How democratic regimes should engage with authoritarian regimes, or self-proclaimed authorities in states under occupation, has long been a subject of debate. The work examines Canada's relations with member-states of the Warsaw Pact during the Cold War. Central and East European communist states were nominally independent but established under occupation. Canadian leaders explored whether engaging in foreign relations with these countries would encourage liberalization or embolden dictatorships. Over time, Canada's position evolved as a policy of encouraging bilateral and multilateral diplomacy, while calling for the respect of human rights. However, Canada's economic relationship with East European states was at times at cross-purposes with its democratic principles. Andrea Chandler concludes that while Canada did play a role in encouraging democratization, the country's leaders did not sufficiently consider the impact of these policies on the citizens of Warsaw Pact countries.

This book treats Canada’s engagement with Hungary, Poland, the German Democratic Republic, Romania, Bulgaria and Czechoslovakiaduring the Cold War, in which the Western countries of the North Atlantic Treaty Organization (including Canada) had an adversarial relation with the Soviet bloc nations.

Does capitalism emerging in Eastern Europe need as solid ethnic or spiritual foundations as some other "Great Transformations" in the past? Apparently, one can become an actor of the new capitalist game without belonging to the German, Jewish, or, to take a timely example, Chinese minority. Nor does one have to go to a Protestant church every Sunday, repeat Confucian truisms when falling asleep, or study Adam Smith's teachings on the virtues of the market in a business course. He/she may just follow certain quasi-capitalist routines acquired during communism and import capitalist culture (more exactly, various capitalist cultures) in the form of down-to-earth cultural practices embedded in freshly borrowed economic and political institutions. Does capitalism come from outside? Why do then so many analysts talk about hybridization? This volume offers empirical insights into the current cultural history of the Eastern European economies in three fields: entrepreneurship, state governance and economic science. The chapters are based on large case studies prepared in the framework of an eight-country research project (funded by the European Commission, and directed jointly by the Center for Public Policy at the Central European University and the Institute for Human Sciences) on East-West cultural encounters in the ex-communist economies.

This is the first book to document, analyze, and interpret the history of the Warsaw Pact based on the archives of the alliance itself. As suggested by the title, the Soviet bloc military machine that held the West in awe for most of the Cold War does not appear from the inside as formidable as outsiders often believed, nor were its strengths and weaknesses the same at different times in its surprisingly long history, extending for almost half a century. The introductory study by Mastny assesses the controversial origins of the "superfluous" alliance, its subsequent search for a purpose, its crisis and consolidation despite congenital weaknesses, as well as its unexpected demise. Most of the 193 documents included in the book were top secret and have only recently been obtained from Eastern European archives by the PHP project. The majority of the documents were translated specifically for this volume and have never appeared in English before. The introductory remarks to individual documents by co-editor Byrne explain the particular significance of each item. A chronology of the main events in the history of the Warsaw Pact, a list of its leading officials, a selective multilingual bibliography, and an analytical index add to the importance of a publication that sets the new standard as a reference work on the subject and facilitate its use by both students and general readers.

For a decade now, the authors have been conducting interviews for Hungary's Oral History Archives, with the children of those Hungarians - national heroes, as they are generally seen today - who were imprisoned or executed for their involvement in the 1956 revolution. The vast body of material that has been collected, and is now at the disposal of sociologists, psychologists and others in the academic community, forms the basis of this volume. This is a documentation of memories of the revolt and, more particularly, its aftermath. The virtually spontaneous twelve-day uprising exerted a lasting effect on the fates of the families of the more than 20,000 who were imprisoned and 229 executed by the régime in the harsh reprisals that followed the crushing of the revolution (the last of them as late as the early 1960s), with active police surveillance extended to tens of thousands more. This intimidation, and the attendant social and economic devastation that it wrought, bore especially hard on the psyches, upbringing and education, and hence the subsequent opportunities and life courses of the children who grew up within those families. The material is grouped by theme: e.g. the effects on communication within families, changes in social status, how relatives and friends reacted, and what sorts of problems these children encountered in pursuing their studies, in trying to assimilate into society as adults, and in relating to those fathers who did return. In an appendix, the editors present detailed biographies of the people most directly affected, offering an unparalleled glimpse into the fates of those they interviewed. The documentation includes letters that the children wrote to their imprisoned fathers and the farewell letters of the executed to their families.

