A history of Americans who spied against their country and what their stories reveal about national security

What's your secret?

American Spies presents the stunning histories of more than forty Americans who spied against their country during the past six decades. Michael Sulick, former head of the CIA's clandestine service, illustrates through these stories—some familiar, others much less well known—the common threads in the spy cases and the evolution of American attitudes toward espionage since the onset of the Cold War. After highlighting the accounts of many who have spied for traditional adversaries such as Russian and Chinese intelligence services, Sulick shows how spy hunters today confront a far broader spectrum of threats not only from hostile states but also substate groups, including those conducting cyberespionage.

Sulick reveals six fundamental elements of espionage in these stories: the motivations that drove them to spy; their access and the secrets they betrayed; their tradecraft, or the techniques of concealing their espionage; their exposure; their punishment; and, finally, the damage they inflicted on America's national security.

The book is the sequel to Sulick's popular Spying in America: Espionage from the Revolutionary War to the Dawn of the Cold War. Together they serve as a basic introduction to understanding America's vulnerability to espionage, which has oscillated between peacetime complacency and wartime vigilance, and continues to be shaped by the inherent conflict between our nation's security needs and our commitment to the preservation of civil liberties. Now available in paperback, with a new preface that brings the conversation up to the present, American Spies is as insightful and relevant as ever.

• Workers do not normally choose to be unemployed.
• In our current system, persistent unemployment is not an aberration. It is much more common than full employment, and the outcome of elite policy choices.
• Labor surpluses propped up by flawed unemployment numbers have helped to keep real wages stagnant for more than forty years.
• Prior to the New Deal and the era of big government, laissez-faire policies repeatedly led to depressions with heavy, even catastrophic, job losses.
• Undercounting the unemployed sabotages the creation of government job programs that can lead to more high-paying jobs and full employment.

A challenge to long-held assumptions about the costs and benefits of America’s allies.

Since the Revolutionary War, the United States has entered into dozens of alliances with international powers to protect its assets and advance its security interests. America’s Entangling Alliances offers a corrective to long-held assumptions about US foreign policy and is relevant to current public and academic debates about the costs and benefits of America’s allies.

Author Jason W. Davidson examines these alliances to shed light on their nature and what they reveal about the evolution of American power. He challenges the belief that the nation resists international alliances, showing that this has been true in practice only when using a narrow definition of alliance. While there have been more alliances since World War II than before it, US presidents and Congress have viewed it in the country’s best interest to enter into a variety of security arrangements over virtually the entire course of the country’s history. By documenting thirty-four alliances—categorized as defense pacts, military coalitions, or security partnerships—Davidson finds that the US demand for allies is best explained by looking at variance in its relative power and the threats it has faced.

Completely rewritten, the updated third edition of American Music broadens the scope of the classic text. Gilbert Chase devotes greater attention to modern forms like jazz, folk, and popular music, while expanding existing scholarship. Chase's musical tour begins with the various religious movements that dominated our musical expression for over two centuries. From there, he explores the rapid changes and artistic flowerings of the twentieth century—a series of musical revolutions that saw the development of "serious" instrumental music and an influential avant-garde alongside the birth of ragtime, jazz, and a far-reaching constellation of popular forms. 

Written by the leading expert of his era, American Music is a long-standing classroom perennial and an indispensable guide to anyone interested in the United States and its musical heritage.

The states of Northern Mexico—Tamaulipas, Nuevo León, Coahuila, Chihuahua, Durango, Sonora, Sinaloa, and Baja California Norte and Sur—have architecture, urbanism, and landscape design that offer numerous lessons in how to build well, but this constructed environment is largely undervalued or unknown. To make this architecture better known to a wide professional, academic, and public audience, this book presents the first comprehensive overview in either English or Spanish of the architecture, urban landscapes, and cities of Northern Mexico from the country’s emergence as a modern nation in 1821 to the present day.

Profusely illustrated with color and black-and-white photographs, maps, and analytical drawings of urban cores of major cities, The Architecture and Cities of Northern Mexico systematically examines significant works of architecture in large cities and small towns in each state, from the earliest buildings in the urban core to the newest at the periphery. Edward R. Burian describes the most memorable works of architecture in each city in greater detail in terms of their spatial organization, materials, and sensory experience. He also includes a concise geographical and historical summary of the region that provides a useful background for the discussions of the works of architecture. Burian concludes the book with a brief commentary on lessons learned and possible futures for the architectural culture of the region, as well as the first comprehensive biographical listing of the architects practicing in Northern Mexico during the past two centuries.

From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.

In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.