A SCHOLARLY BOOK REPOSITORY
For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the awe-inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants.
Traveling across regions wellknown to wine lovers like Sicily, Oregon, and California, as well as the less familiar places, such as the Canary Islands, Frankel gives an in-depth account of famous volcanoes and the wines that spring from their idiosyncratic soils. From Santorini’s vineyards of rocky pumice dating back to a four-thousand-year-old eruption to grapes growing in craters dug in the earth of the Canary Islands, from Vesuvius’s famous Lacryma Christi to the ambitious new generation of wine growers reviving the traditional grapes of Mount Etna, Frankel takes us across the stunning and dangerous world of volcanic wines. He details each volcano’s most famous eruptions, the grapes that grow in its soils, and the people who make their homes on its slopes, adapting to an ever-menacing landscape. In addition to introducing the history and geology of these volcanoes, Frankel's book serves as a travel guide, offering a host of tips ranging from prominent vineyards to visit to scenic hikes in each location.
This illuminating guide will be indispensable for wine lovers looking to learn more about volcanic terroirs, as well as anyone curious about how cultural heritage can survive and thrive in the shadow of geological danger.
That’s Pliny the Younger, writing to Tacitus about the eruption of Vesuvius in 79 CE, one of many volcanic eruptions that have become part of the story of human history. We have always, it seems, been simultaneously fascinated and terrified by volcanoes, and this book brings together an unforgettable selection of firsthand accounts from around the world and through the centuries.
In these pages, anonymous seventeenth-century seafarers tell of exploding islands, Alexander Von Humboldt and Charles Darwin show us volcanoes through the eyes of developing science, and artists sketch the spectacular London sunsets created by the eruption of Krakatoa, half the world away. As the years pass, words and paintings give way to the first photograph of an eruption, and eventually to detailed satellite imagery, but the awesome force of volcanoes still comes through, sublime and spectacular.
As we were reminded in 2010 when the eruption of Iceland’s Eyjafjallajökull snarled travel throughout Europe, volcanoes remain powerful and unpredictable even today. In the pages of this book, we can appreciate their majesty from a safe distance.
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formalambitiousness of Schlöndorff that is comparable to that found in Wenders, Herzog, andFassbinder. In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
In the context of film and television history, this book relates Schlöndorff’s oeuvre to the New German Cinema, to his formative years as a student and production assistant in France, and to his roots in the Weimar cinema’s tradition. It reveals how Schlöndorff entered into the German film production system in the 1960s, how he came to rely on German public television in the 1970s, and then moved to the international and American financing in the 1980s, attempting to redevelop the Babelsberg studios in a 1990s post-Wall Germany while continuing to make his own films into the 21st century. The book captures how Schlöndorff’s nearly half century of ongoing creativity and productivity ties together.
The authors analyze the artistry of each Schlöndorff movie arguing that his output as a whole embodies a provocative and sometimes contradictory set of balances. Schlöndorff combines commercial interest with significant artistic ambition, blends the kinesthetic pleasures of moving images with the seriousness of fine literature, links the intensity of individualized personal experience to an awareness of broader political issues, and represents a specifically German sensibility even as he reaches out to the international audiences.
The authors demonstrate the cyclical recurrence in his cinema of certain themes (individual and collective rebellion, fascist suppression, masochistic love), narrative patterns (the Western, the thriller, the subjective mood piece), and stylistic approaches (Brechtian Verfremdung, the creation of careful leitmotif structures, the use of the grotesque). In over thirty years of filmmaking, Schlöndorff has produced a remarkable unified body of work that deserves the attention of a book-length study. Authors Hans-Bernhard Moeller and George Lellis offer the first such study of its kind.
Volker Schlöndorff’s Cinema: Adaptation, Politics, and the “Movie-Appropriate” features forty-one illustrations.
In A Voltaire for Russia, Amanda Ewington examines the tumultuous literary career of Alexander Petrovich Sumarokov in relation to that of his slightly older French contemporary, Voltaire. Although largely unknown in the English-speaking world, Sumarokov was one of the founding fathers of modern Russian literature, renowned in his own time as a great playwright and prolific
poet.
