A SCHOLARLY BOOK REPOSITORY235 have author last names that start with S have author last names that start with S
As a student, Sadger attended Freud's lectures from 1895 through 1904. Two years later Freud nominated Sadger to his Wednesday Psychological Society (later called the Viennese Psychoanalytic Society). Sadger, however, was not part of Freud's inner circle, but more a participant observer of the early years of the psychoanalytic movement and of Freud as teacher, therapist, and clinician.
Sadger was considered one of the most devoted followers of Freud and hoped to become one of Freud's "favorite sons." At the First Psychoanalytic Congress held in Salzburg in 1908, Sadger was chosen to be one of the principal speakers along with Freud, Jones, Alder, Jung, Prince, Rifkin, Abraham, and Stekel, an honor that bespeaks Sadger's early role in the movement. But Freud and many of his disciples were also openly critical of Sadger's work, calling it at various times overly simplistic, unimaginative, reductionist, orthodox, and rigid.
In 1930 Sadger published his memoir, Sigmund Freud: Persönliche Erinnerungen. With the rise of Nazism and World War II, the book became lost to the world of psychoanalytic history. Recently, Alan Dundes learned of its existence and mounted a search that led him around the world to one of the few extant copies—in a research library in Japan. The result of his fascinating quest is Recollecting Freud, a long-lost personal account that provides invaluable insights into Freud and his social, cultural, and intellectual context.
Through wrenching tragedy and tense, life-threatening challenges, Sadowski learns to find love, purpose, and healthy self-regard. In coming to understand his identity and his place within his family, he meditates on the power of real human connection and comes to grasp the damage of his troubled upbringing and the traumas caused by toxic masculinity. By turns comic and tragic, this nuanced memoir uncovers the false selves we create to get along in the world and the price we pay to maintain them.
Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling “the walls of his room with piteous petitions to be released, all written in the Arabic language,” as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.
In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said’s narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it.
This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms.
This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms.
Best Books for General Audiences, selected by the American Association of School Librarians
While this camp was designed to hold 5,000 women, the actual figure was six times this number. Between 1939 and 1945, 132,000 women from twenty-three countries were imprisoned in Ravensbrück, including political prisoners, Jehovah's Witnesses, "asocials" (including Gypsies, prostitutes, and lesbians), criminals, and Jewish women (who made up about 20 percent of the population). Only 15,000 survived.
Drawing upon more than sixty narratives and interviews of survivors in the United States, Israel, and Europe as well as unpublished testimonies, documents, and photographs from private archives, Rochelle Saidel provides a vivid collective and individual portrait of Ravensbrück’s Jewish women prisoners. She worked for over twenty years to track down these women whose poignant testimonies deserve to be shared with a wider audience and future generations. Their memoirs provide new perspectives and information about satellite camps (there were about 70 slave labor sub-camps). Here is the story of real daily camp life with the women’s thoughts about food, friendships, fear of rape and sexual abuse, hygiene issues, punishment, work, and resistance. Saidel includes accounts of the women's treatment, their daily struggles to survive, their hopes and fears, their friendships, their survival strategies, and the aftermath.
On April 30, 1945, the Soviet Army liberated Ravensbrück. They found only 3,000 extremely ill women in the camp, because the Nazis had sent other remaining women on a death march. The Jewish Women of Ravensbrück Concentration Camp reclaims the lost voices of the victims and restores the personal accounts of the survivors.
This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.
This book and its companion volumes are concerned with the slow shaping of many literary conventions over many decades. This volume begins the study with the dime novels and several early series characters who influenced the direction of pulp fiction at its source.
The development of these characters is traced across more than two decades of crime fiction published in Detective Story Magazine, Flynn’s, Black Mask, and other magazines. The conventions that made these stories a special part of popular fiction are examined in detail.
Written just five years after the end of World War II, this is Margaret Sams’s moving testimony of life in a Japanese internment camp—the can of Spam hoarded for Christmas dinner, the clandestine radio hidden in her sewing kit, the beheading of other prisoners for transgressions. With her husband held elsewhere as a prisoner of war and with a small son to protect, Margaret broke the rules both of society and of her captors to fall in love and bear a child with a kind and daring fellow internee, Jerry Sams.
In the late 1970s and throughout the 1980s, many private employers in the United States enacted fetal protection policies that barred fertile women—that is, women who had not been surgically sterilized—from working in jobs that might expose fetuses to toxins. In Fetal Rights, Women’s Rights, Suzanne Samuels analyzes these policies and the ambiguous responses to them by federal and state courts, legislatures, administrative agencies, litigants, and interest groups. She poses provocative questions about the implicit links between social welfare concerns and paternalism in the workplace, including: are women workers or wombs?
Placing the fetal protection controversy within the larger societal debate about gender roles, Samuels argues that governmental decision-makers confuse sex, which is based solely on biological characteristics, with gender, which is based on societal conceptions. She contends that the debate about fetal protection policies brought this ambiguity into stark relief, and that the response of policy-makers was rooted in assumptions about gender roles. Judges, legislators, and regulators used gender as a proxy, she argues, to sidestep the question of whether fetal protection policies could be justified by the biological differences between women and men.
