Giordano Bruno (1548–1600) is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland’s biography establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo—a thinker whose vision of the world prefigures ours.

Writing with great verve and erudition, Rowland traces Bruno’s wanderings through a sixteenth-century Europe where every certainty of religion and philosophy has been called into question, and reveals how he valiantly defended his ideas to the very end, when he was burned at the stake as a heretic on Rome’s Campo de’ Fiori.


“A loving and thoughtful account of [Bruno’s] life and thought, satires and sonnets, dialogues and lesson plans, vagabond days and star-spangled nights. . . . Ingrid D. Rowland has her reasons for preferring Bruno to Copernicus, Tycho Brahe, Johannes Kepler, even Galileo and Leonardo, and they’re good ones.”—John Leonard, Harper’s

“Whatever else Bruno was, he was wild-minded and extreme, and Rowland communicates this, together with a sense of the excitement that his ideas gave him. . . . It’s that feeling for the explosiveness of the period, and [Rowland’s] admiration of Bruno for participating in it—indeed, dying for it—that is the central and most cherishable quality of the biography.”—Joan Acocella, New Yorker

“Rowland tells this great story in moving, vivid prose, concentrating as much on Bruno’s thought as on his life. . . . His restless mind, as she makes clear, not only explored but transformed the heavens.”—Anthony Grafton, New York Review of Books

“[Bruno] seems to have been an unclassifiable mixture of foul-mouthed Neapolitan mountebank, loquacious poet, religious reformer, scholastic philosopher, and slightly wacky astronomer.”—Anthony Gottlieb, New York Times Book Review

“A marvelous feat of scholarship. . . . This is intellectual biography at its best.”—Peter N. Miller, New Republic

“An excellent starting point for anyone who wants to rediscover the historical figure concealed beneath the cowl on Campo de’ Fiori.”—Paula Findlen, Nation

Combining the incisive pen of a newspaperman and the compassionate soul of a poet, Mike Royko became a Chicago institution—in Jimmy Breslin’s words, "the best journalist of his time." Early Royko: Up Against It in Chicago will restore to print the legendary columnist’s earliest writings, which chronicle 1960s Chicago with the moral vision, ironic sense, and razor-sharp voice that would remain Royko’s trademark.

This collection of early columns from the Chicago Daily News ranges from witty social commentary to politically astute satire. Some of the pieces are falling-down funny and others are tenderly nostalgic, but all display Royko’s unrivaled skill at using humor to tell truth to power. From machine politicians and gangsters to professional athletes, from well-heeled Chicagoans to down-and-out hoodlums, no one escapes Royko’s penetrating gaze—and resounding judgment. Early Royko features a memorable collection of characters, including such well-known figures as Hugh Hefner, Mayor Richard J. Daley, and Dr. Martin Luther King. But these boldfaced names are juxtaposed with Royko’s beloved lesser knowns from the streets of Chicago: Mrs. Peak, Sylvester "Two-Gun Pete" Washington, and Fats Boylermaker, who gained fame for leaning against a corner light pole from 2 a.m. Saturday until noon Sunday, when his neighborhood tavern reopened for business.

Accompanied by a foreword from Rick Kogan, this new edition will delight Royko’s most ardent fans and capture the hearts of a new generation of readers. As Kogan writes, Early Royko "will remind us how a remarkable relationship began—Chicago and Royko, Royko and Chicago—and how it endures."

Turn on the news and it looks as if we live in a time and place unusually consumed by the specter of disaster. The events of 9/11 and the promise of future attacks, Hurricane Katrina and the destruction of New Orleans, and the inevitable consequences of environmental devastation all contribute to an atmosphere of imminent doom. But reading an account of the San Francisco earthquake of 1906, with its vivid evocation of buildings “crumbling as one might crush a biscuit,” we see that calamities—whether natural or man-made—have long had an impact on the American consciousness.

Uncovering the history of Americans’ responses to disaster from their colonial past up to the present, Kevin Rozario reveals the vital role that calamity—and our abiding fascination with it—has played in the development of this nation. Beginning with the Puritan view of disaster as God’s instrument of correction, Rozario explores how catastrophic events frequently inspired positive reactions. He argues that they have shaped American life by providing an opportunity to take stock of our values and social institutions. Destruction leads naturally to rebuilding, and here we learn that disasters have been a boon to capitalism, and, paradoxically, indispensable to the construction of dominant American ideas of progress.

As Rozario turns to the present, he finds that the impulse to respond creatively to disasters is mitigated by a mania for security. Terror alerts and duct tape represent the cynical politician’s attitude about 9/11, but Rozario focuses on how the attacks registered in the popular imagination—how responses to genuine calamity were mediated by the hyperreal thrills of movies; how apocalyptic literature, like the best-selling Left Behind series, recycles Puritan religious outlooks while adopting Hollywood’s style; and how the convergence of these two ways of imagining disaster points to a new postmodern culture of calamity. The Culture of Calamity will stand as the definitive diagnosis of the peculiarly American addiction to the spectacle of destruction.

Rumi, who wrote and preached in Persia during the thirteenth century, is one of history’s most celebrated mystics. His vast body of poetry includes a lengthy epic of religious mysticism, the Mathnavi, and more than three thousand lyrics and odes. A. J. Arberry, who selected four hundred of the lyrics for translation, calls Rumi "one of the world's greatest poets. In profundity of thought, inventiveness of image, and triumphant mastery of language, he stands out as the supreme genius of Islamic mysticism." Arberry’s authoritative translation is one of the few done directly from the original Persian.

A. J. Arberry (1905-69) was professor of Arabic at Cambridge University.

In the mid-1850s, no scientist in the British Empire was more visible than Richard Owen. Mentioned in the same breath as Isaac Newton and championed as Britain’s answer to France’s Georges Cuvier and Germany’s Alexander von Humboldt, Owen was, as the Times declared in 1856, the most “distinguished man of science in the country.” But, a century and a half later, Owen remains largely obscured by the shadow of the most famous Victorian naturalist of all, Charles Darwin. Publicly marginalized by his contemporaries for his critique of natural selection, Owen suffered personal attacks that undermined his credibility long after his name faded from history.

With this innovative biography, Nicolaas A. Rupke resuscitates Owen’s reputation. Arguing that Owen should no longer be judged by the evolution dispute that figured in  only a minor part of his work, Rupke stresses context, emphasizing the importance of places and practices in the production and reception of scientific knowledge. Dovetailing with the recent resurgence of interest in Owen’s life and work, Rupke’s book brings the forgotten naturalist back into the canon of the history of science and demonstrates how much biology existed with, and without, Darwin