It was destroyed nearly 2,000 years ago, and yet the Temple of Jerusalem—cultural memory, symbol, and site—remains one of the most powerful, and most contested, buildings in the world. This glorious structure, imagined and re-imagined, reconsidered and reinterpreted again and again over two millennia, emerges in all its historical, cultural, and religious significance in Simon Goldhill’s account.

Built by Herod on a scale that is still staggering—on an earth and rock platform 144,000 square meters in area and 32 meters high—and destroyed by the Roman emperor Titus 90 years later, in 70 AD, the Temple has become the world’s most potent symbol of the human search for a lost ideal, an image of greatness. Goldhill travels across cultural and temporal boundaries to convey the full extent of the Temple’s impact on religious, artistic, and scholarly imaginations. Through biblical stories and ancient texts, rabbinical writings, archaeological records, and modern accounts, he traces the Temple’s shifting significance for Jews, Christians, and Muslims.

A complex and engaging history of a singular locus of the imagination—a site of longing for the Jews; a central metaphor of Christian thought; an icon for Muslims: the Dome of the Rock—The Temple of Jerusalem also offers unique insight into where Judaism, Christianity, and Islam differ in interpreting their shared inheritance. It is a story that, from the Crusades onward, has helped form the modern political world.

A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries.
 
How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple.
 
Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.

A thousand-year-old story of Krishna and his wife Satyabhama retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, which he based on a popular millennium-old tale, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections.

Theft of a Tree recounts how Krishna stole the pārijāta, a wish-granting tree, from the garden of Indra, king of the gods. Krishna does so to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, Krishna plants the tree for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness. The poem’s narrative unity, which was unprecedented in the literary tradition, prefigures the modern Telugu novel.

Theft of a Tree is presented here in the Telugu script alongside the first English translation.

The first English translation of a thousand-year-old story of Krishna and his wife Satyabhama, retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections. Timmana based his work on a popular millennium-old Krishna tale.

Theft of a Tree recounts how Krishna stole the wish-granting pārijāta tree from the garden of Indra, king of the gods. Krishna takes the tree to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, he plants the pārijāta for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness.

This is the first English translation of the poem, which prefigures the modern Telugu novel with its unprecedented narrative unity.

A stunning modern translation of a Buddhist classic that is also one of the oldest literary texts in the world written by women.

The Therīgāthā, composed more than two millennia ago, is an anthology of poems in the Pali language by and about the first Buddhist women. These women were therīs, the senior ones, among ordained Buddhist women, and they bore that epithet because of their religious achievements. The poems they left behind are arguably among the most ancient examples of women’s writing in the world and they are unmatched for their quality of personal expression and the extraordinary insight they offer into the lives of women in the ancient Indian past—and indeed, into the lives of women as such.

This new version of the Therīgāthā, based on a careful reassessment of the major editions of the work and printed in the Roman script common for modern editions of Pali texts, offers the most powerful and the most readable translation ever achieved in English.

This provocative meditation on the turn of the millennium explores the significance that a celebration of Christ's birth can have beyond the Christian community.

Writing from the perspective of Christian philosophy, David Walsh ponders the emergence of modern civilization from the medieval Christian past, concluding that Christian theology grounds the dominant ideas of modern society. He professes the importance and promise of Christianity while rejecting the Gnosticism, advocated by Harold Bloom and others, that places the divine within the self.

Affirming Christ's place at the heart of civilization, Walsh argues that the Christian faith has relevance beyond its own boundaries for all traditions that find their common ground in reason. This contemplative book asserts that the Christian millennial jubilee has meaning for all and that it points the way toward the fullness of life in this world as well as in eternity.

A life of England’s most famous martyr, rooted in the currents of twelfth-century Europe.
 
This book explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures in the Middle Ages: a London merchant’s son turned royal chancellor, an archbishop of Canterbury turned martyred saint. Michael Staunton looks at Becket’s complex and contested legacy, drawing from the bishop’s writings as well as those of his contemporaries.
 