The fetal protection controversy raises a number of concerns about women's role in the workplace. Samuels discusses the effect on governmental policies of the ongoing controversy over abortion rights and the debates between egalitarian and relational feminists about the treatment of women at work. A timely and engrossing study, Fetal Rights, Women's Rights details the pattern of gender politics in the United States and demonstrates the broader ramifications of gender bias in the workplace.
In 1963 David P. Sandgren went to Kenya to teach in a small, rural school for boys, where he remained for the next four years. These were heady times for Kenyans, as the nation gained its independence, approved a new constitution, and held its first elections. In the school where Sandgren taught, the sons of Gikuyu farmers rose to the challenges of this post colonial era and, in time, entered Kenyan society as adults, joining Kenya’s first generation of post colonial elites.
In Mau Mau’s Children, Sandgren has reconnects with these former students. Drawing on more than one hundred interviews, he provides readers with a collective biography of the lives of Kenya’s first postcolonial elite, stretching from their 1940s childhood to the peak of their careers in the 1990s. Through these interviews, Mau Mau’s Children shows the trauma of growing up during the Mau Mau Rebellion, the nature of nationalism in Kenya, the new generational conflicts arising, and the significance of education and Gikuyu ethnicity on his students' path to success.
Essayists from Russia, Ukraine, Germany, Italy, and the United States show how Sedakova has contributed to ongoing aesthetic and cultural debates. Like Sedakova's own work, the volume affirms the capacity of words to convey meaning and to change our understanding of life itself. The volume also includes dozens of elegant new translations of Sedakova's poems.
Integrating the psychology of love and creativity, this pioneering book explores both how a couple’s involvement as lovers influences their creative collaboration and how working together affects their relationship. Representing a variety of genres—painting, sculpture, photography, and installation art—the celebrated couples profiled here include, among others, Christo and Jeanne-Claude, Elizabeth Diller and Ricardo Scofidio, and Kristin Jones and Andrew Ginzel.
Intrigued by this process of "intimate creativity," psychologists Irving and Suzanne Sarnoff (themselves partners in love and work) decided to conduct in-depth interviews with partners in visual art because they defy the supremely individualistic tradition of their field. Whatever their age or sexual orientation, these artist-couples combine their talents to form a collective identity as a professional team. Passionately intense about their shared commitment, they communicate endlessly to resolve conflicts and reach consensus. Providing mutual validation and support, they increase their productivity and the quality of their work; they minimize their fear and frustration and enhance their pleasure in being together.
The authors also draw on historical and contemporary literature about similar couples, ranging from Jean Arp and Sophie Taeuber to Gilbert and George to Claes Oldenburg and Coosje van Bruggen. Stimulating and engaging, this book highlights the features of a unique collaborative process, considers the connection between creativity and sexuality, and suggests possibilities for any couple to expand their intimacy.
American Lives is a groundbreaking book, the first historically organized anthology of American autobiographical writing, bringing us fifty-five voices from throughout the nation's history, from Abigail Adams, Abraham Lincoln, Jonathan Edwards, and Richard Wright to Quaker preacher Elizabeth Ashbridge, con man Stephen Burroughs, and circus impresario P.T. Barnum. Representing canonical and non-canonical writers, slaves and slave-owners, generals and conscientious objectors, scientists, immigrants, and Native Americans, the pieces in this collection make up a rich gathering of American “songs of ourselves.”
Robert F. Sayre frames the selections with an overview of theory and criticism of autobiography and with commentary on the relation between history and many kinds of autobiographical texts—travel narratives, stories of captivity, diaries of sexual liberation, religious conversions, accounts of political disillusionment, and discoveries of ethnic identity. With each selection Sayre also includes an extensive headnote providing valuable critical and biographical information.
A scholarly and popular landmark, American Lives is a book for general readers and for teachers, students, and every American scholar.
This important study of Ponce, a major sugar-producing district in Puerto Rico, examines in detail the processes by which a predominantly peasant economy an society was transformed into a plantation system. Scarano’s work, one of the first full investigations into Puerto Rico’s nineteenth-century economic history, dispels the long-held belief that slavery was an inconsequential factor in this society; indeed, he finds that the new plantation system was fully dependent on African slave labor, and that the initial stimuli for economic change came from immigrants.
This volume draws upon extensive archival research to examine the effects of the pastoral movement on Russian society and the Orthodox Church. Scarborough argues that the social work of parish clergymen shifted the focus of Orthodox practice in Russia toward cooperative social activism as a devotional activity. He furthers our understanding of Russian Orthodoxy by illuminating the difficult position of parish priests, who were charged with both spiritual and secular responsibilities but were supported by neither church nor state. His nuanced look at the pastorate shows how social and historical traumas shifted perceptions of what being religious meant, in turn affecting how the Orthodox Church organized itself, and contributed to Russia’s modernization.
