A SCHOLARLY BOOK REPOSITORY24 have author last names that start with F have author last names that start with F
In Massacre at Cavett’s Station, noted archaeologist and Tennessee historian Charles Faulkner reveals the true story of the massacre and its aftermath, separating historical fact from pervasive legend. In doing so, Faulkner focuses on the interplay of such early Tennessee stalwarts as John Sevier, James White, and William Blount, and the role each played in the white settlement of east Tennessee while drawing the ire of the Cherokee who continued to lose their homeland in questionable treaties. That enmity produced some of history’s notable Cherokee war chiefs including Doublehead, Dragging Canoe, and the notorious Bob Benge, born to a European trader and Cherokee mother, whose red hair and command of English gave him a distinct double identity. But this conflict between the Cherokee and the settlers also produced peace-seeking chiefs such as Hanging Maw and Corn Tassel who helped broker peace on the Tennessee frontier by the end of the 18th century. After only three decades of peaceful co-existence with their white neighbors, the now democratic Cherokee Nation was betrayed and lost the remainder of their homeland in the Trail of Tears.
Faulkner combines careful historical research with meticulous archaeological excavations conducted in developed areas of the west Knoxville suburbs to illuminate what happened on that fateful day in 1793. As a result, he answers significant questions about the massacre and seeks to discover the genealogy of the Cavetts and if any family members survived the attack. This book is an important contribution to the study of frontier history and a long-overdue analysis of one of East Tennessee’s well-known legends.
Charles H. Faulkner began archaeological investigations at the Ramsey House in 1985 and concluded his work with his retirement from the University of Tennessee's anthropology department in 2005. During his tenure with the Ramsey House Archaeological Project, Faulkner and his team of scholars and students unearthed the prehistory of Native American occupation at Swan Pond, several outbuilding and early home foundation features yielding evidence of extensive early renovations to the Ramsey House and surrounding Swan Pond, and a multitude of ceramics and other artifacts left behind by the Ramsey family and other tenants ranging in dates from the late 1700s to the 1950s. Faulkner's research presented in The Ramseys at Swan Pond reveals not only the material culture and family lifeways of early wealth in East Tennessee, but chronicles the occupation of a homestead that would become pivotal to the development of early Knoxville and Knox County and offers insights into the responsibilities Ramsey and his family undertook in order to tame an early American frontier.
Faulkner provides the reader a complete overview of the excavations, and emphasizes the importance of historic research within the discipline of archaeology in his introduction. The Ramseys at Swan Pond will be of interest to anyone studying historic archeology, the early American frontier, and Tennessee history.
Charles H. Faulkner is Professor Emeritus in the Department of Anthropology and Distinguished Professor of Humanities at the University of Tennessee. He is the author/editor of The Prehistoric Native American Art of Mud Glyph Cave, The Old Stone Fort: Exploring an Archaeological Mystery, Rock Art of the Eastern Woodlands, and numerous other essays.
Rediscovering Fort Sanders is a unique book that combines a narrative history of pre-Civil War Knoxville, the war years and continuing construction of Fort Sanders, the failed attempts to preserve the postwar fort, and the events which led to its almost total destruction. Research by Terry and Charles Faulkner resulted in two major discoveries: the fort was actually located a block farther to the west then previously recognized, and there are still identifiable remnants of the fortification where none were believed to exist.
More than just a chronicle of a significant chapter in Civil War and postwar history, this book will inspire others to continue the effort to ensure that the site and remains of Fort Sanders are preserved and properly commemorated for future generations.
The career of writer John Edgar Wideman has been the sort of success story on which America prides itself. Coming from an inner-city African American neighborhood, he studied at the Universities of Pennsylvania and Oxford; published his first novel at age twenty-six; won two PEN/Faulkner Awards, as well as a MacArthur “genius grant”; and has held several top teaching posts. But profound tragedy has also marked his life: both his brother and son received life sentences for murder, and a nephew was killed at home after a bar fight. His life thus illustrates how the strictures of “race” temper American notions of freedom and opportunity.
Wideman’s engagement with race and identity has been nuanced and complex, taking the form of what Michel Feith sees as a critical dialogue with modernity–a moment in history which gave birth not only to the Enlightenment but also to American slavery and the conundrum of “race.” Feith argues that the key work in the Wideman oeuvre is The Cattle Killing (1996), his only “historical novel,” whose threads include the 1793 yellow fever epidemic in Philadelphia, the 1856–57 Cattle Killing prophecy, which wreaked havoc among the Xhosa tribe of South Africa, and the contemporary situation of black ghettos in the United States. Unfolding within the early days of the American Republic, the novel offers a window through which all of Wideman’s works and their central concerns—ghettoization, imprisonment, familial relationships, emancipation, and the diasporic sense of history—can be understood.
