Until 300 years ago, the Chinese considered Taiwan a "land beyond the seas," a "ball of mud" inhabited by "naked and tattooed savages." The incorporation of this island into the Qing empire in the seventeenth century and its evolution into a province by the late nineteenth century involved not only a reconsideration of imperial geography but also a reconceptualization of the Chinese domain. The annexation of Taiwan was only one incident in the much larger phenomenon of Qing expansionism into frontier areas that resulted in a doubling of the area controlled from Beijing and the creation of a multi-ethnic polity. The author argues that travelers' accounts and pictures of frontiers such as Taiwan led to a change in the imagined geography of the empire. In representing distant lands and ethnically diverse peoples of the frontiers to audiences in China proper, these works transformed places once considered non-Chinese into familiar parts of the empire and thereby helped to naturalize Qing expansionism.

By viewing Taiwan-China relations as a product of the history of Qing expansionism, the author contributes to our understanding of current political events in the region.

An enduring monument of haunting beauty, the Taj Mahal seems a symbol of stability itself. The familiar view of the glowing marble mausoleum from the gateway entrance offers the very picture of permanence. And yet this extraordinary edifice presents a shifting image to observers across time and cultures. The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Giles Tillotson’s book. More than a richly illustrated history—though it is that as well—this book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world.

Since its completion in 1648, the mausoleum commissioned by the fifth Mughal emperor, Shah Jahan, for his wife Mumtaz Mahal, has come to symbolize many things: the undying love of a man for his wife, the perfection of Mughal architecture, the ideal synthesis of various strands of subcontinental aesthetics, even an icon of modern India itself. Exploring different perspectives brought to the magnificent structure—by a Mughal court poet, an English Romantic traveler, a colonial administrator, an architectural historian, or a contemporary Bollywood filmmaker—this book is an incomparable guide through the varied and changing ideas inspired by the Taj Mahal, from its construction to our day. In Tillotson’s expert hands, the story of a seventeenth-century structure in the city of Agra reveals itself as a story about our own place and time.

Spoken by eighty million people in South Asia and a diaspora that stretches across the globe, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue for so many speakers. David Shulman presents a comprehensive cultural history of Tamil—language, literature, and civilization—emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography.

Two stories animate Shulman’s narrative. The first concerns the evolution of Tamil’s distinctive modes of speaking, thinking, and singing. The second describes Tamil’s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil’s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today.

Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. “Tamil” can mean both “knowing how to love”—in the manner of classical love poetry—and “being a civilized person.” It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.

Modern Japan offers us a view of a highly developed society with its own internal logic. Eiko Ikegami makes this logic accessible to us through a sweeping investigation into the roots of Japanese organizational structures. She accomplishes this by focusing on the diverse roles that the samurai have played in Japanese history. From their rise in ancient Japan, through their dominance as warrior lords in the medieval period, and their subsequent transformation to quasi-bureaucrats at the beginning of the Tokugawa era, the samurai held center stage in Japan until their abolishment after the opening up of Japan in the mid-nineteenth century.

This book demonstrates how Japan’s so-called harmonious collective culture is paradoxically connected with a history of conflict. Ikegami contends that contemporary Japanese culture is based upon two remarkably complementary ingredients, honorable competition and honorable collaboration. The historical roots of this situation can be found in the process of state formation, along very different lines from that seen in Europe at around the same time. The solution that emerged out of the turbulent beginnings of the Tokugawa state was a transformation of the samurai into a hereditary class of vassal-bureaucrats, a solution that would have many unexpected ramifications for subsequent centuries.

Ikegami’s approach, while sociological, draws on anthropological and historical methods to provide an answer to the question of how the Japanese managed to achieve modernity without traveling the route taken by Western countries. The result is a work of enormous depth and sensitivity that will facilitate a better understanding of, and appreciation for, Japanese society.

By looking at the activities of Taoist clerics in Peking, this book explores the workings of religion as a profession in one Chinese city during a period of dramatic modernization. The author focuses on ordinary religious professionals, most of whom remained obscure temple employees. Although almost forgotten, they were all major actors in urban religious and cultural life.

The clerics at the heart of this study spent their time training disciples, practicing and teaching self-cultivation, performing rituals, and managing temples. Vincent Goossaert shows that these Taoists were neither the socially despised illiterates dismissed in so many studies, nor otherworldly ascetics, but active participants in the religious economy of the city. In exploring exactly what their crucial role was, he addresses the day-to-day life of modern Chinese religion from the perspective of ordinary religious specialists. This approach highlights the social processes, institutions, and networks that transmit religious knowledge and mediate between prestigious religious traditions and the people in the street. In modern Chinese religion, the Taoists are such key actors. Without them, "Taoist ritual" and "Taoist self-cultivation" are just empty words.

An eye-opening portrait of global capitalism spanning 150 years, told through the history of the Tata corporation.

Nearly a century old, the grand façade of Bombay House is hard to miss in the historic business district of Mumbai. This is the iconic global headquarters of the Tata Group, a multinational corporation that produces everything from salt to software. After getting their start in the cotton and opium trades, the Tatas, a Parsi family from Navsari, Gujarat, ascended to commanding heights in the Indian economy by the time of independence in 1947. Over the course of its 150-year history Tata spun textiles, forged steel, generated hydroelectric power, and took to the skies. It also faced challenges from restive workers fighting for their rights and political leaders who sought to curb its power.

In this sweeping history, Mircea Raianu tracks the fortunes of a family-run business that was born during the high noon of the British Empire and went on to capture the world’s attention with the headline-making acquisition of luxury car manufacturer Jaguar Land Rover. The growth of Tata was a complex process shaped by world historical forces: the eclipse of imperial free trade, the intertwined rise of nationalism and the developmental state, and finally the return of globalization and market liberalization. Today Tata is the leading light of one of the world’s major economies, selling steel, chemicals, food, financial services, and nearly everything else, while operating philanthropic institutions that channel expert knowledge in fields such as engineering and medicine.

Based on painstaking research in the company’s archive, Tata elucidates how a titan of industry was created and what lessons its story may hold for the future of global capitalism.

