nola Cooke, Jean DeBernardi, C. Patterson Giersch, Takeshi Hamashita, Kwee Hui Kian, Li Tana, Lin Man-houng, Masuda Erika, Adam McKeown, Anthony Reid , Sun Laichen, Heather Sutherland, Eric Tagliacozzo, Carl A. Trocki, Wang Gungwu, Kevin Woods, Wu Xiao

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Chinese Kinesthetic Forms
Eugene Y. Wang
Harvard University Press
Chinese Kinesthetic Forms is a collection of papers, originally presented at Harvard FAS CAMLab in Fall 2022, that chart the distinctive richness of movement in China across historical contexts and cultural forms—from medieval dance and music evoking visions of Buddhist paradises, to the literati brush arts of painting and calligraphy, to theater and martial arts, to the renditions of all of the above in poetry, cinema, and digital media. Contributions explore how movement, as both expression and object of perception, unfolds experiential dimensions beyond the corporeal, encompassing ritual and spirituality, cosmology, and social relations. Representing original work by both emerging and established scholars, the volume offers a dynamic intervention into ongoing conversations on dance, kinesthetics, and China’s long history of performance. It ultimately argues for an understanding of movement not as an abstract concept, but instead as a fundamental organizing principle of human experience and expression.
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The Chinese Overseas
From Earthbound China to the Quest for Autonomy
Wang Gungwu
Harvard University Press, 2000

The Chinese overseas now number 25 to 30 million, yet the 2,000-year history of Chinese attempts to venture abroad and the underlying values affecting that migration have never before been presented in a broad overview. Despite centuries of prohibition against leaving the land and traveling and settling overseas, the "earthbound" Chinese--first traders, then peasants and workers--eventually found new sources of livelihood abroad. The practice of sojourning, being always temporarily away from home, was the answer the Chinese overseas found to deal with imperial and orthodox concerns. Today their challenge is to find an alternative to either returning or assimilating by seeking a new kind of autonomy in a world that will come to acknowledge the ideal of multicultural states.

In pursuing this story, international scholar Wang Gungwu uncovers some major themes of global history: the coming together of Asian and European civilizations, the ambiguities of ethnicity and diasporic consciousness, and the tension between maintaining one's culture and assimilation.

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The Chinese Overseas
From Earthbound China to the Quest for Autonomy
Wang Gungwu
Harvard University Press

front cover of Chinese Popular Culture and the State, Volume 9
Chinese Popular Culture and the State, Volume 9
Jing Wang, ed.
Duke University Press
The State Question in Chinese Popular Culture presents a series of groundbreaking essays that challenge the paradigm dividing Chinese culture into "official" and "unofficial" categories. This binary, which mirrors the "high/low" dichotomy familiar to all practitioners of cultural studies, finds its roots in Cold-War Western romanticization of a Chinese popular culture that stood in defiant opposition to the Communist state. This special issue disputes such simplistic representations and offers new critical trajectories crucial to the study of contemporary Chinese popular culture.

Contributors. Tani E. Barlow, Dai Jinhua, Judith Farquhar, David S. G. Goodman, James L. Hevia, Li Hsiaoti, Ralph Litzinger, Eric Kit-Wa Ma, Jonathan Scott Noble, Jing Wang

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front cover of Chinese Visions of World Order
Chinese Visions of World Order
Tianxia, Culture, and World Politics
Ban Wang, editor
Duke University Press, 2017
The Confucian doctrine of tianxia (all under heaven) outlines a unitary worldview that cherishes global justice and transcends social, geographic, and political divides. For contemporary scholars, it has held myriad meanings, from the articulation of a cultural imaginary and political strategy to a moralistic commitment and a cosmological vision. The contributors to Chinese Visions of World Order examine the evolution of tianxia's meaning and practice in the Han dynasty and its mutations in modern times. They attend to its varied interpretations, its relation to realpolitik, and its revival in twenty-first-century China. They also investigate tianxia's birth in antiquity and its role in empire building, invoke its cultural universalism as a new global imagination for the contemporary world, analyze its resonance and affinity with cosmopolitanism in East-West cultural relations, discover its persistence in China's socialist internationalism and third world agenda, and critique its deployment as an official state ideology. In so doing, they demonstrate how China draws on its past to further its own alternative vision of the current international system.

Contributors. Daniel A. Bell, Chishen Chang, Kuan-Hsing Chen, Prasenjit Duara, Hsieh Mei-yu, Haiyan Lee, Mark Edward Lewis, Lin Chun, Viren Murthy, Lisa Rofel, Ban Wang, Wang Hui, Yiqun Zhou
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front cover of Cities in Asia by and for the People
Cities in Asia by and for the People
Edited by Yves Cabannes, Mike Douglass, and Rita Padawangi
Amsterdam University Press, 2018
This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.
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Contemporary Chinese Art
Primary Documents
Wu Hung, editor
Duke University Press, 2010
Despite the liveliness and creativity of avant-garde Chinese art in the post-Mao era and its prominence in the world of international contemporary art, until now there has been no systematic introduction to this important work in any Western language. Moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications. Contemporary Chinese Art remedies this situation by bringing together carefully selected primary texts in English translation. Arranged in chronological order, the texts guide readers through the development of avant-garde Chinese art from 1976 until 2006. Because experimental Chinese art emerged as a domestic phenomenon in the 1970s and 1980s and its subsequent development has been closely related to China’s social and economical transformation, this volume focuses on art from mainland China. At the same time, it encompasses the activities of mainland artists residing overseas, since artists who emigrated in the 1980s and 1990s were often key participants in the early avant-garde movements and have continued to interact with the mainland art world. The primary documents include the manifestos of avant-garde groups, prefaces to important exhibitions, writings by representative artists, important critical and analytical essays, and even some official documents. Each chapter and section begins with a concise preface explaining the significance of the texts and providing the necessary historical background; the volume includes a timeline summarizing important art phenomena and related political events.

Publication of the Museum of Modern Art

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front cover of Coordination of Distributed Energy Resources in Microgrids
Coordination of Distributed Energy Resources in Microgrids
Optimisation, control, and hardware-in-the-loop validation
Yan Xu
The Institution of Engineering and Technology, 2022
Coordination of Distributed Energy Resources in Microgrids: Optimisation, control, and hardware-in-the-loop validation provides a structured overview of research into techniques for managing microgrids with distributed energy resources (DERs). The DERs including distributed generators, energy storage systems, and flexible loads are posing both challenges and opportunities to microgrids' security, planning, operation, and control. Advanced operation and control techniques are needed to coordinate these components in the microgrids and maintain power quality, as well as keeping the system economically feasible.
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