In the early years of the Vietnamese Revolution—the 1920s and 1930s—radicalism was the dominant force in anticolonial politics. The subsequent displacement of radicalism by communism, however, has obscured radicalism’s role as a nonideological reaction to both colonial rule and native accommodation to that rule. Hue-Tam Ho Tai seeks to redress the influence of radicalism on this crucial point in Vietnamese history. She reveals a vibrant and explosive era of student strikes, debates on women’s emancipation, revolt against the patriarchal family, and intellectual explorations of French and Chinese politics and thought.
Making instructive use of literacy sources, archival materials, and the unpublished memoirs of her father, himself a participant in these events, Tai persuasively sets right the personalities and spirit of the Revolution—and the culture from which it emerged.
Realizing the Dream of R. A. Kartini: Her Sisters’ Letters from Colonial Java presents a unique collection of documents reflecting the lives, attitudes, and politics of four Javanese women in the early twentieth century. Joost J. Coté translates the correspondence between Raden Ajeng Kartini, Indonesia’s first feminist, and her sisters, revealing for the first time her sisters’ contributions in defining and carrying out her ideals. With this collection, Coté aims to situate Kartini’s sisters within the more famous Kartini narrative–and indirectly to situate Kartini herself within a broader narrative.
The letters reveal the emotional lives of these modern women and their concerns for the welfare of their husbands and the success of their children in rapidly changing times. While by no means radical nationalists, and not yet extending their horizons to the possibility of an Indonesian nation, these members of a new middle class nevertheless confidently express their belief in their own national identity.
Realizing the Dream of R. A. Kartini is essential reading for scholars of Indonesian history, providing documentary evidence of the culture of modern, urban Java in the late colonial era and an insight into the ferment of the Indonesian nationalist movement in which these women and their husbands played representative roles.
Cambodian history is Cold War history, asserts Y-Dang Troeung in Refugee Lifeworlds. Constructing a genealogy of the afterlife of the Cold War in Cambodia, Troeung mines historical archives and family anecdotes to illuminate the refugee experience, and the enduring impact of war, genocide, and displacement in the lives of Cambodian people.
Troeung, a child of refugees herself, employs a method of autotheory that melds critical theory, autobiography, and textual analysis to examine the work of contemporary artists, filmmakers, and authors. She references a proverb about the Cambodian kapok tree that speaks to the silences, persecutions, and modes of resistance enacted during the Cambodian Genocide, and highlights various literary texts, artworks, and films that seek to document and preserve Cambodian histories nearly extinguished by the Khmer Rouge regime.
Addressing the various artistic responses to prisons and camps, issues of trauma, disability, and aphasia, as well as racism and decolonialism, Refugee Lifeworlds repositions Cambodia within the broader transpacific formation of the Cold War. In doing so, Troeung reframes questions of international complicity and responsibility in ways that implicate us all.
“I saw many killed. I almost starved. But I escaped to refugee camps in Thailand and eventually made it to the U.S.” Thus begins Leth Oun’s poignant and vivid memoir. A survivor of the Cambodian Killing Fields—having spent a torturous three years, eight months, and ten days imprisoned by the Khmer Rouge—Oun thrived in America, learning English, becoming a citizen, and working as an officer in the United States Secret Service Uniformed Division.
In A Refugee’s American Dream, Oun shares hard memories of Cambodia, where his father was executed, and his family enslaved in labor camps.
Following the fall of the Khmer Rouge, Oun survived a year of homelessness then nearly four years in refugee camps. Arriving in America, 17 and penniless, Oun struggled, washing dishes at a Chinese restaurant for $3.15 an hour. Still, he persevered, graduating from Widener University and completing thousands of hours of training to pursue a career in the Secret Service.
While on President Obama’s protection team, he returns to Cambodia after 32 years, reunites with family, and bonds with Reik, the Secret Service dog he handles. Through his most difficult moments, Oun displays truly inspiring resilience that ultimately leads to great achievements.
The authors’ proceeds will go to help Cambodians in need
Hawley combines the theoretical insights of Judith Butler, Michel Foucault, and Emmanuel Levinas with detailed research into the history of the movement to recover the remains of soldiers missing in Vietnam. He examines the practices that constitute the Defense Department’s accounting protocol: the archival research, archaeological excavation, and forensic identification of recovered remains. He considers the role of the American public and the families of missing soldiers in demanding the release of pows and encouraging the recovery of the missing; the place of the body of the Vietnam veteran within the war’s legacy; and the ways that memorials link individual bodies to the body politic. Highlighting the contradictions inherent in the recovery effort, Hawley reflects on the ethical implications of the massive endeavor of the American government and many officials in Vietnam to account for the remains of American soldiers.
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do.
Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid.
Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.
In late 1930, on a secluded mountain overlooking the rural paddy fields of British Burma, a peasant leader named Saya San crowned himself King and inaugurated a series of uprisings that would later erupt into one of the largest anti-colonial rebellions in Southeast Asian history. Considered an imposter by the British, a hero by nationalists, and a prophet-king by area-studies specialists, Saya San came to embody traditional Southeast Asia’s encounter with European colonialism in his attempt to resurrect the lost throne of Burma.
The Return of the Galon King analyzes the legal origins of the Saya San story and reconsiders the facts upon which the basic narrative and interpretations of the rebellion are based. Aung-Thwin reveals how counter-insurgency law produced and criminalized Burmese culture, contributing to the way peasant resistance was recorded in the archives and understood by Southeast Asian scholars.
This interdisciplinary study reveals how colonial anthropologists, lawyers, and scholar-administrators produced interpretations of Burmese culture that influenced contemporary notions of Southeast Asian resistance and protest. It provides a fascinating case study of how history is treated by the law, how history emerges in legal decisions, and how the authority of the past is used to validate legal findings.
In October 1973 a mass movement forced Thailand’s prime minister to step down and leave the country, ending nearly forty years of dictatorship. Three years later, in a brutal reassertion of authoritarian rule, Thai state and para-state forces quashed a demonstration at Thammasat University in Bangkok. In Revolution Interrupted, Tyrell Haberkorn focuses on this period when political activism briefly opened up the possibility for meaningful social change. Tenant farmers and their student allies fomented revolution, she shows, not by picking up guns but by invoking laws—laws that the Thai state ultimately proved unwilling to enforce.
In choosing the law as their tool to fight unjust tenancy practices, farmers and students departed from the tactics of their ancestors and from the insurgent methods of the Communist Party of Thailand. To first imagine and then create a more just future, they drew on their own lived experience and the writings of Thai Marxian radicals of an earlier generation, as well as New Left, socialist, and other progressive thinkers from around the world. Yet their efforts were quickly met with harassment, intimidation, and assassinations of farmer leaders. More than thirty years later, the assassins remain unnamed.
Drawing on hundreds of newspaper articles, cremation volumes, activist and state documents, and oral histories, Haberkorn reveals the ways in which the established order was undone and then reconsolidated. Examining this turbulent period through a new optic—interrupted revolution—she shows how the still unnameable violence continues to constrict political opportunity and to silence dissent in present-day Thailand.
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