Examines Japan’s war generation—Japanese men and women who survived World War Two and rebuilt their lives, into the 21st century, from memories of that conflict
 
Since John Hersey’s Hiroshima—the classic account, published in 1946, of the aftermath of the atomic bombing of that city—very few books have examined the meaning and impact of World War II through the eyes of Japanese men and women who survived that conflict. Tattered Kimonos in Japan does just that: It is an intimate journey into contemporary Japan from the perspective of the generation of Japanese soldiers and civilians who survived World War II, by a writer whose American father and Japanese father-in-law fought on opposite sides of the conflict.

The author, a former NPR senior editor, is Jewish, and he approaches the subject with the sensibilities of having grown up in a community of Holocaust survivors. Mindful of the power of victimhood, memory, and shared suffering, he travels across Japan, including Hiroshima and Nagasaki, meeting a compelling group of men and women whose lives, even now, are defined by the trauma of war, and by lingering questions of responsibility and repentance for Japan’s wartime aggression.

The image of a tattered kimono from Hiroshima is the thread that drives the narrative arc of this emotional story about a writer’s encounter with history, inside the Japan of his father’s generation, on the other side of his father’s war. This is a book about history with elements of family memoir. It offers a fresh and truly unique perspective for readers interested in World War II, Japan, or Judaica; readers seeking cross-cultural journeys; and readers intrigued by Japanese culture, particularly the kimono.
 

Tea growing was a prosperous industry in Sichuan when Wang Anshi's New Policies created a Tea Market Agency to buy up Sichuanese tea and trade it to Tibetan tribesmen for cavalry horses. At first the highly autonomous Agency not only acquired the needed horses but made a profit. After the Jurchen conquest of North China, however, market realities changed and the combined Tea and Horse Agency's once successful policies ruined tea farmers, failed to meet quotas for horses, and ran a deficit. Smith details the workings of Sichuan tea farming and the tea trade, examines the geopolitical factors that forced the Song to buy horses, and graphically describes the difficulties of driving them more than a thousand miles through rugged mountains with only inexperienced conscripts as trail hands.

In this study of fiscal sociology, Smith also explains how the Tea and Horse Agency transformed the Sichuan local elite, which was notorious for its resistance to state power, into imperial civil servants eager to tax their own region. He draws on modern theories of corporate behavior to explain what made the inner workings of the Agency an extraordinary departure for the Chinese civil service; and he demonstrates how the Agency put into practice the most radical New-Policies theories of state economic activism. The Agency made entrepreneurs out of bureaucrats, but ultimately became ruinously tyrannical as the system of state rewards and punishments drove its personnel to actions that crippled key sectors of the economy.

Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music—of parted lovers, long unseen rural hometowns, and self-sacrificing mothers—evokes a direct connection to the traditional roots of "Japaneseness." Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author's extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes "Japan."

Drawing on the papers presented at CEEJA’s* first international conference addressing the long-neglected field relating to the generation, dissemination and application of technical knowledge in Japan from the Edo to the Meiji periods, this volume provides a valuable selection of new research on the subject, from Hashimoto Takehiko’s detailed examination of Tanaka Hisashige’s ‘Myriad Year Clock’, Regine Mathias’s paper on mining and smelting, and Erich Pauer’s overview of Japanese technical books in the pre-modern era, to Suzuki Jun’s detailed account of boiler-making in late nineteenth-century Japan. * Centre Européen d’Études Japonaises d’Alsace, 2017

In the late 1800s, Indians seemed to be a people left behind by the Industrial Revolution, dismissed as “not a mechanical race.” Today Indians are among the world’s leaders in engineering and technology. In this international history spanning nearly 150 years, Ross Bassett—drawing on a unique database of every Indian to graduate from the Massachusetts Institute of Technology between its founding and 2000—charts their ascent to the pinnacle of high-tech professions.

As a group of Indians sought a way forward for their country, they saw a future in technology. Bassett examines the tensions and surprising congruences between this technological vision and Mahatma Gandhi’s nonindustrial modernity. India’s first prime minister, Jawaharlal Nehru, sought to use MIT-trained engineers to build an India where the government controlled technology for the benefit of the people. In the private sector, Indian business families sent their sons to MIT, while MIT graduates established India’s information technology industry.

By the 1960s, students from the Indian Institutes of Technology (modeled on MIT) were drawn to the United States for graduate training, and many of them stayed, as prominent industrialists, academics, and entrepreneurs. The MIT-educated Indian engineer became an integral part of a global system of technology-based capitalism and focused less on India and its problems—a technological Indian created at the expense of a technological India.

Nearly half a century ago, the economic historian Harold Innis pointed out that the geographical limits of empires were determined by communications and that, historically, advances in the technologies of transport and communications have enabled empires to grow. This power of communications was demonstrated when Japanese Emperor Hirohito’s radio speech announcing Japan’s surrender and the dissolution of its empire was broadcast simultaneously throughout not only the Japanese home islands but also all the territories under its control over the telecommunications system that had, in part, made that empire possible.

In the extension of the Japanese empire in the 1930s and 1940s, technology, geo-strategy, and institutions were closely intertwined in empire building. The central argument of this study of the development of a communications network linking the far-flung parts of the Japanese imperium is that modern telecommunications not only served to connect these territories but, more important, made it possible for the Japanese to envision an integrated empire in Asia. Even as the imperial communications network served to foster integration and strengthened Japanese leadership and control, its creation and operation exacerbated long-standing tensions and created new conflicts within the government, the military, and society in general.

This book examines the revolution in Sanskrit poetics initiated by the ninth-century Kashmiri Anandavardhana. Anandavardhana replaced the formalist aesthetic of earlier poeticians with one stressing the unifunctionality of literary texts, arguing that all components of a work should subserve a single purpose—the communication of a single emotional mood (rasa). Attention was redirected from formal elements toward specific poems, viewed as aesthetically integrated wholes, thereby creating new literary critical possibilities.

Anandavardhana’s model of textual coherence, along with many key analytic concepts, are rooted in the hermeneutic theory of the Mimamsakas (Vedic Exegetes). Like Anandavardhana, the Mimamsakas made the unifunctionality of texts their most basic interpretive principle.

