BiblioVault - Books about Spain

Walking Distance

Pilgrimage, Parenthood, Grief, and Home Repairs

David Hlavsa

Michigan State University Press, 2015

In the summer of 2000, David Hlavsa and his wife Lisa Holtby embarked on a pilgrimage. After trying for three years to conceive a child and suffering through the monthly cycle of hope and disappointment, they decided to walk the Camino de Santiago, a joint enterprise—and an act of faith—they hoped would strengthen their marriage and prepare them for parenthood.

Though walking more than 400 miles across the north of Spain turned out to be more difficult than they had anticipated, after a series of misadventures, including a brief stay in a Spanish hospital, they arrived in Santiago. Shortly after their return to Seattle, Lisa became pregnant, and the hardships of the Camino were no comparison to what followed: the stillbirth of their first son and Lisa’s harrowing second pregnancy.

Walking Distance is a moving and disarmingly funny book, a good story with a happy ending—the safe arrival of David and Lisa’s second son, Benjamin. David and Lisa get more than they bargained for, but they also get exactly what they wanted: a child, a solid marriage, and a richer life.

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War and Prices in Spain, 1651-1800

Earl Jefferson Hamilton

Harvard University Press

War, Judgment, and Memory in the Basque Borderlands, 1914-1945

Sandra Ott

University of Nevada Press, 2008

During the first half of the twentieth century, the French Basque province of Xiberoa was a place of refuge, conflict, transit, exile and foreign occupation. At the Liberation of France in 1944, many Xiberoans confronted ongoing local divisiveness, rooted in the interwar years, and faced new conflicts arising from legal and civic judgments made during Vichy and German occupation. This book traces the roots of their divided memories to local and official interpretations of what constituted legitimate judgment, legitimate behavior and justice during those troubled times. In order to capture a sense of the diverse ways in which Xiberoan Basques responded to the Germans in their midst, the author explores and contrasts the experiences of people in four different communities located within a fifteen mile radius.

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Warnings to the Kings and Advice on Restoring Spain

A Bilingual Edition

María de Guevara

University of Chicago Press, 2007

During a pivotal point in Spanish history, aristocrat María de Guevara (?–1683) produced two extraordinary essays that appealed for strong leadership, protested political corruption, and demanded the inclusion of women in the court’s decision making. “Treaty” gave Philip IV practical suggestions for fighting the war against Portugal and “Disenchantments” counseled the king-to-be, Charles II, on strategies to raise the country’s status in Europe. This annotated bilingual edition, featuring Nieves Romero-Díaz’s adroit translation, reproduces Guevara’s polemics for the first time.

Guevara’s provocative writings call on Spanish women to bear the responsibility equally with men for restoring Spain’s power in Europe and elsewhere. The collection also includes examples of Guevara’s shorter writings that exemplify her ability to speak on matters of state, network with dignitaries, and govern family affairs. Witty, ironic, and rhetorically sophisticated, Guevara’s essays provide a fresh perspective on the possibilities for women in the public sphere in seventeenth-century Spain.

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Water Lilies

An Anthology of Spanish Women Writers from the Fifteenth through the Nineteenth Century

Amy Kaminsky

University of Minnesota Press, 1995

Poetry and prose by Spanish women presented here in both English and Spanish.

A dazzling sampler, Water Lilies brings to light a rich and until now largely invisible version of Spanish literary history. These hard-to-find works, most translated for the first time, are printed on facing pages in Spanish and English and located within a critical, biographical, and historical overview.