A Voltaire for Russia polemicizes with long-accepted readings of Sumarokov as an imitator of French neoclassical poets, ultimately questioning the very notion of a Russian “classicism.” Ewington uncovers Sumarokov’s poignantly personal devotion to Voltaire as a new framework for understanding not only his works but also his literary allegiances and agenda, as he sets out to establish a Russian literature and cultivate a reading public.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This is the first of four volumes on the famous Pacific Coast site of Cotzumalhuapa, Escuintla, Guatemala. This fascicle describes the site and history of exploration at one of the major Late Classic cities of Mesoamerica, as well as the city’s interchange and cultural overlaps with the lowland Maya region. It includes coverage of twenty-one monuments from Bilbao, a major ceremonial compound with sculptures that serve as distinctive examples of the Cotzumalhuapa art style.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
Volume 2, Part 3 also includes the site Yaltutu.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
Volume 2, Part 2 also includes addenda for the Naranjo site, dates at Naranjo, and addenda and corrigenda for Volume 2, Part 1.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This volume also includes: additions and corrections relating to already-published Yaxchilan lintels; Yaxchilan hieroglyphic stairways; key to maps of the Maya area currently available and maps still to be published; list of sources of sculpture and their codes; an index to volumes 1 through 3; and an oversize map of the central lowlands of the Maya area.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes addenda to introductory text for the site Tonina; appendix with sources of sculpture and their codes; index to volumes 1 through 6; and one oversized map in pocket.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes addenda to the introductory text for Tonina (Volume 6, Part 1).
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes four oversized site plans in pocket.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This is the fourth of five anticipated volumes on the Classic Maya monuments of Tonina, which lies east of the town of Ocosingo in Chiapas, Mexico. The volume describes and illustrates 36 sequentially-numbered sculptures, representing most of the remaining unpublished and largely intact sculptures at the site.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
The first of five anticipated volumes on the renowned monuments of Piedras Negras, Guatemala, this volume describes the site and the history of exploration at this important center of Classic Maya civilization. It includes photographs and detailed line drawings of twelve of the inscribed sculpted monuments at Piedras Negras, as well as a map of the ruins.
Contributors. Debbora Battaglia, Franck Billé, Wayne Chambliss, Jason Cons, Hilary Cunningham (Scharper), Klaus Dodds, Elizabeth Cullen Dunn, Gastón Gordillo, Sarah Green, Tina Harris, Caroline Humphrey, Marcel LaFlamme, Lisa Sang Mi Min, Aihwa Ong, Clancy Wilmott, Jerry Zee
On the eve of World War I, Russia, not known as a nation of joiners, had thousands of voluntary associations. Joseph Bradley examines the crucial role of voluntary associations in the development of civil society in Russia from the late eighteenth to the early twentieth century.
Russians populated a growing public sphere with societies based on the model of the European enlightenment. Owing to the mission of such learned associations as the Free Economic Society, the Moscow Agricultural Society, and the Russian Geographical Society, civil society became inextricably linked to patriotism and the dissemination of scientific knowledge. Although civil society and the autocratic state are often described as bitter rivals, cooperation in the project of national prestige and prosperity was more often the rule. However, an increasing public assertiveness challenged autocratic authority, and associations became a focal point of a contradictory political culture: they fostered a state-society partnership but at the same time were a critical element in the effort to emancipate society from autocracy and arbitrary officialdom.
In Volunteer Forty-Niners, Walter T. Durham provides the first comprehensive examination of the role Tennessee and Tennesseans played in creating a new state and a new society on the West Coast. Drawing from such archival sources and personal narratives in letters and diaries, public records, and newspaper reports, Durham has woven a wealth of information into his recounting of their adventures. He follows many of the emigrants into the mines and details the activities of others in commerce and government. In the process, he shows that Tennesseans made an enormous contribution to the beginnings of government in California. Among the many offices they held were governor, assemblyman, sheriff, state senator, secretary of state, state treasurer, controller, U.S. senator, U.S. marshal, U.S. surveyor general and Indian commissioner.
Winner of the 2022 Edward M. Bruner Book Award
Voluntourism and Multispecies Collaboration is a lively ethnographic exploration of the world of conservation voluntourism and its engagement with marine and terrestrial biodiversity on the Honduran Bay Island of Utila, located in the ecologically critical Mesoamerican Barrier Reef.
