Much of twentieth-century philosophy was organized around the “linguistic turn,” in which metaphysical and epistemological issues were approached through an analysis of language. This turn was marked by two assumptions: that it was primarily the semantics of language that was relevant to broader philosophical issues, and that declarative assertions were the only verbal acts of serious philosophical interest. In ‘Yo!’ and ‘Lo!’ Rebecca Kukla and Mark Lance reject these assumptions. Looking at philosophical problems starting with the pragmatics of language, they develop a typology of pragmatic categories of speech within which declaratives have no uniquely privileged position. They demonstrate that non-declarative speech acts—including vocative hails (“Yo!”) and calls to shared attention (“Lo!”)—are as fundamental to the possibility and structure of meaningful language as are declaratives.
Entering into conversation with the work of Anglo-American philosophers such as Wilfrid Sellars, Robert Brandom, and John McDowell, and Continental philosophers including Heidegger and Althusser, ‘Yo!’ and ‘Lo!’ offers solutions (or dissolutions) to long-standing philosophical problems, such as how perception can be both inferentially fecund and responsive to an empirical world, and how moral judgment can be both objective and inherently motivating.
Yorùbá Metaphysics challenges Western dominance in the field of epistemology and sheds light on the sophisticated realm of indigenous African knowledge systems and metaphysical thought. Toyin Falola comprehensively explores the complex interplay between the physical and spiritual worlds as understood by the Yorùbá people, offering a fresh perspective on metaphysics, spirituality, and the societal roles these elements play in African communities. The book contributes to the fields of philosophy, religious studies, and African studies by revealing how indigenous epistemologies can inform broader discussions of metaphysics, ethics, and societal development that are outside the Western frame of thought. Each of the book’s fifteen chapters focuses on a distinct aspect of Yorùbá life and cosmology. Topics encompass the everyday consequences of spiritual beliefs on social interactions and community living as well as the philosophical foundations that inform these practices. Noteworthy discussions include the function of language in conveying metaphysical knowledge, the societal impact of esoteric beliefs, and the application of these traditional understandings to contemporary life challenges. This work not only elucidates the nuances of Yorùbá metaphysical thought but also promotes the integration of this knowledge into broader academic and practical settings to advance societal development and sustainability. As global discourse increasingly seeks to acknowledge and incorporate diverse viewpoints, this book provides essential insights into the workings of an African metaphysical philosophy and its relevance to both regional and international concerns. Falola urges the academic community to reconsider the value and role of indigenous knowledge systems in present-day education and policy formation. This work is vital for scholars, policymakers, and practitioners interested in cultural studies, philosophy, religious studies, and African studies. It is not merely a scholarly work; it is an appeal for a reassessment of the methods by which indigenous knowledge is viewed and applied on an international scale.
Who’s worse, the Young-Girl or the Man-Child?
Tiqqun’s Preliminary Materials for a Theory of the Young-Girl is a controversial work of anticapitalist philosophy that has attracted musicians, playwrights, feminist theorists, and men's-rights activists since its publication in 1999. More than twenty years after its publication the international reverberation of Young-Girls shows no signs of weakening.
Young-Girls in Echoland: #Theorizing Tiqqun is a guide to this ongoing postdigital conversation, engaging with artworks and textual criticism provoked by Tiqqun’s audacious, arguably misogynistic textual voice. Heather Warren-Crow and Andrea Jonsson show how Tiqqun’s polarizing figure has grown and matured but also stayed unapologetically girly in the works of artists and scholars discussed here. Rethinking the myth of Echo and Narcissus by performing a different kind of listening, they take us on a journey from VSCO girls to basic bitches to vampires.
With an ear for the sound of Tiqqun’s polemic and its ensemble of Anglophone and Francophone rejoinders, Young-Girls in Echoland offers a model for analyzing the call-and-response of pop philosophy and for hearing the affective rhythms of communicative capitalism.
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