In this novel, written by the esteemed novelist in 1901, a provincial composer and organist from Croatia struggles to find his way along the perilous frontier between the worlds of artistic vocation and humdrum family life. The local kapellmeister—-a Czech, in good Habsburg tradition, and a confidant of Gaj and Palacky, influential politicians of the time—-recognizes young Amadej Zlatanic as a prodigy and persuades the stingy mayor and stubborn parish priest to pack the teenager off to the conservatory in Prague. After several years of sordid student purgatory, Amadej returns to Croatia—-ready for love and ready to make great art.The world of Central Europe in the 1860s flows past, and Amadej tries to keep abreast of political change. At the same time he ducks and dodges predatory relatives and townspeople in his native district, to which he has returned for the sake of employment. Despite his marriage to the impressionable and vulnerable local beauty, Adelka, and his devotion to their daughter Veruska, Amadej is sorely troubled by the political corruption and isolation of Croatia. His wife takes ill and his family is poor. Yet ultimately it is the vulgar, populist notion of Croatian "identity"—-symbolized by the worship of the tamburica, a local musical instrument—-that crushes Amadej's career. As it does so, he contemplates the two worlds of national greatness, amidst the Croatian national awakening, and international fame. Finally, frustrated beyond relief by unsuccessful affairs both amorous and professional, and tortured by the philistinism surrounding him, Amadej leaves the world of sanity for a mind-blowing descent into the maniacal and inescapable world of hallucination, paganism, and paranoia.

A collection of nineteenth-century folklore-infused tales of Jewish life in Prague.
 
Trained in philosophy and medicine, the writer, translator, scholar, and political and cultural activist Siegfried Kapper (1821–1879) devoted significant effort to the advancement of Jewish culture in Bohemia, Jewish emancipation, and to the commitment of Jews to contemporary Czech society. The three stories in this collection, which first appeared in the press in the 1840s and were posthumously published as a collection at the end of the century, offer a Romantic and folkloric vision of Jewish culture in Prague.

The first story, “Genenda,” displays Kapper’s operatic eye for detail and drama with its account of a dutiful rabbi’s daughter being swept away by a dashing young man, a Christian nobleman disguised as a Jew. “The Curious Guest” is an intricate tale of a quest for wisdom and power. The final story, “Glowing Coals,” is a supernatural tale of romantic desire and revenge, displaying Kapper’s skill at deploying the tropes of folklore for dramatic literary effect. The collection not only provides a colorful snapshot of nineteenth-century Czech-Jewish culture but also resonates with universal human themes that transcend a single national experience.

They Die Strangers, a novella and thirteen short stories, is the first full-length work of the distinguished Yemeni writer Mohammad Abdul-Wali to appear in English. Abdul-Wali died tragically in an aviation accident, and his stories were collected after his death by the translators Abubaker Bagader and Deborah Akers.

Abdul-Wali was born in Ethiopia of Arab Yemeni parents. His stories, filled with nostalgia and the bitterness of exile, deal with the common experiences of Yemenis like himself who are caught between cultures by the displacements of civil war or labor migration. His characters include women left behind, children raised without fathers, and men returning home after years of absence. He explores the human condition through the eyes of the oppressed and disenfranchised and is particularly sympathetic to the plight of women.

The Thickets is the first volume of Polish poet and novelist Józef Lobodowski’s Ukrainian Trilogy, written between 1955 and 1960. Set primarily in Russia’s Kuban region, the novel unfolds against a rich backdrop where Ukrainians, Russians, and Cossacks live alongside Tatars, Circassians, and waves of other peoples under Tsarist rule—among them Armenians and Poles. From this world emerges Stas (Stanislaw), a young Pole and the central figure of the trilogy.

In The Thickets, Lobodowski paints a stark, unforgettable portrait of the turmoil that engulfed the former Russian Empire after the fall of the Tsar and Kerensky’s government. For Stas, once a student at a classical gymnasium, survival now means peddling contraband on the black market. Through his eyes, the reader is plunged into the chaos of war, revolution, and occupation—rendered with visceral power and human urgency.

