Fraternal strife.

Statius published his Thebaid in the last decade of the first century. This epic recounting the struggle between the two sons of Oedipus for the kingship of Thebes is his masterpiece, a stirring exploration of the passions of civil war. The extant portion of his unfinished Achilleid is strikingly different in tone: this second epic begins as a charming account of Achilles’ life.

Statius was raised in the Greek cultural milieu of the Bay of Naples, and his Greek literary education is reflected in his poetry. The political realities of Rome in the first century are also evident in the Thebaid, in representations of authoritarian power and the drive for domination. Shackleton Bailey’s new edition of the two epics, with a highly skillful translation, addresses a number of puzzles in the text and its interpretation and provides essential information on mythological and other references. Kathleen M. Coleman, Professor of Latin at Harvard University, contributes a survey of recent scholarship on Statius’ epics.

The new Loeb Classical Library edition of Statius is complete in three volumes.

Fraternal strife, and the young Achilles.

Statius published his Thebaid in the last decade of the first century. This epic recounting the struggle between the two sons of Oedipus for the kingship of Thebes is his masterpiece, a stirring exploration of the passions of civil war. The extant portion of his unfinished Achilleid is strikingly different in tone: this second epic begins as a charming account of Achilles’ life.

Statius was raised in the Greek cultural milieu of the Bay of Naples, and his Greek literary education is reflected in his poetry. The political realities of Rome in the first century are also evident in the Thebaid, in representations of authoritarian power and the drive for domination. Shackleton Bailey’s new edition of the two epics, with a highly skillful translation, addresses a number of puzzles in the text and its interpretation and provides essential information on mythological and other references. Kathleen M. Coleman, Professor of Latin at Harvard University, contributes a survey of recent scholarship on Statius’ epics.

The new Loeb Classical Library edition of Statius is complete in three volumes.

In antiquity, the story of the failed assault of the Seven against Thebes ranked second only to the Trojan War. But whereas the latter was immortalized by Homer’s Iliad, the account of the former in the epic Thebais survives only in fragments preserved in later authors. The same is true of the Oedipodeia and Epigoni, which dealt respectively with events leading up to the Seven’s campaign and with the successful assault on the city in the next generation. The Thebais was probably the most important of the three—certainly more and longer fragments of it have survived—and it has been alleged that its recovery would tell us more about Homer than any comparable discovery.

Paradoxically, these fragments suggest very un-Homeric content and style (in particular its detail of the hero Tydeus forfeiting immortality by gnawing on the head of a dying enemy). The same is true of the epic Alcmaeonis, named after one of the Epigoni, whose few surviving fragments pullulate with un-Homeric features. Malcolm Davies provides the first full commentary on all four epics’ fragments. He attempts to set them in context and examines whether artistic depictions of the relevant myths can help reconstruct the lost epics’ contents.

The decade of Theban power in fourth-century Greece has not been the subject of a full study in this century. Mr. Buckler provides a totally new look at Theban diplomacy and politics. He examines, for the first time, the social and economic backgrounds of the leaders of Thebes during the period of its hegemony. He focuses attention also on local politics and on the constitution of the Boiotian Confederacy, the federal government created by Thebes in the 370s.

Of special interest is the author's recognition of the historical implications of topography. He has inspected the terrain of the battlefields and routes of communication; his accounts of military campaigns are thus well grounded and convincing. His contemporary photographs of major sites and topographical maps are valuable supplements to the text.

This study is a significant contribution to our knowledge of an important period of Greek history.

A thousand-year-old story of Krishna and his wife Satyabhama retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, which he based on a popular millennium-old tale, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections.

Theft of a Tree recounts how Krishna stole the pārijāta, a wish-granting tree, from the garden of Indra, king of the gods. Krishna does so to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, Krishna plants the tree for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness. The poem’s narrative unity, which was unprecedented in the literary tradition, prefigures the modern Telugu novel.

Theft of a Tree is presented here in the Telugu script alongside the first English translation.

The first English translation of a thousand-year-old story of Krishna and his wife Satyabhama, retold by the most famous court poet of the Vijayanagara Empire.

Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Pārijātāpaharaṇamu, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband’s affections. Timmana based his work on a popular millennium-old Krishna tale.

Theft of a Tree recounts how Krishna stole the wish-granting pārijāta tree from the garden of Indra, king of the gods. Krishna takes the tree to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, he plants the pārijāta for Satyabhama—but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness.

This is the first English translation of the poem, which prefigures the modern Telugu novel with its unprecedented narrative unity.

