A first-ever English translation of a compelling work by a forerunner of modern Sephardi feminist literature.
 
Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes.

Finalist, Montaigne Medal, Eric Hoffer Award

The Black American Literature Forum said of his work, “Mbembe’s poems express a hunger for a fuller life, for an affirmation of existence.” The Kansas City Star commented, “Mbembe works with his own special problem of saying what he has to say and saying it in the authentic voice of a special culture.” The literary quarterly Northeast summed up his work by suggesting we “look for his light on the dark waters of the bay--red flashing four: courage; white flashing one: love--you will find your way safely to harbor.”

A cultural satire, McKenzie Rising follows the MegaMax Corporation’s venture to turn the upper McKenzie Valley into an upscale development, the Estates at Rancho Rio. Having already bought out the regional state university, MegaMax is poised to complete its acquisition of the upper McKenzie, and its efforts are overseen by Marta Juggernaut, Wharton School MBA graduate and project manager at Rancho Rio, and by Mark Neighbors, Northwest Acquisitor for MegaMax.

Their work is countered by a Dickensian ensemble of characters, many of whom are chronically sidetracked from the heroic community purpose by various amatory diversions. Given that the protesters include such locals as D.B. Cooper (the long-vanished airplane hijacker) and Sasquatch, in all his odoriferous glory, the reader is in for a rollicking but powerfully thought-provoking journey.

A lusty, environmental picaresque, McKenzie Rising satirizes our shortfalls, while celebrating our resilience and the triumph of community. The book offers a corrective to some of the amendable follies we lug with us as we careen into the (post)-Trump, (post)-COVID era.

Weaving together history, literature, and personal experience, this recent book from a master of literature crafts a mesmerizing exploration of language, loss, and the enduring power of the spirit world. 

The strange word “Mdeilmm” was reported to have been uttered by the spirit of Shakespeare when called up during a séance in 1854 at the instigation of the French poet Victor Hugo. Hugo was then living in exile on the island of Jersey where he took part in several such séances. Hélène Cixous weaves this scene into a rich tapestry that draws from many corners of her world, both real and fictional: Dostoevsky’s Idiot, Hugo’s Last Day of a Condemned Man, Poe’s story “The Gold Bug,” but also film footage of the assassination of Itzhak Rabin and many layers of memories of her Algerian childhood. Transcribed communications from spirits of the departed, her father and grandfather among them, provide a fascinating glimpse into past spiritual practices.  

Cixous’s unique narrative style enhances the book’s enchanting quality, ensuring that readers are not only engaged by the content but also captivated by the beauty of the prose. Meanwhile, the reader falls under the spell of the author’s incomparable “mole speech,” the language in which poets communicate. 

When the Messerschmitt design team headed by Walter Rethel started in 1934 with the work on a new fighter for the Luftwaffe this resulted in a fighter aircraft that gained the same fame as the British Spitfire. The new fighter type became known as the Me-109 (or Bf-109 where Bf stood for the original name Bayerische Flugzeugwerke) and when production started in 1937 this was continued until the end of the war. However, the latest ME-109 versions had little more in common with the first versions. The two versions that were in production until the end of the war were the Me-109G and the much improved last version the Me-109K.

In this work the author reports on his excavation of the Sinking Ponds site in Erie County, New York. He combines this with extensive information on the Riverhaven 2 site and a general definition and description of the Meadowood Phase in New York State. Using assemblages excavated in these areas of the Niagara Frontier, Granger explores adaptive processes (procurement, manufacturing, storage, and exchange) of the Meadowood settlement pattern and settlement system.

"History painting," for many people, conjures up Washington Crossing the Delaware and other paintings of heroic historical events. But history has made its way into considerably more American art than such obvious examples, in the view of Michael Kammen. In three thought-provoking and innovative essays, Kammen ranges from the Renaissance to the twentieth century, from central Europe to the western United States, and from elegant oil painting to folk sculpture to show the transformations of Old World icons of time into New World images of social memory and tradition.

In the first essay, Kammen demonstrates how American artists and artisans modified European emblems of time in response to their New World setting. In the second essay concerning nineteenth-century landscape art, he explores how artists used space to represent the movement of American culture through time. In the final essay, he looks at two distinctively American motifs of collective memory and tradition—old houses and elm trees. Throughout this interdisciplinary study, Kammen draws his examples from well-known and lesser-known artists, as well as from diverse American writers. Over 100 black-and-white illustrations accompany the text.