Based on extensive research, this account offers a fresh perspective on Thomas Becket’s life and places him within the broader landscape of twelfth-century England and Europe—a time of rapid change and conflict. The book is perfect for anyone wanting to learn more about a pivotal figure in medieval history.

Meditative reflections on the great spiritual seeker’s deeply felt experience of the divine.

Henry David Thoreau’s spiritual life is a riddle. Thoreau’s passionate critique of formal religion is matched only by his rapturous descriptions of encounters with the divine in nature. He fled the church only to pursue a deeper communion with a presence he felt at the heart of the universe. He called this illimitable presence many names, but he often called it God.

In Thoreau’s God, Richard Higgins invites seekers—religious or otherwise—to walk with the great Transcendentalist through a series of meditations on his spiritual life. Thoreau offers us no creed, but his writings encourage reflection on how to live, what to notice, and what to love. Though his quest was deeply personal, Thoreau devoted his life to communicating his experience of an infinite, wild, life-giving God. By recovering this vital thread in Thoreau’s life and work, Thoreau’s God opens the door to a new understanding of an original voice in American religion that speaks to spiritual seekers today.

From the veils of the first-century Jewish temple, to the Orthodox iconostasis, to the tramezzi of Renaissance Italy, screens of various shapes, sizes, and materials have been used to separate spaces and order communities in religious buildings. Drawn from papers presented at a recent Dumbarton Oaks Byzantine Studies symposium, the contributors to this volume use a variety of perspectives to approach the history of religious screens and examine the thresholds that they mark. Focusing on the Middle Ages and Renaissance in the East and West, the volume includes discussions of screens in Egypt, Byzantium, the Gothic West and Italy. Some authors argue that screens, and particularly the one marking the threshold between the sanctuary/choir and nave, were conduits rather than barriers. Other authors emphasize the critical role of screens in dividing the laity and clergy, men and women, the pure and impure.

This volume provides new research on the history of religious screen and important insights into the many ways in which the sacred and profane are separated within ecclesiastical contexts.

The protagonist of Marcel Proust’s In Search of Lost Time observes with wonder the comings and goings of the crows that roost in the belfry of the village church in Combray, his childhood home. For René Girard, one of Proust’s great interpreters, their mysterious flight, first departing from and then returning to the vertical axis of the steeple, suggests the movement of modern history—the crisis of aristocratic models, the growing servitude of individuals possessed by mimetic desire, and the final irruption of authentic transcendence. In this rich exploration of Girard’s insights, his French editor and longtime collaborator Benoît Chantre brings Saint Paul’s Letter to the Romans into dialogue with both Proust and Girard in order to push to its logical endpoint the idea of a back-and-forth movement from chaos to order. History, Chantre argues, has been driven mad by the revelation of its sacrificial engine. The only way out lies in a transformation internal to the crisis itself—only that faith which is capable of hearing the One who speaks in the Law makes it possible to avoid the perpetual ups and downs of rivalry. Acting and revealing Himself at the heart of history, an intimate model “hidden since the foundation of the world” deals a fatal blow to the circle of sin. Authentic transcendence coincides with the eschaton, the moment when—according to Saint Paul—historical time implodes into eternity.

Marion Duff Hanks (1921–2011) was one of the most beloved and influential leaders of the Church of Jesus Christ of Latter-day Saints in the twentieth century, serving as a General Authority (senior leader) for forty years. He was also a leader of national import. As a recognized expert on youth, five US presidents appointed him to their President’s Council on Physical Fitness and Sports. Hanks also served as an executive leader of Rotary International and the Boy Scouts of America.

Author Richard Hanks draws on previously unavailable primary sources—journals, correspondence, notebooks, and recordings—to share this first and only authorized biography of his father. Hanks traces his father’s influence as he advocated for numerous changes in the institutional church, including humanitarian efforts, refugee relief services, missionary community service, a focus on mercy for the sinner, and a churchwide emphasis on “coming unto Christ.” A Renaissance man, Duff Hanks felt comfortable mingling with presidents and world leaders and speaking from pulpits and podiums to huge audiences and on television. But he found his greatest joy in assisting the individual, encouraging each in their personal search for happiness. Once, when asked about his goals, he replied, “My strongest desire is to qualify to be a friend of Christ.”

