The role of religion in early American literature has been endlessly studied; the role of the law has been virtually ignored. Robert A. Ferguson’s book seeks to correct this imbalance.

With the Revolution, Ferguson demonstrates, the lawyer replaced the clergyman as the dominant intellectual force in the new nation. Lawyers wrote the first important plays, novels, and poems; as gentlemen of letters they controlled many of the journals and literary societies; and their education in the law led to a controlling aesthetic that shaped both the civic and the imaginative literature of the early republic. An awareness of this aesthetic enables us to see works as diverse as Jefferson’s Notes on the State of Virginia and Irving’s burlesque History of New York as unified texts, products of the legal mind of the time.

The Declaration of Independence, the Constitution, and the great political orations were written by lawyers, and so too were the literary works of Trumbull, Tyler, Brackenridge, Charles Brockden Brown, William Cullen Bryant, Richard Henry Dana, Jr., and a dozen other important writers. To recover the original meaning and context of these writings is to gain new understanding of a whole era of American culture.

The nexus of law and letters persisted for more than a half-century. Ferguson explores a range of factors that contributed to its gradual dissolution: the yielding of neoclassicism to romanticism; the changing role of the writer; the shift in the lawyer’s stance from generalist to specialist and from ideological spokesman to tactician of compromise; the onslaught of Jacksonian democracy and the problems of a country torn by sectional strife. At the same time, he demonstrates continuities with the American Renaissance. And in Abraham Lincoln he sees a memorable late flowering of the earlier tradition.

In reproducing sixty-six letters in the Carl H. Pforzheimer Library, plus eight letters orportions of letters previously published, thisbook offers one of the best sources availablefor the last fourteen years of Browning'slife.

Written to a dear friend who was also a"learned lady," the letters deal with Browning's poetry, his social life, and his friendships. They also give some of his views onthe nature of poetry, of art, and of religion.The editor's introduction offers the readera view of Mrs. Fitzgerald and her family,of the social background with which manyof the letters are concerned, and of Browning, his sister, and his son.

Notes clarify the many allusions that appear in the letters. An appendix by MarcelleThiébaux includes careful bibliographicaldescriptions of the manuscripts and a classified list of the writing paper Browning used, information which should enable future editors to assign at least approximate dates tosome of the letters Browning himself leftundated.

Belles lettres.

Sidonius Apollinaris, a Gallo-Roman, was born at Lugdunum (Lyon) about AD 430. He married Papianilla, daughter of the Emperor Avitus in whose honor he recited at Rome on 1 January 456 a panegyric in verse. Sidonius later joined a rebellion, it seems, but was finally reconciled to the emperor Majorian and delivered at Lyon in 458 a panegyric on him. After some years in his native land, in 467 he led a Gallo-Roman deputation to the Emperor Anthemius, and on 1 January 468 recited at Rome his third panegyric. He returned to Gaul in 469 and became Bishop of Auvergne with seat at Clermont-Ferrand. He upheld his people in resisting the Visigoths. After Auvergne was ceded to them in 475, he was imprisoned but soon resumed his bishopric. He was canonized after his death.

The Loeb Classical Library edition of Sidonius is in two volumes. The first contains his poetry: the three long panegyrics, and poems addressed to or concerned with friends, apparently written in his youth. Volume I also contains Books 1–2 of his Letters (all dating from before his episcopate); Books 3–9 are in Volume II. Sidonius’ writings shed valued light on Roman culture in the fifth century.

Letters from an American Farmer was published in London in 1782, just as the idea of an “American” was becoming a reality. Those epistolary essays introduced the European public to America’s landscape and customs and have since served as the iconic description of a then-new people. Dennis D. Moore’s convenient, up-to-date reader’s edition situates those twelve pieces from the 1782 Letters in the context of thirteen other essays representative of Crèvecoeur’s writings in English.

