Vampire bats that regurgitate blood for roosting buddies. Mosquitoes that filch honeydew droplets from ants. Reptiles that enforce chastity on their lovers with copulatory plugs. Capuchin monkeys that use millipede secretions as mosquito repellent. The natural world is full of unusual relationships, and negotiation between life-forms striving to survive is evolution at its most diverse, entertaining, and awe-inspiring. 

Picking up where her highly popular Headless Males Make Great Lovers left off, tropical field biologist Marty Crump takes us on another voyage of discovery into the world of unusual natural histories, this time focusing on extraordinary interactions involving animals, plants, fungi, and bacteria. Sexy Orchids Make Lousy Lovers& Other Unusual Relationships illuminates the ceaseless give-and-take between species. Occasionally, both interacting parties benefit, like when hornbills and dwarf mongooses hunt together for food. Other times, like when mites ride in hummingbirds’ nostrils to reach their next meal of nectar, one individual benefits and the other is neither helped nor harmed. But sometimes one individual benefits at the expense of the other; you need only recall your last sinus infection to understand how that works.

Throughout, Crump brings her trademark spunk and zest to these stories of intimate exchange. She introduces readers to penguins that babysit, pseudoscorpions that ride and mate under the wings of giant harlequin beetles, and parasitic fungi that bend insects to their will. A lively companion to Crump’s earlier work, Sexy Orchids Make Lousy Lovers& Other Unusual Relationships captures the bizarre and befuddling aspects of the behavior of animals, plants, and microbes. After this entertaining romp through the world of natural relationships, you’ll never look at an orchid the same way again.

Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of  interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin’s individual works form a series of calls and responses with each other.

Muyumba connects their writings on jazz to the philosophical tradition of pragmatism, particularly its support for more freedom for individuals and more democratic societies. He examines the way they responded to and elaborated on that lineage, showing how they significantly broadened it by addressing the African American experience, especially its aesthetics. Ultimately, Muyumba contends, the trio enacted pragmatist principles by effectively communicating the social and political benefits of African Americans fully entering society, thereby compelling America to move closer to its democratic ideals.

In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture.

First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.

One of the twentieth century’s greatest composers, Jean Sibelius (1865–1957) virtually stopped writing music during the last thirty years of his life. Recasting his mysterious musical silence and his undeniably influential life against the backdrop of Finland’s national awakening, Sibelius will be the definitive biography of this creative legend for many years to come.

Glenda Dawn Goss begins her sweeping narrative in the Finland of Sibelius’s youth, which remained under Russian control for the first five decades of his life. Focusing on previously unexamined events, Goss explores the composer’s formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. She goes on to trace Sibelius’s relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art that would endow Finns with a sense of pride in their heritage and encourage their hopes for the possibilities of nationhood. Skillfully evoking this artistic climate—in which Sibelius emerged as a leader—Goss creates a dazzling portrait of the painting, sculpture, literature, and music it inspired. To solve the deepest riddles of Sibelius’s life, work, and enigmatic silence, Goss contends, we must understand the awakening in which he played so great a role.

Situating this national creative tide in the context of Nordic and European cultural currents, Sibelius dramatically deepens our knowledge of a misunderstood musical giant and an important chapter in the intellectual history of Europe.