In this highly readable text, anthropologist Keri Vacanti Brondo provides a pioneering theoretical framework that conceptualizes conservation voluntourism as a green industry. Brondo argues that the volunteer tourism industry is the product of coloniality and capitalism that works to produce and sustain an economy of affect while generating inequalities and dispossession. Employing a decolonizing methodology based on landscape assemblage theory, Brondo offers “thinking-like-a-mangrove” to attend to alternative worldings in Utila beyond the hegemonic tourist spectacle–dominated world attached to the volunteer tourism industry. Readers journey through the mangroves and waters alongside voluntourists, iguanas, whale sharks, turtles, lionfish, and islanders to build valuable research experience in environmental management while engaging in affective labor and multispecies relations of care.
Conservation organizations benefit from the financial capital and labor associated with conservation tourism, an industry boosted by social media. This critical work asks us to consider the impacts of this new alternative tourism market, one that relies on the exchange of “affect” with other species. How are human socialities made through interactions with other species? What lives and dies in Utila’s affect economy? Why are some species killable? Who gets to decide?
In this debut collection, Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.
Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore.
Olson analyzes many of the nineteenth-century theories, stereotypes, and popular beliefs that influenced the work of Owen and many of her peers. By taking a cross-disciplinary look at her works of fiction, poetry, folklore, history, and anthropology, this volume sheds new light on elements of Owen’s career that have not previously been discussed in print. Examples of the romance stories that Owen wrote for popular magazines in the 1880’s are identified and examined in the context of the time in which Owen wrote them.
This groundbreaking biography shows that Owen was more than just a folklorist—she was a nineteenth-century woman of many contradictions. She was an independent woman of many interests who possessed a keen intellect and a genuine interest in people and their stories. Specialists in folklore, anthropology, women’s studies, local and regional history, and Missouriana will find much to like in this thoroughly researched study.
Could cow horns, vortexes, and the words of a prophet named Rudolf Steiner hold the key to producing the most alluring wines in the world—and to saving the planet?
In Voodoo Vintners, wine writer Katherine Cole reveals the mysteries of biodynamic winegrowing, tracing its practice from Paleolithic times to the finest domaines in Burgundy today. At the epicenter of the American biodynamic revolution are the Oregon winemakers who believe that this spiritual style of farming results in the truest translations of terroir and the purest pinot noirs possible.
Cole introduces these “voodoo vintners,” examining their motivations and rationalizations and explaining why the need to farm biodynamically courses through their blood. Her engaging narrative answers the call of oenophiles everywhere for more information about this “beyond organic” style of winemaking.
Gluck begins by taking us inside the laboratory of Harry F. Harlow at the University of Wisconsin, where Gluck worked as a graduate student in the 1960s. Harlow’s primate lab became famous for his behavioral experiments in maternal deprivation and social isolation of rhesus macaques. Though trained as a behavioral scientist, Gluck finds himself unable to overlook the intense psychological and physical damage these experiments wrought on the macaques. Gluck’s sobering and moving account reveals how in this and other labs, including his own, he came to grapple with the uncomfortable justifications that many researchers were offering for their work. As his sense of conflict grows, we’re right alongside him, developing a deep empathy for the often smart and always vulnerable animals used for these experiments.
At a time of unprecedented recognition of the intellectual cognition and emotional intelligence of animals, Voracious Science and Vulnerable Animals is a powerful appeal for our respect and compassion for those creatures who have unwillingly dedicated their lives to science. Through the words of someone who has inflicted pain in the name of science and come to abhor it, it’s important to know what has led this far to progress and where further inroads in animal research ethics are needed.
Vote and Voice is the first book-length study to address the writing and speaking practices of members of women’s political organizations in the decade after the suffrage movement. During those years, women still did not have power within deliberative and administrative organs of politics, despite their recent enfranchisement. Because they were largely absent from diplomatic circles and political parties, post-suffrage women’s organizations developed rhetorical practices of public discourse to push for reform within traditional politics.
Vote and Voice is historically significant as well as pedagogically beneficial for instructors who connect rhetorical education with public participation by integrating writing and speaking skills into a curriculum that aims to prepare educated students and active citizens.
The contributors to this volume were highly visible in the national media while the controversy raged, and here they present fully fleshed-out arguments for the positions they promoted on the airwaves. Readers will find in The Vote equally impassioned defenses for and indictments of the Court's actions, and they will come to understand the practical and theoretical implications of the Court's ruling in the realms of both law and politics. No doubt a spate of books will appear on the 2000 presidential election, but none will claim as distinguished a roster of contributors better qualified to place these recent events in their appropriate historical, legal, and political contexts.
