Shikarpoor Historic City, in Sindh, Pakistan, has a rich historical heritage: as a central point on caravan trade routes, it served as the gateway to Afghanistan and Central Asia. In recognition of that history, in 1998 the government of Sindh named it a protected heritage site-but that status hasn't prevented the ongoing destruction of the city's historic fabric. This book tells the story of Shikarpoor and presents as complete a picture of its threatened historical fabric as possible, through copious maps and images past and present.

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Dennis Hopper (1936-2010) was one of most charismatic and protean figures to emerge from the American independent film movement of the 1960s and '70s, an incredibly compelling screen presence who helped give cult classics like Easy Rider and Blue Velvet their off-kilter appeal. But his artistic interests went far beyond acting, and this collection of essays is the first major work to take in Hopper as a creative artist in all his fields of endeavour, from acting and directing to photography, sculpture, and expressionist painting. Stephen Naish doesn't skimp on covering Hopper's best-known work, but he breaks new ground in putting it in context with his other creative enterprises, showing how one medium informs another, and how they offer a portrait of an artist who was restless, even flawed at times, but always aiming to live up to his motto: create or die.Follow the podcasts by Steve Naish here

Prior to becoming Crown Prince of Japan in 1989, following the death of his grandfather Emperor Showa, Prince Naruhito studied at Merton College, Oxford, from June 1983 to October 1985. His research topic was the River Thames as a commercial highway in the eighteenth century. This marked the first time that anyone in direct succession to the throne had ever studied outside Japan. In 1992, he published a record of his time at Oxford under the title Thames no tomo ni . The memoir, which includes a colour plate section incorporating photographs taken by the Prince, explores his daily life, studies and recreational experiences, including discovering beer and being banned from entering a disco because he was wearing jeans. The Thames and I is a remarkable record, not least because of its candour, but equally because it reveals the Crown Prince as an individual, including his personal charm and sense of humour. It will be of special interest to those wishing to know more about the future emperor of Japan.

This book explores nanotechnology, a rapidly evolving and growing field with applications in a large number of areas. The concepts and physics are highlighted through topics such as nanoscience, quantum effects, nanostructures, and new forms of carbon. Applications and potential health and safety implications of nanomaterials are discussed for healthcare, food production, electronics, defence and more. Accessible and timely, this introduction to nanotechnology will interest students, teachers, politicians, and everyone else eager to learn more about this dynamic field.

The history of European videogames has been so far overshadowed by the global impact of the Japanese and North American industries. However, European game development studios have played a major role in videogame history, and prominent videogames in popular culture, such as Grand Theft Auto, Tomb Raider and Alone in the Dark were made in Europe. This book proposes an exploration of European videogames, including both analyses of transnational aspects of European production and close readings of national specificities. It offers a kaleidoscope of European videogame culture, focusing on the analysis of European works and creators but also addressing contextual aspects and placing videogames within a wider sociocultural and philosophical ground. The aim of this collective work is to contribute to the creation of a, so far, almost non-existent yet necessary academic endeavour: a story of the works, authors, styles and cultures of the European videogame.

Public diplomacy enables private citizens to be involved in international relations either through initiatives sponsored by governments or through direct people-to-people contacts in areas such as culture, business, education, tourism and sport. Public Diplomacy in Ireland and Japan traces the evolution of this growing branch of diplomacy and examines the role it has played in the foreign policies of Ireland and Japan, and in their bilateral relationship. It concludes that public diplomacy has contributed significantly to strengthening the links between the two countries.

Grand, extravagant, magnificent, scandalous, corrupt, political, personal, fractious; these are terms often associated with the medieval and early modern courts. Moreover, the court constituted a forceful nexus in the social world, which was central to the legitimacy and authority of rulership. As such, courts shaped European politics and culture: architecture, art, fashion, patronage, and cultural exchanges were integral to the spectacle of European courts. Researchers have convincingly emphasised the public nature of courtly events, procedures, and ceremonies. Nevertheless, court life also involved pockets of privacy, which have yet to be systematically addressed. This edited collection addresses this lacuna and offers interpretations that urge us to reassesses the public nature of European courts. Thus, the proposed publication will fertilise the grounds for a discussion of the past and future of court studies. Indeed, the contributions make us reconsider present-day understandings of privacy as a stable and uncontestable notion.