Cassandra, the daughter of King Priam of Troy, is cursed with the gift of true prophecies that are not believed by anyone. She foretells the city’s fall should Paris bring Helen as his wife, as well as the death of several of Troy’s heroes and her family. The classic myth turns into much more in Lesia Ukrainka’s rendering: Cassandra’s prophecies are uttered in highly poetic language—fitting for the genre of the work—and are not believed for that reason, rather than because of Apollo’s curse. Cassandra as poet and as woman are the focal points of the drama.

Cassandra: A Dramatic Poem encapsulates the complexities of Ukrainka’s late works: use of classical mythology and her intertextual practice; intense focus on issues of colonialism and cultural subjugation—and allegorical reading of the asymmetric relationship of Ukrainian and Russian culture; a sharp commentary on patriarchy and the subjugation of women; and the dilemma of the writer-seer who knows the truth and its ominous implications but is powerless to impart that to contemporaries and countrymen.

This strongly autobiographical work commanded a significant critical reception in Ukraine and projects Ukrainka into the new Ukrainian cultural canon. Presented here in a contemporary and sophisticated English translation attuned to psychological nuance, it is sure to attract the attention of the modern-day reader.

This book takes a new approach to interwar Prague by addressing religion as an integral part of the city's cultural history. Berglund views Prague's cultural history in the broader context of religious change and secularization in 20th-century Europe. Based on detailed knowledge of sources, the monograph explores the interdisciplinary linkages between politics, architecture and theology in the building of symbolism and a "new mythology" of the first Czechoslovak republic (1918-1938). Berglunds text provides an important service for understanding both Czech history as well as current Czech political debate. The author's method can be characterized as culture history, able to connect several disciplines, emphasizing common topic (religion, politics, symbolics). Modern Czech elites, superficially characterized as "ateistic", appears in a new light to be deeply religious, a transition from more traditional, (mostly) Catholic religiosity, to a concept of a new, modern, ethical religion. The study incorporates biographical research, focusing on three principal characters: Tomás Garrigue Masaryk, Czechoslovakia's first president; his daughter Alice Garrigue Masaryková, founding director of the Czechoslovak Red Cross; and Joze Plecnik, the Slovenian architect who directed the renovations of Prague Castle.

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together.

In Cecil the Lion Had to Die, Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine’s Crimea and parts of the Donbas. Just as Stiazhkina’s decision to transition to writing in Ukrainian as part of her civic stance—performed in this book that begins in Russian and ends in Ukrainian—the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas.

A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia.

Through a series of interviews with prominent Romanian literary figures and a select presentation of their writings, Lidia Vianu asks how, under communism, did Romanian writers cope with constant ideological shifts and, in turn, respond to the censorship that so often accompanied such changes? Now that Romania has emerged from almost fifty years of Communist rule, what is the current status of censorship?These writers are important because, though working under the terror of communism, they dared to put their thoughts into writing, remaining true to their craft, and, in some instances, even arranging for publication.Vianu has chosen a series of subversive writings that not only indicted communism but were also widely embraced by the Romanian public. The author continues to argue that after the fall of communism and the disappearance of subversive literature, the Romanian public started to devour works of translation. A somewhat different form of censorship arose: state-sponsored censorship was replaced by what Vianu terms a crisis of native writing.

The book presents a model of the major factors of developmental performance, their inter-relations and effects that are supposed to generate sustained societal development. They include cultural traditions, social capital, cognitive mobilization, quality of governance, entrepreneurial spirit, social cohesion and openness toward international environments. These factors are measured by many empirical indicators; the data are presented for the old and new members of the European Union as well as the other European nations. The significance of the factors in the model is both tested and confirmed using the fuzzy set analysis. Successful accomplishment of institutional reforms is necessary but not sufficient condition for system competitiveness. The results imply that broader socio-cultural factors discussed in the book are necessary: a country can only embark on positive developmental trends if all factors are present simultaneously, since cumulative effect and synergy are required.

Drawn from a Festschrift honoring George G. Grabowicz, the essays in this collection examine central issues in Ukrainian literature and culture with special attention to the comparative and deconstructive approaches that reflect the honoree’s own work. All major time periods are covered: the onset of literacy in Kyivan Rus´; the cultural intersections of the early modern period; the gradual but persistent articulation of a national discourse in the new imperial reality (culminating with the defining figure of Taras Shevchenko); the vagaries of the long nineteenth century; twentieth-century modernism, ideology, and scholarship; and Ukraine’s intellectual position today.