On October 21, 1996, attorney Michael Hausfeld, with a team of lawyers, filed a class-action complaint against Union Bank of Switzerland, Swiss Bank Corporation, and Credit Suisse on behalf of Holocaust victims. The suit accused the banks of, among other things, acting as the chief financiers for Nazi Germany. Hausfeld wanted to use the suit to prove that the banks not only concealed and refused to return millions of dollars in dormant accounts, but that they acted as a conduit for looted assets and slave labor profits. Such behavior, he charged, violated the code of ethics known as customary international law. On August 12, 1998, the plaintiffs and banks reached a $1.25 billion settlement.
Through interviews with a wide range of people involved in the case and detailed research of documents and court transcripts, Jane Schapiro shows the ways that egos, personalities, and values clash in such a complex and emotionally charged case. Inside a Class Action provides an insider’s view of a major lawsuit from its inception to its conclusion, which will appeal to anyone interested in human rights, reparations, and international law.
Delving into the records of the tribunal, Schaposchnik brings to light the experiences of individuals on both sides of the process. Some prisoners, she discovers, developed a limited degree of agency as they managed to stall trials or mitigate the most extreme punishments. Training her attention on the accusers, Schaposchnik uncovers the agendas of specific inquisitors in bringing the condemned from the dungeons to the 1639 Auto General de Fe ceremony of public penance and execution. Through this fine-grained study of the tribunal's participants, Schaposchnik finds that the Inquisition sought to discipline and shape culture not so much through frequency of trials or number of sentences as through the potency of individual examples.
In American Fiction in the Cold War Thomas Hill Schaub makes it clear that Trilling’s summary was in itself a mythic reconstruction, a prominent example of the way liberal writers in the late 1940s and 1950s came to terms with their political past. Schaub’s book brilliantly analyzes their efforts to reshape an “old” liberalism alleged to hold naively optimistic views of human nature, scientific reason, and social progress into a “new,” skeptical liberalism that recognized the persistence of human evil, the fragility of reason, and the ambiguity of moral decision.
Most important, as American Fiction in the Cold War demonstrates, these liberal reassessments of history, politics, human nature, and destiny—what Schaub calls the “liberal narrative”—mediated the critical and imaginative production of the literary community after World War II. Schaub shows that the elements of this narrative are visible in a wide spectrum of cultural narratives in American history, political philosophy, and social criticism during the Cold War era. His analysis of the dominant critical communities of the late 1940s—led by critics such as Lionel Trilling and Irving Howe, Cleanth Brooks and Allen Tate—recovers the political meanings embedded within their debates over the nature of literary realism, the definition of the novel, and speculations on its “death.”
In the second part of his study, Schaub turns to Ralph Ellison, Flannery O’Connor, Norman Mailer, and John Barth. His readings of their fiction isolate the political and cultural content of works often faulted for their apparent efforts to transcend social history. Reviewing John Barth’s End of the Road, for example, he shows the politics of culture concealed within what seems to be a philosophical narrative. In novel after novel, he demonstrates, the liberal narrative is operating from within, tuning and steering the direction of the plot and the creation of the character. Schaub’s penetrating exploration of the relationship between U.S. political and social thought and the literary consciousness in the early postwar years will be of interest to intellectual historians and to students of American literary culture.
Harold Schechter looks at the impossible tales and images of popular art--the space odysseys and extraterrestrial civilizations, the caped crusaders and men of steel, and monsters from the ocean floor--and finds close connections between religious myth and popular entertainment.
Fact and fiction meet at the boundaries, the betwixt and between where transformations occur. This is the area of ambiguity where fiction and fact become endowed with meaning, and this is the area—where ambiguity, irony, and metaphor join forces—that Harold Scheub exposes in all its nuanced and evocative complexity in The Poem in the Story.
In a career devoted to exploring the art of the African storyteller, Scheub has conducted some of the most interesting and provocative investigations into nonverbal aspects of storytelling, the complex relationship between artist and audience, and, most dramatically, the role played by poetry in storytelling. This book is his most daring effort yet, an unconventional work that searches out what makes a story artistically engaging and emotionally evocative, the metaphorical center that Scheub calls "the poem in the story." Drawing on extensive fieldwork in southern Africa and decades of experience as a researcher and teacher, Scheub develops an original approach—a blend of field notes, diary entries, photographs, and texts of stories and poems—that guides readers into a new way of viewing, even experiencing, meaning in a story. Though this work is largely focused on African storytelling, its universal applications emerge when Scheub brings the work of storytellers as different as Shakespeare and Faulkner into the discussion.
What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion.
While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art.
The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.
With tape-recorder and camera in hand, Scheub registered the testaments of Swati, Xhosa, Ndebele, and Zulu storytellers, farming people who lived in the remote reaches of rural South Africa. While young people fought in the streets of Soweto and South African writers made the world aware of apartheid’s evils, the rural storytellers resisted apartheid in their own way, using myth and metaphor to preserve their traditions and confront their oppressors. For more than 20 years, Scheub kept the promise he made to the storytellers to publish his translations of their stories only when freedom came to South Africa. The Tongue Is Fire presents these voices of South African oral tradition—the historians, the poets, the epic-performers, the myth-makers—documenting their enduring faith in the power of the word to sustain tradition in the face of determined efforts to distort or eliminate it. These texts are a tribute to the storytellers who have always, in periods of crisis, exercised their art to inspire their own people.
Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.