While Anandavardhana’s teleological approach to textual analysis gained rapid acceptance among the Kashmiri poeticians, another aspect of his theory became controversial. He argued that rasa, and certain other poetic meanings, cannot be conveyed by recognized semantic processes, and therefore postulated a new semantic function, dhvani (“suggestion”) to account for them. The controversy over this “suggestion” rapidly became the central topic in poetics, to the exclusion of teleologically based criticism. While dhvani ultimately gained universal acceptance among Sanskrit poeticians, the conflict over its existence, ironically, marginalized Anandavardhana’s preferred approach to poetic analysis.

Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace.

Fieldwork from across Afghanistan allowed Osman to record the voices of many Afghan media producers and people. Afghans offer their own seldom-heard views on the country's cultural progress and belief systems, their understandings of themselves, and the role of international interventions. Osman analyzes the impact of transnational media and foreign funding while keeping the focus on local cultural contestations, productions, and social movements. As a result, she redirects the global dialogue about Afghanistan to Afghans and challenges top-down narratives of humanitarian development.

The Northern Song (960–1126) was one of the most transformative periods in Chinese literary history, characterized by the emergence of printing and an ensuing proliferation of books. The poet Huang Tingjian (1045–1105), writing at the height of this period, both defined and was defined by these changes. The first focused study on the cultural consequences of printing in Northern Song China, this book examines how the nascent print culture shaped the poetic theory and practice of Huang Tingjian and the Jiangxi School of Poetry he founded.

Author Yugen Wang argues that at the core of Huang and the Jiangxi School’s search for poetic methods was their desire to find a new way of reading and writing that could effectively address the changed literary landscape of the eleventh century. Wang chronicles the historical and cultural negotiation Huang and his colleagues were conducting as they responded to the new book culture, and opens new ground for investigating the literary interpretive and hermeneutical effects of printing. This book should be of interest not only to scholars and readers of classical Chinese poetry but to anyone concerned with how the material interacts with the intellectual and how technology has influenced our conception and practice of reading and writing throughout history.

In Terror Capitalism anthropologist Darren Byler theorizes the contemporary Chinese colonization of the Uyghur Muslim minority group in the northwest autonomous region of Xinjiang. He shows that the mass detention of over one million Uyghurs in “reeducation camps” is part of processes of resource extraction in Uyghur lands that have led to what he calls terror capitalism—a configuration of ethnoracialization, surveillance, and mass detention that in this case promotes settler colonialism. Drawing on ethnographic fieldwork in the regional capital Ürümchi, Byler shows how media infrastructures, the state’s enforcement of “Chinese” cultural values, and the influx of Han Chinese settlers contribute to Uyghur dispossession and their expulsion from the city. He particularly attends to the experiences of young Uyghur men—who are the primary target of state violence—and how they develop masculinities and homosocial friendships to protect themselves against gendered, ethnoracial, and economic violence. By tracing the political and economic stakes of Uyghur colonization, Byler demonstrates that state-directed capitalist dispossession is coconstructed with a colonial relation of domination.

The civil service examination essay known as shiwen (modern or contemporary prose) or bagu wen (eight-legged essay) for its complex structure was the most widely read and written literary genre in early modern China (1450–1850). As the primary mode of expression in which educated individuals were schooled, shiwen epitomized the literary enterprise even beyond the walls of the examination compound. But shiwen suffered condemnation in the shift in discourse on literary writing that followed the fall of the Ming dynasty, and were thoroughly rejected in the May Fourth iconoclasm of the early twentieth century.

Challenging conventional disregard for the genre, Alexander Des Forges reads the examination essay from a literary perspective, showing how shiwen redefined prose aesthetics and transformed the work of writing. A new approach to subjectivity took shape: the question “who is speaking?” resonated through the essays’ involuted prose style, foregrounding issues of agency and control. At the same time, the anonymity of the bureaucratic evaluation process highlighted originality as a literary value. Finally, an emphasis on questions of form marked the aesthetic as a key arena for contestation of authority as candidates, examiners, and critics joined to form a dominant social class of literary producers.

The first English translation of a thousand-year-old story of Krishna and his wife Satyabhama, retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections. Timmana based his work on a popular millennium-old Krishna tale.

Theft of a Tree recounts how Krishna stole the wish-granting pārijāta tree from the garden of Indra, king of the gods. Krishna takes the tree to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, he plants the pārijāta for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness.

This is the first English translation of the poem, which prefigures the modern Telugu novel with its unprecedented narrative unity.

    Today, comic art is the favorite reading fare for millions of Asians, and is a government-sanctioned, value-added product, as in the case of Korean and Japanese animation. Yet not much is known about Asian cartooning. 
    Themes and Issues in Asian Cartooning uses overviews and case studies by scholars to discuss Asian animation, humor magazines, gag cartoons, comic strips, and comic books. The first half of the book looks at contents and audiences of Malay humor magazines, cultural labor in Korean animation, the reception of Aladdin in Islamic Southeast Asia, and a Singaporean comic book as a reflection of that society’s personality. Four other chapters treat gender and Asian comics, concentrating on Japanese anime and manga and Indian comic books.

A comprehensive series of essays exploring Peter C. Phan’s groundbreaking work to widen Christian theology beyond the Western world

Peter C. Phan’s wide-ranging contributions to theology and his pioneering work on religious pluralism, migration, and Christian identity have made a global impact on the field.

The essays in Theology without Borders offer a variety of perspectives across Phan’s fundamental work in eschatology, world christianity, interreligious dialogue, and much more. Together, these essays offer a comprehensive assessment of Phan’s groundbreaking work across a range of theological fields. Included in the conversation are discussions of world Christianity and migration, Christian identity and religious pluralism, Christian theology in Asia, Asian American theology, eschatology, and Phan’s lasting legacy.

Theology without Borders provides a welcome overview for anyone interested in the career of Peter C. Phan, his body of work, and its influence.

A stunning modern translation of a Buddhist classic that is also one of the oldest literary texts in the world written by women.