Here are five centuries of writing by Spanish women, the unknown recovered from obscurity, the well-known seen as they rarely have been-in the context of a women’s literary history. Some of these writers, like Rosalía de Castro in “The Bluestockings” and Teresa de Cartagena in Wonder at the Work of God, question the relationship between the woman writer and the act of writing. Some, like the poet Carolina Coronado in “The Twin Geniuses: Sappho and Saint Teresa of Jesus,” overtly seek a literary tradition. Others, like Saint Teresa in her Life and Luisa Sigea in her poetry, provide touchstones for women in search of such a tradition.Legends and stories of women’s friendships, the inconstancy of men, and the love of God; Spain’s first autobiographical text; secular and religious poetry from medieval through recent times; an excerpt from one of the few chivalresque novels written by a woman; a full-length Golden Age comedia: this is the wide range of works Water Lilies comprises. Brought together for the first time, the writers articulate their resistance to, and their complicity in, a literary history that, until now, has tried to exclude them.

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We Shall Not Be Moved/No nos moveran

Biography of a Song of Struggle

David Spener

Temple University Press, 2016

The activist anthem “We Shall Not Be Moved” expresses resolve in the face of adversity; it helps members of social movements persevere in their struggles to build a better world. The exact origins of the song are unknown, but it appears to have begun as a Protestant revival song sung by rural whites and African slaves in the southeastern United States in the early nineteenth century. The song was subsequently adopted by U.S. labor and civil rights activists, students and workers opposing the Franco dictatorship in Spain, and by Chilean supporters of that country’s socialist government in the early 1970s.

In his fascinating biography, We Shall Not Be Moved, David Spener details the history and the role the song has played in each of the movements in which it has been sung. He analyzes its dissemination, function, and meaning through a number of different sociological and anthropological lenses to explore how songs can serve as an invaluable resource to participants in movements for social change.

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White Gypsies

Race and Stardom in Spanish Musicals

Eva Woods Peiró

University of Minnesota Press, 2012

Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.

Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.

White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

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Whole Faith

The Catholic Ideal of Emilia Pardo Bazan

Denise DuPont

Catholic University of America Press, 2018

Emilia Pardo Bazán (1851-1921), the most important female author of Spain’s nineteenth century, was a prolific writer of novels, short stories, critical articles, chronicles of modern life, and plays. Active in the age of Catholic social teaching inaugura

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Women in Contemporary Culture

Roles and identities in France and Spain

Edited by Lesley Twomey

Intellect Books, 2000

Dealing with current events in France and Spain, this is the only comparative study of its kind, investigating how women construct their identities within the public sphere and highlighting the ways in which traditional or modern values impact on female identity in these countries. Which female figures are proposed for our admiration? Who proposes them and what values do they represent? This is an evaluation of womens lives at the end of the 20th Century the Century of Women celebrating the achievements and looking to opportunities presented by the century to come.

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Women in Iberian Filmic Culture

A Feminist Approach to Cinemas in Portugal and Spain

Edited by Elena Cordero Hoyo and Begoña Soto Vásquez

Intellect Books, 2020

Though cinema arrived in Spain and Portugal at the end of the nineteenth century, national and industrial problems as well as the dictatorships of Salazar and Caetano (in Portugal) and Franco (in Spain) meant Iberian cinemas were isolated from European cultural trends. The strict censorship in both countries limited the themes and artistic practices adopted. A specific cinematographic language, in many cases full of metaphors and symbolism, sought alternatives to the imposed official discourse and preconceived definitions of supposed national identities. By contrast, from the 1970s onwards, Spain and Portugal experienced a great change in their societies: the arrival of democracy widened not just the panorama of film production and criticism, but also opened the film industry to women participation in areas historically assigned to men.

Focusing on Portuguese and Spanish cinema, this collection brings together research about women and their status in relation to Iberian visual culture. The volume contributes to ongoing debates about the position of women in the cinemas of Portugal and Spain through a revision of feminist theory as well as new accounts of film history. It also aims to promote comparisons between Iberian cinemas and visual culture from different regions, a topic that is almost unexplored in academia, despite the similar histories of the two Iberian countries, particularly throughout the twentieth century.