This book offers a panorama of movement, mobility, and exchange in the early modern world. While the pre-modern centuries have long been portrayed as static and self-contained, it is now acknowledged that Europe from the Middle Ages onwards saw increasing flows of people and goods. Movement also connected the continent more closely to other parts of the world. The present work challenges dominant notions of the ‘fixed,’ immobile nature of pre-modern cultures through study of the inter-connected material, social, and cultural dimensions of mobility. The case studies presented here chart the technologies and practices that both facilitated and impeded movement in diverse spheres of social activity such as communication, transport, politics, religion, medicine, and architecture. The chapters underscore the importance of the movement of people and objects through space and across distance to the dynamic economic, political, and cultural life of the early modern period.

This pioneering collection of nine original essays carves out a new conceptual path in the field by theorizing the ways in which the language of games and warfare inform and illuminate each other in the early modern cultural imagination. They consider how warfare and games are mapped onto each other in aesthetically and ideologically significant ways in the plays, poetry, or prose of William Shakespeare, Thomas Morton, John Milton, Margaret Cavendish, Aphra Behn, and Jonathan Swift, among others. Contributors interpret the terms ‘war games’ or ‘games of war’ broadly, freeing them to uncover the more complex and abstract interplay of war and games in the early modern mind, taking readers from the cockpits and clowns of Shakespearean drama, through the intriguing manuals of cryptographers and the ingenious literary war games of Restoration women authors, to the witty but rancorous paper wars of the late seventeenth and early eighteenth centuries.

Faced with budget problems and an aging population, European governments in recent years have begun reconsidering the structure and extent of the welfare state. Guarantees and directives have given way to responsibilities and choice. This volume analyzes the effect of this change on the citizens of Germany, Finland, Norway, the Netherlands, France, Italy and the United Kingdom. It traces the emergence of new discourses around social movements for greater independence, power, and control, and the way these discourses serve to reframe the struggle at hand. Making use of ethnographic research and policy analysis, the authors analyze the cultural transition, tensions, and trajectory of this call toward active citizenship.

Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer’s actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from three media technologies – Virtual Reality; holograms; and light projections – this book develops new theories of the surfaces on and spaces in which images are displayed today, interrogating critical lines between art and life; virtuality and actuality; truth and lies. What we have today is not just the contestation of the real against illusion or the unreal, but the disappearance itself of difference and a gluttony of the unreal which both connect up to current politics of distorted truth values and corrupted terms of information. The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie is thus about not only where the image’s borders and demarcations are established, but also the screen boundary as the instrumentation of today’s intense virtualizations that do not tell the truth. In all this, a new imagination for images emerges, with a new space for cultures of presence and absence, definitions of object and representation, and understandings of dis- and re-placement – the post-screen.

This book is an introduction to Intercultural Communication (IC) that takes into account the much neglected dynamic paradigm of culture in the literature. It posits that culture is not static, context is the driving force for change, and individuals can develop a multicultural mind.It is also the first IC textbook in the field that incorporates insight from evolutionary biology and the newly emerging discipline of culturalneurosciences. Such an interdisciplinary approach provides readers with new angles, encourages critical thinking, and sometimes challenges conventional knowledge in the field. The combination of the author's multiculturalacademic and journalistic background contributes to a balance of diverse perspectives and world views on cultural theories and discourses. The book is ideal for courses in Intercultural Communicationwith study cases, discussion topics and class activities.

Videogame history is not just a history of one successful technology replacing the next. It is also a history of platforms and communities that never quite made it; that struggled to make their voices heard; that aggravated against the conventions of the day; and that never enjoyed the commercial success or recognition of their major counterparts. In *Minor Platforms in Videogame History*, Benjamin Nicoll argues that 'minor' videogame histories are anything but insignificant. Through an analysis of transitional, decolonial, imaginary, residual, and minor videogame platforms, Nicoll highlights moments of difference and discontinuity in videogame history. From the domestication of vector graphics in the early years of videogame consoles to the 'cloning' of Japanese computer games in South Korea in the 1980s, this book explores case studies that challenge taken-for-granted approaches to videogames, platforms, and their histories.