A dreamlike novel from Palestine that traces a restless soul’s journey through landscapes of memory, longing, alienation, and exile.

In this profound and evocative novel, acclaimed Palestinian author Hussein Barghouthi invites readers on an extraordinary, youthful journey through a landscape of memory, longing, alienation, and exile. Translated with great sensitivity by his son, Áthar Barghouthi, this deeply personal narrative unfurls as a stream-of-consciousness odyssey, blurring the lines between reality and dream. Haunted by a pervasive sense of loss, the prose, rich with poetic imagery, explores themes of displacement, identity, and the enduring shadows of a contested homeland.

The Third Bank of the Jordan River is a powerful, meditative work that defies conventional boundaries. With unflinching honesty, Barghouthi confronts the political through deeply human stories, capturing the restless search for meaning and the enduring human hunger for connection and freedom.

A heart-wrenching story about love, loss, sex, friendship between women, and the universal struggle to come to terms with death.

Just before the outbreak of the July 2006 war in Lebanon, a middle-aged woman named Nahla has gone missing. Distraught, besieged, and without any leads, Nahla’s dearest friends—Suad, Azizeh, Hoda, Nadine, and the narrator Alawiya—band together to console one another. They reminisce about the better days of their youth, lifetimes of romantic turmoil, the trouble with love, and their inescapable confrontation with death. Unsure whether Nahla has been killed in the fighting, fled the country, or disappeared into the oblivion of Alzheimer’s, Alawiya pieces together Nahla’s intimate past, simultaneously illuminating the jagged history of modern Lebanon. Through searching discussions with Nahla’s closest confidante Suad, tenacious investigation, and an imaginative effort to reconstruct the life of another, Alawiya might just find a way to bring Nahla back.

In This Thing Called Love, celebrated Lebanese novelist Alawiya Sobh takes the war between Israel and Hizballah as the backdrop for a heart-wrenching story about love, loss, sex, friendship between women, and the universal struggle to come to terms with mortality.

This gem of Slovak naturalism was written in 1940. The story takes the reader to a mountain village. The protagonist narrates the vicissitudes, suffering, and success he experiences as he pursues a love affair, resulting in the triumph of pure love. Peter has been in love with a girl—Magdalena—since childhood and asks her to marry him. But he is too late, because a rich man, Jano Zapotocný, has already proposed to Magdalena, a proposal that her greedy mother promptly accepted on her behalf. Magdalena, out of respect for her mother's wishes, accepts the engagement. However, Magdalena promises Peter that she will put off marrying Jano and will marry him instead if he can prove that he truly loves her. He must build a house and earn a living. After almost two years Peter returns to show her that he kept his promise. But Magdalena is already married; Jano has raped her and she is pregnant. Desperate, Peter is tempted to take out his anger on Jano, nevertheless he resists the impulse. In the end, the author finds a way to reward Peter's faith in love and morality.

Through this translation of As Três Marias the literary achievements of Rachel de Queiroz may at last be judged and appreciated by the English-reading public. Since none of her four novels has previously been translated into English, The Three Marias will be, for many non-Brazilians, an introduction to this nationally known South American author whose books have been widely praised for their artistic merits. Her literary works are colored by her projected personality, by an intense feeling for her own people, by an omnipresent social consciousness, and by personal experiences in the arid backlands of her native state of Ceará.

Basing this story on certain of her own recollections from the nineteen-twenties, Rachel de Queiroz tells of a girl growing up in the seaport town of Fortaleza, in northeastern Brazil. Fred P. Ellison, whose special field is Brazilian and Spanish-American literature, has captured in his translation the author's graceful style and simplicity of language, and has successfully retained the perspective of an idealistic and gradually maturing girl.