Leading constitutional scholars render their verdicts on the 2000 presidential election controversy
Contributors:
Richard A. Epstein
Elizabeth Garrett
Samuel Issacharoff
Pamela S. Karlan
Michael W. McConnell
Frank I. Michelman
Richard H. Pildes
Richard A. Posner
David A. Strauss
Cass R. Sunstein
John Yoo
An earlier electronic edition of The Vote was available on the University of Chicago Press Web site.
Lively and authoritative, the book documents how the participants, the press, the academic community, and the public responded during these tension-filled thirty-six days. Gillman also provides a serious yet accessible overview of the legal strategies and debates-from briefs and oral arguments to final decisions. However, in explaining the behavior of courts, he moves beyond an analysis of law to also take into account the influences of partisanship, judicial ideology, and broader political and historical contexts.
Appropriately, Gillman pays special attention to the judges whose behavior generated the most controversy—the battling justices of the Florida and United States Supreme Courts. After carefully reviewing the arguments for and against their decisions, he concludes that the five justices behind the Bush v. Gore decision acted outside what should be considered the acceptable boundaries of judicial power. Gillman ends with an analysis of why they chose such an unprecedented course of action and an assessment of whether their partisan intervention will have any lasting effect on the Supreme Court's reputation and authority.
manner, leading historians and political scientists trace the history of American
voting from the colonial period to the present incorporating the latest scholarship
on suffrage reform, woman suffrage, black voting rights, and electoral participation.
They explain how voting practices changed over time as the result of broad historical
forces such as economic growth, demographic shifts, the results of war, and
the rise of political reform movements.
Fundamental to an understanding of the Roman Republic is comprehension of the tribal system employed to organize citizens. Used first for the census, raising an army, and tax collection, tribes later became voting districts for the election of magistrates. Voting districts were distributed geographically in and around the city of Rome and eventually throughout the Italian countryside, and they have been studied through evidence largely textual and epigraphical.
In this volume, first published in 1960, evidence is adduced to locate and describe the tribes' locations. In his major new update, Lily Ross Taylor's disciple and scholarly follower Jerzy Linderski brings forward new evidence resolving earlier cruces, updates the lengthy bibliography on voting districts, and situates this invaluable work in its historical perspective.
This book concentrates on the gender gap in voting--the difference in the proportion of women and men voting for the same candidate. Evident in every presidential election since 1980, this polling phenomenon reached a high of 11 percentage points in the 1996 election. The contributors discuss the history, complexity, and ways of analyzing the gender gap; the gender gap in relation to partisanship; motherhood, ethnicity, and the impact of parental status on the gender gap; and the gender gap in races involving female candidates. Voting the Gender Gap analyzes trends in voting while probing how women's political empowerment and gender affect American politics and the electoral process.
Contributors are Susan J. Carroll, Erin Cassese, Cal Clark, Janet M. Clark, M. Margaret Conway, Kathleen A. Dolan, Laurel Elder, Kathleen A. Frankovic, Steven Greene, Leonie Huddy, Mary-Kate Lizotte, Barbara Norrander, Margie Omero, and Lois Duke Whitaker.
Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O’Neill’s wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O’Neill’s marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.
On a June morning in 1990, high up in the Canadian Rockies, Robin Cody pushed his sixteen-foot Kevlar canoe through tall grass and mud to launch it on peaceful Columbia Lake, the nominal source of the river that heaves more water into the Pacific ocean than any other in North or South America. For the next eighty-two days, Cody would portage massive dams and revel in the rapids as the great river plunges 2,700 feet in 1,200 miles before reaching the river’s mouth in Astoria.
Cody’s canoe sneaks up on the bear and moose and raptors and beavers who make a living on the Columbia. He drops in on riverpeople: the trapper, the wind surfer, the archeologist, the lock operator, the native woman who grew up at riverside in a dwelling of tule reeds. With a generous and infectious spirit, Cody draws us into the mysteries of a much-altered and regulated river that is still, at heart, a life-giving place.
This first OSU Press edition of Voyage of a Summer Sun—winner of the Pacific Northwest Booksellers Association Book Award and the Oregon Book Award, and an Oregon State Library choice for “150 Books for the Oregon Sesquicentennial”—includes a new afterword by the author.