The Iberian conquest of the Atlantic at the beginning of the sixteenth century had a notable impact on the formation of the new world order in which Christian Europe claimed control over most a considerable part of the planet. This was possible thanks to the confluence of different and inseparable factors: the development of new technical capacities and favorable geographical conditions in which to navigate the great oceans; the Christian mandate to extend the faith; the need for new trade routes; and an imperial organization aspiring to global dominance. The author explores new methods for approaching old historiographical problems of the Renaissance — such as the discovery and conquest of America, the birth of modern science, and the problem of Eurocentrism — now in reference to actors and regions scarcely visible in the complex history of modern Europe: the ships, the wind, the navigators, their instruments, their gods, saints, and demons.

In A History of Manchuria, Ian Nish describes the turbulent times which the three Northeastern Provinces of China experienced in the last two centuries. The site of three serious wars in 1894, 1904 and 1919, the territory rarely enjoyed peace though its economy progressed because of the building of arterial railways. From 1932 it came under the rule of the Japanese-inspired government of Manchukuo based at Changchun. But that was short-lived, being brought to an end by the punitive incursion and occupation of the country by Soviet forces in 1945. Thereafter the devastated territory was fought over by Chinese Nationalist and Communist armies until Mukden (Shenyang) fell to the Communists in October 1948. Manchuria, under-populated but strategically important, was the location for disputes between China, Russia and Japan, the three powers making up the 'triangle' which gives the name to the sub-title of this study. These countries were hardly ever at peace with one another, the result being that the economic growth of a potentially wealthy country was seriously retarded. The story is illustrated by extracts drawn from contemporary documents of the three triangular powers.

The catastrophic Sicilian earthquake of 1693 led to the rebuilding of over 60 towns in the island’s south-west. The rebuilding extended into the eighteenth century and gave opportunities for the reassertion and the transformation of power relations. Although eight of the towns are now protected by UNESCO, the remarkable architecture resulting from this rebuilding is little known outside Sicily. This is the first book-length study in English of this interesting area of early modern architecture. Rather than seek to address all of the towns, five case studies discuss key aspects of the rebuilding by approaching the architecture from different scales, from that of a whole town to parts of a town, or single buildings, or parts of buildings and their decoration. Each case study also investigates a different theoretical assumption in architecture, including ideas of the Baroque, rational planning, and the relegation of decoration in architectural discourse.

At the heart of modern Japan there remains an intractable and divisive social problem with its roots in pre-history, namely the ongoing social discrimination against the D?wa communities, otherwise known as Buraku. Their marginalization and isolation within society as a whole remains a veiled yet contested issue. Buraku studies, once largely ignored within Japan’s academia and by scholarly publishers, have developed considerably in the first decades of the twenty-first century, as the extensive bibliographies of both Japanese and English sources provided here clearly demonstrates. The authors of the present study published in Japanese in 2016 and translated here by the Oxford scholar Ian Neary, have been able to incorporate this most recent data. Because of its importance as the first Buraku history based on this new research, a wider readership was always the authors’ principal focus. Yet, it also provides a valuable source book for further study by those wishing to develop their knowledge about the subject from an informed base. This history of the Buraku communities and their antecedents is the first such study to be published in English.

Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about art and activists’ engagement in video technology—an engagement that unsettles the hegemonic narrative of dominant media, as well as the apparently politically neutral dimension of communication technology. In this book, the author explores how video-image technology shapes our psychic and social environments from an art historiographical perspective. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics.

A century before the Philippines came under American control, Americans were already travelling to Southeast Asia regularly. This book looks at the writings of American diplomats, adventurers, and scientists and chronicles how nineteenth-century Americans viewed and imagined Southeast Asia through their own cultural-political lenses. It argues that as Americans came to visit the region they also brought with them a train of cultural assumptions and biases that contributed to the development of American Orientalism in Southeast Asia.