The “American Farmer” of the title is Crèvecoeur’s fictional persona Farmer James, a bumpkin from rural Pennsylvania. In his Introduction to this edition, Moore places this self-effacing pose in perspective and charts Crèvecoeur’s enterprising approach to self-promotion, which involved repackaging and adapting his writings for French and English audiences.

Born in Normandy, Crèvecoeur came to New York in the 1750s by way of England and then Canada, traveled throughout the colonies as a surveyor and trader, and was naturalized in 1765. The pieces he included in the 1782 Letters map a shift from hopefulness to disillusionment: its opening selections offer America as a utopian haven from European restrictions on personal liberty and material advancement but give way to portrayals of a land plagued by the horrors of slavery, the threat of Indian raids, and revolutionary unrest. This new edition opens up a broader perspective on this artful, ambitious writer and cosmopolitan thinker who coined America’s most enduring metaphor: a place where “individuals of all nations are melted into a new race of men.”

The metropolis of Asia Minor and one of the great capitals of antiquity, Sardis was the place where legendary Croesus ruled, where coinage was invented, and economic history revolutionized. The letters published in this book provide an informal account of fourteen years of work by a Harvard-Cornell team to retrieve evidence of the greatness of Lydian culture as well as of the Prehistoric, Hellenistic, Roman, and Byzantine civilizations that preceded and followed the Lydian kingdom.

Written each season from the field by George Hanfmann, Field Director of the expedition and John E. Hudson Professor of Archaeology at Harvard University, the letters have allowed friends and supporters of the project to share in the important aspects of a dig at a major site—the excitement and disappointments inherent in a scholarly quest of long-buried cultures, the multiplicity of unexpected complications, human, mechanical, and environmental. The letters reveal the diversity and variety of methods, tasks, and problems that a dig brings into play: from analysis of minute gold pieces to construction of a seventy-foot crane; from checking 500 items through customs to deciphering an unknown language. They chronicle both successes and failures: the discovery of the gold-refining plant of Croesus and his ancestors, the unexpected emergence of the world's largest early synagogue and its restoration, and the valiant but unsuccessful attempt to locate the burial chamber of the founder of the Lydian kingdom by tunneling through a huge mound.

The letters have an immediacy that no generalized or retrospective account could have. More than 200 black and white and five color photographs and three maps illustrate the letters, which serve as a pleasurable introduction to archaeology and a report on a major community on the boundary of the Mediterranean and the Near East spanning 5,000 years. Letters from Sardis also provides a survey of the most important scientific and scholarly results attained by one of the major archaeological projects in the classical lands.

After a brief taste of urban life, and convinced that nothing equaled the formidable challenge of life in the heart of the vast woods, Peter M. Leschak returned to northern Minnesota. Letters from Side Lake chronicles the marvelous range of adventures and reflections-described with thoughtfulness and humor-springing from his pioneer-like existence. In Leschak's unique voice and beautifully crafted style, Letters from Side Lake captures the great pleasures and rugged feats and hardships of North Woods living.

Many years in preparation, this first volume of Lang and Shannon's edition of Tennyson's correspondence lives up to all expectations. In a comprehensive introduction the editors present not only the biographical background, with vivid portrayals of the dramatis personae, but also the story of the manuscripts, the ones that were destroyed and the many that luckily survived.

The Tennyson who emerges in this volume is not a serene or Olympian figure. He is moody, impulsive, often reckless, now full of camaraderie, now plagued by anxiety or resentment, deeply attached to close friends and family and uninterested in the social scene. His early life is unenviable: we see glimpses of the embittered, drunken father, the distraught mother, the swarm of siblings in the rectory at Somersby in Lincolnshire. The happiest period is the three years at Cambridge, terminated when his father dies, and the two years thereafter, with Arthur Hallam engaged to his sister and a frequent visitor at their house. The shock of Hallam's death in 1833, coupled with the savage attack on Tennyson's poems in the Quarterly Review, is followed by depression, bouts of alcoholism, financial problems, and gradually, in the 1840s, increasing recognition of his work. The year 1850 sees the publication of In Memoriam, his long-deferred marriage at age forty to Emily Seliwood, and his acceptance, not without misgivings, of the post of Poet Laureate.

