Drinking a glass of tap water, strolling in a park, hopping a train for the suburbs: some aspects of city life are so familiar that we don’t think twice about them. But such simple actions are structured by complex relationships with our natural world. The contours of these relationships—social, cultural, political, economic, and legal—were established during America’s first great period of urbanization in the nineteenth century, and Boston, one of the earliest cities in America, often led the nation in designing them. A richly textured cultural and social history of the development of nineteenth-century Boston, this book provides a new environmental perspective on the creation of America’s first cities.

Eden on the Charles explores how Bostonians channeled country lakes through miles of pipeline to provide clean water; dredged the ocean to deepen the harbor; filled tidal flats and covered the peninsula with houses, shops, and factories; and created a metropolitan system of parks and greenways, facilitating the conversion of fields into suburbs. The book shows how, in Boston, different class and ethnic groups brought rival ideas of nature and competing visions of a “city upon a hill” to the process of urbanization—and were forced to conform their goals to the realities of Boston’s distinctive natural setting. The outcomes of their battles for control over the city’s development were ultimately recorded in the very fabric of Boston itself. In Boston’s history, we find the seeds of the environmental relationships that—for better or worse—have defined urban America to this day.

In 1904, Edmund J. James inherited the leadership of an educational institution in search of an identity. His sixteen-year tenure transformed the University of Illinois from an industrial college to a major state university that fulfilled his vision of a center for scientific investigation.

Winton U. Solberg and J. David Hoeveler provide an account of a pivotal time in the university’s evolution. A gifted intellectual and dedicated academic reformer, James began his tenure facing budget battles and antagonists on the Board of Trustees. But as time passed, he successfully campaigned to address the problems faced by women students, expand graduate programs, solidify finances, create a university press, reshape the library and faculty, and unify the colleges of liberal arts and sciences. Combining narrative force with exhaustive research, the authors illuminate the political milieu and personalities around James to draw a vivid portrait of his life and times.

The authoritative conclusion to a four-part history, Edmund J. James and the Making of the Modern University of Illinois, 1904–1920 tells the story of one man’s mission to create a university worthy of the state of Illinois.

Black women and a far-reaching strategy for activism and action

Founded in 1914 by Amy Ashwood and Marcus Garvey, the Universal Negro Improvement Association and African Communities League (commonly called the UNIA) grew into one of the largest social justice organizations of the twentieth century. Natanya Duncan’s collective biography explores women’s role in building the UNIA and how Ashwood’s strategy of efficient womanhood equipped them to confront political and social issues--even when it meant defying gender norms. Efficient womanhood took a three-tiered approach that asked UNIA women to seek equitable partners, take on roles as mentors, and connect resources and people to their communities and Black people at large. Strong believers in the necessity of their presence and voices, UNIA women developed leadership skills within and beyond the organization and used these skills in service to their communities.

Enlightening and in-depth, An Efficient Womanhood tells the story of the women who shaped a framework for leadership and engagement that remains a blueprint for activists today.

The odyssey of 600,000 imperial Japanese soldiers incarcerated in Soviet labor camps after World War II and their fraught repatriation to postwar Japan.

In August 1945 the Soviet Union seized the Japanese puppet state of Manchukuo and the colony of Southern Sakhalin, capturing more than 600,000 Japanese soldiers, who were transported to labor camps across the Soviet Union but primarily concentrated in Siberia and the Far East. Imprisonment came as a surprise to the soldiers, who thought they were being shipped home.

The Japanese prisoners became a workforce for the rebuilding Soviets, as well as pawns in the Cold War. Alongside other Axis POWs, they did backbreaking jobs, from mining and logging to agriculture and construction. They were routinely subjected to “reeducation” glorifying the Soviet system and urging them to support the newly legalized Japanese Communist Party and to resist American influence in Japan upon repatriation. About 60,000 Japanese didn’t survive Siberia. The rest were sent home in waves, the last lingering in the camps until 1956. Already laid low by war and years of hard labor, returnees faced the final shock and alienation of an unrecognizable homeland, transformed after the demise of the imperial state.