“Schiavi tells a compelling story in this biography—from his re-creation of life on the streets of East Harlem and in Greenwich Village of the 1960s and 1970s to the way he conveys Russo’s excitement about his film research and popular education to his account of the AIDS years in New York City.”—John D’Emilio, Italian American Review
“In [Schiavi’s] hands Russo’s life is both fascinating in its own right and a window into a larger milieu of activism during two critical decades.”—Italian American Review
Best Books for General Audiences, selected by the Public Library Reviewers
Finalist, Gay Memoir/Biography, Lambda Literary Awards
Finalist, Over the Rainbow Selection, American Library Association
In a state that locks up a disproportionate number of men and women of color, white prison workers occupy a complicated social position as representatives of institutional authority and bearers of social stigma. The job, by turns dangerous, dull, or dehumanizing, is aided by a quick wit, comedic timing, and verbal agility. The men and women who do this work rely on storytelling, practical jokes, and sarcasm to bond with each other, build flexible relationships with inmates, and create personal identities that work in and out of prison. Schmidt shows how this humorous occupational culture both upholds and undermines prisons as social institutions.
Issues of power and race, as well as sex and gender, infuse Schmidt's groundbreaking analysis, and she also engages with current scholarship about identity, occupational folklore, and family narrative. This eye-opening, provocative book reveals the invisible culture, beliefs, and aesthetics embedded in workplace humor.
These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, and discovery. Their authors, narrators, and characters explore gender nonconformity and living queer everywhere from city centers to rural communities. They are gay, lesbian, bisexual, trans, and nonbinary. They are exiles, immigrants, and travelers through time and space.
Witty, titillating, and a delight to read, Quertext opens up new worlds of experience for readers interested in queer life beyond the Anglophone world.
Featuring work by Jürgen Bauer • Ella Blix • Claudia Breitsprecher • Lovis Cassaris • Gunther Geltinger • Joachim Helfer • Odile Kennel • Friedrich Kröhnke • Anja Kümmel • Marko Martin • Hans Pleschinski • Christoph Poschenrieder • Peter Rehberg • Michael Roes • Sasha Marianna Salzmann • Angela Steidele • Antje Rávik Strubel • Alain Claude Sulzer • Antje Wagner • J. Walther • Tania Witte • Yusuf Yeşilöz
There is painful history here, too. African Americans played on Wisconsin's first Big Ten championship team in 1902, including team captain Julian Ware, but there were none on the team between 1904 and 1960. Heartbreaking to many fans was the 1991 decision to discontinue baseball as a varsity sport at the university. Today, Wisconsin is the only member of the Big Ten conference without a men's baseball team.
Appendixes provide details of team records and coaches, All Big Ten and All American selections, Badgers in the major leagues, and Badgers in the amateur free-agent draft.
Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.
Grounded in Schoenbrun’s skillful mastery of historical linguistics and vernacular texts, The Names of the Python supplements and redirects current debates about ethnicity in ex-colonial Africa and beyond. This timely volume carefully distinguishes past from present and shows the many possibilities that still exist for the creative cultural imagination.
Jonathan Schofer offers the first theoretically framed examination of rabbinic ethics in several decades. Centering on one large and influential anthology, The Fathers According to Rabbi Nathan, Jonathan Schofer situates that text within a broader spectrum of rabbinic thought, while at the same time bringing rabbinic thought into dialogue with current scholarship on the self, ethics, theology, and the history of religions.
Notable Selection, Jordan Schnitzer Book Award for Philosophy and Jewish Thought, Association for Jewish Studies
The second part of Cooking by the Book turns to the more diverse food rhetorics of the marketplace. What, for example, is the fast food rhetoric? Why are there so many eating disorders in our society? Is it possible to teach philosophy through cookery? How long has vegetarianism been popular?
These articles cover a wide range of topics related to income volatility and food assistance programs and evaluation of the safety net.
Postwar advertising, film, and print culture sought to divest mass-produced goods—such as the Volkswagen and modern interiors—of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.
In this volume, edited by Andreas Schönle, contributors extend Lotman's theories to a number of fields. Focusing on his less frequently studied later period, Lotman and Cultural Studies engages with such ideas as the "semiosphere," the fluid, dynamic semiotic environment out of which meaning emerges; "auto-communication," the way in which people create narratives about themselves that in turn shape their self-identity; change, as both gradual evolution and an abrupt, unpredictable "explosion"; power; law and mercy; Russia and the West; center and periphery.
As William Mills Todd observes in his afterword, the contributors to this volume test Lotman's legacy in a new context: "Their research agendas-Iranian and American politics, contemporary Russian and Czech politics, sexuality and the body-are distant from Lotman's own, but his concepts and awareness yield invariably illuminating results."
Feeling both delighted by and guilty about his good fortune, Don returns most of the money to the original owner, Millie Prall. He also offers to make a few repairs around her deteriorating house—making it easier and safer for her to navigate the space in the wake of her husband's death. As Millie’s dementia worsens, Don finds his life more and more enmeshed with hers, driving her to medical appointments, shopping for her groceries, cooking her meals, handling her finances, and increasingly overseeing her care—while simultaneously trying to repair his relationships with his father, his ex-wife, and his stepkids.