The editors have garnered and selected a large number of letters to and about Tennyson which supplement his own letters, fill in lacunae in the narrative, and reveal him to us as his friends and contemporaries saw him.

The first volume of The Letters of Alfred Lord Tennyson showed the young manbecoming a poet and recorded the experiences--out of which so much of his poetrywas forged--that culminated in three personal triumphs: marriage, In Memoriam,and the Poet Laureateship. Volume IIreveals the gradual emergence of a new anddifferent Tennyson, moving confidentlyamong the great and famous--the intellectual, political, and artistic elite--yetremaining very much a son of Lincolnshire,whose childlike simplicity of manner strikesall who meet him. As a young man, he wasobliged to be paterfamilias of his father'sfamily; now he has a family of his own,with two sons reaching manhood, twohouses, and two lives, one in London andthe other at home.

Through the letters we learn somethingabout his poetry (including "Maud," andThe Idylls of the King), much abouthis dealings with publishers, and evenmore about his travels--in Scotland,Wales, Cornwall, Norway, Switzerland,Auvergne, Brittany, the Pyrenees--and itis clear that all that he met became part ofhim and of his poetry. By the close of thisvolume he is one of the two or three mostfamous names in the English-speakingliterary world.

The edition includes an abundance of letters to and about Tennyson as well as byhim, and its generous annotation has beencommended by reviewers for its range andwit.

Approximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This volume, designed to accompany Mr. Johnson’s previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson’s letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biographical notes on recipients of letters.

The notes for each letter identify persons and events mentioned, and the source of literary allusions and quotations is given wherever known. Since Emily Dickinson rarely dated her letters after 1850, the dates for the most part must be conjectured from careful study of handwriting changes and from internal evidence of the letters. Of the 1,150 letters and prose fragments included in this outstanding edition, the text of about 800 derives from Dickinson autographs.

These letters of Franz Liszt are a part of the Dumbarton Oaks Collection bequeathed to Harvard University by Mrs. Robert Woods Bliss in 1969. Written during the last sixteen years of Liszt’s life, they are addressed to the Baroness Olga von Meyendorff, who shared his interests, though not always his views, in a broad field of disciplines—music, philosophy, theology, politics, literature—as well as his concern for persons both prominent and familial.

The translation by William R. Tyler, who from 1969 to 1977 was Director of Dumbarton Oaks, is provided with notes and an Introduction by Edward N. Waters, widely recognized authority on Liszt and formerly Chief of the Music Division of the Library of Congress.

Composed with warmth and humor, and not infrequently with some asperity, the letters reveal Liszt to have been an ardent, generous, and modest man, loyal and devoted to family and friends, pupils and colleagues alike.

Though it was first intended to publish the letters in their original French as well as in translation, the cost of such a publication proved to be prohibitive. However, copies of the letters, or, when necessary, the letters themselves may be consulted by qualified readers at Dumbarton Oaks.

Having been acquitted of the charge of “outrage of public morals and religion” brought against him upon the publication Madame Bovary, Gustave Flaubert found himself, in 1857, a celebrity and one of the most admired literary men of his day.

Francis Steegmuller’s volume of Flaubert’s letters from the years culminating in that triumph was hailed by the New York Times as “brilliantly edited and annotated…a splendid, intimate account of the development of a writer who changed the nature of the novel.” It went on to garner widespread critical acclaim and to win an American Book Award for Translation.

Now, in the second volume, we see Flaubert in the years of his fame—the years in which he wrote Salammbô, L’Éducation sentimentale, The Temptation of Saint Anthony, Three Tales, and the unfinished Bouvard and Pecuchet. In writing the novels, Flaubert followed his precept, “An author in his book must be like God in the universe, present everywhere and visible nowhere,” but in these letters of his maturity he gives full scope to his feelings and expresses forceful opinions on matters public and private.