Of interest to all students of American culture, Meadows of Memory raises intriguing questions about the American paradox of desiring to conquer mutability while yearning for emblems of a (perhaps imagined?) past.

White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

A new reading strategy for the Thanksgiving Hymns

Hasselbalch asserts that current theories about the social background of Thanksgiving Hymns are unable to explain its heterogeneous character. Instead the author suggests a reading strategy that leaves presumptions about the underlying social contexts aside to instead consider the collection’s hybridity as a clue to understanding the collection as a whole.

Features:

• Systemic Functional Linguistics applied to four Hodayot
• Analysis that highlights the role of a mediator in the agency of God
• An approach that highlights the unity of the collection

Muskens radically simplifies Montague Semantics and generalises the theory by basing it on a partial higher order logic resulting in a theory which combines important aspects of Montague Semantics and Situation Semantics. Richard Montague formulated the revolutionary insight that we can understand the concept of meaning in ordinary languages much in the same way as we understand the semantics of logical languages. Unfortunately, he formalised his idea in an unnecessarily complex way. The present work does away with unnecessary complexities, obtains a streamlined version of the theory, shows how partialising the theory automatically provides us with the most central concepts of Situation Semantics, and offers a simple logical treatment of propositional attitude verbs, perception verbs and proper names.

Commercial television deserves praise for its many achievements, but since its earliest days, almost everyone has agreed that it is also open to many criticisms. The Texas-Stanford Seminars, made possible by a grant from TV Guide magazine, were intended "to help bring about the general improvement of television," and to provide "a place and a climate for significant discussion." The vigorous and enthusiastic participation in the seminars by executives from the three major networks, from a number of group stations and independent producers, and from advertising agencies and some of the larger advertisers demonstrated the desire of the industry itself to recognize its own faults and to understand the complaints of its critics.

The Meaning of Commercial Television collects the speeches presented at the second of these seminars, in April 1966. Contributors include Harry S. Ashmore, George Schaefer, August Priemer, Leonard S. Matthews, Thomas Moore, David M. Potter, Paul Goodman, Marshall McLuhan, and John R. Silber. Also in the book are summaries of the discussions which followed each of the speeches, and an examination of the overall impact of the meeting and the conclusions which might be drawn from it. Some of the topics discussed are "numbers" rating method of evaluating television programs; the position in the television industry of the independent producer, of the advertiser, and of the television network, and television itself with respect to its history, social perspective, and other aspects of American life to which it is related.

This is a major contribution to political thought from conservatism’s greatest contemporary proponent. Originally published in Britain in 1980 and revised in 1984, this edition – the first ever in the United States – is a major rewriting of the work. Scruton’s idea of conservatism – what in America we tend to call “paleo-conservatism” – might well shock the sensibilities of those American conservatives” who view it as little more than the workings of the free market. Conservatism, says Scruton, is neither automatic hostility toward the state nor the desire to limit the state’s obligations toward the citizen.

Rather, conservatism regards the individual not as the premise but the conclusion of politics, a politics that is fundamentally opposed to the ethic of social justice, to equality of station, income, and achievement, or to the attempt to bring major institutions of society (such as schools and universities) under government control.

The conservative outlook, says Scruton, is neither outmoded nor irrational. On the contrary, it is the most reasonable of political alternatives. The evils of socialism, he maintains, lie precisely where its supporters find its strengths, and the conditions for the credibility of socialism have long since disappeared. Neither socialism nor liberalism can come to terms with the real complexity of human society, and both appear plausible only because they direct attention away from what is actual, toward what is merely ideal.

From earlier editions of The Meaning of Conservatism:

“The book provides exactly that swift kick on the intellectual bottom which every undergraduate student of political science needs, most of them more urgently than ever before.” – T. E. Utley, (London) Daily Telegraph

“If the text is full of surprises, the manner is no less striking than the matter. Scruton is a great stylist, and one is continually arrested by beautifully crafted phrases which beg for quotation. . . . [He] is a cultured and critical guide through the traditional landscape of conservatism; his book provokes thought and it is a pleasure to read.”
– Bram Gieben, Political Quarterly

“. . . remarkable work. . . . The highest praise which one can bestow on The Meaning of Conservatism is to say that it reminds one at every page of Thomas Hobbes, the greatest master of the English language ever to write a work of political theory.” – Jonathan Sumption, Sunday Telegraph

“. . . clearly too ghastly to be taken seriously.” – Andrew Belsey, Radical Philosophy

After immigrating from Lebanon to Haiti as a young girl, Merjan comes of age in an insular, conservative community, where it seems as though her sole escape is marriage. Striking a bargain with a young art dealer, she marries and dreams of becoming a painter, only to discover her husband’s support tethered with expectations.