In this quietly mesmerizing novel, no one, including the protagonist, is ever entirely sure of their motivations. Existing in the liminal spaces between altruism and greed, This Room Is Made of Noise deftly explores the shades of gray that lie between our desires and our demons.
Schrempp suggests that perhaps the most noteworthy Zenoian insight is that paradox is intrinsic to cosmological speculation. But he points out that there are many other characteristics of Zeno’s approach, including the strategy of juxtaposing concrete images to mathematical forms of representation, that reappear persistently in Western intellectual history. Schrempp proceeds through a series of juxtapositions—between Zeno, Kant, Lovejoy, and Lévi-Strauss, and between Western cosmologists and those from other cultures—to highlight subtle similarities and differences among intellectual traditions and to examine the conceptual apparatus of Western social science.
Schrempp concludes that a meaningful comparative cosmology is possible and that the tradition of Zeno provides a propitious starting point for such a perspective.
"This is not a simple or ordinary history of a conservation crusade. Schrepfer very ably traces the changes in scientific wisdom from nineteenth-century romanticism and teleological evolutionism to more current ecological dynamism—and the influence of those intellectual developments on political history. . . . The subject is important—much broader than the title suggests—and so is the book."—American Historical Review
Its first purpose is to broaden the study of popular culture which is too often regarded in the academic world as the entertainment and leisure time activities of the 20th century. Second, the collection gives recognition to the fact that a number of disciplines have been investigating popular phenomena on different fronts, and it is designed to bring examples of these disciplines together under the common rubric of “popular culture.” Related to this is a third purpose of providing instances of original and innovative interdisciplinary approaches. Last, the collection should be a worthwhile contribution to the component disciplines as well as to the study of popular culture.
Throughout Front Yard America, Schroeder inquires into the functions, values, and meanings that Americans have found in the domestic landscapes of back yards and front yards, walls and fences, porches and patios.
The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight.
As political attacks on judges increase, Schudson calls for reforms to protect judicial independence and for vigilance to ensure justice for all. Independence Corrupted is invaluable for students and scholars, lawyers and judges, and all citizens concerned about the future of America's courts.
The major new feature of the third edition is entirely new nutrient calculations. The available food supply has changed significantly in the past fifteen years, and nutrient information is much better now. The nutrient calculations in this edition of the cookbook are based on the updated 1995 Low Protein Food List for PKU compiled by the author, which is the most widely used food list for the PKU diet in the United States. Some of the changes in nutrient values are subtle, others more significant; all reflect the best information currently available.
Low Protein Cookery for PKU offers recipes that appeal to a wide range of ages, suit a wide range of individual diet requirements, and facilitate integration of the diet into normal family eating routines. Many of the recipes are suitable for the entire family; others include instructions for adapting the recipe to suit the needs of family members not on the diet, or are accompanied by recipes for the preparation of similar non-diet items. The recipes provide gram weights when appropriate, for greater accuracy in preparing the recipes and in maintaining the diet.
Drawing on years of field research, Schuetze offers a richly drawn ethnographic analysis of these important religious transformations in the lives of female participants. Illustrating how economic and social context shapes the possibilities for—and forms of—women’s empowerment, Spirit Wives andChurch Mothers intervenes in scholarly debates about the nature of agency and challenges universalist Western feminist assumptions about the form of women’s liberation.
The “linguistic relativity principle” of pioneering American linguist Benjamin Whorf has been a focus of controversy among scholars of language for half a century. Many claim that this principle amounts to Whorf’s assertion that language determines thought and culture, while others vigorously reject such a claim. Emily Schultz rereads Whorf in terms of Russian theorist Mikhail Bakhtin, and argues that the Whorfian controversy is rooted in the polyphonic character of his best known texts. By combining Whorfian and Bakhtinian insights concerning variation within and across languages, Schultz offers a new dialogic interpretation of linguistic relativity that has profound implications for students and scholars of anthropology, linguistics, cognitive psychology, philosophy of language, and literary and art criticism.
"Outstanding. . . . The author packs a remarkable quantity of detail into a small space, even including a discussion of price and wage figures that will be intelligible to Americans [today]. . . . His prose is lucid, graceful, lively. Generously illustrated, the book also includes an extensive bibliography."—Choice
"An excellent source for English Literature and history students studying this period or Samuel Johnson."—Booklist
Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.
These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.
In the mid-twentieth century, far more evangelicals supported such “liberal” causes as peace, social justice, and environmental protection. Only gradually did the conservative evangelical faction win dominance, allying with the Republican Party of Ronald Reagan and, eventually, George W. Bush.
In Countercultural Conservatives Axel Schäfer traces the evolution of a diffuse and pluralistic movement into the political force of the New Christian Right. In forging its complex theological and political identity, evangelicalism did not simply reject the ideas of 1960s counterculture, Schäfer argues. For all their strict Biblicism and uncompromising morality, evangelicals absorbed and extended key aspects of the countercultural worldview.
Carefully examining evangelicalism’s internal dynamics, fissures, and coalitions, this book offers an intriguing reinterpretation of the most important development in American religion and politics since World War II.
