One of the Most Important Battlegrounds in the History of America

While it is in the eastern United States where most Americans identify our military history, the vast, resource-rich Pacific Northwest, stretching from Northern California through British Columbia, endured a series of battles and wars over the course of the nineteenth century that were of regional and national importance. It was here where Great Britain and the United States had their final confrontation in the Americas, where Chief Joseph attempted to secure independence for the Nez Perce, and where the Oregon Trail marked the first great migration to the West of settlers bent on carving out new lives in the wilderness. The Pacific Northwest also saw some of the only attacks on the mainland by Japan during World War II.

Beginning with the earliest known accounts of wars among the American Indians of the region, Fighting for Paradise: A Military History of the Pacific Northwest describes early European contact, including British trappers of the Hudson's Bay Company, the Lewis and Clark Expedition, Jedediah Smith, and John Jacob Astor's trading post. The competition over the lucrative fur trade led to the "Pig War," which almost resulted in another armed conflict between Great Britain and the United States, but it was the influx of settlers from the Oregon Trail that touched off the long bitter battles between whites and American Indians. Starting with the 1847 Whitman Massacre and the ensuing war it touched off, the book covers the next three decades of violence, ending with the Sheepeater's War in 1879. Kurt R. Nelson then relates the Pacific Northwest's contributions to the Spanish-American and Philippine-American Wars, the Mexican Punitive Expedition, World War I, and finally World War II, where the region fought Japanese submarine attacks and was harassed by balloon bombs. Throughout, the author provides current information about the state of preservation of various battle sites and other points of historical interest. Accompanied by maps and photographs, Fighting for Paradise provides insight into an area of American military history, rich in drama, that is not generally known.

2026 Eleanor Tufts Award, Society for Iberian Global Art, College Art Association

An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures.

Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work.

Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of wide-ranging commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.

The Flowery Death is a groundbreaking exploration of xochimiquiztli, or “flowery death,” a central concept in the pre-Hispanic Nahua worldview. In the highly militarized societies of the Valley of Mexico, dying in honor of the gods—on the battlefield, in ritual sacrifice, or in childbirth—was not only a social expectation but also a path to spiritual glory. While this idea appears throughout colonial sources, previous studies have relied largely on the writings of Bernardino de Sahagún and other European chroniclers, whose perspectives often simplify or distort Indigenous understandings.

Drawing on the rich oral tradition preserved in the sixteenth-century manuscript Cantares Mexicanos, this book provides one of the first English translations of these songs since John Bierhorst’s 1985 translation. It combines paleographic fidelity, literal English translation, and detailed interpretation, revealing the metaphor- and symbol-rich meanings behind the songs. The book is divided into two interrelated parts: The first reconstructs the Nahua worldview, contextualizing war, death, and sacrifice through myths, chronicles, and visual sources; the second presents selected songs, offering readers the tools to understand their metaphors, historical references, and symbolic language, making the work both a scholarly reference and an accessible guide for students and enthusiasts.

By examining the cultural, religious, and social significance of xochimiquiztli, The Flowery Death provides fresh insights into Nahua ideology, gender roles, and collective memory. It is essential reading for anyone interested in Mesoamerican culture, early colonial history, and the power of Indigenous oral traditions.

Forging Southeastern Identities explores the many ways archaeologists and ethnohistorians define and trace the origins of Native Americans’ collective social identity.

Forging Southeastern Identities: Social Archaeology and Ethnohistory of the Mississippian to Early Historic South, a groundbreaking collection of ten essays, covers a broad expanse of time—from the ninth to the nineteenth centuries—and focuses on a common theme of identity. These essays represent the various methods used by esteemed scholars today to study how Native Americans in the distant past created new social identities when old ideas of the self were challenged by changes in circumstance or by historical contingencies.

Archaeologists, anthropologists, and folklorists working in the Southeast have always recognized the region’s social diversity; indeed, the central purpose of these disciplines is to study peoples overlooked by the mainstream. Yet the ability to define and trace the origins of a collective social identity—the means by which individuals or groups align themselves, always in contrast to others—has proven to be an elusive goal. Here, editors Gregory A. Waselkov and Marvin T. Smith champion the relational identification and categorical identification processes, taken from sociological theory, as effective analytical tools.

Taking up the challenge, the contributors have deployed an eclectic range of approaches to establish and inform an overarching theme of identity. Some investigate shell gorgets, textiles, shell trade, infrastructure, specific sites, or plant usage. Others focus on the edges of the Mississippian world or examine colonial encounters between Europeans and native peoples. A final chapter considers the adaptive malleability of historical legend in the telling and hearing of slave narratives.