This photo book contains more than 120 striking images from the course of the journey, allowing the reader to see how much has changed and how much has remained untouched in the two and a half centuries since Donelson first took to the water. Equally significant, the essays include long-ignored contemporary histories of both the Cherokee whom Donelson encountered and the slaves he brought with him, some of whom did not survive the journey.
Guider, a professional photographer, has created images of every point in the thousand-mile trip from a platform just a few feet above the waterline of three of Tennessee’s most notable rivers.
The only Confederate ship to circumnavigate the globe
The Confederate cruiser Shenandoah was the last of a group of commerce raiders deployed to prey on Union merchant ships. Ordered to the Pacific Ocean to “greatly damage and disperse” the Yankee whaling fleet in those waters, the Shenandoah’s successful pursuit of her quarry compared favorably with the exploits of the more celebrated Alabama and Florida but has never been as well known because it coincided with the war’s end and the Confederacy’s downfall. It was, however, one of the best documented naval expeditions—from England to the Indian Ocean, Australia and the South Pacific, the Bering Sea, San Francisco, and finally to port in Liverpool—during the Civil War.
The ship’s log and Captain James Waddell’s notes are well preserved, and a number of the Shenandoah’s officers kept detailed journals of the entire voyage. One of the most significant journals, by Lieutenant William Whittle, is presented here, with annotations from other journals, the official records and logs, and newspaper accounts of the Shenandoah’s activities, together bringing to life the history of this remarkable voyage.
A fascinating exploration of pagan Anglo-Saxon culture-a world caught on the boundary between competing ideologies and contrasting social systems.
Contributors: James Campbell, Martin Carver, Robert Payson Creed, Roberta Frank, Michael N. Geselowitz, Gloria Polizzotti Greis, Henrik M. Jansen, Simon Keynes, Edward Schoenfeld, Jana Schulman, Alan M. Stahl, Wesley M. Stevens, and Else Roesdahl.Medieval Cultures Series, volume 5
The contributors to this collection include historians of art and of science, anthropologists, literary critics and mainstream cultural historians. Their essays encompass a challenging range of subjects, including the explorations of South America, India and Mexico; mountaineering in the Himalayas; space travel; science fiction; and American post-war travel fiction. Voyages and Visions is truly interdisciplinary, and essential reading for anyone interested in travel writing.
With essays by Kasia Boddy, Michael Bravo, Peter Burke, Melissa Calaresu, Jesus Maria Carillo Castillo, Peter Hansen, Edward James, Nigel Leask, Joan-Pau Rubies and Wes Williams.
Vranesh's Colorado Water Law serves as a reference resource for attorneys practicing in the field of water law, as well as a thorough introduction for those just getting started in the subject. It will also be a helpful reference work for individuals and institutions interested in the acquisition and distribution of water: municipalities, water conservancy districts, irrigation organizations, water engineers, and hydrologists.
Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium.
Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life.
For the past hundred years, “vulgar Marxism” has been the go-to insult among socialist and communist intellectuals—it named the ways Marxist theory could go wrong. But why would theorists who fought for working-class emancipation use “vulgarity” as an epithet?
In Vulgar Marxism, Edward Baring seeks an answer by delving into debates over Marxism in the first decades of the twentieth century. He shows that this common phrase wasn’t aimed primarily at popular understandings of Marx. Rather, it was used to attack intellectuals for failing to teach Marx’s theory to the working masses correctly. His history of “vulgar Marxism” homes in on the project of mass worker education at a time when the project was widely pursued and fiercely contested. Worker education offered a mechanism through which Marxist theory was meant to promote large-scale social and political change, and it drew on a massive infrastructure of schools, publishing houses, and educational bureaus, which stretched across Europe and reached millions. By centering this project, Baring radically recasts the history of Marxism from the Second International through to World War II. He challenges classic oppositions between “economistic” and “cultural” versions of Marxism; rereads many of the most significant Marxist theorists of the time, including Karl Kautsky, Rosa Luxemburg, Georg Lukács, and Antonio Gramsci; and offers new resources for understanding how Marxist ideas transformed as they traveled around Europe and then spread throughout the world.
The Vulgate Bible, compiled and translated in large part by Saint Jerome at the intersection of the fourth and fifth centuries CE, was used from the early Middle Ages through the twentieth century in the Western European Christian (and, later, specifically Catholic) tradition. Its significance can hardly be overstated. The text influenced literature, visual art, music, and education during the Middle Ages and Renaissance, and its contents lay at the heart of much of Western theological, intellectual, artistic, and even political history of that period. At the end of the sixteenth century, as a variety of Protestant vernacular Bibles became available, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate into English, among other reasons to combat the influence of rival theologies.