The essays also variously explore the interface of literature, language, theater, and film, and touch upon the strictures and distortions imposed by censorship and ideology, uncharted currents of reception, and the interpretation of key texts, particularly the light they shed on the “political unconscious.” Special attention is devoted to the transnational functions of Ukrainian literature in the modern period. A full bibliography of Grabowicz’s foundational contribution to the field completes the collection.

As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation.

By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community members balanced their sense of Russianness with their position in a modern Western city charged with artistic, philosophical, and sexual freedom. He highlights how Russian authors abroad engaged with Weimar-era cultural energies while sustaining a distinctly Russian perspective on modernist expression, and follows queer Russian artists and writers who, with their German counterparts, charted a continuous evolution in political and cultural attitudes toward both the Weimar and Soviet states.

Utkin provides insight into the exile community in Berlin, which, following the collapse of the tsarist government, was one of the earliest to face and collectively process the peculiarly modern problem of statelessness. Charlottengrad analyzes the cultural praxis of “Russia Abroad” in a dynamic Berlin, investigating how these Russian émigrés and exiles navigated what it meant to be Russian—culturally, politically, and institutionally—when the Russia they knew no longer existed.

The many young people who have fled the former Yugoslavia in the face of war, nationalism and the draft here describe the circumstances which drove them to leave their homes and the way they see their future.Children of Atlantis offers a snapshot of virtually a whole generation of young people on the threshold of their working lives, uprooted from the world in which they grew up, confronting the task of making something of their lives in the face of the catastrophe that has overwhelmed them, their families, their friends and their homeland. Their voices are varied, expressing pain, anger, uncertainty, hope and the positive energy of youth. What they have in common is a sense of disbelief and bewilderment at the forces unleashed in what was their country.

Winner of the Stanislas Julien Prize
Winner of the Joseph Levenson Prize for Scholarship on Pre-1900 China

Dreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions.

In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE–800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.

This volume explores practices and experiences in Chinese popular religion. The research adds new materials and new approaches to well-known worships such as the cults of doomsday, underworld, and Lord Guan on the one hand, and draws attention to under-the-radar deities and holy figures hiding in the mountainous countryside or among the urban crowd. While this book centers on Chinese popular religion, it will be of use to non-China scholars in folklore, religious art, and ritual studies as well as China scholars in popular culture from late-medieval to contemporary times.

Religious history more generally has experienced an exciting revival over the past few years, with new methodological and theoretical approaches invigorating the field. The time has definitely come for this “new religious history” to arrive in Eastern Europe. This book explores the influence of the Christian churches in Eastern Europe's social, cultural, and political history. Drawing upon archival sources, the work fills a vacuum as few scholars have systematically explored the history of Christianity in the region. The result of a three-year project, this collective work challenges readers with questions like: Is secularization a useful concept in understanding the long-term dynamics of religiosity in Eastern Europe? Is the picture of oppression and resistance an accurate way to characterize religious life under communism, or did Christians and communists find ways to co-exist on the local level prior to 1989? And what role did Christians actually play in dissident movements under communism? Perhaps most important is the question: what does the study of Eastern Europe contribute to the broader study of modern Christian history, and what can we learn from the interpretative problems that arise, uniquely, from this region?

This collaborative collection provides fresh perspectives on Christianity and the conduct of war in medieval East Central Europe and Scandinavia, investigating the intersection between religion, culture, and warfare in territories that were only integrated into Christendom in the Central Middle Ages. The contributors analyze cultures that lay outside Charlemagne's limes and the frontiers of the Byzantine Empire, to consider a region stretching from the Balkans to the Baltic and Scandinavia. The volume considers clerics as military leaders and propagandists, the role of Christian ritual and doctrine in warfare, and the adaptation and transformation of indigenous military cultures. It uncovers new information on perceptions of war and analyzes how local practices were incorporated into clerical narratives, enabling the reader to achieve a complete understanding of the period.

Valerian Pidmohylnyi’s The City was a landmark event in the history of Ukrainian literature. Written by a master craftsman in full control of the texture, rhythm, and tone of the text, the novel tells the story of Stepan, a young man from the provinces who moves to the capital of Ukraine, Kyiv, and achieves success as a writer through a succession of romantic encounters with women.