We see Flaubert traveling to Tunisia to document the exotic Salammbô, then calling on his own memories and those of his friends to bring to life the Revolution of 1848 and the loves of his hero Frederic Moreau in the pages of L’Éducation sentimentale, which many today consider his greatest novel. Flaubert is taken up by the Second Empire Court of Napoleon III and Eugenie, and becomes a lifelong friend of Princess Mathilde Bonaparte. But the most powerful feminine presence in this volume is the warm, sympathetic George Sand, with whom he maintains a fascinating correspondence for more than ten years. This dialogue on life, letters, and politics between the “two troubadours,” as they called themselves, reveals both of them at their idiosyncratic best.

The deaths of Flaubert’s mother, of his closest friend and mentor, Louis Bouilhet, and of Théophile Gautier, Sainte-Beuve, and other intimates, and Flaubert’s financial ruin at the hands of his beloved niece Caroline and her rapacious husband, make a somber story of the post war years. Despite these and other losses, Flaubert’s last years are brightened by the affection of Guy de Maupassant, Zola, and other younger writers.

Together with Francis Steegmuller’s masterly connecting narrative and essential annotation, these letters, most of which appear here in English for the first time, constitute an intimate and engrossing new biography of the great master of the modern novel.

Gustave Flaubert wrote to his mistress, Louise Colet: “An author in his book must be like God in the universe, present everywhere and visible nowhere.” In his books, Flaubert sought to observe that principle; but in his many impassioned letters he allowed his feelings to overflow, revealing himself in all of his human complexity. Sensuous, witty, exalted, ironic, grave, analytical, the letters illustrate the artist’s life—and they trumpet his artistic opinions—in an outpouring of uninhibited eloquence.

An acknowledged master of translation, Francis Steegmuller has given us by far the most generous and varied selection of Flaubert’s letters in English. He presents these with an engrossing narrative that places them in the context of the writer’s life and times. We follow Flaubert through his unhappy years at law school, through his tumultuous affair with Louise Colet; we share his days and nights amid the temples and brothels of Egypt, then on to Palestine, Turkey, Greece, and Rome. And the letters chronicle one of the central events in literary history—the conception and composition of what has been called the first modern novel, Madame Bovary. Steegmuller’s selection concludes with Flaubert’s standing trial for immoral writing, Madame Bovary’s immediate popular success, and Baudelaire’s celebration of its psychological and literary power.

Throughout this exposition in Flaubert’s own words of his views on life, literature, and the passions, readers of his novels will be powerfully reminded of the fertility of his genius, and delighted by his poetic enthusiasm. “Let us sing to Apollo as in ancient days,” he wrote to Louise Colet, “and breathe deeply of the fresh cold air of Parnassus; let us strum our guitars and clash our cymbals and whirl like dervishes in the eternal hubbub of forms and ideas!”

Flaubert’s letters are documents of life and art; lovers of literature and of the literary adventure can rejoice in this edition.

Henry Adams’s letters are one of the vital chronicles of the life of the mind in America. A perceptive analyst of people, events, and ideas, Adams recorded, with brilliance and wit, sixty years of enormous change at home and abroad.

Volume I shows him growing from a high-spirited but self-conscious 20-year-old to a self-assured man of the world. In Washington in the chaotic months before Lincoln’s inauguration, then in London during the war years and beyond, he serves as secretary to his statesman father and is privy to the inner workings of politics and diplomacy. English social life proves as absorbing as affairs of state.

Volume II takes him from his years as a crusading journalist in Grant’s Washington, through his marriage to Clover Hooper and his pioneer work as a history professor at Harvard and editor of the North American Review, to his settling in Washington as a professional historian. There he and his wife, described by Henry James as “one of the two most interesting women in America,” establish the first intellectual salon of the capital. This halcyon period comes to a catastrophic close with Clover’s suicide.