This volume elegantly and affordably presents the text of the Pentateuch, the first five books of the Bible, beginning with the creation of the world and the human race, continuing with the Great Flood, God’s covenant with Abraham, Israel’s flight from Egypt and wanderings through the wilderness, the laws revealed to Moses, his mustering of the twelve tribes of Israel, and ending on the eve of Israel’s introduction into the Promised Land. This is the first volume of the projected six-volume set of the complete Vulgate Bible.
This is the third volume of a projected six-volume set of the complete Vulgate Bible. Compiled and translated in large part by Saint Jerome at the turn of the fifth century CE, the Vulgate Bible permeated the Western Christian (and later specifically Catholic) tradition from the early medieval period through the twentieth century. It influenced literature, visual arts, music, and education during the Middle Ages and Renaissance, and its contents lay at the heart of Western theological, intellectual, artistic, and even political history during that period. At the end of the sixteenth century, as Protestant vernacular Bibles became available, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English, primarily to combat the influence of rival theologies.
Volume III presents the Poetical Books of the Bible. It begins with Job’s argument with God, and unlike other Bibles the Vulgate insists on the title character’s faith throughout that crisis. The volume proceeds with the soaring and intimate lyrics of the Psalms and the Canticle of Canticles. Three books of wisdom literature, all once attributed to King Solomon, also are included: Proverbs, Ecclesiastes, and Wisdom. Ecclesiasticus, an important deuterocanonical book of wisdom literature, concludes the volume. The seven Poetical Books mark the third step in a thematic progression from God’s creation of the universe, through his oversight of grand historical events, and finally into the personal lives of his people.
This is the fourth volume of a projected six-volume Vulgate Bible. Compiled and translated in large part by Saint Jerome at the turn of the fifth century ce, the Vulgate Bible permeated the Western Christian tradition through the twentieth century. It influenced literature, art, music, and education, and its contents lay at the heart of Western theological, intellectual, artistic, and political history through the Renaissance. At the end of the sixteenth century, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English to combat the influence of Protestant vernacular Bibles.
Volume IV presents the writings attributed to the “major” prophets (Isaiah, Jeremiah, Ezekiel, and Daniel), which feature dire prophecies of God’s impending judgment, punctuated by portentous visions. Yet profound grief is accompanied by the promise of mercy and redemption, a promise perhaps illustrated best by Isaiah’s visions of a new heaven and a new earth. In contrast with the Historical Books, the planned salvation includes the gentiles.
This is the fifth volume of a projected six-volume Vulgate Bible. Compiled and translated in large part by Saint Jerome at the turn of the fifth century ce, the Vulgate Bible permeated the Western Christian tradition through the twentieth century. It influenced literature, art, music, and education, and its contents lay at the heart of Western theological, intellectual, artistic, and political history through the Renaissance. At the end of the sixteenth century, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English to combat the influence of Protestant vernacular Bibles.
Volume V presents the twelve minor prophetical books of the Old Testament, as well as two deuterocanonical books, 1 and 2 Maccabees. While Jewish communities regarded the works of the twelve minor prophets as a single unit (the Dodecapropheton), the Vulgate Bible treats them individually in accordance with Christian tradition. The themes of judgment and redemption featured prominently in the major prophets (Volume IV) are further developed by the minor prophets. The books of 1 and 2 Maccabees conclude the volume. Their doctrinal controversies and highly influential martyrdom narratives anticipate the development of Christian hagiography both as a genre and as a theological vehicle.
This volume completes the six-volume Vulgate Bible. Compiled and translated in large part by Saint Jerome at the turn of the fifth century ce, the Vulgate Bible permeated the Western Christian tradition through the twentieth century. It influenced literature, art, music, and education, and its contents lay at the heart of Western theological, intellectual, artistic, and political history through the Renaissance. At the end of the sixteenth century, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English to combat the influence of Protestant vernacular Bibles.
Volume VI presents the entirety of the New Testament. The gospel narratives delineate the story of Jesus’s life, death, and resurrection. Acts continues the account of the first Christians, including the descent of the Holy Spirit, the conversion of Saul of Tarsus (the Apostle Paul), and the spread of Christianity through sermons and missionary journeys. Collected epistles answer theological and pragmatic concerns of early church communities. Of these epistles, Romans is notable for its expression of Paul’s salvation theory, and Hebrews for its synthesis of Jewish and Hellenistic elements. The apocalyptic vision of Revelation concludes the volume with prophecies grisly and glorious, culminating in the New Jerusalem.