Empire-building did not only involve the use of excessive violence against native communities, but also required the gathering of data about the native Other. This is a book about books, which looks at the writings of Western colonial administrators, company-men and map-makers who wrote about Southeast Asia in the 19th century. In the course of their information-gathering they had also framed the people of Southeast Asia in a manner that gave rise to Orientalist racial stereotypes that would be used again and again. Data-Gathering in Colonial Southeast Asia 1800-1900: Framing the Other revisits the era of colonial data-collecting to demonstrate the workings of the imperial echo chamber, and how in the discourse of 19th century colonial-capitalism data was effectively weaponized to serve the interests of Empire.

The nations of Southeast Asia today are rapidly integrating economically and politically, but that integration is also counterbalanced by forces ranging from hyper-nationalism to disputes over cultural ownership throughout the region. Those forces, Farish A. Noor argues in this book, have their roots in the region's failure to come to a critical understanding of how current national and cultural identities in the region came about. To remedy that, Noor offers a close account of the construction of Southeast Asia in the nineteenth century by the forces of capitalism and imperialism, and shows how that construct remains a potent aspect of political, economic, and cultural disputes today.

The Pan-Malaysian Islamic Party PAS is the biggest opposition party in Malaysia today and one of the most prominent Islamist parties in Southeast Asia. This work recounts the historical development of PAS from 1951 to the present, and looks at how it has risen to become a political movement that is both local and transnational, tracking its rise from the Cold War to the age of the War on Terror, and its evolving ideological postures - from anti-colonialism to post-revolutionary Islamism, as the party adapted itself to the realities of the postmodern global age. PAS's long engagement with modernity and its nuanced approach to the goal of state capture is the focus of this work, as it recounts the story of the Islamist party and Malaysia by extension.Download the Table of Contents and Introduction

Over the past decade, public services have come under increasing pressure to perform like private-sector organisations. This study demonstrates that professionals have much leeway in coping with changes caused by IT developments, distributed knowledge and more demanding public which have all created new pressures on public services. The authors conclude that rather than demanding more autonomy and space, public service professionals need renewed and workable professional standards.

Scholarship on early medieval England has seen an exponential increase in scholarly work by and about women over the past twenty years, but the field has remained peculiarly resistant to the transformative potential of feminist critique. Since 2016, Medieval Studies has been rocked by conversations about the state of the field, shifting from #MeToo to #WhiteFeminism to the purposeful rethinking of the label “Anglo-Saxonist.” This volume takes a step toward decentering the traditional scholarly conversation with thirteen new essays by American, Canadian, European, and UK professors, along with independent scholars and early career researchers from a range of disciplinary perspectives. Topics range from virginity, women’s literacy, and medical discourse to affect, medievalism, and masculinity. The theoretical and political commitments of this volume comprise one strand of a multivalent effort to rethink the parameters of the discipline and to create a scholarly community that is innovative, inclusive, and diverse.

While the socio-economic and historical aspects of the Dutch East India Company (VOC) have been extensively documented and researched, the role of the VOC in visual culture and the arts has been relatively neglected. This authoritative volume addresses various aspects of cultural exchange between the Low Countries and Asia. Increased prosperity and the flood of imported goods from Asia had a huge influence on seventeenth-century Holland. To cite some examples: when the VOC spread its merchandise throughout the various regions of Asia, Chinese decorative motives became popular in Indonesia. After the lifting of the seventeenth-century ban on the import of Christian books to Japan, a wave of interest in Dutch culture hit the country, giving rise to Hollandmania, imitation of anything Dutch.Mediating Netherlandish Art and Material Culture in Asia offers new insights into the world routes travelled by seventeenth-century Dutch visual culture, as well as the rise of Asian influence in the imagery of the Dutch Golden Age.

This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint’ as a new visual genre at the onset of the scientific revolution. The book includes contributions from the perspective of international scholars and museum professionals drawing on methodologies from a range of fields.