At its core, the novel is a philosophical search for harmony in a world where our intellectual side expects rational order, whereas the instinctive natural world follows its own principles. The resulting alienation and disorientation reflect the basic principles of existential philosophy, in which Pidmohylnyi is close to his European counterparts of the day.

Discusses Serbia’s struggle for democratic values after the fall of the Miloševic regime provoked by the NATO war, and after the trauma caused by the secession of Kosovo. Are the value systems of the post-Miloševic era true stumbling blocks of a delayed transition of this country? Seventeen contributors from Norway, Serbia, Italy, Germany, Poland and some other European countries covered a broad range of topics in order to provide answers to this question. The subjects of their investigations were national myths and symbols, history textbooks, media, film, religion, inter-ethnic dialogue, transitional justice, political party agendas and other related themes. The authors of the essays represent different scholarly disciplines whose theoretical conceptions and frameworks are employed in order to analyze two alternative value systems in Serbia: liberal, cosmopolitan and civic on the one hand, and traditional, provincial, nationalist on the other.

This book is about the Americanization of Yugoslav culture and everyday life during the nineteen-sixties. After falling out with the Eastern bloc, Tito turned to the United States for support and inspiration. In the political sphere the distance between the two countries was carefully maintained, yet in the realms of culture and consumption the Yugoslav regime was definitely much more receptive to the American model. For Titoist Yugoslavia this tactic turned out to be beneficial, stabilising the regime internally and providing an image of openness in foreign policy.

Coca-Cola Socialism addresses the link between cultural diplomacy, culture, consumer society and politics. Its main argument is that both culture and everyday life modelled on the American way were a major source of legitimacy for the Yugoslav Communist Party, and a powerful weapon for both USA and Yugoslavia in the Cold War battle for hearts and minds.

Radina Vučetić explores how the Party used American culture in order to promote its own values and what life in this socialist and capitalist hybrid system looked like for ordinary people who lived in a country with communist ideology in a capitalist wrapping. Her book offers a careful reevaluation of the limits of appropriating the American dream and questions both an uncritical celebration of Yugoslavia’s openness and an exaggerated depiction of its authoritarianism.

The book examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.

This book explores the interrelated campaigns of agricultural collectivization in the USSR and in the communist dictatorships established in Soviet-dominated Eastern Europe. Despite the profound, long-term societal impact of collectivization, the subject has remained relatively underresearched. The volume combines detailed studies of collectivization in individual Eastern European states with issueoriented comparative perspectives at regional level. Based on novel primarysources, it proposes a reappraisal of the theoretical underpinnings and research agenda of studies on collectivization in Eastern Europe.The contributions provide up-to-date overviews of recent research in the field and promote new approaches to the topic, combining historical comparisons with studies of transnational transfers and entanglements.

A figure of crucial importance to scholarship on western and eastern Europe alike, King Coloman (1208–1241) here receives long-overdue scholarly treatment as a key figure of the thirteenth century. The Árpád prince ruled over a vast area in Central Europe which remained largely affiliated to the Western Church, territories that comprise modern-day Hungary, Slovakia, Croatia, and Bosnia. This study draws on Hungarian and other research that is inaccessible outside the region and places Coloman at the crossroads of Latin Christendom, Eastern Orthodoxy, and the Mongol Empire.

Winner, 2023 Comics Studies Society Charles Hatfield Book Prize

Comics and Nation offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers’ letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland’s political transformation ––the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s––have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.

This volume is a companion to The Old English and Anglo-Latin Riddle Tradition. Its extensive notes and commentary on hundreds of Latin, Old English, and Old Norse–Icelandic riddles illuminate and clarify the multifaceted and interconnected nature of a broad, international tradition. Within this commentary, readers will encounter a deep reservoir of knowledge about riddles produced in both Latin and Old English during the Anglo-Saxon period, and the literatures with which they were in dialogue.

Riddles range from those by prominent authors like Aldhelm, Bede, Alcuin, and Boniface to those presented anonymously in collections such as the Exeter Book. All are fully discussed, with particular attention paid to manuscript traditions, subject matter, solutions, style, sources, parallels, and recommendations for further reading. Consideration is given to running themes throughout the collection, comparisons to other riddles and to other literature more broadly, and important linguistic observations and manuscript readings. The commentary also lists the manuscripts and earlier editions for each riddle, extensive catalogues of proposed solutions, and additional bibliographic references. Following the general discussion of each riddle there is detailed line-by-line annotation.