In the late 1970s, Merjan’s daughter Yvonne is a young woman on the cusp of a marriage of convenience. Though resentful of her mother, Yvonne dreams of establishing a Haitian art gallery in New York with the help of a well-connected older man—but her time there ends disastrously, creating a deep rift between her and her family.

In the present day, Yvonne’s daughter Eva is a student whose art draws inspiration from her grandmother Merjan’s largely undiscovered work. When Eva becomes unexpectedly pregnant, she moves back to her childhood home in Miami to sort out her ambivalent feelings, where she finds her family upended by feuds. An intimate family saga, The Meaning of Daughter explores questions about maternal ambivalence, ambition, artmaking, and how desire resists gendered expectations.

The Meaning of Liberalism provides a new perspective on the continuing debate about how liberalism should be defined and what it means in countries with an established parliamentary system, particularly in the new democracies of Central and Eastern Europe.

The key question this book addresses is: will the specific experience of communism and its aftermath give birth to a new distinct current of liberal thought, or will it simply enlarge the scope of the Western liberal debate? The authors argue that liberalism cannot be reduced merely to private property and market prices, but needs a very complex set of institutions and corresponding law.

Contributors come from both sides of the former Iron Curtain and they highlight the richness and diversity of liberalism and discuss different perceptions of liberal thinking in the East and West in the post-modern world.

For virtually all of our lives, we are surrounded by music. From lullabies to radio to the praises sung in houses of worship, we encounter music at home and in the street, during work and in our leisure time, and not infrequently at birth and death. But what is music, and what does it mean to humans? How do we process it, and how do we create it?

Musician Leo Samama discusses these and many other questions while shaping a vibrant picture of music's importance in human lives both past and present. What is remarkable is that music is recognised almost universally as a type of language that we can use to wordlessly communicate. We can hardly shut ourselves off from music, and considering its primal role in our lives, it comes as no surprise that few would ever want to. Able to transverse borders and appeal to the most disparate of individuals, music is both a tool and a gift, and as Samama shows, a unifying thread running throughout the cultural history of mankind.

William Goddard is here to help. He taught Shakespeare for decades as much-loved professor at Swarthmore College, and here he distills that experience into an accessible, engaging companion to the plays. Across two volumes, Goddard covers all of Shakespeare's plays and brings fresh insight to familiar characters, scenes, and verses. Goddard writes, "The greatest poetry has always depicted the world as a little citadel of nobility threatened by an immense barbarism, a flickering candle surrounded by infinite night" Shakespeare's candle still burns, and with Goddard's help we can all see it brighter than ever.

William Goddard is here to help. He taught Shakespeare for decades as much-loved professor at Swarthmore College, and here he distills that experience into an accessible, engaging companion to the plays. Across two volumes, Goddard covers all of Shakespeare's plays and brings fresh insight to familiar characters, scenes, and verses. Goddard writes, "The greatest poetry has always depicted the world as a little citadel of nobility threatened by an immense barbarism, a flickering candle surrounded by infinite night" Shakespeare's candle still burns, and with Goddard's help we can all see it brighter than ever.

In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.

A sweeping history of our relationship with weather in art, media, philosophy, religion, and science—and how the climate continually defies demystification. 

We moderns tend to take the weather for granted.  We know it through hourly timetables and radar maps and otherwise make it the subject of predictable and safe conversation. But weather is not safe or predictable and never has been. People have long used all their ingenuity to imagine and portray its shifty ways.  As John Durham Peters argues, a closer look at the history of these efforts, from painting and poetry to cartography and close observation, has the potential to disclose something important about what it means to live in the world. 

In The Meaning of Weather, John Durham Peters shows how the long history of understanding the weather has seen dreamers and data-crunchers alike craft remarkable visions of the world around us. From Babylonian astronomy to the Event Horizon Telescope, from illuminated manuscripts to television, and more, Peters explores the kaleidoscopic ways people have sought to understand, tame, or manage the weather—and how the climate resists being bridled. In this magisterial telling, Peters reimagines Western culture as a continuing struggle to know ourselves and each other through an ever-changing environment.