Sherzod Muminov draws on extensive Japanese, Russian, and English archives—including memoirs and survivor interviews—to piece together a portrait of life in Siberia and in Japan afterward. Eleven Winters of Discontent reveals the real people underneath facile tropes of the prisoner of war and expands our understanding of the Cold War front. Superpower confrontation played out in the Siberian camps as surely as it did in Berlin or the Bay of Pigs.

Processes of making in early modern Europe were both tacit and embodied. Whether making pottery, food, or textiles, the processes of manual production rested on an intersensory connection between mind, body, and object. This volume focuses on the body of the maker to ask how processes of making, experimenting, experiencing, and reconstructing illuminate early modern assumptions and understandings around manual labour and material life. Answers can be gleaned through both recapturing past skills and knowledge of making and by reconstructing past bodies and bodily experiences using recreative and experimental approaches.
In drawing attention to the body, this collection underlines the importance of embodied knowledge and sensory experiences associated with the making practices of historically marginalised groups, such as craftspeople, women, domestic servants, and those who were colonised, to confront biases in the written archive. The history of making is found not only in technological and economic innovations which drove ‘progress’ but also in the hands, minds, and creations of makers themselves.

Between 1880 and 1915, thirteen million Italians left their homeland, launching the largest emigration from any country in recorded world history. As the young Italian state struggled to adapt to the exodus, it pioneered the establishment of a “global nation”—an Italy abroad cemented by ties of culture, religion, ethnicity, and economics.

In this wide-ranging work, Mark Choate examines the relationship between the Italian emigrants, their new communities, and their home country. The state maintained that emigrants were linked to Italy and to one another through a shared culture. Officials established a variety of programs to coordinate Italian communities worldwide. They fostered identity through schools, athletic groups, the Dante Alighieri Society, the Italian Geographic Society, the Catholic Church, Chambers of Commerce, and special banks to handle emigrant remittances. But the projects aimed at binding Italians together also raised intense debates over priorities and the emigrants’ best interests. Did encouraging loyalty to Italy make the emigrants less successful at integrating? Were funds better spent on supporting the home nation rather than sustaining overseas connections?

In its probing discussion of immigrant culture, transnational identities, and international politics, this fascinating book not only narrates the grand story of Italian emigration but also provides important background to immigration debates that continue to this day.

Superman may be faster than a speeding bullet, but even he can't outrun copyright law. Since the dawn of the pulp hero in the 1930s, publishers and authors have fought over the privilege of making money off of comics, and the authors and artists usually have lost. Jerry Siegel and Joe Shuster, the creators of Superman, got all of $130 for the rights to the hero.

In Empire of the Superheroes, Mark Cotta Vaz argues that licensing and litigation do as much as any ink-stained creator to shape the mythology of comic characters. Vaz reveals just how precarious life was for the legends of the industry. Siegel and Shuster—and their heirs—spent seventy years battling lawyers to regain rights to Superman. Jack Kirby and Joe Simon were cheated out of their interest in Captain America, and Kirby's children brought a case against Marvel to the doorstep of the Supreme Court. To make matters worse, the infant comics medium was nearly strangled in its crib by censorship and moral condemnation. For the writers and illustrators now celebrated as visionaries, the "golden age" of comics felt more like hard times.

The fantastical characters that now earn Hollywood billions have all-too-human roots. Empire of the Superheroes digs them up, detailing the creative martyrdom at the heart of a pop-culture powerhouse.