This authoritative commentary is the most comprehensive examination to date of the bilingual riddle tradition of Anglo-Saxon England and its links to the wider world.

Communist Gourmet presents a lively, detailed account of how the communist regime in Bulgaria determined people’s everyday food experience between 1944 and 1989. It examines the daily routines of acquiring food, cooking it, and eating out at restaurants through the memories of Bulgarians and foreigners, during communism.

In looking back on a wide array of issues and events, Albena Shkodrova attempts to explain the paradoxes of daily existence. She reports human stories that are touching, sometimes dark, but often full of humor and anecdotes from nearly one hundred people: some of them are Bulgarians who were involved in the communist food industry, whether as consumers or employees, while others are visitors from the United States and Western Europe who report culinary highlights and disappointments. The author made use of the national press, officially published cookbooks, Communist Party documents, and other previously unstudied sources.

An appendix containing recipes of dishes typical of the period and an extensive set of archival photographs are special features of the volume.

A group of Central European communists, most of them Hungarians, in the interwar period served the world communist movement as international cadres of the Comintern, the Moscow-based Communist International. As an important member of this cohort, József Pogány played a major role in the Hungarian Soviet Republic of 1919, the "March Action" in Germany in 1921, and, under the name of John Pepper, in the development of the American Communist Party of the 1920s. During the 1920s he was an important official in the Comintern apparatus and undertook missions on three continents. A prolific writer and effective organizer, he was one of the most flamboyant and controversial communists of his era. Some of his comrades praised him as "the Hungarian Christopher Columbus." Others, like Trotsky, called him a "political parasite."This study is based on newly available primary sources from Hungary, Russia, and the United States; it is the first ever written about this colorful and well-travelled Hungarian communist. Examines Pogány's development as a socialist and communist, the influence of his Jewish origins on his career, the reasons for his remarkable success in the United States, and the circumstances that led to his arrest and execution in the Stalinist terror.

Leading international scholars present analysis and case studies from different cultural settings, East and West, exploring aesthetic interest and experience in our daily lives at home, in workplaces, using everyday things, in our built and natural environments, and in our relationships and communities. A wide range of views and examples of everyday aesthetics are presented from western philosophical paradigms, from Confucian and Daoist aesthetics, and from the Japanese tradition. All indicate universal features of human aesthetic lives together with their cultural variations. Comparative Everyday Aesthetics is a significant contribution to a key trend in international aesthetics for thinking beyond narrow art-centered conceptions of the aesthetic. It generates global discussions about good, aesthetic, everyday living in all its various aspects. It also promotes aesthetic education for personal, social, and environmental development and presents opportunities for global collaborative projects in philosophical aesthetics.

The fifty years or so preceding the watershed of 1848–49 witnessed the emergence of liberal nationalism in Hungary, along with a transmutation of conservatism which appeared then as a party and an ideological system in the political arena. The specific features of the conservatism, combining the protection of the status quo with some reform measures, its strategic vision, conceptual system, argumentation, assessment criteria and values require an in depth exploration and analysis. Different conservative groups were in the background or in opposition from 1848 to 1918, while in the period between the two World Wars, they constituted the overwhelming majority of ruling parties. During the one-party system, from 1949 to 1989, the liberals and conservatives—like all other political groups—were illegal, a status from which they could later emerge upon the change of the political system. The inheritance of the autocratic system frozen up and undigested by the one-party state was thawed after the peaceful regime change, the constitutional revolution and its discrete components began to be reactivated, including the enemy images of earlier discourses. "Liberal" and "conservative" had become state-party stigmas in line with fascist, reactionary, rightist, and bourgeois. In reaction to that, at first conservative then liberal, intellectual fashions and renascences unfolded in the 1980s. The attempts by liberal and conservative advocates to find predecessors did not favor an objective approach.The first step toward objectivity is establishing distance from the different kinds of enemy images and their political idioms. This is a pressing need because, although several pioneering works have appeared on different variants of the Hungarian liberalisms and conservatisms, there are no serious unbiased syntheses. This work is urgent because the political poles of the constitutional revolution and the ensuing period have up till now been described in terms of different conspiracy theories.

This collection is the most comprehensive account of the Fundamental Law and its underlying principles. The objective is to analyze this constitutional transition from the perspectives of comparative constitutional law, legal theory and political philosophy. The authors outline and analyze how the current constitutional changes are altering the basic structure of the Hungarian State. The key concepts of the theoretical inquiry are sociological and normative legitimacy, majoritarian and partnership approach to democracy, procedural and substantive elements of constitutionalism. Changes are also examined in the field of human rights, focusing on the principles of equality, dignity, and civil liberties.