Volume III traces his gradual recovery from the shock of his wife’s death as he seeks distraction in travel—to Japan, to Cuba, and in 1891–92 to the South Seas—a recovery complicated by his falling dangerously in love with Elizabeth Cameron, beautiful young wife of a leading senator. His South Seas letters to Mrs. Cameron are the most brilliant of all.

Fewer than half of Adams’s letters have been published even in part, and earlier collections have been marred by expurgations, mistranscriptions, and editorial deletions. In the six volumes of this definitive edition, readers will have access to a major document of the American past.

Henry Adams’s letters are among the best in the language. They are, in Alfred Kazin’s words, “magnificent, his most spontaneous and freest literary works.” With the completion of this edition, they may well be judged his most significant achievement. “The letters are not a gloss on a life’s work; in a real sense they are his life’s work,” the reviewer for American Literature stated.

We encounter Adams in 1892 at a turning point in his career, at the beginning of the period in which his leading ideas would be crystallized and his major literary works take shape. He had survived the shock of his wife’s suicide and had completed his great History of the Jefferson era, and after his long journey in the South Seas his frustrated passion for Elizabeth Cameron had begun to calm. His wanderlust now took him to the Carolinas and the Rockies, to Mexico, Cuba, Egypt, the Near East, Greece, Italy, central Europe, Russia, and the North Cape. His interest came increasingly to center on the geopolitical present and the medieval past. Prompted by the Panic of 1893, he began an intensive study of the new finance capitalism and the imperial power it created; by the end of the decade he was beginning to foresee the shift of global dominance from Britain to the United States and Russia. Meanwhile a tour of the churches and abbeys of Normandy fired his imagination and led to the absorption in the art and culture of medieval France that would bear fruit in Mont-Saint-Michel and Chartres.

At his home on Lafayette Square, across from the White House, he became an informal adviser to statesmen, John Hay and Theodore Roosevelt among them. Out of his friendly association with scientists and his own study of science came his conviction that the dynamo and radium were bringing a revolution in physics. His germinating ideas about science, technology, and economic power were conveyed in his letters over many years before they were formulated into The Education of Henry Adams, his “Study of Twentieth-Century Multiplicity.”

The Adams who emerges from the letters is far more complex, contradictory, and human than the protagonist of the Education. He writes to women, Mrs. Cameron above all, about politics, economics, and science as well as social news and palace gossip, just as he writes to men about art as well as power. The multiplicity of his interests, his sharp perceptions, eye for telling detail, and passion for generalization, together with his irony and wit, make his letters the engrossing record of an extraordinary life-in-progress and an incomparable commentary upon his age.

Henry Adams’s letters are among the best in the language. They are, in Alfred Kazin’s words, “magnificent, his most spontaneous and freest literary works.” With the completion of this edition, they may well be judged his most significant achievement. “The letters are not a gloss on a life’s work; in a real sense they are his life’s work,” the reviewer for American Literature stated.

We encounter Adams in 1892 at a turning point in his career, at the beginning of the period in which his leading ideas would be crystallized and his major literary works take shape. He had survived the shock of his wife’s suicide and had completed his great History of the Jefferson era, and after his long journey in the South Seas his frustrated passion for Elizabeth Cameron had begun to calm. His wanderlust now took him to the Carolinas and the Rockies, to Mexico, Cuba, Egypt, the Near East, Greece, Italy, central Europe, Russia, and the North Cape. His interest came increasingly to center on the geopolitical present and the medieval past. Prompted by the Panic of 1893, he began an intensive study of the new finance capitalism and the imperial power it created; by the end of the decade he was beginning to foresee the shift of global dominance from Britain to the United States and Russia. Meanwhile a tour of the churches and abbeys of Normandy fired his imagination and led to the absorption in the art and culture of medieval France that would bear fruit in Mont-Saint-Michel and Chartres.