As smartphones mediate more of our activities, they are changing our relationship with meaning. To a teenager, for example a “conversation” is just as likely to refer to an exchange of text messages as it is a face-to-face discussion. Meanwhile, Facebook has redefined what friendship means, Snapchat what a memory means, etc. The kinds of changes smartphones bring are happening at rapid pace: TikTok reached a billion users in just over three years, whereas it took the telephone 75 years to reach a tenth of that number of people. Meaningful Technologies: How Digital Metaphors Change the Way We Think and Live by Eric Chown and Fernando Nascimento offers systematic reconsideration of the ways in which digital technologies impact our lives both individually and collectively. 

Metaphors aren’t just a clever way to describe technology, they are also changing the way we think. When we click on a picture of a shopping cart it connects a complex set of technologies to represent a simple idea that we’re all familiar with. A heart icon under a photo is understood as an easy way to express appreciation. We aren’t required to understand how technology works, just how we interact with it. The ambiguity of metaphors, and the complexity of technology can also hide important realities about what is being described. “The cloud,” for example, actually consists of very real data centers, which consume huge amounts of natural resources to keep running. Meanwhile, pressing that heart icon on a photo is a signal to the artificial intelligences running in your app that you want to see more things like that photo and that it should adjust what it knows about you accordingly.

There is a constant feedback loop between us and the digital technologies we use. We are constantly using them and they are changing us through their usage. Meaningful Technologies focuses on this loop from the perspectives of hermeneutic philosophy and cognitive science. Through the former, the authors examine meaning and how it changes over time. Through the latter, they gain understanding of how this feedback loop impacts individuals, especially in terms of learning and attention. Chown and Nascimento argue that, on the one hand, apps have a kind of agency never before possible in a technology, but also that, armed with a critical framework for examining such apps, we can regain some of our own agency. This book will appeal to scholars of digital media digital and computational studies, and those interested in issues related to ethical impacts of digital technologies.

WINNER OF FC2's RONALD SUKENICK INNOVATIVE FICTION PRIZE

A stunning look at the labor of obsession and the industry of self-destruction

In her lush, lyrical, and unflinching short fiction debut, JoAnna Novak examines the restless throb of desire amid the rote work of jobs and obligations, from the walk-ins of a New York banquet kitchen to the pier of Venice Beach. Fueled by jellyfish pad Thai and Necco wafers, Mountain Dew and Xiaolongbao, the characters in these stories defy boundaries and mores: In “MEMO 19,” a former anorectic, bored of recovery and her clerical job, invites an unparalleled act of sexual defilement and in “Rio Grande, Wisconsin,” a fleshly preteen fantasizes about Bill Murray on a family vacation to Wisconsin. Celebrating the grueling beauty of the shift and the ticking virtues of self-restraint, Meaningful Work is a pageant of formal experimentation, in fearless, glittering prose.
 

A searing critique of the “freedom” that America offers to the victims of its imperialist machinations of war and occupation
 

Meaningless Citizenship traces the costs of America’s long-term military involvement around the world by following the forced displacement of Iraqi families, unveiling how Iraqis are doubly displaced: first by the machinery of American imperialism in their native countries and then through a more pernicious war occurring on U.S. soil—the dismantling of the welfare state.

Revealing the everyday struggles and barriers that texture the lives of Iraqi families recently resettled to the United States, Sally Wesley Bonet draws from four years of deep involvement in the refugee community of Philadelphia. An education scholar, Bonet’s analysis moves beyond the prevalent tendency to collapse schooling into education. Focusing beyond the public school to other critical institutions, such as public assistance, resettlement programs, and healthcare, she shows how encounters with institutions of the state are an inherently educative process for both refugee youths and adults, teaching about the types of citizenship they are expected to enact and embody while simultaneously shaping them into laboring subjects in service of capitalism. 

An intimate, in-depth ethnography, Meaningless Citizenship exposes how the veneer of American values—freedom, democracy, human rights—exported to countries like Iraq, disintegrates to uncover what is really beneath: a nation-state that prioritizes the needs of capitalism above the survival and wellbeing of its citizens.