This is the second volume, in two parts, of a projected six-volume set of the complete Vulgate Bible.
Compiled and translated in large part by Saint Jerome at the turn of the fifth century CE, the Vulgate Bible was used from the early medieval period through the twentieth century in the Western Christian (and later specifically Catholic) tradition. It influenced literature, visual arts, music, and education during the Middle Ages and Renaissance, and its contents lay at the heart of Western theological, intellectual, artistic, and even political history during that period. At the end of the sixteenth century, as Protestant vernacular Bibles became available, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English, primarily to combat the influence of rival theologies.
Volume II presents the Historical Books of the Bible, which tell of Joshua’s leading the Israelites into the Promised Land, the judges and kings, Israel’s steady departure from God’s precepts, the Babylonian Captivity, and the return from exile. The focus then shifts to shorter, intimate narratives: the pious Tobit, whose son’s quest leads him to a cure for his father’s blindness; Judith, whose courage and righteousness deliver the Israelites from the Assyrians; and Esther and Mordecai, who saved all the Jews living under Ahasuerus from execution. These three tales come from books that were canonical in the Middle Ages but now are often called “apocryphal,” with the partial exception of the Book of Esther.
This is the second volume, in two parts, of a projected six-volume set of the complete Vulgate Bible.
Compiled and translated in large part by Saint Jerome at the turn of the fifth century CE, the Vulgate Bible was used from the early medieval period through the twentieth century in the Western Christian (and later specifically Catholic) tradition. It influenced literature, visual arts, music, and education during the Middle Ages and Renaissance, and its contents lay at the heart of Western theological, intellectual, artistic, and even political history during that period. At the end of the sixteenth century, as Protestant vernacular Bibles became available, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English, primarily to combat the influence of rival theologies.
Volume II presents the Historical Books of the Bible, which tell of Joshua’s leading the Israelites into the Promised Land, the judges and kings, Israel’s steady departure from God’s precepts, the Babylonian Captivity, and the return from exile. The focus then shifts to shorter, intimate narratives: the pious Tobit, whose son’s quest leads him to a cure for his father’s blindness; Judith, whose courage and righteousness deliver the Israelites from the Assyrians; and Esther and Mordecai, who saved all the Jews living under Ahasuerus from execution. These three tales come from books that were canonical in the Middle Ages but now are often called “apocryphal,” with the partial exception of the Book of Esther.
During Elizabeth Robinson’s six years working with chronically unhoused people in Boulder, Colorado, her relationships with the community’s most vulnerable deepened—even as they were filtered through a web of paperwork, systems, and strictures. The Vulnerability Index questionnaire is just one such system. Ubiquitous in shelters across America, it is representative of the endless tasks that people living on the street must complete to receive even minor assistance.
Moving between the local court, jail, shelter, and soup kitchen, Robinson’s poems capture the strange juxtapositions of the intimate, bureaucratic, and absurd that such spaces demand: a frostbite victim wants to share his state-sponsored recovery room with a friend from the street, a domestic violence survivor must change her name and even her social security number, an unhoused activist joins a vigil for another woman only to discover that she is, mistakenly, the person being mourned. Spare yet richly empathetic, Robinson’s verse works to implicate the reader’s own vulnerability on every page.
Reduced state funding to public institutions. The removal of tenure from state statutes. Attempts to silence faculty. Michael Bernard-Donals takes on these issues and other crises in higher education in The Vulnerability of Public Higher Education, exploring how values once used to justify higher education—the democratization of knowledge, the fostering of expertise, the creation of well-informed citizens, and critical engagement with issues—have been called into question. Bernard-Donals argues that public higher education, especially the work of faculty, has become vulnerable—socially, politically, professionally—and this book takes seriously the idea of vulnerability, suggesting that university faculty see it not as an encumbrance to their work but as an opportunity to form relations of solidarity with one another through mutual recognition and shared, albeit different forms of, precarity. Through a series of case studies on faculty rights and responsibilities, the efficacy of diversity initiatives, and tenure and academic freedom, Bernard-Donals employs a rhetorical perspective to show how vulnerability can reshape faculty work and provide ways to shift the relations of materiality and power while opening up new forms of deliberation, engagement, and knowledge production.