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Women, Mysticism, and Hysteria in Fin-de-Siècle Spain

Jennifer Smith

Vanderbilt University Press, 2021

Women, Mysticism, and Hysteria in Fin-de-Siècle Spain argues that the reinterpretation of female mysticism as hysteria and nymphomania in late nineteenth- and early twentieth-century Spain was part of a larger project to suppress the growing female emancipation movement by sexualizing the female subject. This archival-historical work highlights the phenomenon in medical, social, and literary texts of the time, illustrating that despite many liberals' hostility toward the Church, secular doctors and intellectuals employed strikingly similar paradigms to those through which the early modern Spanish Church castigated female mysticism as demonic possession.

Author Jennifer Smith also directs modern historians to the writings of Emilia Pardo Bazán (1851-1921) as a thinker whose work points out mysticism's subversive potential in terms of the patriarchal order. Pardo Bazán, unlike her male counterparts, rejected the hysteria diagnosis and promoted mysticism as a path for women's personal development and self-realization.

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Women Playwrights of Early Modern Spain

Feliciana Enríquez de Guzmán, Ana Caro Mallén, and Sor Marcela de San Félix

Iter Press, 2016

This volume presents ten plays by three leading women playwrights of Spain’s Golden Age. Included are four bawdy and outrageous comic interludes; a full-length comedy involving sorcery, chivalry, and dramatic stage effects; and five short religious plays satirizing daily life in the convent. A critical introduction to the volume positions these women and their works in the world of seventeenth-century Spain.

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Women Poets of Spain, 1860-1990

TOWARD A GYNOCENTRIC VISION

John C. Wilcox

University of Illinois Press, 1997

Women Religious and Epistolary Exchange in the Carmelite Reform

The Disciples of Teresa de Avila

Bárbara Mujica

Amsterdam University Press, 2020

The sixteenth century was a period of crisis in the Catholic Church. Monastic reorganization was a major issue, and women were at the forefront of charting new directions in convent policy. The story of the Carmelite Reform has been told before, but never from the perspective of the women on the front lines. Nearly all accounts of the movement focus on Teresa de Avila, (1515-1582), and end with her death in 1582. Women Religious and Epistolary Exchange in the Carmelite Reform: The Disciples of Teresa de Avila carries the story beyond Teresa’s death, showing how the next generation of Carmelite nuns struggled into the seventeenth century to continue her mission. It is unique in that it draws primarily from female-authored sources, in particular, the letters of three of Teresa’s most dynamic disciples: María de San José, Ana de Jesús and Ana de San Bartolomé.

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Women Warriors in Early Modern Spain

A Tribute to Barbara Mujica

Susan L. Fischer

University of Delaware Press, 2019

Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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Women’s Work

How Culinary Cultures Shaped Modern Spain

Rebecca Ingram

Vanderbilt University Press, 2022

Winner, Gourmand World Cookbook Awards, 2023—Best Women of the World Book, Spain

We are living in a moment in which famous chefs, Michelin stars, culinary techniques, and gastronomical accolades attract moneyed tourists to Spain from all over the world. This has prompted the Spanish government to declare its cuisine as part of Spanish patrimony. Even with this widespread global attention, we know little about how Spanish cooking became a litmus test for demonstrating Spain's modernity and, relatedly, the roles ascribed to the modern Spanish women responsible for daily cooking.

Efforts to articulate a new, modern Spain infiltrated writing in multiple genres and media. Women's Work offers a sharp reading of diverse sources, placed in their historical context, that yields a better understanding of the roles of food within an inherently uneven modernization process. Further, author Rebecca Ingram's perceptive critique reveals the paradoxical messages women have navigated, even in texts about a daily practice that shaped their domestic and work lives. Women's Work posits that this is significant because of the degree to which domestic activities, including cooking, occupied women's daily lives, even while issues like their fitness as citizens and participation in the public sphere were hotly debated. At the same time, progressive intellectuals from diverse backgrounds began to invoke Spanish cooking and eating as one measure of Spanish modernity.

Women's Work shows how culinary writing engaged these debates and reached women at the site of much of their daily labor—the kitchen—and, in this way, shaped their thinking about their roles in modernizing Spain.

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