For too long, the approach to seemingly universal experiences like love, death, and even time in film has been dominated by the Global North. But what if such explorations developed horizontally instead? Drawing from both European and African cultural theorists, including Gilles Deleuze and Wole Soyinka, Vlad Dima invites us to consider what happens to postcolonial African film if we no longer privilege the idea of time. How else might we understand the cinematic image, and how would its meanings change? Meaninglessness: Time, Rhythm, and the Undead in Postcolonial Cinema is a study of meaning and meaninglessness through the figure of the undead, beginning with francophone Africa and extending to postcolonial France. Through the analysis of films like Mati Diop’s Atlantics and Jean-Pierre Bekolo’s Miraculous Weapons, Dima shows how the African cinematic image may produce meaning without any attachment to European time, and how that meaning is connected instead to the philosophy of negritude and to the notion of rhythm. Meaninglessness introduces the concept of the rhythm-sequence as a new way to understand the African moving image.

Over the past twenty years, elite colleges and universities enacted policies that reshaped the racial and class composition of their campuses, and over the past decade, Latinos’ college attendance notably increased. While discussions on educational mobility often focus on its perceived benefits – that it will ultimately lead to social and economic mobility – less attention is paid to the process of “making it” and the challenges low-income youth experience when navigating these elite spaces. In Meanings of Mobility, sociologist Leah C. Schmalzbauer explores the experiences of low-income Latino youth attending highly selective, elite colleges.
 
To better understand these experiences, Schmalzbauer draws on interviews with 60 low-income Latino youth who graduated or were set to graduate from Amherst College, one of the most selective private colleges in the United States. The vast majority of these students were the first in their immigrant families to go to college in the U.S. She finds that while most of the students believed attending Amherst provided them with previously unimaginable opportunities, adjusting to life on campus came with significant challenges. Many of the students Schmalzbauer spoke with had difficulties adapting to the cultural norms at Amherst as well as with relating to their non-Latino, non-low-income peers. The challenges these students faced were not limited to life on campus. As they attempted to adapt to Amherst, many felt distanced from the family and friends they left behind who could not understand the new challenges they faced.
 
The students credit their elite education for access to extraordinary educational and employment opportunities. However, their experiences while in college and afterward reveal that the relationship between educational and social mobility is much more complicated and less secure than popular conversations about the “American Dream” suggest. Many students found that their educational attainment was not enough to erase the core challenges of growing up in a marginalized immigrant family: many were still poor, faced racism, and those who were undocumented or had undocumented family members still feared deportation.
 
Schmalzbeauer suggests ways elite colleges can better support low-income Latino students and lower the emotional price of educational mobility, including the creation of immigration offices on campus to provide programming and support for undocumented students and their families. She recommends educating staff to better understand the centrality of family for these students and the challenges they face, as well as educating more privileged students about inequality and the life experiences of their marginalized peers.
 
Meanings of Mobility provides compelling insights into the difficulties faced by low-income Latinos pursuing educational and social mobility in America’s elite institutions.
 

An eye-opening examination of how power—not technology—will define life with AI.

AI is inescapable, from its mundane uses online to its increasingly consequential decision-making in courtrooms, job interviews, and wars. The ubiquity of AI is so great that it might produce public resignation—a sense that the technology is our shared fate.
 
As economist Maximilian Kasy shows in The Means of Prediction, artificial intelligence, far from being an unstoppable force, is irrevocably shaped by human decisions—choices made to date by the ownership class that steers its development and deployment. Kasy shows that the technology of AI is ultimately not that complex. It is insidious, however, in its capacity to steer results to its owners’ wants and ends. Kasy clearly and accessibly explains the fundamental principles on which AI works, and, in doing so, reveals that the real conflict isn’t between humans and machines, but between those who control the machines and the rest of us.
 
The Means of Prediction offers a powerful vision of the future of AI: a future not shaped by technology, but by the technology’s owners. Amid a deluge of debates about technical details, new possibilities, and social problems, Kasy cuts to the core issue: Who controls AI’s objectives, and how is this control maintained? The answer lies in what he calls “the means of prediction,” or the essential resources required for building AI systems: data, computing power, expertise, and energy. As Kasy shows, in a world already defined by inequality, one of humanity’s most consequential technologies has been and will be steered by those already in power.
 
Against those stakes, Kasy offers an elegant framework both for understanding AI’s capabilities and for designing its public control. He makes a compelling case for democratic control over AI objectives as the answer to mounting concerns about AI's risks and harms. The Means of Prediction is a revelation, both an expert undressing of a technology that has masqueraded as more complicated and a compelling call for public oversight of this transformative technology.
 