The Therīgāthā, composed more than two millennia ago, is an anthology of poems in the Pali language by and about the first Buddhist women. These women were therīs, the senior ones, among ordained Buddhist women, and they bore that epithet because of their religious achievements. The poems they left behind are arguably among the most ancient examples of women’s writing in the world and they are unmatched for their quality of personal expression and the extraordinary insight they offer into the lives of women in the ancient Indian past—and indeed, into the lives of women as such.

This new version of the Therīgāthā, based on a careful reassessment of the major editions of the work and printed in the Roman script common for modern editions of Pali texts, offers the most powerful and the most readable translation ever achieved in English.

From 1949 to 1978, communist elites held clashing visions of China’s economic development. Mao Zedong advocated the “first way” of semi-autarchy characteristic of revolutionary Stalinism (1929–34), while Zhou Enlai adapted bureaucratic Stalinism (1934–53) to promote the “second way” of import substitution industrialization. A Third Way tells the story of Deng Xiaoping’s experimentation with export-led development inspired by Lenin’s New Economic Policy and the economic reforms of Eastern Europe and Asia.

Having uncovered an extraordinary collection of internal party and government documents, Lawrence Reardon meticulously traces the evolution of the coastal development strategy, starting with special economic zones in 1979 and evolving into the fourteen open coastal cities, the Hainan SEZ, and eventual accession to the global trade regime in 2001. Reardon details how Deng and Zhao Ziyang tackled large-scale smuggling operations, compromised with Chen Yun’s conservative views, and overcame Deng Liqun’s ideological opposition. Although Zhao Ziyang was airbrushed out of official Chinese history after June 4, 1989, Reardon argues that Zhao was the true architect of China’s opening strategy. A Third Way provides important new insights about the crucial period of the 1980s and how it paved the way for China’s transformation into a global economic superpower.

In 1712, the Kangxi emperor published Imperial Poems on the Mountain Estate for Escaping the Heat (Yuzhi Bishu shanzhuang shi) to commemorate his recently completed summer palace. Through his perceptions of thirty-six of its most scenic views, his poems and descriptions present an unusually intimate self-portrait of the emperor at the age of sixty that reflected the pleasures of his life there as well as his ideals as the ruler of the Qing Empire. Kangxi was closely involved in the production of the book and ordered several of his outstanding court artists—the painter Shen Yu and the engravers Zhu Gui and Mei Yufeng—to produce woodblock prints of the Thirty-Six Views, which set a new standard for topographical illustration. He also ordered Matteo Ripa, an Italian missionary serving as a court-artist, to translate these images into the medium of copperplate engraving, which introduced this technique to China. Ripa’s hybridized interpretations soon began to circulate in Europe and influenced contemporary aesthetic debates about the nature and virtues of the Chinese garden. This artistic collaboration between a Chinese emperor and a western missionary-artist thus marked a significant moment in intercultural imagination, production, and transmission during an earlier phase of globalization.

More than two hundred years after Thomas Stamford Raffles established a British factory on the island of Singapore, he continues to be a towering figure in the nation. Not one but two statues of Raffles stand prominently in Singapore’s civic and heritage district, streets and squares are named after him, and important local businesses use his name. But does Raffles deserve this recognition? Should he continue to be celebrated—or like Cecil Rhodes in South Africa, must Raffles fall?
 
This is not a new question—in fact, it was considered at length as far back as 1971, in Syed Hussein Alatas’s slim but devastating volume Thomas Stamford Raffles: Schemer or Reformer?. While the book failed to spark a wide debate on Raffles’s legacy in 1970s Singapore, nearly 50 years after its original publication this powerful work feels wholly fresh and relevant. This edition features a new introduction by Syed Farid Alatas assessing contemporary Singapore’s take on Raffles, and how far we have, or have not, come in thinking through Singapore’s colonial legacy.

A Thousand Steps to Parliament traces how the complicated, contradictory paths to political representation that women in Mongolia must walk mirror those the world over.

Mongolia has often been deemed an “island of democracy,” commended for its rapid adoption of free democratic elections in the wake of totalitarian socialism. The democratizing era, however, brought alongside it a phenomenon that Manduhai Buyandelger terms “electionization”—a restructuring of elections from time-grounded events into a continuous neoliberal force that governs everyday life beyond the electoral period. In this way, electoral campaigns have come to substitute for the functions of governing, from social welfare to the private sector, requiring an accumulation of wealth and power beyond the reach of most women candidates. In A Thousand Steps to Parliament, Buyandelger shows how successful women candidates instead use strategies of self-polishing to cultivate charisma and a reputation for being oyunlag, or intellectful. This carefully crafted identity can be called the “electable self”: treating their bodies and minds as pliable and renewable, women candidates draw from the same practices of neoliberalism that have unsustainably commercialized elections. By tracing the complicated, contradictory paths to representation that women in Mongolia must walk, A Thousand Steps to Parliament holds a mirror up to democracies the world over, revealing an urgent need to grapple with the encroaching effects of neoliberalism in our global political systems.

An expansive and accessible introduction to the history of Korea during the first millennium CE.
 
Korea’s Three Kingdoms period is a genuine “lost civilization,” during which ancient realms vied for supremacy during the first millennium CE. Nobles from this period’s feuding states adopted and adapted Buddhism and Confucianism through interactions with early medieval Chinese dynasties. It was not until the mid-seventh century that the aristocratic Silla state, with the assistance of the mighty Chinese Tang empire, unified the Three Kingdoms of Korea by conquering the kingdoms of Koguryo and Paekche. Weaving together legends of ancient kings with the true histories of monks, scholars, and laypeople, this book sheds new light on a foundational period that continues to shape Korean identity today.

In the fall of 1964, sinologist Erik Zürcher travelled to China for the first time, a country he had been studying since 1947. A collection of Zürcher's personal writings from his trip, including letters and diary entries, Three Months in Mao's China offers not only new insights about the great scholar, but also a rich picture of communist China, which was in those days still almost completely inaccessible to Westerners.During a tumultuous time in world politics, as Nikita Khrushchev was deposed, Lyndon Johnson won the US presidential election against Barry Goldwater, and China became a nuclear power, Zürcher experienced the reality of China under Mao Zedong. Only recently discovered, these documents portray, viewed through an expert's eye, a land in the midst of its own massive political, social, and economic change. Both a fascinating account by an informed outsider and a reminder of just how much China and the rest of the world have changed over the last fifty years, this is essential reading for anyone interested in East Asia and Asian history as a whole.