While contemporary Chinese art has arrived as a critical subject in art history and found market success, current art criticism has yet to fully engage with art made by Chinese women, especially from the perspective of gender politics. In “(En)gendering: Chinese Women's Art in the Making,” contributors—including artists, art historians, critics, and curators—consider how the work of contemporary women artists has generated new approaches to and perspectives on the Chinese art canon. The issue begins by laying a historical framework for the potentials and problems regarding the interpretation of Chinese women's art, tracing its evolution throughout a century of Chinese history. Next, the issue considers the spatial notion of boundary crossing, addressing how travel across national and theoretical boundaries affects the perception of artworks, and explores the misgivings of Chinese women artists about participating in a global exhibition system in which their artwork stands for “China” and “Women.” The issue concludes by looking at the idea of (en)gendering as a revision of women’s art prompting artists and the viewers of women’s artworks to challenge the conventional gaze that has dominated our ways of seeing. The issue considers the work of Chinese artists such as Lin Tianmiao, Lei Yan, Yin Xiuzhen, Cui Xiuwen, Yu Hong, and Liu Manwen.

Contributors. Julia F. Andrews, Lara C. W. Blanchard, Meiling Cheng, Shuqin Cui, Elise David, Linda Chui-han Lai, Tao Yongbai, Peggy Wang, Sasha Su-Ling Welland 

Greece sits at the center of a geopolitical storm that threatens the stability of the European Union. To comprehend how this small country precipitated such an outsized crisis, it is necessary to understand how Greece developed into a nation in the first place, Paschalis Kitromilides contends. Enlightenment and Revolution identifies the intellectual trends and ideological traditions that shaped a religiously defined community of Greek-speaking people into a modern nation-state--albeit one in which antiliberal forces have exacted a high price.

Kitromilides takes in the vast sweep of the Greek Enlightenment in the eighteenth and nineteenth centuries, assessing key developments such as the translation of Voltaire, Locke, and other modern authors into Greek; the conflicts sparked by the Newtonian scientific revolution; the rediscovery of the civilization of classical Greece; and the emergence of a powerful countermovement. He highlights Greek thinkers such as Voulgaris and Korais, showing how these figures influenced and converged with currents of the Enlightenment in the rest of Europe.

In reconstructing this history, Kitromilides demonstrates how the confrontation between Enlightenment ideas and Church-sanctioned ideologies shaped the culture of present-day Greece. When the Greek nation-state emerged from a decade-long revolutionary struggle against the Ottoman Empire in the early nineteenth century, the Enlightenment dream of a free Greek polity was soon overshadowed by a romanticized nationalist and authoritarian vision. The failure to create a modern liberal state at that decisive historic moment, Kitromilides insists, is at the root of Greece's recent troubles.

Once a shoestring operation built on plywood sets and Australian rules football, ESPN has evolved into a media colossus. A genius for cross-promotion and its near-mystical rapport with its viewers empower the network to set agendas and create superstars, to curate sports history even as it mainstreams the latest cultural trends.

Travis Vogan teams archival research and interviews with an all-star cast to pen the definitive account of how ESPN turned X's and O's into billions of $$$. Vogan's institutional and cultural history focuses on the network since 1998, the year it launched a high-motor effort to craft its brand and grow audiences across media platforms. As he shows, innovative properties like SportsCentury, ESPN The Magazine, and 30 for 30 built the network's cultural caché. This credibility, in turn, propelled ESPN's transformation into an entity that lapped its run-of-the-mill competitors and helped fulfill its self-proclaimed status as the "Worldwide Leader in Sports."

Ambitious and long overdue, ESPN: The Making of a Sports Media Empire offers an inside look at how the network changed an industry and reshaped the very way we live as sports fans.