By treating dreams as a mode for viewing, an analogy suggested by diverse ancient authors, Emma Scioli extracts new information from the poetry of Propertius, Tibullus, and Ovid about the Roman concept of “seeing” dreams. Through comparison with other visual modes of description, such as ekphrasis and simile, as well as with related types of visual experience, such as fantasy and voyeurism, Scioli demonstrates similarities between artist, dreamer, and poet as creators, identifying the dreamer as a particular type of both viewer and narrator.
The world of traditional Chinese drama can be at once fascinating and bewildering to the uninitiated Western observer. Attuned to his own dramatic conventions, he is hard put to apprehend the delicate fusion of poetry, music, and subtle gesture which is the essence of Chinese theatre. Because of these difficulties, the task of translating traditional Chinese drama must go far beyond the conventional literary treatment and evoke the entire world of stagecraft and directing.
Longing for Worldly Pleasures (Ssu Fan) is a lyric monologue in which a young Buddhist laments the waning of her youth in the seclusion of the convent. The brief piece involves a complexity of mood which makes it an actor’s tour de force, undertaken only by the most highly skilled performers.
Fifteen Strings of Cash (Shih Wu Kuan), a much longer play, is a comic murder mystery satirizing bureaucratic ineptitude in the administration of justice. The comic lead role of Lou the Rat is a virtuoso part which illustrates the intricate mimetic art of the traditional comic actor and was the play’s main appeal to Chinese audiences.
In 1854 Caroline Seabury of Brooklyn, New York, set out for Columbus, Mississippi, to teach French at its Institute for Young Ladies. She lived in Columbus until 1863, through the years of mounting sectional bitterness that preceded the Civil War and through the turmoil and hardships of the war itself. During that time, her most intimate confidant was her diary. Discovered in the archives of the Minnesota State Historical Society, it is published here for the first time.
The diary is an illuminating account of southern plantation society and the “peculiar institution” of slavery on the eve of its destruction. Seabury also records her uneasy attempts to come to terms with her position as an unmarried, white, Northern woman whose job was to educate wealthy, white, Southern girls in a setting seemingly oblivious to the horrors of slavery. The diary is not simply a chronicle of daily happenings; Seabury concentrates on remarkable events and the memorable feelings and ideas they generate, shaping them into entries that reveal her as an accomplished writer. She frames her narrative with her journey south in 1854 and the hazardous and exhausting return north through battle lines in 1863.
Disapproving of slavery, yet deeply attached to friends and her life in Columbus and also painfully conscious of the fragility of her own economic and social position, Seabury condemned privately in her diary the evils that she endured silently in public. There are striking scenes of plantation life that depict the brutalities of slavery and benumbed responses to them. Seabury also successfully captures the mood of Mississippi as it changed from a fire-eating appetite to fight the Yankees to a grim apprehension of inexorable defeat. Most impressive of all is Seabury’s poignantly honest presentation of herself, caught in the middle.
Most histories of the Spanish Civil War (1936–1939) have examined major leaders or well-established political and social groups to explore class, gender, and ideological struggles. The war in Spain was marked by momentous conflicts between democracy and dictatorship, Communism and fascism, anarchism and authoritarianism, and Catholicism and anticlericalism that still provoke our fascination.
In Republic of Egos, Michael Seidman focuses instead on the personal and individual experiences of the common men and women who were actors in a struggle that defined a generation and helped to shape our world. By examining the roles of anonymous individuals, families, and small groups who fought for their own interests and survival—and not necessarily for an abstract or revolutionary cause—Seidman reveals a powerful but rarely considered pressure on the outcome of history. He shows how price controls and inflation in the Republican zone encouraged peasant hoarding, black marketing, and unrest among urban workers. Soldiers of the Republican Army responded to material shortages by looting, deserting, and fraternizing with the enemy. Seidman’s focus on average, seemingly nonpolitical individuals provides a new vision of both the experience and outcome of the war.
This groundbreaking history of the Spanish Civil War (1936–39) examines, for the first time in any language, how General Francisco Franco and his Nationalist forces managed state finance and economic production, and mobilized support from elites and middle-class Spaniards, to achieve their eventual victory over Spanish Republicans and the revolutionary left.
The Spanish Nationalists are exceptional among counter-revolutionary movements of the twentieth century, Michael Seidman demonstrates, because they avoided the inflation and shortages of food and military supplies that stymied not only their Republican adversaries but also their counter-revolutionary counterparts—the Russian Whites and Chinese Nationalists. He documents how Franco’s highly repressive and tightly controlled regime produced food for troops and civilians; regular pay for soldiers, farmers, and factory workers; and protection of property rights for both large and small landowners. These factors, combined with the Nationalists’ pro-Catholic and anti-Jewish propaganda, reinforced solidarity in the Nationalist zone.
Seidman concludes that, unlike the victorious Spanish Nationalists, the Russian and Chinese bourgeoisie were weakened by the economic and social upheaval of the two world wars and succumbed in each case to the surging revolutionary left.