What happens when historiography—the way historical events are committed to writing—shapes historical events as they occur? How do we read biography when it is truly “life-writing,” its subjects fully engaged with the historiographical rhetoric that would record their words and deeds?

The Threshold, a study of the culture of historiography in early medieval China, explores these questions through the lens of the History of Liu-Song, a dynastic history compiled in 488 and covering the first three-quarters of the fifth century. Rhetoric courses through early medieval historiography: from the way a historian framed history for readers to the political machinations contained within historical narratives, from the active use of rhetorical techniques to the passive effect that embedded discourses exercised on historian, historical actor, and reader alike. Tracing these varied strands of historical argumentation, Zeb Raft shows how history was constructed through rhetorical elements including the narration of officialdom, the anecdote, and, above all, the historical document. The portrait that emerges is of an epideictic historiography where praise was mixed with irony and achievement diluted with ambivalence—and where the most secure positions lay on the threshold of political power and historical interpretation.

This study of the policy-making process in China during the Sino–French controversy of 1880–1885 adds a new dimension to our understanding of China’s response to the West in the nineteenth century. The implicit threat presented by French efforts to extend her control into northern Vietnam was the catalyst in Chinese policy decisions, and Lloyd Eastman traces the dramatic process by which the problem was eventually resolved. Analyzing the complicated balance of internal political forces in the Ch’ing dynasty in the late nineteenth century, he makes the first thorough study of the factors which shaped Chinese foreign policy in this period.

Three major power groups affected the decision-making process: the throne, high administrative officials, and lesser officials whose role was largely ideological. Eastman shows the considerable extent to which the throne’s power was limited by the interests of the officials (or mandarins); discusses the role of ch’ing-i, or literati opinion; and emphasizes the importance of the conservative, low-ranking officials who stood overwhelmingly in opposition to the few proponents of reform and modernization and strongly influenced the course of Chinese policy. Discussing the diplomatic objectives involved—preservation of hegemony in Vietnam, reluctance to fight a war that might expose its military weakness, desire to save face—as manifestations of underlying cultural assumptions and values, Eastman offers a fresh perspective on the formulation of policy during the Ch’ing government’s confrontation with the Western powers.

Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made.

Liu unveiled and even dramatized the interface between manuscript and printed book in Lingyan ge. Authority over the book’s production is negotiated, asserted, overturned, and reinstated. Use of pictures to construct a historical argument intensifies this struggle. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.

The history of Tibet has long intrigued the world, and so has the dilemma of its future—will it ever return to independence or will it always remain part of China? How will the succession of the aging and revered Dalai Lama affect Tibet and the world? This book makes the case for a fully Tibetan independent state for much of its 2,500-year existence, but its story is a complex one. A great empire from the seventh to ninth centuries, in 1249, Tibet was incorporated as a territory of the Mongol Empire—which annexed China itself in 1279. Tibet reclaimed its independence from China in 1368, and although the Manchus later exerted their direct influence in Tibetan affairs, by 1840 Tibet began to resume its independent course until communist China invaded in 1950. And since that time, Tibetan nationalism has been maintained primarily by over 100,000 refugees living abroad. This book is a valuable, fascinating account of a region with a rich history, but an uncertain future.

The Chinese Communist government has twice invoked large-scale military might to crush popular uprisings in capital cities. The second incident—the notorious massacre in Tiananmen Square in 1989—is well known. The first, thirty years earlier in Tibet, remains little understood today. Yet in wages of destruction, bloodshed, and trampling of human rights, the tragic toll of March 1959 surpassed Tiananmen.

Tibet in Agony provides the first clear historical account of the Chinese crackdown in Lhasa. Sifting facts from the distortions of propaganda and partisan politics, Jianglin Li reconstructs a chronology of events that lays to rest lingering questions about what happened in those fate-filled days and why. Her story begins with throngs of Tibetan demonstrators who—fearful that Chinese authorities were planning to abduct the Dalai Lama, their beloved leader—formed a protective ring around his palace. On the night of March 17, he fled in disguise, only to reemerge in India weeks later to set up a government in exile. But no peaceful resolution awaited Tibet. The Chinese army soon began shelling Lhasa, inflicting thousands of casualties and ravaging heritage sites in the bombardment and the infantry onslaught that followed. Unable to resist this show of force, the Tibetans capitulated, putting Mao Zedong in a position to fulfill his long-cherished dream of bringing Tibet under the Communist yoke.

Li’s extensive investigation, including eyewitness interviews and examination of classified government records, tells a gripping story of a crisis whose aftershocks continue to rattle the region today.

Until 1951, when Kurosawa’s Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored.In Time Frames, Scott Nygren explores how Japanese film criticism and history has been written both within and beyond Japan, before and after Rashomon. He takes up the central question of which, and whose, Japan do critics and historians mean when reviewing the country’s cinema—an issue complicated by assumptions about cultural purity, Japan’s appropriation of Western ideas and technologies, and the very existence of a West and an Orientalist non-West.Deftly moving backward and forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art and culture, and the intersection of kanji and cinema. He considers the historical inscription of 1950s Japan as “the golden age of the humanist film,” the identification of a Japanese New Wave and the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan’s reception of postmodernism, Nygren looks at the emergence of video art and anime and the end of Japanese film history as a meaningful concept in the rise of the Internet and globalization.Nygren highlights the creative exchange among North American, European, and Asian media, places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium, capable of transforming theory.Scott Nygren is associate professor of film and media studies at the University of Florida.

This study of Japan's transformation by the economic crises of the 1930s focuses on efforts to overcome the effects of the Great Depression in rural areas, particularly the activities of local activists and policymakers in Tokyo. The author argues that these efforts changed the nation's thinking about the countryside, as well as Japan's conception of its economic and cultural relationship to the nation, in ways that have important implications for our understanding of both the war years and the postwar reconstruction. The reactions of inhabitants of rural areas to the depression shed new light on how average Japanese responded to the problems of modernization and how they re-created the countryside.