An eye-opening examination of how power—not technology—will define life with AI.

AI is inescapable, from its mundane uses online to its increasingly consequential decision-making in courtrooms, job interviews, and wars. The ubiquity of AI is so great that it might produce public resignation—a sense that the technology is our shared fate.
 
As economist Maximilian Kasy shows in The Means of Prediction, artificial intelligence, far from being an unstoppable force, is irrevocably shaped by human decisions—choices made to date by the ownership class that steers its development and deployment. Kasy shows that the technology of AI is ultimately not that complex. It is insidious, however, in its capacity to steer results to its owners’ wants and ends. Kasy clearly and accessibly explains the fundamental principles on which AI works, and, in doing so, reveals that the real conflict isn’t between humans and machines, but between those who control the machines and the rest of us.
 
The Means of Prediction offers a powerful vision of the future of AI: a future not shaped by technology, but by the technology’s owners. Amid a deluge of debates about technical details, new possibilities, and social problems, Kasy cuts to the core issue: Who controls AI’s objectives, and how is this control maintained? The answer lies in what he calls “the means of prediction,” or the essential resources required for building AI systems: data, computing power, expertise, and energy. As Kasy shows, in a world already defined by inequality, one of humanity’s most consequential technologies has been and will be steered by those already in power.
 
Against those stakes, Kasy offers an elegant framework both for understanding AI’s capabilities and for designing its public control. He makes a compelling case for democratic control over AI objectives as the answer to mounting concerns about AI's risks and harms. The Means of Prediction is a revelation, both an expert undressing of a technology that has masqueraded as more complicated and a compelling call for public oversight of this transformative technology.
 

An essential reevaluation of the proper role of politics in contemporary life. In this critical rethinking of the categories of politics within a new sociopolitical and historical context, the distinguished political philosopher Giorgio Agamben builds on his previous work to address the status and nature of politics itself. Bringing politics face-to-face with its own failures of consciousness and consequence, Agamben frames his analysis in terms of clear contemporary relevance. He proposes, in his characteristically allusive and intriguing way, a politics of gesture—a politics of means without end.Among the topics Agamben takes up are the "properly" political paradigms of experience, as well as those generally not viewed as political. He begins by elaborating work on biopower begun by Foucault, returning the natural life of humans to the center of the polis and considering it as the very basis for politics. He then considers subjects such as the state of exception (the temporary suspension of the juridical order); the concentration camp (a zone of indifference between public and private and, at the same time, the secret matrix of the political space in which we live); the refugee, who, breaking the bond between the human and the citizen, moves from marginal status to the center of the crisis of the modern nation-state; and the sphere of pure means or gestures (those gestures that, remaining nothing more than means, liberate themselves from any relation to ends) as the proper sphere of politics. Attentive to the urgent demands of the political moment, as well as to the bankruptcy of political discourse, Agamben’s work brings politics back to life, and life back to politics.Giorgio Agamben teaches philosophy at the Collège International de Philosophie in Paris and at the University of Macerata in Italy. He is the author of Language and Death (1991), Stanzas (1992), and The Coming Community (1993), all published by the University of Minnesota Press.

An accessible new translation of one of Shakespeare’s most interesting and challenging plays.
 
One of Shakespeare’s most difficult plays, Measure for Measure has long challenged performers and audiences alike. In reworking the play in her translation, Aditi Brennan Kapil honors the structure, rhythms, and themes of Shakespeare’s original. Kapil’s updated language makes this cautionary fable about frailty, power, and the perils of legislating morality accessible for today’s audiences.
 
This translation of Measure for Measure was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

They went to Cairo, leaving behind the adobe houses built along the edge of the Nile and the villagers who all knew each other and who had lived on this land for more centuries than their names could count. Behind them, they left the imprint of their footsteps for others who might follow.
 
This family saga begins when Salim, the eldest of three brothers, moves to Cairo at the start of the twentieth century with dreams of opening his own bakery. His decision to leave his ancestral village of Kom Ombo despite his parents’ objections reverberates across generations, kicking off a series of migrations that shape the lives of his family and their descendants throughout the decades that follow. These migrations only intensify after the revolution of 1952—with Misha, Salim’s eldest grandchild, being the first to flee to “Amreeka,” his annual phone calls home becoming briefer and briefer with each passing year.
 