With clarity and theoretical sophistication, Feith offers provocative new readings of Wideman’s texts, from the “Homewood” books based on his youth in Pittsburgh to his haunting memoir Brothers and Keepers. In the “postmodern” era, Feith suggests, critics of modernity are not in short supply, but few have the depth, rigor, and thoughtfulness of John Edgar Wideman.
-Lesley Jorbin, Cleveland State Univ. Lib.
Copyright 1991 Reed Business Information, Inc.
for everything from movies like Smokey and the Bandit to comedy acts like Larry the
Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor
of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism
or with narrow-minded bigotry, the Redneck and its variants have become firmly
established in American narrative consciousness.
This provocative book traces the emergence of the faux-Redneck within the context of
literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s
Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded
rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck
stereotypes were further extended in Deliverance, both the novel and the film, and in
a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations.
As a contemporary cultural figure, the author argues, the Redneck represents
no one in particular but offers a model of behavior and ideals for many. Most important,
it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which
elite forces gather and maintain social and economic power. Those defying its boundaries,
as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have
done so at their own peril. Ferrence contends that a refocus of attention to the complex
realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray,
and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced
understandings of regional identity.
In a cultural moment when so-called Reality Television has turned again toward popular
images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All-
American Redneck reveals the way in which such images have long been manipulated for
particular social goals, almost always as a means to solidify the position of the powerful at
the expense of the regional.
In 1789 the French colony of Saint Domingue was the wealthiest and most flourishing of the Caribbean slave colonies, its economy based on the forced labor of more than half a million black slaves raided from their African homelands. The revolt of this underclass in 1791—the only successful slave rebellion in history—gained the slaves their freedom and set in motion the colony's struggle for independence as the black republic of Haiti.
In this pioneering study, Carolyn E. Fick argues that the repressed and uneducated slaves were the principal architects both of their own freedom and of the successful movement toward national independence. Fick identifies "marronage," the act of being a fugitive slave, as a basic unit of slave resistance from which the revolution grew and shows how autonomous forms of popular slave participation were as important to the success of the rebellion as the leadership of men like Toussaint Louverture, Henri Christophe, and Dessalines. Using contemporary manuscripts and previously untapped archival sources, the author depicts the slaves, their aspirations, and their popular leaders and explains how they organized their rebellion.
Fick places the Saint Domingue rebellion in relation to the larger revolutionary movements of the era, provides background on class and caste prior to the revolution, the workings of the plantation system, the rigors of slave life, and the profound influence of voodoo. By examining the rebellion and the conditions that led to it from the perspective of the slaves it liberated, she revises the history of Haiti.
Carolyn Fick is currently a Canada Research Fellow at Concordia University in Montreal.
This volume presents the story of the Eastern Band of Cherokees during the nineteenth century. This group – the tribal remnant in North Carolina that escaped removal in the 1830’s – found their fortitude and resilience continually tested as they struggled with a variety of problems, including the upheavals of the Civil War and Reconstruction, internal divisiveness, white encroachment on their lands, and a poorly defined relationship with the state and federal governments. Yet despite such stresses and a selective adaptation in the face of social and economic changes, the Eastern Cherokees retained a sense of tribal identity as they stood at the threshold of the twentieth century.
In step with the #MeToo movement and third wave feminism, women’s roles provoke lively debate in today’s evangelical sphere. The Southern Baptist Convention (SBC) has a complicated past regarding this issue, and determining what exactly women’s roles in home, church, and society should be, or even what these roles should be called, has been a contentious subject. In A Marginal Majority: Women, Gender, and a Reimagining of Southern Baptists, editors Elizabeth H. Flowers and Karen K. Seat and eight other contributors examine the SBC’s complex history regarding women and how that history reshapes our understanding of the denomination and its contemporary debates.
This comprehensive volume starts with women as SBC fundraisers, moves to the ways they served Southern Baptist missions, and considers their struggles to find a place at Southern Baptist seminaries as well as their launching of “teaching” or “women’s” ministries. Along the way, it introduces new personalities, offers fresh considerations of familiar figures, and examines the power dynamics of race and class in a denomination that dominated the South and grew into a national behemoth.
Additionally, the essay collection provides insights into why the SBC has often politically aligned with the right. Not only did the denomination become increasingly oriented toward authoritarianism as it clamped down on evangelical feminism, but, as several contributors reveal, even as Southern Baptist women sought agency, they often took it from others. Read together, the chapters strike a somber tone, challenging any triumphal historiography of the past.
By providing a history of contentious issues from the nineteenth century to the present day, A Marginal Majority provides invaluable context for the recurrent struggles women have faced within the United States’ largest Protestant denomination. Moreover, it points to new directions in the study of American denominational life and culture.