From a much neglected Portuguese colony to independence, Timor-Leste travelled a belated, long and troubled journey that included a 24-year Indonesian occupation. A classic process of European decolonization (1974–1975) was followed by a nationalist struggle against “Third World Colonialism” (1975–1999), and a final phase under the direct aegis of the United Nations (1999–2002). More than a direct relation between coloniser and colonised, this turbulent process involved the participation of many different actors scattered around the world. The “Timor Issue” brought to the scene a martyred people’s determination, the diplomacy of several nations (friends or foes), the involvement of the United Nations, and the activism of solidarity networks. This collection adopts a transnational approach that highlights the complexity of Timor-Leste’s road to independence.

Evidence from Shang oracle bones to memorials submitted to Western Han emperors attests to a long-lasting debate in early China over the proper relationship between humans and gods. One pole of the debate saw the human and divine realms as separate and agonistic and encouraged divination to determine the will of the gods and sacrifices to appease and influence them. The opposite pole saw the two realms as related and claimed that humans could achieve divinity and thus control the cosmos. This wide-ranging book reconstructs this debate and places within their contemporary contexts the rival claims concerning the nature of the cosmos and the spirits, the proper demarcation between the human and the divine realms, and the types of power that humans and spirits can exercise.

It is often claimed that the worldview of early China was unproblematically monistic and that hence China had avoided the tensions between gods and humans found in the West. By treating the issues of cosmology, sacrifice, and self-divinization in a historical and comparative framework that attends to the contemporary significance of specific arguments, Michael J. Puett shows that the basic cosmological assumptions of ancient China were the subject of far more debate than is generally thought.

The Todas are the oldest inhabitants of the Nilgiri Hills of South India. With their quaint barrel-vaulted architecture, embroidered cloaks, and long-horned buffaloes, they have fascinated the world ever since civilization stepped into the Nilgiris two centuries ago. Their culture revolves around these herds, with each of the six grades of dairy-temple having its corresponding herd of sacred buffaloes. A Toda prayer consists of chant words addressed to sacred natural landmarks such as nearby peaks, slopes, thickets, trees, rocks, meadows, pools, and streams. The Todas represent a rare example of an indigenous culture that has remained generally vegetarian. The Prologue highlights the journey that led to Tarun Chhabra’s being accepted as an “insider.” The thirteen chapters provide detailed ethnographic descriptions of sacred dairy-temple institutions; the Toda relationship with honey; the intricacies of their attire and embroidery motifs; details related to seasonal migrations; settlement patterns; sacred geography and traditional architecture; a spirit’s journey to the afterworld; and ethnobotany. The four appendices focus on the Toda relationship with their flora and fauna, lists of landscape terms, and the all-important prayers for major hamlets. The book includes significant new data and represents a major breakthrough in Toda studies.

A rich and original history of Edo, the shogun’s city that became modern Tokyo.

Tokyo today is one of the world’s mega-cities and the center of a scintillating, hyper-modern culture—but not everyone is aware of its past. Founded in 1590 as the seat of the warlord Tokugawa family, Tokyo, then called Edo, was the locus of Japanese trade, economics, and urban civilization until 1868, when it mutated into Tokyo and became Japan’s modern capital. This beautifully illustrated book presents important sites and features from the rich history of Edo, taken from contemporary sources such as diaries, guidebooks, and woodblock prints. These include the huge bridge on which the city was centered; the vast castle of the Shogun; sumptuous Buddhist temples, bars, kabuki theaters, and Yoshiwara—the famous red-light district.

In this first English-language history of the origins and impact of the Japanese pop music industry, Hiromu Nagahara connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II.

With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years.

Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.

A unique take on modern life in Japan’s capital city. A Japan of trains, every day to and fro, carriage scenes and theatre, vistas from the window, advertising posters. Each to be savoured through a specific Tokyo line – the Odakyu. Pitched as creative text and line-graphics, Tokyo Commute: Japanese Customs and Way of Life Viewed from the Odakyu Line offers on-track and off-track observations. A gallery of mirrors, musings, memories. This is less documentary than iconography, a poetics of Japanese routine and etiquette. It offers a wry diary of month-and-weekday observations, a ‘map’ of Shinjuku as key station and gathering-place, a run of notable Tokyo locations – from the National bunraku theatre to a Kawasaki sludge recycling centre. Other Odakyu travel involves the Hakone open air art gallery, Narita as both airport and temple complex, Yokohama as history and Chinatown. Essential reading for first-time, and second-time visitors, and even regular commuters.

This book assesses the historical significance of the International Military Tribunal for the Far East (IMTFE)—commonly called the Tokyo trial—established as the eastern counterpart of the Nuremberg trial in the immediate aftermath of World War II.

Through extensive research in Japanese, American, Australian, and Indian archives, Yuma Totani taps into a large body of previously underexamined sources to explore some of the central misunderstandings and historiographical distortions that have persisted to the present day. Foregrounding these voluminous records, Totani disputes the notion that the trial was an exercise in “victors’ justice” in which the legal process was egregiously compromised for political and ideological reasons; rather, the author details the achievements of the Allied prosecution teams in documenting war crimes and establishing the responsibility of the accused parties to show how the IMTFE represented a sound application of the legal principles established at Nuremberg.

This study deepens our knowledge of the historical intricacies surrounding the Tokyo trial and advances our understanding of the Japanese conduct of war and occupation during World War II, the range of postwar debates on war guilt, and the relevance of the IMTFE to the continuing development of international humanitarian law.

On September 11, 2001, the United States was without a plan for military operations in Afghanistan. One was quickly created by the Defense Department and operations began October 7. The Taliban was toppled in less than two months. This report describes preparations at CENTCOM and elsewhere, Army operations and support activities, building a coalition, and civil-military operations in Afghanistan from October 2001 through June 2002.