An Evangelical Adrift is a theological biography of John Henry Newman (1801-1890) that reconstructs the most formative period in his development: the years between his teenage conversion to evangelicalism in 1816 and the beginning of the Tractarian Movement in 1833. By the early 1830s, Newman had explicitly rejected much of the theology he espoused in the late 1810s and early 1820s, and developed a highly original, deeply personal, and quite radical alternative, whose fundamental notions continued to shape his thought in later life. To date, there is neither a historically accurate nor a theologically sophisticated account of this change: the period in which it occurred is neglected, its significance is overlooked, its nature and content are misrepresented, and its scope is narrowed. Besides being modelled on Newman’s own brief treatment of the period in his autobiographical Apologia pro vita sua (1864), later scholarly accounts are burdened by a persistent assumption that Newman’s catholic sensibility and anti-liberal convictions were constants throughout his life. This assumption was problematized by Frank Turner’s revisionist biography of the Anglican Newman (2002) and the ensuing debate about its reception. Zuijdwegt argues that Turner rightly identified evangelicalism as a key polemical target of the Anglican Newman, but stretched his argument too far by reducing Newman’s self-proclaimed lifelong battle against liberalism as a much later gloss on this earlier history. The present study offers a compelling alternative to both mainline and revisionist interpretations. Based on detailed historical and theological analysis of the whole range of primary sources (including much neglected published and unpublished material), it meticulously reconstructs Newman’s youthful adoption of, gradual departure from, and theological alternative to evangelicalism. Against most mainline studies, it argues that this was a fundamental transformation, affecting nearly every aspect of Newman’s theology. Against Turner and other revisionists, it argues that this change was the product of careful and consistent theological reasoning and reflection, and that anti-liberalism was just as integral to it as anti-evangelicalism.

A former public defender testifies to the vivid human suffering at the heart of America’s criminal justice system.
 
As a public defender, Allen Goodman faced cross-examination from family and friends every day: How could he work to help criminals? How could he live with himself? Presumed guilty by association, Goodman quickly learned that people didn’t really want an answer; they wanted a justification, perhaps even an apology. Ever the idealist, Goodman answered anyway: Everyone deserves justice.

Everyone against Us is Goodman’s testimony of his life as a public defender. In it, he documents his efforts to defend clients, both guilty and innocent, against routine police abuse, prosecutorial misconduct, and unjust sentencing. To work in criminal justice, Goodman shows, is to confront and combat vivid human suffering, of both victims and perpetrators. From sex trafficking, murder, and abuse to false conviction, torture, and systemic racism, Goodman describes the daily experiences that both rattled his worldview and motivated him to work ever harder. Part memoir, part exposé, Everyone against Us is the moving story of an embattled civil servant who staves off the worst abuses of the criminal justice system, at great personal cost.

Everything to Gain, first published in 1987, is the warm account of Jimmy and Rosalynn Carter’s life after their years in the White House. They discuss their marriage and health issues, their work with Habitat for Humanity and the Carter Center, and much more.

This is a major book about one of the luminaries of the golden age of Spanish literature. In spite of his great reputation, Lope de Vega is to most of us merely a name, in part because of the prodigious quantity and variety of his plays and other writings in verse and prose. Alan Trueblood's book does not pretend to survey all of Lope's works or to touch on all the events of his colorful career; yet it probes the mind and heart, and art, of Lope as no other study in English has done.

Trueblood pursues the artistic consequences of a key experience in Lope's life, the four-year love affair with Elena Osorio that terminated violently in 1587. (The rejected Lope, age twenty-five, wrote slanderous verses about Elena's family and associates, was jailed on charges of libel, and was sentenced to ten years' exile.) Notwithstanding his subsequent marriages and liaisons, his mounting literary fame in Spain and abroad, and his eventual dedication to the Church as a priest, for forty-five years this experience reverberated intermittently in his writings, culminating in the great prose dialogue La Dorotea. Trueblood's demonstration of the increasing objectivity and sympathy with which Lope treats Elena/ Dorotea--in ballads, in sonnets, in plays, in La Dorotea--is psychologically as well as aesthetically revealing.

Trueblood provides by far the fullest analysis and elucidation of Lope's masterpiece, La Dorotea, that it has ever received--and in the process he probes the nature of literary creativity, the symbiosis between personal experience and artistic expression, in contexts going well beyond Lope and his age. Because the book will appeal to many readers who do not know Spanish, all quotations have been translated into English.