The Latvian Janis Ezerins's best work was created in the genre of the short story. Among his literary models were Boccaccio, Maupassant and Poe. During his active literary working life, which lasted approximately five to six years of his short life, Ezerins seemingly grasped an encyclopaedia of possibilities and subject matter, as well as the versatility of storytelling, not avoiding either classical subjects or the repetition of characters so traditional in short stories. For the twenty-first century reader his stories evoke the atmosphere of the post-war, newly independent, fairly multicultural Latvia, rural mysticism hued with the "fine neurosis" of the emerging modern era. In many of his stories Ezerins disputed the single-dimensional (e.g., good/evil) portrayal of a human being. The people in his prose are individuals with their own unique characteristics, often ambivalent, and subject to change in time and situations. As is common in modern literature, Ezerins often blurs the boundaries between reality and fantasy, frequently making his reader laugh about the serious while aching when reading the humorous.

A vision of late-twentieth-century Prague from an acclaimed Czech novelist.
 
In late 1992, three years after the Velvet Revolution and as Czechoslovakia is about to dissolve into the Czech Republic and Slovakia, choreographer and dancer Leonora Marty, who fled the Communist state decades earlier, has returned to Prague. Having wrapped up her ballet of The Makropulos Affair, the famous dancer meets old classmates, wanders the city through crowds of tourists, and visits the most obscure and unvisited museums. When she is approached by Thomas Asperger, a descendant of ethnic Germans driven from Czechoslovakia after World War II, she must confront three relationships—her relationship with the city of her youth, her homeland’s relationship with its past, and her new romance with this German admirer.

Written in German and published in 1995, by an author whose life mirrored her protagonist’s, the novel provides a cultural tour of Prague. Employing a style as influenced by the operas of Leoš Janácek as the novels of Thomas Pynchon, Transfigured Night is a masterpiece of Czech literature, showing that the culture of this nation comes in a variety of tongues.
 
 

In these three deeply observed novellas, award-winning author David Nikki Crouse dramatizes the lives of women living in Interior Alaska. Each novella acts as an extended meditation on grief, loss, and the nature of imagination. Crouse’s usual storytelling gifts are on full display here, but the darkness found in past short story collections is balanced by images of stark beauty. In “Misfortune and Its Double,” a woman remembers—and manufactures—the story of an arduous cross-country drive that might not be entirely true. “A Rough Map of the Interior” follows a woman’s life from suicide attempt to hospitalization to a new kind of self-knowledge, and “Asmodeus Speaks” lingers on a Dungeon and Dragons roleplaying game in remote Fairbanks and its disruption when one of its players, a young Yupik man, goes missing.
 
While Crouse’s prize-winning collection of short fiction The Man Back There offered up insights into a kind of self-destructive masculinity, these novellas now sensitively and persuasively capture the inner landscapes of women struggling with grief and isolation. Trouble Will Save You is a unique and fully realized work from a keenly empathetic writer.
 
Praise for The Man Back There:
“In this virtuoso collection of stories, David Crouse guides us directly to where the shadow lies—the disorienting loss, the surprising heartache, the forgotten wound—those inevitable areas of the psyche we all share and through which only truth, illuminated with a such a light touch here, can deliver us; The Man Back There is the work of the real thing.”
—Andre Dubus III, author of House of Sand and Fog
 
“I chose these stories because they made me feel. I felt the characters like I would feel a stranger in a room or on a bus with me, with an irrational sympathy more animal than moral in its nature.”
—Mary Gaitskill, 2007 Mary McCarthy Prize judge
 

 

In 1842, a young Cuban woman living in Spain published a novel that was so passionate and boldly feminist in content, it did not appear in her homeland until more than seventy years later. Two Women tells the riveting tale of a tumultuous love triangle among three wealthy Spaniards: a brilliant, young, widowed countess named Catalina, her inexperienced lover Carlos, and his pure and virtuous wife Luisa. The two women start out as rivals, yet in an insightful twist, they ultimately find they are both victims of a patriarchal society that ruthlessly pits women against each other. As the story builds to its thrilling climax, they confront the stark truth that in nineteenth-century Spain, women have few paths to a happy ending.
 
This first English translation of the novel captures the lyrical romanticism of its prose and includes a scholarly introduction to the work and its author, Gertrudis Gómez de Avellaneda, a pioneering feminist and anti-slavery activist who based the character of Catalina on her own experience. Two Women is a searing indictment of the stern laws and customs governing marriage in the Hispanic world, brought to life in a spellbinding, tragic love story.