At his home on Lafayette Square, across from the White House, he became an informal adviser to statesmen, John Hay and Theodore Roosevelt among them. Out of his friendly association with scientists and his own study of science came his conviction that the dynamo and radium were bringing a revolution in physics. His germinating ideas about science, technology, and economic power were conveyed in his letters over many years before they were formulated into The Education of Henry Adams, his “Study of Twentieth-Century Multiplicity.”

The Adams who emerges from the letters is far more complex, contradictory, and human than the protagonist of the Education. He writes to women, Mrs. Cameron above all, about politics, economics, and science as well as social news and palace gossip, just as he writes to men about art as well as power. The multiplicity of his interests, his sharp perceptions, eye for telling detail, and passion for generalization, together with his irony and wit, make his letters the engrossing record of an extraordinary life-in-progress and an incomparable commentary upon his age.

Henry Adams’s letters are among the best in the language. They are, in Alfred Kazin’s words, “magnificent, his most spontaneous and freest literary works.” With the completion of this edition, they may well be judged his most significant achievement. “The letters are not a gloss on a life’s work; in a real sense they are his life’s work,” the reviewer for American Literature stated.

We encounter Adams in 1892 at a turning point in his career, at the beginning of the period in which his leading ideas would be crystallized and his major literary works take shape. He had survived the shock of his wife’s suicide and had completed his great History of the Jefferson era, and after his long journey in the South Seas his frustrated passion for Elizabeth Cameron had begun to calm. His wanderlust now took him to the Carolinas and the Rockies, to Mexico, Cuba, Egypt, the Near East, Greece, Italy, central Europe, Russia, and the North Cape. His interest came increasingly to center on the geopolitical present and the medieval past. Prompted by the Panic of 1893, he began an intensive study of the new finance capitalism and the imperial power it created; by the end of the decade he was beginning to foresee the shift of global dominance from Britain to the United States and Russia. Meanwhile a tour of the churches and abbeys of Normandy fired his imagination and led to the absorption in the art and culture of medieval France that would bear fruit in Mont-Saint-Michel and Chartres.

At his home on Lafayette Square, across from the White House, he became an informal adviser to statesmen, John Hay and Theodore Roosevelt among them. Out of his friendly association with scientists and his own study of science came his conviction that the dynamo and radium were bringing a revolution in physics. His germinating ideas about science, technology, and economic power were conveyed in his letters over many years before they were formulated into The Education of Henry Adams, his “Study of Twentieth-Century Multiplicity.”

The Adams who emerges from the letters is far more complex, contradictory, and human than the protagonist of the Education. He writes to women, Mrs. Cameron above all, about politics, economics, and science as well as social news and palace gossip, just as he writes to men about art as well as power. The multiplicity of his interests, his sharp perceptions, eye for telling detail, and passion for generalization, together with his irony and wit, make his letters the engrossing record of an extraordinary life-in-progress and an incomparable commentary upon his age.

Henry Adams’s letters are among the best in the language. They are, in Alfred Kazin’s words, “magnificent, his most spontaneous and freest literary works.” With the completion of this edition, they may well be judged his most significant achievement. “The letters are not a gloss on a life’s work; in a real sense they are his life’s work,” the reviewer for American Literature stated.

We encounter Adams in 1892 at a turning point in his career, at the beginning of the period in which his leading ideas would be crystallized and his major literary works take shape. He had survived the shock of his wife’s suicide and had completed his great History of the Jefferson era, and after his long journey in the South Seas his frustrated passion for Elizabeth Cameron had begun to calm. His wanderlust now took him to the Carolinas and the Rockies, to Mexico, Cuba, Egypt, the Near East, Greece, Italy, central Europe, Russia, and the North Cape. His interest came increasingly to center on the geopolitical present and the medieval past. Prompted by the Panic of 1893, he began an intensive study of the new finance capitalism and the imperial power it created; by the end of the decade he was beginning to foresee the shift of global dominance from Britain to the United States and Russia. Meanwhile a tour of the churches and abbeys of Normandy fired his imagination and led to the absorption in the art and culture of medieval France that would bear fruit in Mont-Saint-Michel and Chartres.