But the product is a good one. Fontenay takes us from Kefauver's childhood in Tennessee, to his law career, to his service in the US House, to his campaign for the Senate, his pursuit of the presidency in the 1950s, and his legislative battles up to his early death in 1963. In doing so, Fortenay shows us the many paradoxes of Kefauver. Kefauver was a hard working, not particularly charismatic legislator. But he was also a great retail politician, embarrassing Harry Truman and Adlai Stevenson in multiple primaries throughout the 1950s. He was a something of a liberal, but he also looked down at women and was a swing vote on civil rights (To be fair, as a southern senator being a swing vote in civil rights is better than most of his colleagues). Kefauver maintained a close family life despite his active political career, but cheated on his wife fairly openly. Kefauver was ethical and principled (except when it came to monogamy), refusing to cut political deals to win the presidential nomination or keep gifts, but he had a constellation of wealthy friends who paid his personal expenses and bought stock based on the findings of a Congressional investigation.
Any politician, really any person, studied so closely shows some wrinkles. Kefauver is no different. But overall, Kefauver was a hard worker, progressive particularly for his state, and helped democratize the nominating process. In those respects, he is a model for modern senators.
A few nitpicks about the book. First, Fontenay writes that a Congressman Reece died and was replaced by his wife by appointment. Reece's wife won a special election because there are no appointments to fill House vacancies. Second, Fontenay short changes some of Kefauver's policy battles, including presidential succession which is of particular interest to me.
That aside, Fontenay writes a great book. His sources are varied from many personal interviews, to Kefauver's letters, to the biographies of other senators. He manages to balance the many names and personalities and does a particularly good job of explaining the political convention intrigue of the 1950s.
I highly recommend this book to students of politics, government, and history. It fills a void in the literature with the tale of a significant senator of the mid-20th century.
In the early 1960s, the Tennessee Valley Authority set out to create a great park for posterity at the Land Between the Lakes. The park was to host the vast stretches of leisure that wealthy, secure, and more equal Americans of the late twentieth and early twenty-first centuries would have at their disposal. It would be a place where such Americans could turn that leisure into happiness, psychic well-being, and strength of character. The TVA cleared the land of its inhabitants to create the park, removing people from their homes and severing their roots, thus effacing the history of the place. It then set about reshaping the land in the image of an anticipated future. But when that future never arrived, managers struggled to fit the place to the America that actually came into being. In the end they failed, leaving the Land Between the Lakes enveloped in a haunting sense of emptiness.
A deft blend of environmental history, geography, politics, and cultural history, Land Between the Lakes demonstrates both the idealism of mid-twentieth-century planners and how quickly such idealism can fall out of alignment with the flow of history. In so doing it explores a forgotten vision of the future that was in many ways more appealing than the present that came into being in its place.
Organized from volunteer companies from the upper and lower portions of East Tennessee, the men of the Nineteenth represented an anomaly—Confederates in the midst of the largest Unionist stronghold of the South. Why these East Tennesseans chose to defy their neighbors, risking their lives and fortunes in pursuit of Southern independence, lacks a simple answer. John D. Fowler finds that a significant number of the Nineteenth’s members belonged to their region’s local elite—old, established families engaged in commercial farming or professional occupations. The influence of this elite, along with community pressure, kinship ties, fear of invasion, and a desire to protect republican liberty, generated Confederate sympathy amongst East Tennessee secessionists, including the members of the Nineteenth.
Utilizing an exhaustive exploration of primary source materials, the author creates a new model for future regimental histories—a model that goes beyond “bugles and bullets” to probe the motivations for enlistment, the socioeconomic backgrounds, the wartime experiences, and the postwar world of these unique Confederates. The Nineteenth served from the beginning of the conflict to its conclusion, marching and fighting in every major engagement of the Army of Tennessee except Perryville. Fowler uses this extensive service to explore the soldiers’ effectiveness as fighting men, the thrill and fear of combat, the harsh and often appalling conditions of camp life, the relentless attrition through disease, desertion, and death in battle, and the specter of defeat that haunted the Confederate forces in the West. This study also provides insight into the larger issues of Confederate leadership, strategy and tactics, medical care, prison life, the erosion of Confederate morale, and Southern class relations. The resulting picture of the war is gritty, real, and all too personal. If the Civil War is indeed a mosaic of “little wars,” this, then, is the Nineteenth’s war.
John D. Fowler is assistant professor of history at Kennesaw State University. He is the recipient of the Mrs. Simon Baruch University Award for the best manuscript in Civil War History (2002).