Released on the 500-year anniversary of the publication of Sir Thomas More's Utopia, this volume seeks to adapt and apply More's fecund imagination to the contemporary leisure landscape. The contributors to this volume theorize and analyze a variety of 'tourist utopias' - a nascent socio-spatial form crucial to a post-industrial global economy. From Disney World to Dubai, 'Middle Earth' to Marina Bay, Macau to Abu Dhabi, these sites share common characteristics that include their respective status as 'spaces of exception'; entrepreneurial governance regimes that rely on cooperation among state and non-state actors; transient, multinational populations; immaterial and affective forms of labor and consumption; superlative and iconic architecture; and economies devoted to such leisure activities as shopping, gambling, and spectacle. These locales are not only popular destinations for migrant workers and mobile tourists from around the globe, but also serve as cultural laboratories for testing new formats and protocols of an emergent post-Fordist form-of-life.

The large number of Vietnamese refugees that resettled in the United States since the fall of Saigon have become America’s fastest growing immigrant group. Toward a Framework for Vietnamese American Studies traces the ideologies, networks, and cultural sensibilities that have long influenced and continue to transform social, political, and economic developments in Vietnam and the U.S.

Moving beyond existing approaches, the editors and contributors to this volume—the first to craft a working framework for researching, teaching, and learning about this dynamic community—present a new Vietnamese American historiography that began in South Vietnam. They provide deep-dive explorations into community development, political activism, civic participation and engagement, as well as entrepreneurial endeavors. Chapters offer new concepts and epistemological approaches to how legacy and memory is nurtured, produced and circulated in the Vietnamese diaspora.

Toward a Framework for Vietnamese American Studies seeks to better understand the rapidly changing landscape of Vietnamese American diaspora.

Contributors: Duyen Bui, Christian Collet, Wynn Gadkar-Wilcox, Elwing Suong Gonzalez, Tuan Hoang, Jennifer A. Huynh, Y Thien Nguyen, Nguyen Vu Hoang, Van Nguyen-Marshall, Thien-Huong Ninh, Hai-Dang Phan, Ivan V. Small, Quan Tue Tran, Thuy Vo Dang, and the editors

This volume brings to English-language readers the results of an important long-term project of historians from China and Japan addressing contentious issues in their shared modern histories. Originally published simultaneously in Chinese and Japanese in 2006, the thirteen essays in this collection focus renewed attention on a set of political and historiographical controversies that have steered and stymied Sino-Japanese relations from the mid-nineteenth century through World War II to the present.

These in-depth contributions explore a range of themes, from prewar diplomatic relations and conflicts, to wartime collaboration and atrocity, to postwar commemorations and textbook debates—all while grappling with the core issue of how history has been researched, written, taught, and understood in both countries. In the context of a wider trend toward cross-national dialogues over historical issues, this volume can be read as both a progress report and a case study of the effort to overcome contentious problems of history in East Asia.

Malaysia’s stunning 2018 election brought down a ruling party that had held power since independence in 1957, marking the first regime change in the country’s history. This book tells the full story of this historic election (officially called the 14th Malaysian General Election or GE14), combining a sharp analysis of the voting data with consideration of the key issues, campaign strategies, and mobilization efforts that played out during the election period. This analysis is then used to bring fresh ideas and perspectives to the core debates about Malaysian political ideas, identities and behaviors, debates that continue to shape the country’s destiny.

After the election, many Malaysians were optimistic about the possibility of a more representative, accountable, participatory, and equitable polity, but Meredith L. Weiss and Faisal S. Hazis do not see GE14 as a clear harbinger of full-on liberalization. While the political aftermath of the election continues to play out, the authors provide a clarion call for deeper, more critical, more comparative research on Malaysia’s politics. They upend commonly held beliefs about Malaysian politics and bring forward lesser-known theories, and they suggest agendas for empirically interesting, theoretically relevant further research. They also point to the broader insights Malaysia’s experience provides for the study of elections and political change in one-party dominant states around the world.

Distinguished author and former Professor of Modern Japanese Studies at Oxford, Arthur Stockwin here explores his personal journey from being the son of medical/dental parents in Birmingham, England, to becoming a specialist in the politics and modern history of Japan, while at the same time reflecting on his considerable personal experiences of Japan and assessing its current and possible future condition.

Since the second century BC the Confucian Classics, endorsed by the successive ruling houses of imperial China, had stood in tension with the statist ideals of “big government.” In Northern Song China (960–1127), a group of reform-minded statesmen and thinkers sought to remove the tension between the two by revisiting the highly controversial classic, the Rituals of Zhou: the administrative blueprint of an archaic bureaucratic state with the six ministries of some 370 offices staffed by close to 94,000 men. With their revisionist approaches, they reinvented it as the constitution of state activism. Most importantly, the reform-councilor Wang Anshi’s (1021–1086) new commentary on the Rituals of Zhou rose to preeminence during the New Policies period (ca. 1068–1125), only to be swept into the dustbin of history afterward. By reconstructing his revisionist exegesis from its partial remains, this book illuminates the interplay between classics, thinkers, and government in statist reform, and explains why the uneasy marriage between classics and state activism had to fail in imperial China.

Explores the surprisingly rich early history of US-China trade and its unexpected impact on the developing republic.
 
The economic and geographic development of the early United States is usually thought of in trans-Atlantic terms, defined by entanglements with Europe and Africa. In Trading Freedom, Dael A. Norwood recasts these common conceptions by looking to Asia, making clear that from its earliest days, the United States has been closely intertwined with China—monetarily, politically, and psychologically.

Norwood details US trade with China from the late eighteenth through the late nineteenth centuries—a critical period in America’s self-definition as a capitalist nation—and shows how global commerce was central to the articulation of that national identity. Trading Freedom illuminates how debates over political economy and trade policy, the building of the transcontinental railroad, and the looming sectional struggle over slavery were all influenced by Sino-American relations. Deftly weaving together interdisciplinary threads from the worlds of commerce, foreign policy, and immigration, Trading Freedom thoroughly dismantles the idea that American engagement with China is anything new.