Jekatyerina Dunajeva explores how two dominant stereotypes—“bad Gypsies” and “good Roma”—took hold in formal and informal educational institutions in Russia and Hungary. She shows that over centuries “Gypsies” came to be associated with criminality, lack of education, and backwardness. The second notion, of proud, empowered, and educated “Roma,” is a more recent development.

By identifying five historical phases—pre-modern, early-modern, early and “ripe” communism, and neomodern nation-building—the book captures crucial legacies that deepen social divisions and normalize the constructed group images. The analysis of the state-managed Roma identity project in the brief korenizatsija program for the integration of non-Russian nationalities into the Soviet civil service in the 1920s is particularly revealing, while the critique of contemporary endeavors is a valuable resource for policy makers and civic activists alike.

The top-down view is complemented with the bottom-up attention to everyday Roma voices. Personal stories reveal how identities operate in daily life, as Dunajeva brings out hidden narratives and subaltern discourse. Her handling of fieldwork and self-reflexivity is a model of sensitive research with vulnerable groups.

Published amid the unraveling of the second Yugoslavia, The Contested Country lays bare the roots of the idea of Yugoslav unity--its conflict with the Croatian and Serbian national ideologies and its peculiar alliance with liberal and progressive, especially Communist, ideologies.

The Latin-English bilingual volume presents the text of The Chronicle of the Czechs by Cosmas of Prague. Cosmas was born around 1045, educated in Liège, upon his return to Bohemia, he got married as well as became a priest. In 1086 he was appointed prebendary, a senior member of clergy in Prague. He completed the first book of the Chronicle in 1119, starting with the creation of the world and the earliest deeds of the Czechs up to Saint Adalbert. In the second and third books Cosmas presents the preceding century in the history of Bohemia, and succeeds in reporting about events up to 1125, the year when he died.

The English translation was done by Petra Mutlova and Martyn Rady with the cooperation of Libor Švanda. The introduction and the explanatory notes were written by Jan Hasil with the cooperation of Irene van Rensvoude.T

Regional diversity such as Ukraine's often embodies potential for friction and conflict, in particular when it involves territorialized ethnicity and divergent historical experiences. Political elites interested in stability and conflict prevention must find ways either to accommodate or control this diversity. In the early to mid-1990s, the Western media, policymakers, and academics alike warned that Crimea was a potential center of unrest in the aftermath of the Soviet Union's dissolution. However, large-scale conflict in Crimea did not materialize, and Kyiv has managed to integrate the peninsula into the new Ukrainian polity. This book explores the factors that led to the largely peaceful transition and places the situation in the larger context of conflict-prevention studies, explaining this critical case in which conflict did not erupt despite a structural predisposition to ethnic, regional, and even international enmity.

Based upon surveys and interviews with government officials and citizens, this book focuses on issues such as bribery, corruption, inefficiency and freedom of information in Ukraine, Bulgaria, Slovakia and the Czech Republic. The authors go beyond an analysis of public perceptions and behaviour and look at public attitudes towards proposals for reform. They reveal how the problem of citizens' interactions with officials varies in kind as well as in degree across the countries of Central and Eastern Europe.

Contextualizes literary texts and other cultural artifacts generated using the latest technological techniques.

The possibilities of generated cultural production have undergone fundamental changes in recent years, leading to a rethinking of existing approaches to the text and the artwork as such. To grasp this process, Zuzana Husárová and Karel Piorecký propose the term “neural network culture,” which captures a wide range of generative practices and reception mechanisms. The Culture of Neural Networks contextualizes the phenomenon of literary texts and other artifacts generated using the latest technological techniques. The generation of literary texts using neural networks is part of a broader cultural process, to which this publication formulates a position through the lens of literary science, media theory, and art theory. 