Amputation need not always signify castration; indeed, in Jack London’s fiction, losing a limb becomes part of a process through which queerly gendered men become properly masculinized. In her astute book, Vulnerable Constitutions, Cynthia Barounis explores the way American writers have fashioned alternative—even resistant—epistemologies of queerness, disability, and masculinity. She seeks to understand the way perverse sexuality, physical damage, and bodily contamination have stimulated—rather than created a crisis for—masculine characters in twentieth- and early twenty-first-century literature.
Barounis introduces the concept of “anti-prophylactic citizenship”—a mode of political belonging characterized by vulnerability, receptivity, and risk—to examine counternarratives of American masculinity. Investigating the work of authors including London, William Faulkner, James Baldwin, and Eli Clare, she presents an evolving narrative of medicalized sexuality and anti-prophylactic masculinity. Her literary readings interweave queer theory, disability studies, and the history of medicine to demonstrate how evolving scientific conversations around deviant genders and sexualities gave rise to a new model of national belonging—ultimately rewriting the story of American masculinity as a story of queer-crip rebellion.
Winner of the Organization for the Study of Communication, Language, and Gender 2013 Outstanding Book Award
Winner of the 2013 Bonnie Ritter Book Award from the Feminist and Women's Division of the National Communication Association
The feminist women’s health movement of the 1960s and 1970s is credited with creating significant changes in the healthcare industry and bringing women’s health issues to public attention. Decades later, women’s health issues are more visible than ever before, but that visibility is made possible by a process of depoliticization
The Vulnerable Empowered Woman assesses the state of women’s healthcare today by analyzing popular media representations—television, print newspapers, websites, advertisements, blogs, and memoirs—in order to understand the ways in which breast cancer, postpartum depression, and cervical cancer are discussed in American public life. From narratives about prophylactic mastectomies to young girls receiving a vaccine for sexually transmitted disease, the representations of women’s health today form a single restrictive identity: the vulnerable empowered woman. This identity defuses feminist notions of collective empowerment and social change by drawing from both postfeminist and neoliberal ideologies. The woman is vulnerable because of her very femininity and is empowered not to change the world, but to choose from among a limited set of medical treatments.
The media’s depiction of the vulnerable empowered woman’s relationship with biomedicine promotes traditional gender roles and affirms women’s unquestioning reliance on medical science for empowerment. The book concludes with a call to repoliticize women’s health through narratives that can help us imagine women—and their relationship to medicine—differently.
Simply because they are large scavenging birds, vultures are often viewed as harbingers of death. But, as Thom van Dooren shows in this cultural and natural history, that dominant association leaves us with a very one-dimensional understanding of a group of actually rather fascinating and diverse creatures.
Vulture offers an enlightening new history of this much-misunderstood bird. Vultures vary in type and size, and while some have a diet mainly of bone, others are actually almost completely vegetarian. Most interesting, despite its notorious association with death, the vulture very rarely, if ever, kills for itself. In different cultural mythologies, vultures play a role in disposing of the dead and officiating over human sacrifices, but they have often been viewed as courageous and noble creatures as well—believed to be indispensable in the containment of waste and disease and even to be world creators and divine mothers. Van Dooren explores these many histories, from some of the earliest-known Neolithic sites in which vultures are thought to have consumed the dead to contemporary efforts to reintroduce the bearded vulture into the Alps.
Highlighting the rich diversity of vultures and the many ways in which people have understood and lived with them, Vulture invites a new appreciation and wonder for these incredible birds.
Few animals have a worse reputation than the vulture. But is it deserved? With Vulture, Katie Fallon offers an irresistible argument to the contrary, tracing a year in the life of a typical North American turkey vulture. Turkey vultures, also known as buzzards, are the most widely distributed and abundant scavenging birds of prey on the planet, found from central Canada to the southern tip of Argentina and nearly everywhere in between. Deftly drawing on the most up-to-date scientific papers and articles and weaving those in with interviews with world-renowned raptor and vulture experts and her own compelling natural history writing, Fallon examines all aspects of the bird’s natural history: breeding, incubating eggs, raising chicks, migrating, and roosting. The result is an intimate portrait of an underappreciated bird—one you’ll never look at in the same way again.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2025
The University of Chicago Press