 

Relations between the Chosŏn and Qing states are often cited as the prime example of the operation of the “traditional” Chinese ”tribute system.” In contrast, this work contends that the motivations, tactics, and successes (and failures) of the late Qing Empire in Chosŏn Korea mirrored those of other nineteenth-century imperialists. Between 1850 and 1910, the Qing attempted to defend its informal empire in Korea by intervening directly, not only to preserve its geopolitical position but also to promote its commercial interests. And it utilized the technology of empire—treaties, international law, the telegraph, steamships, and gunboats.

Although the transformation of Qing–Chosŏn diplomacy was based on modern imperialism, this work argues that it is more accurate to describe the dramatic shift in relations in terms of flexible adaptation by one of the world’s major empires in response to new challenges. Moreover, the new modes of Qing imperialism were a hybrid of East Asian and Western mechanisms and institutions. Through these means, the Qing Empire played a fundamental role in Korea’s integration into regional and global political and economic systems.

In Traffic in Asian Women Laura Hyun Yi Kang demonstrates that the figure of "Asian women" functions as an analytic with which to understand the emergence, decline, and permutation of U.S. power/knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century. Kang analyzes the establishment, suppression, forgetting, and illegibility of the Japanese military "comfort system" (1932–1945) within that broader geohistorical arc. Although many have upheld the "comfort women" case as exemplary of both the past violation and the contemporary empowerment of Asian women, Kang argues that it has profoundly destabilized the imaginary unity and conceptual demarcation of the category. Kang traces how "Asian women" have been alternately distinguished and effaced as subjects of the traffic in women, sexual slavery, and violence against women. She also explores how specific modes of redress and justice were determined by several overlapping geopolitical and economic changes ranging from U.S.-guided movements of capital across Asia and the end of the Cold War to the emergence of new media technologies that facilitated the global circulation of "comfort women" stories.

A nation of 1.25 billion people composed of numerous ethnic, linguistic, religious, and caste communities, India is the world’s most diverse democracy. Drawing on his extensive fieldwork and experience of Indian politics, Sumantra Bose tells the story of democracy’s evolution in India since the 1950s—and describes the many challenges it faces in the early twenty-first century.

Over the past two decades, India has changed from a country dominated by a single nationwide party into a robust multiparty and federal union, as regional parties and leaders have risen and flourished in many of India’s twenty-eight states. The regionalization of the nation’s political landscape has decentralized power, given communities a distinct voice, and deepened India’s democracy, Bose finds, but the new era has also brought fresh dilemmas.

The dynamism of India’s democracy derives from the active participation of the people—the demos. But as Bose makes clear, its transformation into a polity of, by, and for the people depends on tackling great problems of poverty, inequality, and oppression. This tension helps explain why Maoist revolutionaries wage war on the republic, and why people in the Kashmir Valley feel they are not full citizens. As India dramatically emerges on the global stage, Transforming India: Challenges to the World’s Largest Democracy provides invaluable analysis of its complexity and distinctiveness.

The exceptionally powerful Chinese women leaders of the late seventh and early eighth centuries—including Wu Zhao, the Taiping and Anle princesses, Empress Wei, and Shangguan Wan’er—though quite prominent in the Chinese cultural tradition, remain elusive and often misunderstood or essentialized throughout history. Transgressive Typologies utilizes a new, multidisciplinary approach to understand how these figures’ historical identities are constructed in the mainstream secular literary-historical tradition and to analyze the points of view that inform these constructions.

Using close readings and rereadings of primary texts written in medieval China through later imperial times, this study elucidates narrative typologies and motifs associated with these women to explore how their power is rhetorically framed, gendered, and ultimately deemed transgressive. Rebecca Doran offers a new understanding of major female figures of the Tang era within their literary-historical contexts, and delves into critical questions about the relationship between Chinese historiography, reception-history, and the process of image-making and cultural construction.

The societies in the Himalayan borderlands have undergone wide-ranging transformations, as the territorial reconfiguration of modern nation-states since the mid-twentieth century and the presently increasing trans-Himalayan movements of people, goods and capital, reshape the livelihoods of communities, pulling them into global trends of modernisation and regional discourses of national belonging.This book explores the changes to native senses of place, the conception of border - simultaneously as limitations and opportunities - and what the authors call "affective boundaries," "livelihood reconstruction," and "trans-Himalayan modernities." It addresses changing social, political, and environmental conditions that acknowledge growing external connectivity even as it emphasises the importance of place.

Since the late twentieth century, scholars and activists have begun to take stock of the deep histories and politically engaged nature of trans* cultures across the diverse societies of “Asia.” Much of this groundbreaking work has cautioned against immediate assumptions about the universality of transgender experiences, while heeding the significant influence of colonial histories, cultural imperialism, Cold War dynamics, economic integration, and migration practices in shaping local categories of queerness, discourses of rights, as well as the political, social, and medical management of gender variance and non-normative sexualities. This growing body of work on Asia joins trans* scholarship and activism across the world that has similarly sought to de-universalize and de-colonize the category of “trans.”

Translation’s Forgotten History investigates the meanings and functions that translation generated for modern national literatures during their formative period and reconsiders literature as part of a dynamic translational process of negotiating foreign values. By examining the triadic literary and cultural relations among Russia, Japan, and colonial Korea and revealing a shared sensibility and literary experience in East Asia (which referred to Russia as a significant other in the formation of its own modern literatures), this book highlights translation as a radical and ineradicable part—not merely a catalyst or complement—of the formation of modern national literature. Translation’s Forgotten History thus rethinks the way modern literature developed in Korea and East Asia. While national canons are founded on amnesia regarding their process of formation, framing literature from the beginning as a process rather than an entity allows a more complex and accurate understanding of national literature formation in East Asia and may also provide a model for world literature today.

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.

Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.

Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.

As our increasingly globalized world alters the dynamics of migration, the ideas that migrants have about returning to their home countries have evolved as well. This diverse collection examines the changes and complexities of migration patterns in a range ofAsian countries and cities, exploring how globalization and transnationalism shape and give meaning to the migrant experience. From Japanese-Brazilian transmigrants and Filipina students in Ireland to skilled migrants from India, the authors address migrants’ backgrounds, ambitions, and opportunities to offer intriguing insights and propose fascinating new questions about the lives of migrants in today’s world.