The scholarly debate over this topic has been inconsistent—on the one hand, it underestimates the diachronic connections between generated texts and the tradition of experimental and conceptual literature; on the other hand, it does not sufficiently clarify the new-generation procedures and the contribution of human and technological actors in them. Therefore, Husárová and Piorecký propose the notion of synthetic textual art, which reflects the specific roles of the different actors involved in generative practice and its intermedial nature. In doing so, they approach the topic from both historical and theoretical perspectives, analyzing the current state of generative practice in all three basic literary types and in the intermedial space using selected foreign and Czech-Slovak projects. This state of affairs is often distorted in media discourse and even mythicized in terms of the capabilities of “artificial intelligence”; therefore, a critical analysis of this media discourse is essential. Finally, the authors summarize the implications of this stage in the development of generative practice on creativity theory and literary theory.

The essays in the book compare the Czech Republic and Slovakia since the breakup of Czechoslovakia in 1993. The papers deal with the causes of the divorce and discuss the political, economic and social developments in the new countries. This is the only English-language volume that presents the synoptic findings of leading Czech, Slovak, and North American scholars in the field.The authors include two former Prime Ministers of the Czech Republic and Slovakia, eight leading scholars (four Czechs and four Slovaks), and eight knowledgeable commentators from North America. The most significant new insight is that in spite of predictions by various pundits in the Western World that Czechia would flourish after the breakup and Slovakia would languish, the opposite has happened. While the Czech Republic did well in its early years, it is now languishing while Slovakia, which had a rough start, is now doing very well. Anyone interested in the history of the Czech and Slovak Republics over the last twenty years will find gratification in reading this book.

This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.

Along with Bohemia and Moravia, Czech Silesia is the smallest of the three historical regions of the Czech Republic. The turbulent past has proven time and again to be problematic for its local communities and Czech society as a whole. The Czech Silesian identity has developed as a construction between the dominant German, Czech and partly Polish nationalisms.

In this historically informed ethnographic study, Johana Wyss examines how various social actors construct, contest and negotiate Silesian identity and collective memory. The author discusses the dynamics of collective memory and forgetting in the process of identity formation. Through years of empirical field research, the author was able to examine how both majoritarian and ostracized groups can challenge national sentiments and negotiate their difficult legacies in a time of ethnonationalist radicalization. By focusing on a border region that has been largely ignored in international scholarship, this study makes an important contribution to European anthropology, borderland, and memory studies.

After the entry of the Red Army into Czechoslovak territory in 1945, Red Army authorities began to arrest and deport Czechoslovak citizens to labor camps in the Soviet Union. The regions most affected were Eastern and South Slovakia and Prague. The Czechoslovak authorities repeatedly requested a halt to the deportations and that the deported Czechoslovaks be returned immediately. It took a long time before these protests generated any response. Czechoslovak Diplomacy and the Gulag focuses on the diplomatic and political aspects of the deportations. The author explains the steps taken by the Czechoslovak Government in the repatriation agenda from 1945 to 1953 and reconstructs the negotiations with the Soviets. The research tries to answer the question of why and how the Russians deported the civilian population from Czechoslovakia which was their allied country already during the war. Key words: 1. World War, 1939–1945—Deportations from Czechoslovakia. 2. Forced labor—Soviet Union—History. 3. Labor camps—Soviet Union—History. 4. Czechs—Soviet Union—History. 5. Slovaks—Soviet Union—History. 6. Czechoslovakia—Foreign relations—Soviet Union. 7. Soviet Union—Foreign relations—Czechoslovakia. 8. Czechoslovakia—Foreign relations—1945–1992. 9. Repatriation—Czechoslovakia—History.

Containing meticulous research of a long under-represented part of the Holocaust, this book provides a rich pictorial documentation of the Gulag environment as told by Jewish refugees.

While millions of Soviet slaves awaited liberation from the Nazi troops, millions of German concentration camp victims put their last bit of hope in the Red Army.

An in-depth look into the Soviet persecution of Jewish refugees, this book offers twenty-one different interviews with Czechoslovak Jewish refugees who found themselves in Soviet labor and prison camps between 1939 and 1941. They represent around two thousand Czechoslovak Jews who escaped persecution from German and Hungarian occupational forces and Slovak fascists by fleeing to the East. The Soviets sentenced most of them to long stints of forced labor in the Gulags for illegal immigration, espionage, and other arbitrary accusations. A specific group was formed by the Jews from the Hungarian labor service who either defected to or were captured by the Soviets.

Dvořák and Hradilek chronicle four waves of escape—those from the Protectorate of Bohemia and Moravia, the Nisko concentration camp, Carpathian Ruthenia, and the aforementioned labor service. Thorough and clear, every interview coincides with supplementary documents and photographs found in the NKVD archives, sourced from Ukraine.