Examining science as a rhetorical enterprise, this book seizes upon one scientific essay—"The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist Programme"—and probes it from many angles. Written by prominent evolutionary theorists Stephen Jay Gould and Richard C. Lewontin and first published in the Proceedings of the Royal Society of London in 1979, the "Spandrels" article is both serious science and vivid prose. Applying methods inspired by Louis Althusser, Michel Foucault, Jacques Derrida, Ferdinand de Saussure, and others, the contributors employ a range of interpretive strategies. Stephen Jay Gould adds his own comments, and the full text of the essay "Spandrels" is reproduced as an appendix. Applying methods inspired by Louis Althusser, Michel Foucault, Jacques Derrida, Ferdinand de Saussure, and others, the contributors employ a range of interpretive strategies. Stephen Jay Gould adds his own comments, and the full text of the essay "Spandrels" is reproduced as an appendix.
What significance does the physical, material body still have in a world of virtual reality and genetic cloning? How do technology and postmodern rhetoric influence our understanding of the body? And how can our discussion of the body affect the way we handle crises in public policy—the politics of race and ethnicity; issues of "family values" that revolve around sexual and gender identities; the choices revolving around reproduction and genome projects, and the spread of disease?
Leading scholars in rhetoric and communication, as well as literary and cultural studies, address some of the most important topics currently being discussed in the human sciences. The essays collected here suggest the wide range of public arenas in which rhetoric is operative—from abortion clinics and the World Wide Web to the media's depiction of illiteracy and the Donner Party. These studies demonstrate how the discourse of AIDS prevention or Demi Moore's "beautiful pregnancy" call to mind the physical nature of being human and the ways in which language and other symbols reflect and create the physical world.
In 1859 a Hungarian obstetrician named Ignaz Semmelweis, reflecting on his years as resident in the Vienna maternity clinic, wrote a graphic account of his attempt to diagnose and eliminate the then epidemic scourge of childbed fever. The resulting Etiology triggered an immediate and international squall of protest from Semmelweis’s colleagues; today it is recognized as a pioneering classic of medical history. Now, for the first time in many years, Codell Carter makes that classic available to the English-speaking reader in this vivid translation of the 1861 original, augmented by footnotes and an explanatory introduction. For students and scholars of medical history and philosophy, obstetrics and women’s studies, the accessibility of this moving and revolutionary work, important both as an historical document and as a groundbreaking precursor of modern medical theory, is long overdue.
Semmelweis’s exposure to the childbed fever was concurrent with his appointment to the Vienna maternity hospital in 1846. Like many similar hospitals and clinics in the major cities of nineteenth-century Europe and America, where death rates from the illness sometimes climbed as high as 40 percent of admitted patients, the Viennese wards were ravaged by the fever. Intensely troubled by the tragic and baffling loss of so many young mothers, Semmelweis sought answers. The Etiology was testimony to his success. Based on overwhelming personal evidence, it constituted a classic description of a disease, its causes, and its prevention. It also allowed a necessary response to the obstetrician’s already vocal, rabid, and perhaps predictable critics. For Semmelweis’s central thesis was a startling one - the fever, he correctly surmised, was caused not by epidemic or endemic influences but by unsterilized and thus often contaminated hands of the attending physicians themselves.
Carter’s translation of this radical work, judiciously abridged and extensively footnoted, captures all the drama and impassioned conviction of the original. Complementing this translation is a lucid introduction that places Semmelweis’s Etiology in historical perspective and clarifies its contemporary value. That value, Carter argues, is considerable. Important as a model of clinical analysis and as a chronicle of early nineteenth-century obstetrical practices, the Etiology is also a revolutionary polemic in its innovative doctrine of antisepsis and in its unique etiological explanation of disease. As such its recognition and reclamation allows a crucial understanding, one that clarifies the roots and theory of modern medicine and ultimately redeems and important, resolute, pathfinder.
Using the broader concept of elicitation, Seo analyzes the social encounters and forces that shape caregivers. These dynamics challenge dichotomies of subjugation and resistance, consent and coercion, and dependence and autonomy. The intimate and moving stories at the core of Eliciting Care from patients and providers draw attention to a broader, critically important phenomenon at the hospital level. Seo's poignant ethnography engages with feminist theory on the ethics of care, and in so doing, makes a significant contribution to emerging work in the field of health policy and politics.
Dr. Shaheen, studying over 100 different popular entertainment programs, cartoons and major documentaries telecast on network, independent and public channels, totaling nearly 200 episodes that relate to Arabs, has thrown new and revealing light on the stereotypes of people from the Middle East.
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references. You'll find safety emphasized throughout the book in each demonstration.
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references. You'll find safety emphasized throughout the book in each demonstration.
Color and light are the focus of this long-awaited fifth volume in the Chemical Demonstrations series, which describes demonstrations that effectively communicate science to both students and general audiences. Using full color illustrations, the book provides meticulous instructions for safely demonstrating colorful phenomena and illustrating scientific principles. A rich introductory section explores the science of color and light, outlines the chemical processes of vision, and explains what happens when visual information enters the human eye and is perceived by the brain. With more than fifty demonstrations and multiple procedures included, this volume offers abundant opportunities to arouse and sustain interest in science for both classroom and public presentations.
