A SCHOLARLY BOOK REPOSITORY4 start with V start with V
O'Keeffe saw the magic of sandstone cliffs and turquoise skies, but her life and death here are only part of the story. Reading almost like a novel, this book spills over with other legends buried deep in time, just as some of North America's oldest dinosaur bones lie hidden beneath the valley floor. Here are the stories of Pueblo Indians who have claimed this land for generations. Here, too, are Utes, Navajos, Jicarilla Apaches, Hispanos, and Anglos—many lives tangled together, yet also separate and distinct.
Underlying these stories is the saga of Ghost Ranch itself, a last living vestige of the Old West ideal of horses, cowboys, and wide-open spaces. Readers will meet a virtual Who's Who of visitors from "dude ranch" days, ranging from such luminaries as Willa Cather, Ansel Adams, and Charles Lindbergh to World War II scientist J. Robert Oppenheimer and his colleagues, who were working on the top-secret atomic bomb in nearby Los Alamos. Moving on through the twentieth century, the book describes struggles to preserve the valley's wild beauty in the face of land development and increased tourism.
Just as the Piedra Lumbre landscape has captivated countless wayfarers over hundreds of years, so its stories cast their own spell. Indispensable for travelers, pure pleasure for history buffs and general readers, these pages are a magic carpet to a magic land: Abiquiu, Ghost Ranch, the Valley of Shining Stone.
A robust historical case study that demonstrates how village development became central to the rhetoric and practice of statecraft in rural Ghana.
Combining oral histories with decades of archival material, Village Work formulates a sweeping history of twentieth-century statecraft that centers on the daily work of rural people, local officials, and family networks, rather than on the national governments and large-scale plans that often dominate development stories. Wiemers shows that developmentalism was not simply created by governments and imposed on the governed; instead, it was jointly constructed through interactions between them.
The book contributes to the historiographies of development and statecraft in Africa and the Global South by
- emphasizing the piecemeal, contingent, and largely improvised ways both development and the state are comprised and experienced
- providing new entry points into longstanding discussions about developmental power and discourse
- unsettling common ideas about how and by whom states are made
- exposing the importance of unpaid labor in mediating relationships between governments and the governed
- showing how state engagement could both exacerbate and disrupt inequities
Despite massive changes in twentieth-century political structures—the imposition and destruction of colonial rule, nationalist plans for pan-African solidarity and modernization, multiple military coups, and the rise of neoliberal austerity policies—unremunerated labor and demonstrations of local leadership have remained central tools by which rural Ghanaians have interacted with the state. Grounding its analysis of statecraft in decades of daily negotiations over budgets and bureaucracy, the book tells the stories of developers who decided how and where projects would be sited, of constituents who performed labor, and of a chief and his large cadre of educated children who met and shaped demands for local leaders. For a variety of actors, invoking “the village” became a convenient way to allocate or attract limited resources, to highlight or downplay struggles over power, and to forge national and international networks.
Experience a year in Los Angeles County, in all its glitter and grit, through a unique anthology that pairs essays by acclaimed writers and historians with custom maps.
When many of us picture Los Angeles, we’re actually thinking of LA County. Home to roughly ten million people, the county alone is more populous than forty-two US states. Its eighty-eight cities include places made famous by Hollywood glamor and California dreaming—Beverly Hills, Malibu, and Santa Monica—but also working-class municipalities and the self-explanatory City of Industry. With a territory that includes the Pacific coastline, mountain ranges, and the high Mojave Desert, the county’s landscapes have been touched by earthquakes, droughts, and, of course, devastating fires. LA County is a place of extremes: progress and injustice, innovation and stagnation.
Visions of the Southland collects essays by writers, journalists, and historians to create a nuanced portrait of LA that’s grounded in the county itself—its sites, structures, and stories. Contributors—including Gustavo Arellano, Keri Blakinger, Lynell George, Christopher Hawthorne, Michael Hiltzik, Greg Hise, Carolina Miranda, Becky Nicolaides, Susan Straight, and David L. Ulin—delve into LA’s infamous air pollution, movie ranches, prisons, aqueducts, urban forests, SoCal Bohemianism, and more. A custom map by Ezra Rawitsch enriches each piece and grounds the reader in specific locations throughout the county. Unfolding over the course of a year, the book traces the rhythms of politics, sports, weather, and wildlife across this sprawling and enigmatic place.
Sweeping in its scope and gorgeous in its design, Visions of the Southland will delight Angelenos, history buffs, urbanists, and map enthusiasts alike.
The book is richly illustrated with color photographs of Vodun shrines, temple wall paintings, masquerades, and Hindu chromolithographs.
This book is the first publication in a new series called "Critical Investigations of the African Diaspora." The series grows out of Issues in Critical Investigation, a Vanderbilt initiative to assist junior scholars through critical feedback from senior faculty, annual symposia, and prize competitions in the humanities and social sciences. Dana Rush's Vodun in Coastal Benin is the winner of the inaugural Anna Julia Cooper Prize in the Humanities.
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