Book sales of the works of J.R.R. Tolkien keep pace with those of the Koran and the Bible. TV companies pay hundreds of millions to the Tolkien Trust to make adaptations of his work. In the UK, he routinely tops the list of the nation’s favorite authors. An estimated 2 million war gamers use The Lord of the Rings figurines in their RPG. It is incontestable that Tolkien is the most influential Catholic writer of the last century. Tolkien, Philosopher of War fills a gap in the scholarship. It is the first book addressing the philosophical and theological understanding of war in Tolkien and will interest readers of Catholic Studies, the philosophy and theology of literature, war studies, Tolkien Studies, English studies, political theory, and aesthetics. In popular imagination, Tolkien is a Luddite, but recent scholarship has identified Tolkien’s extensive modern sympathies. Tolkien, Philosopher of War contributes to this growing literature. His is a modern critique of Enlightenment thinking, specifically those philosophies of history that wrest the initiative from God in divinizing man. His worry is apocalyptic politics, those political movements that take Christ’s "Be ye therefore perfect, even as your Father which is in heaven is perfect" (Matt. 5: 48) out of the realm of grace and make it a platform for political action. Tolkien, Philosopher of War has three core theses: metaphysical, political, and aesthetic. In this, Tolkien is comparable to Cormac McCarthy, especially his Blood Meridian. Tolkien took note of a tight analytical connection between the vanity driving commercial civilization – which Hume, Smith, and Ferguson all identified – and the vanity driving the Promethean fantasies of apocalyptic politics. War – indeed, total war – is a predictable outcome of this analytical connection. The three theses run: 1) metaphysical: the apocalyptic anxiety of Tolkien’s lore is traceable to the gnostic rejection of the analogy of being typical of the philosophies of history that dominated his day; 2) political: in the English context, Tolkien sided with the Tories against Whiggery, defending monarchy as a counterweight to the vanity driving progressive philosophy of history; 3) aesthetic: Futurism’s philosophy of history celebrated the Machine; inverting the value order, the Futurism art movement encoded anti-Christianity, fascist politics, and apocalyptic war. Tolkien’s “cosmogonical drama,” with its pastoralism and portraits of angels (Gandalf) and gods (Nienna), dramatizes an aesthetic resistance to Futurism.

Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the Sixties to psychedelic spirituality and beyond.  Written over several decades, these poems read as a collage, each piece distinct and contributing to a cohesive lyric narrative.

Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the Sixties to psychedelic spirituality and beyond.  Written over several decades, these poems read as a collage, each piece distinct and contributing to a cohesive lyric narrative.

This groundbreaking book offers the first systematic study of the Qur’ān and Islamic history in the light of René Girard’s mimetic theory. Girard did not deal deeply with Islam, offering only scattered hints in some interviews after the September 11, 2001, attacks in the United States. Addressing this gap in Girardian studies, Adnane Mokrani aims to develop an Islamic theology that goes beyond just war theory to adopt a radical nonviolent approach. He analyzes the Qur’ānic text and classical and modern exegetical literature, focusing on the Qur’ānic narratives, then extends his research to the history of Islam, removing the sacred character attributed to some events and human choices in order to disarm theology and dismantle the ideologies of power. This same critique is also applied to the unprecedented levels of violence in modern and contemporary history. A radical and politically committed theology of peace is needed to recover the spiritual dimension of religion that frees people from the temptations of the individual and collective ego. It is a mystical and narrative theology in dialogue with other world theologies on the future of humanity—an urgent appeal needed now more than ever.

In the southeast of Indonesia, on the Moluccas, theologians are developing contextual theologies for the Moluccan Protestant church. The Moluccas were colonized by the Dutch for more than three centuries. As an effort of religious decolonization, Moluccan theologians aim to better connect Christianity with the cultural realities of congregants.