Culminating with the 2011 protests in Tahrir Square, Pauline Kaldas’s The Measure of Distance is a detailed portrait of immigration against the backdrop of an Egypt in constant flux and an America that is always falling short of the fantasy. Alternating between tales of those who migrate and those who stay, this expansive novel follows its characters as they determine the course of their lives, often choosing one uncertainty over another as they migrate to new lands or plant their roots more firmly in their homeland.
 

Innovative new approaches for improving GDP measurement to better gauge economic productivity.

Official measures of gross domestic product (GDP) indicate that productivity growth has declined in the United States over the last two decades. This has led to calls for policy changes from pro-business tax reform to stronger antitrust measures. But are our twentieth-century economic methods actually measuring our twenty-first-century productivity?

The Measure of Economies offers a synthesis of the state of knowledge in productivity measurement at a time when many question the accuracy and scope of GDP. With chapters authored by leading economic experts on topics such as the digital economy, health care, and the environment, it highlights the inadequacies of current practices and discusses cutting-edge alternatives.

Pragmatic and forward-facing, The Measure of Economies is an essential resource not only for social scientists, but also for policymakers and business leaders seeking to understand the complexities of economic growth in a time of rapidly evolving technology.

The Measure of Manliness is among the first books to focus on representations of disability in Victorian literature, showing that far from being marginalized or pathologized, disability was central to the narrative form of the mid-century novel. Mid-Victorian novels evidenced a proliferation of male characters with disabilities, a phenomenon that author Karen Bourrier sees as a response to the rise of a new Victorian culture of industry and vitality, and its corollary emphasis on a hardy, active manhood. The figure of the voluble, weak man was a necessary narrative complement to the silent, strong man. The disabled male embodied traditionally feminine virtues, softening the taciturn strong man, and eliciting emotional depths from his seemingly coarse muscular frame. Yet, the weak man was able to follow the strong man where female characters could not, to all-male arenas such as the warehouse and the public school. The analysis yokes together historical and narrative concerns, showing how developments in nineteenth-century masculinity led to a formal innovation in literature: the focalization or narration of the novel through the perspective of a weak or disabled man. The Measure of Manliness charts new territory in showing how feeling and loquacious bodies were increasingly seen as sick bodies throughout the nineteenth century. The book will appeal to those interested in disability studies, gender and masculinity studies, the theorization of sympathy and affect, the recovery of women’s writing and popular fiction, the history of medicine and technology, and queer theory.

One of the most interesting questions that can be raised about the twentieth century world concerns the degree to which industrialization created a common culture for all peoples. Reported here are the results of an empirical investigation designed to produce instruments to measure those personal values that have been central variables in the theory of modernization of societies.

The purpose of Joseph Kahl’s research is primarily methodological: to advance the description and measurement of those value orientations used by men to organize their occupational careers. It seeks to delineate and measure a set of values that represents a “modern” view of work and life.

The working laboratory was Brazil and Mexico, two countries undergoing rapid industrialization. More than six hundred men in Brazil and more than seven hundred in Mexico responded to questionnaires. In addition, over twenty-five men in each country were asked to sit beside a tape recorder and talk freely of their worldviews. The respondents were divided between inhabitants of the cities of Rio de Janeiro and Mexico City and those who lived in provincial towns of fewer than ten thousand inhabitants. The samples included manual and nonmanual employees.

The results showed that the main variable predicting whether or not a man would tend toward modernism was his social-class position. Middle-class men were much more modern in outlook than working-class men. Residence in a metropolis rather than in a small town also increased modernism, though to a lesser extent. Differences between Brazil and Mexico (and, indeed, the United States) were found to be surprisingly small, of considerably less weight than position in the social structure in predicting value orientations.

The author addresses himself primarily to sociologists and their students who are themselves studying aspects of socio-economic development. His findings, however, cannot fail to be of interest and benefit to social scientists of various disciplines and to all who are concerned with the process of development—planners at the national and local levels, demographers, and businesspeople.

Measurement Science for Modern Physics presents an engaging account of how advances in measurement and instrumentation have driven the major revolutions of modern physics. From early efforts to understand the motion of the planets and the nature of light, to today's ultra-precise atomic clocks, lasers and gravitational-wave detectors, measurement science has played an essential role in the development of modern physics.