Each demonstration includes:
• a brief description of the demonstration
• a materials list
• a step-by-step account of procedures to be used
• an explanation of the potential hazards involved
• information on safely storing and disposing the chemicals used
• a full discussion of the phenomena displayed and principles illustrated
• a list of references.
Created by acclaimed chemists and science educators Bassam Shakhashiri and his collaborators Rodney Schreiner and Jerry Bell, these demonstrations make an impressive addition to the earlier volumes, which have been lauded for guiding teachers and scientists in effectively communicating science. Like all volumes in the series, Volume 5 communicates chemistry using pedagogical knowledge to enhance the effectiveness of demonstrations to all audiences.
Shankar’s bold and complex self-portrait—and portrait of America—challenges us to rethink our complicity in the criminal justice system and mental health policies that perpetuate inequity and harm. Correctional dives into the inner workings of his mind and heart, framing his unexpected encounters with law and order through the lenses of race, class, privilege, and his bicultural upbringing as the first and only son of South Indian immigrants. Vignettes from his early life set the scene for his spectacular fall and subsequent struggle to come to terms with his own demons. Many of them, it turns out, are also our own.
In The Trashing of Margaret Mead, Paul Shankman explores the many dimensions of the Mead-Freeman controversy as it developed publicly and as it played out privately, including the personal relationships, professional rivalries, and larger-than-life personalities that drove it. Providing a critical perspective on Freeman’s arguments, Shankman reviews key questions about Samoan sexuality, the alleged hoaxing of Mead, and the meaning of the controversy. Why were Freeman’s arguments so readily accepted by pundits outside the field of anthropology? What did Samoans themselves think? Can Mead’s reputation be salvaged from the quicksand of controversy? Written in an engaging, clear style and based on a careful review of the evidence, The Trashing of Margaret Mead illuminates questions of enduring significance to the academy and beyond.
Such tunebooks, popular during the nineteenth century, rarely survive and are often overlooked by folk scholars in favor of commercially produced recordings, published sheet music, or oral tradition. Based on extensive historical and genealogical research, Amy Shaw presents a grounded picture of a musician, his family, and his community in the Upper Midwest, revealing much about music and dance in the area. This notable contribution to regional music and folklore includes more than one hundred of Ole's dance tunes, transcribed into modern musical notation for the first time. Ole Hendricks and His Tunebook will be valuable to readers and scholars interested in ethnomusicology and the Norwegian American immigrant experience.
The culmination of four decades of work by J. Thomas Shaw, this fully searchable e-book carefully analyzes, both chronologically and by genre, Alexander Pushkin’s use of rhyme to show how meaning shifts in tandem with formal changes. Comparing Pushkin’s poetry with that of Konstantin Nikolaevich Batiushkov (1787–1855) and Evgeny Abramovich Baratynsky (1800–1844), Shaw considers, among other topics, what is exact and inexact in “exact” rhyme, how the grammatical characteristics of rhymewords affect the reader’s percepetion of the poem and its rhyme, and how the repetition of a rhyming word can also change meaning.
Each of the five chapters analyzes in detail a distinct aspect of rhyme and provides rich resources for future scholars in the accompanying tables of data. The extensive back matter in the book includes a glossary, abbreviations list, bibliography, and indexes of poems cited, names, and rhyme types and analyses.
Based on four years of travel and research, Minnesota’s Best Breweries and Brewpubs is a welcome addition to Robin Shepard’s series of guides to the best of the Midwest’s beer industries. From large-scale breweries such as Cold Spring, to chains like Granite City, to individual brewpubs like Fitger’s Brewhouse, Shepard provides commentary for more than thirty beer makers and three-hundred Minnesota beers. Accessible enough for people at all stages in their journeys to discover great-tasting beer, the information-packed guidebook also features a list of helpful books and websites, as well as information on Minnesota’s beer tastings and festivals.
For each brewery and brewpub site you’ll find:
• a description and brief history, plus many “don’t miss” features
• a description of beers on tap and a list of seasonal and specialty beers
• a space for the brewmaster’s autograph
• notes on the pub food, with recommendations
• suggestions of nearby sights and activities
• general directions to the location
• Shepard’s personal ratings of the experience, plus room to add your own.
This information-packed guidebook introduces you to more than sixty breweries and brewpubs—from the Shipwrecked Brew Pub in Egg Harbor, to smaller craft breweries like Capital Brewery west of Madison, to the world-famous Miller Brewing Company of Milwaukee. Robin Shepard includes descriptions and his personal ratings of some 600 local beers, plus a taster’s chart you can use to record your own preferences.
For each brewpub and brewery site you’ll find:
• a description and brief history, plus any "Don’t miss" features
• names, comments, and ratings for all their specialty beers
• notes on the pub food, with recommendations
• suggestions of other sites to see and activities in the local area
• information about bottling and distribution
• availability of tours, tastings, gift shops, mug clubs, and "growlers"
• address and contact data, including Web sites and GPS coordinates!
Shepard also introduces novices to the brewing process and a wide variety of beer styles. And, you’ll find a list of helpful books and Web sites, as well as information on Wisconsin beer tastings and festivals. As we say in Wisconsin, "So, have a couple a two, three beers, hey?"
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