This book is about the contextualization of church music. Christian Izaac Tamaela proposed and instigated the transposition of Moluccan traditional music to the Moluccan Protestant church. In the book, the author asks how traditional music, as framed within contextual Moluccan theology, is interrelated with lived religion.

Vivid descriptions of liturgical practices, music traditions, and personal encounters map the entanglements between Moluccan culture, Moluccan Protestantism, and Moluccan music. The author traces the theological idea of traditional church music to lived religious practices and attitudes among ministers, musicians, and congregants. The resonances and dissonances of this process show the continuous transformation of Moluccan traditional music.

For a selection of the audio-visual material, visit the website www.jiplensink.nl/tt.

Reflection on natural law reaches a highpoint during the Middle Ages. Not only do Christian thinkers work out the first systematic accounts of natural law and articulate the framework for subsequent reflection, the Jewish and Islamic traditions also develop their own canonical statements on the moral authority of reason vis-à-vis divine law. In the view of some, they thereby articulate their own theories of natural law.

These various traditions of medieval reflection on natural law, and their interrelation, merit further study, particularly since they touch upon many current philosophical concerns. They grapple with the problem of ethical and religious pluralism. They consider whether universally valid standards of action and social life are accessible to those who rely on reason rather than divine law. In so doing, they develop sophisticated accounts of many central issues in metaethics, action theory, jurisprudence, and the philosophy of religion. However, do they reach a consensus about natural law, or do they end up defending incommensurable ethical frameworks? Do they confirm the value of arguments based on natural law or do they cast doubt on it?

This collection brings together contributions from various expert scholars to explore these issues and the pluralism that exists within medieval reflection on natural law. It is the first one to study the relation between the natural law theories of these various traditions of medieval philosophy: Jewish, Islamic, Byzantine, and Latin.

Each of the first four essays surveys the ‘natural law theory’ of one of the religious traditions of medieval philosophy—Jewish, Islamic, Byzantine, and Latin—and its relation to the others. The next four essays explore some of the alternative accounts of natural law that arise within the Latin tradition. They range over St. Bonaventure, Peter of Tarentaise, Matthew of Aquasparta, John Duns Scotus, and Marsilius of Padua.

Twilight of a Golden Age offers a selection of poems by medieval Jewish scholar Abraham Ibn Ezra. Ibn Ezra (1089–1167) was a scholar, poet, and philosopher from Al-Andalus. Renowned for his biblical commentaries, he also made significant contributions to philosophy, astronomy, mathematics, and astrology. His works influenced Jewish and non-Jewish intellectual traditions alike. He was also the first to realize the need to translate the theoretical works of Jewish scholars in Al-Andalus from Arabic to Hebrew. As a sage-teacher he traveled in Spain, Italy, France, and England, where, according to certain researchers, he died. Also considered among the most famous Jewish poets, he penned verse that exemplified high Hebrew-Spanish culture in the Middle Ages. This volume of his work is a welcome addition to lovers of and newcomers to ibn Ezra's work. 

Today, the Ludovisi district is one of Rome’s most luxurious neighborhoods, home to famous restaurants and some of the most expensive shops in the city. But it was once private property, part of an eighty-six-acre villa owned by the Boncompagni Ludovisis, an ancient noble family with close ties to the papacy. The story of how the palazzo fell out of the family's hands reveals the tremendous social upheavals that Italy underwent following its mid-nineteenth-century unification.
 
First privately published in 1921, The Twilight of Rome's Papal Nobility provides an intimate look at a family who grew up accustomed to almost unimaginable wealth, power, and glamour. A descendant of two popes, Ugo Boncompagni Ludovisi recounts the life story of his mother Agnese, who was raised in a palace full of priceless artwork, including pieces by Caravaggio and Michelangelo. We get a window into Agnese's private life—her girlhood, marriage, and raising of several children—as her public life becomes increasingly tumultuous amid the family’s struggles to retain its property. A tender elegy to a bygone era, Boncompagni Ludovisi's story provides a unique perspective on Italian history and Rome’s urban redevelopment.