A powerful testament to writing as an act of beauty and rebellion that speaks truth and condemns violent legacies and a feverish ode that weaves together personal and national history to finally find healing.
This evocative novel from a great figure of Malagasy literature tells the story of Hira, a writer born on the seventh anniversary of Madagascar’s independence. He wanders through different cities on a book tour, but the experience is amnesiac and confusing. There is a past he is trying to reckon with, filled with violence against both his family and country. He runs from his wife and represses his memories until it all explodes in fever dreams and a vomit of words. But to write the rebirth that he yearns for, Hira must write of his father’s torture, his tortured island, and how both were juxtaposed to his own happy childhood. In combing through these various pasts, he might make the same mistake his father did: trying to change the world but leaving his own family broken.
Drawing from the lived experience of both the author and his parents, the violence of both life and language, and the stories of both myth and history, Return is a search for an individual’s place within larger collective trauma. Infused with Raharimanana’s signature poeticism and intensity, this is a masterwork by an as-yet-overlooked but essential voice in the postcolonial tradition.
Romulus was the founder of Rome; and those tossed outside the city-gate are not Romulus’s children but the cast-offs living in hovels, the Rumphulus. However, this isn’t ancient Rome, but rather the nature preserve of a contemporary American suburb. The outcasts don’t understand why they’ve been relegated to the
woods. Nor do they know if they will ever summon the courage to cross the roads that act as a physical and psychological barrier to their reentry into conventional society. Daily they negotiate the harsh conditions of the wild and the dangerous presence of one another while they contemplate their exiles. That is until society
comes for one of them.
The Rumphulus have grown their beards long, and when they can no longer stand life they howl like wolves; only they are not wolves but the stranded city outcasts who howl in pain.
A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and ’30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.
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