At his home on Lafayette Square, across from the White House, he became an informal adviser to statesmen, John Hay and Theodore Roosevelt among them. Out of his friendly association with scientists and his own study of science came his conviction that the dynamo and radium were bringing a revolution in physics. His germinating ideas about science, technology, and economic power were conveyed in his letters over many years before they were formulated into The Education of Henry Adams, his “Study of Twentieth-Century Multiplicity.”

The Adams who emerges from the letters is far more complex, contradictory, and human than the protagonist of the Education. He writes to women, Mrs. Cameron above all, about politics, economics, and science as well as social news and palace gossip, just as he writes to men about art as well as power. The multiplicity of his interests, his sharp perceptions, eye for telling detail, and passion for generalization, together with his irony and wit, make his letters the engrossing record of an extraordinary life-in-progress and an incomparable commentary upon his age.

Here at last is the first volume of the long-awaited edition of Henry James letters by the world’s foremost Jamesian scholar, Leon Edel.

James was a superlative letter-writer; his correspondence constitutes one of the greatest self-portraits in all literature. In this edition Edel, respecting James’s view that only the best of a writer’s letters deserve publication, skims the cream of the fifteen thousand letters collected or discovered, many by the biographer himself, since the novelist’s death in 1916. In Volume I, the first of four, he provides a General Introduction and a necessary minimum of annotation, and prefaces each section—Boyhood and Youth; Beginnings; The Grand Tour; A Season in Cambridge; Travel and Opportunity; and The Choice—with an informative account of James’s attitudes and activities during the period in question. The volume closes, appropriately, with James’s decision in 1875, at age thirty-two, to move permanently to Europe.

The third volume of Leon Edel’s superb edition of Henry James’s letters finds the novelist settled in Europe and his expatriation complete. The letters of this time reflect the growth of James’s literary and personal friendships and introduce the reader to the frescoed palazzos, Palladian villas, and great estates of the Roseberys, the Rothschilds, the Bostonian-Venetian Curtises, and the Florentine-American Boott circle. In all his travels, James closely observes the social scene and the dilemmas of the human beings within it. During this fruitful period he writes The Bostonians, The Princess Casamassima, The Tragic Muse, and some thirty-five of his finest international tales.

Undermining his success, however, are a devastating series of disappointments. Financial insecurity, an almost paraniod defensiveness following the utter failure of his dramatic efforts, and the deaths of his sister, his friend Robert Louis Stevenson, and his ardent admirer Constance Fenimore Woolson all combine to take him to what he recognizes is the edge of an abyss of personal tragedy.

And yet James endures, and throughtout these trials his letters reveal the flourish, the tongue-in-cheek humor, and the social insight that marked his genius. As Edel writes in his Introduction: “The grand style is there, the amusement at the vanities of this world, the insistence that the great ones of the earth lack the imagination he is called upon to supply, and then his boundless affection and empathy for those who have shown him warmth and feeling.”

In an appendix Mr. Edel presents four remarkable unpublished letters from Miss Woolson to James. These throw light on their ambiguous relationship and on James’s feelings of guilt and shock after her suicide in Venice.

In this, the second volume of Leon Edel's superb edition of the letters, we see Henry James in his thirties, pursuing his writing in Paris and London and finding his first literary successes in Daisy Miller and The Portrait of a Lady. The letters of these years, describing for family and friends in Boston the expatriate's days, reveal the usual wit and sophistication, but there is a new tone: James is relentlessly building a personal career and begins to see himself as a professional writer. Few other letters so fully document the process of an artist in the making.

James was a social success in London: in Mr. Edel's words, "England speedily opened its arms to him, as it does to anyone who is at ease with the world." The letters of this period pull us into the atmosphere of Victorian England, its drawing rooms, manors, and clubs, and James's keen American eyes give us views of this world probably unique in our literary annals. He used these observations to forge his great international theme, the confrontation of the Old and New Worlds.