In this collection of essays, ten experts in turn-of-the-century popular and material culture examine how the struggle between modernity and tradition was reflected in various facets of the household aesthetic. Their findings touch on sub-themes of gender, generation, and class to provide a fascinating commentary on what middle-class Americans were prepared to discard in the name of modernity and what they stubbornly retained for the sake of ideology. Through an examination of material culture and prescriptive literature from this period, the essayists also demonstrate how changes in artistic expression affected the psychological, social, and cultural lives of everyday Americans.
This book joins a growing list of titles dedicated to analyzing and interpreting the cultural dimensions of past domestic life. Its essays shed new light on house history by tracking the transformation of a significant element of home life - its expressions of art.
Along the Maysville Road details the life of the trail from its beginnings as a buffalo trace, through its role in populating and transforming an early American West, to its decline in regional and national affairs. This biography of a road thus serves as a microhistory of social and cultural change in the Early American Republic. Integral to this story are the people and groups who traveled and settled along the road: backcountry pioneers, refined Virginia gentry, poor and middling farmers, artisans and merchants from eastern cities, and of course the women and slaves who arrived with them. While these groups imported differing worldviews into the new American West, the merchant class’s commitment to commercial development, material acquisition, and individual achievement prophesied the triumph of a liberal economic order throughout nineteenth-century America. Alongside this individualistic impulse arose increasing pressure to abandon older identities based on regional origins and ethnic backgrounds and to accept a collective historical memory for the growing nation. Throughout the Early Republic, the call of the open road facilitated what it means to be “American.”
Craig Thompson Friend is associate professor of history at the University of Central Florida. He edits the Florida Historical Quarterly and is author of Kentucky Frontiers, 1750–1852 (forthcoming) and editor of The Buzzel About Kentuck: Settling the Promised Land.
Frome's recent conversations with residents, new and old, along with a complement of historic and contemporary photographs, confirm the views stated in the book's original 1966 edition.
The author brings his knowledge, experience, and insights to bear on "one of God's special places." He suggests alternatives to commercial overdevelopment and the destruction of the Great Smokies' flora and fauna, citing recent cases such as the Tellico Dam project and the continuing pollution of the Pigeon River. Always emphasizing our inevitable relationship with our surroundings, Frome relates the story of the Great Smoky Mountains with respect and affection for the region, its people, and their history.
Michael Frome ranks among the foremost American authors on travel and conservation. His interests are closely associated with national parks, national forests, and natural beauty in the United States and other countries. He has been a columnist and correspondent for major newspapers and magazines and a university lecturer. He is author of Conscience of a Conservationist: Selected Essays.
In the wake of their defeat in the Civil War, many southern intellectuals recognized that their institutions had failed to supply antebellum graduates with the skills needed to compete with the North. Thus, educators who had previously served as Confederate officers led an effort to promote academic reform throughout the region.
In Thinking Confederates, Dan R. Frost details how these men set about transforming southern higher education, shifting their schools from a classical orientation to a new emphasis on science and engineering. Although they espoused a reverence for the past, they recognized that the eradication of slavery had been necessary for southern progress, and they upheld an idea of a New South that embraced beliefs both in the “Lost Cause” and in national reconciliation.
Born into slavery on a Tennessee plantation, John McCline escaped from bondage, worked for the Union Army in the Civil War, and eventually found a new life in the American West. Slavery in the Clover Bottoms is his own story, recollected in later years, of his life as a slave and as a free man.
McCline’s memoirs, completed in the 1920s and now published for the first time, vividly describe the James Hoggatt plantation in Davidson County: the work and routine of slaves; their religious, family, and social life; the behavior of the overseers; and the atmosphere of violence under Mrs. Hoggatt’s omnipresent whip. McCline tells of how he worked with livestock, a boy doing a man’s job, until he ran away with the Thirteenth Infantry of Michigan late in 1862, when he was little more than ten years old. For the next two-and-a-half years, young John worked as a teamster and officers’ servant, and during that time he witnessed some of the Civil War’s most famous battles—such as Murfreesboro, Chickamauga Creek, and Lookout Mountain—as well as Sherman’s march through Georgia.
McCline worked in Michigan, Chicago, and St. Louis after the war. He eventually made his way to Colorado, where his skill with horses helped him find employment with James John Hagerman, whose son Herbert would later be appointed governor of New Mexico Territory. McCline lived in Santa Fe from 1906 until his death in 1948 and became a leader in that city’s black community. During that period Herbert Hagerman encouraged McCline to write his memoirs and contributed an introduction that also appears in this volume. Jan Furman’s introduction puts McCline’s story in context, and her notes to the text clarify references.
Slavery in the Clover Bottoms joins an important body of newly published slave narratives. It provides a vast amount of firsthand detail about slavery and the Civil War and is particularly notable for presenting a former slave’s perspective on Sherman’s march. Its compelling story spans a continent and tells us much about relationships between the races in the middle and late nineteenth century.
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