Volumes III and IV of this edition bring together all the extant letters of Henry Wadsworth Longfellow for the period 1844-1865, most of which have never before been published. These letters carry Longfellow through the remarkable period when he was gaining renown both at home and abroad as the poet laureate of America. His influence swelled with the publication of such works as Evangeline, The Song of Hiawatha, The Courtship of Miles Standish, and Part One of Tales of a Wayside Inn. During these twenty-two years his correspondence proliferated, reaching at least 4000 letters, of which 1500 are known to have survived and are reproduced in these two volumes.

The letters offer further insight not only into the poet's personal life but into his time as well. They document the manifold burdens placed on a popular man of letters, from responding to pleas for advice from unpublished poets to dealing with critical attacks on his own poetry to warding off the importunities of scores of admirers.

The letters further reveal a political interest not hitherto suspected in Longfellow. His exchanges with Senator Charles Sumner shed light on the political dramas of the day, including presidential elections, the Mexican War, the slavery controversy, the founding of the Republican party, and the Civil War. From a social viewpoint, the letters provide an absorbing account of the settled and elegant life of a member of the Boston-Cambridge upper class, into which Longfellow had moved with his marriage to Frances Appleton. They also reveal him as a warm-hearted family man, devoted to his wife and children and solicitous for the welfare of an unhappy brother, a widowed sister, and two wayward nephews.

The letters of Volume III span the publication of five volumes of verse, three anthologies, and a novel. They document the numerous private events that vied with literary production for Longfellow's attention, such as the birth of his six children and the complicated summer migrations to Nahant or Newport. They also follow Longfellow through his resignation from the liaryard professorship in 1854, which was prompted by a desire to devote himself more fully to writing.

Andrew Hilen, who is author of Longfellow and Scandinavia and Professor of English at the University of Washington, has included numerous contemporary photographs to illustrate the letters. His scrupulous annotations supply relevant identifications of individuals, explain allusions, and provide information regarding the addresses of letters, endorsements, postmarks, and the location of manuscripts.

These final volumes of Andrew Hilen's admired edition bring together the extant Longfellow letters of 1866–1882, most of which have never before been published. During this period Longfellow's reputation reached its zenith; no American poet before or since has enjoyed a popular following more varied or numerous. Here we see him expanding his already enormous influence with the publication of Poems of Places, a poetic translation of Dante's Divine Comedy, and other works. The letters reveal him as a hard-working writer and editor, as an astute businessman who nevertheless gave freely of his gains to friends and causes, and as an often lonely and struggling individual.

They provide, as well, a view of Longfellow's world—the American literary scene, the publishing business, academic life, politics, religion, and the Reconstruction period. Hilen includes in Volume VI a comprehensive index for the entire six-volume edition, which represents a social document of the times.

Volumes I and II of this projected multi-volume edition bring together for the first time all the extant letters of Henry Wadsworth Longfellow for the period 1814–1843. Most of the letters, which are of prime importance in America’s cultural history, have never before been published. The remainder that have appeared in print frequently did so in emasculated form and in a wide variety of books and journals. In addition to restoring the complete texts of this correspondence, editor Andrew Hilen has provided a distinguished General Introduction in Volume I and prefatory comments at the head of Parts I–IV of the two volumes. Scrupulous annotations supply relevant identifications of individuals, explain allusions, and present information regarding the addresses of letters, endorsements, postmarks, and the location of manuscripts.

Readers of the letters of this period will follow Longfellow through his career at Bowdoin College, both as an undergraduate and as a professor, on his lengthy sojourns in Europe, and through his first years as Smith Professor of Modern Languages at Harvard. They offer a wealth of material that is available nowhere else on many of the leading issues of his day, on its literary and scholarly scene, and most important, on the development of the poet himself. Longfellow emerges from these pages as far more than the mild and studied figure that tradition has made of him.