When Alisse Portnoy recovered petitions from the early 1830s that nearly 1,500 women sent to the U.S. Congress to protest the forced removal of Native Americans in the South, she found the first instance of women's national, collective political activism in American history. In this groundbreaking study, Portnoy links antebellum Indian removal debates with crucial, simultaneous debates about African Americans--abolition of slavery and African colonization--revealing ways European American women negotiated prohibitions to make their voices heard.

Situating the debates within contemporary, competing ideas about race, religion, and nation, Portnoy examines the means by which women argued for a "right to speak" on national policy. Women's participation in the debates was constrained not only by gender but also by how these women--and the men with whom they lived and worshipped--imagined Native and African Americans as the objects of their advocacy and by what they believed were the most benevolent ways to aid the oppressed groups.

Cogently argued and engagingly written, this is the first study to fully integrate women's, Native American, and African American rights debates.

Writing and recording are key cultural activities that allow humans to communicate across time and space. Whereas Old World writing evolved into the alphabetic system that is now employed around the world, the indigenous peoples in the Americas autonomously developed alternative systems that conveyed knowledge in a tangible medium. New World systems range from the hieroglyphic script of the Maya, to the figural and iconic pictographies of the Aztecs, Mixtecs, and Zapotecs in Mexico and the Moche in Peru, to the abstract knotted khipus of the Andes. Like Old World writing, these systems represented a cultural category that was fundamental to the workings of their societies, one that was heavily impregnated with cultural value.

The fifteen contributors to Their Way of Writing: Scripts, Signs, and Pictographies in Pre-Columbian America consider substantive and theoretical issues concerning writing and signing systems in the ancient Americas. They present the latest thinking about these graphic and tactile systems of communication. Their variety of perspectives and their advances in decipherment and understanding constitute a major contribution not only to our understanding of Pre-Columbian and indigenous American cultures but also to our comparative and global understanding of writing and literacy.

A leading eighteenth-century composer, Sammartini was a key figure in the creation of the classic style, particularly the classic symphony. His symphonies and sonatas have survived in greatest number, but of equal interest is the sacred vocal music, a product of his lifelong service as a church musician. This volume lists all Sammartini's known orchestral and vocal works, sacred and secular—286 items. The entries give an incipit of each movement; instrumentation; date if known; a list of early manuscript and printed copies; and other significant information about variants, circumstances of performance, singers, copyists, and the like. The appendices list arrangements, contrafacta, and lost, doubtful, and spurious works.

Music collections in more than seventy-five libraries have been examined in gathering this material. Most compositions are listed here for the first time. In their introduction the authors provide a detailed biography, and discuss the composer's style, the major manuscript sources, and problems of authenticity. They have also included an extensive bibliography. Their book is basic to any study of Sammartini and of this pivotal period in the history of Western music.

The highly acclaimed first edition of this major work convincingly established Gerald Holton’s analysis of the ways scientific ideas evolve. His concept of “themata,” induced from case studies with special attention to the work of Einstein, has become one of the chief tools for understanding scientific progress. It is now one of the main approaches in the study of the initiation and acceptance of individual scientific insights.

Three principal consequences of this perspective extend beyond the study of the history of science itself. It provides philosophers of science with the kind of raw material on which some of the best work in their field is based. It helps intellectual historians to redefine the place of modern science in contemporary culture by identifying influences on the scientific imagination. And it prompts educators to reexamine the conventional concepts of education in science.

In this new edition, Holton has masterfully reshaped the contents and widened the coverage. Significant new material has been added, including a penetrating account of the advent of quantum physics in the United States, and a broad consideration of the integrity of science, as exemplified in the work of Niels Bohr. In addition, a revised introduction and a new postscript provide an updated perspective on the role of themata. The result of this thoroughgoing revision is an indispensable volume for scholars and students of scientific thought and intellectual history.

The thirteen essays in this volume underscore the unity and diversity of music research today. Ranging in topic from Gregorian chant to Russian lament, Chinese opera to American spirituals, the essays span the early ninth to the late twentieth centuries and move geographically from East Asia to Europe, North America, and the Pacific. The essays focus on some of the central issues in current musicological and ethnomusicological research: the change and continuity in musical traditions, tune identity and metamorphosis, and the nature and function of musical notation.

Owing to the musical material, the diverse cultural contexts, and the different approaches and methodologies employed, the same theoretical issues are formulated and addressed in various ways. It is through variations that themes grow in significance and beauty. The unity in and coherence of modern musicological discourse, though still elusive, are within reach in this volume.

To love and to work, Freud's famous definition of psychological maturity, here becomes the focussing principle for a renewed examination of the dominant themes that play themselves out in adult life. Erik Erikson, Neil Smelser, and nine leading experts in adult development consider the stages that adults pass through and the crises that adults confront as they attempt to create a meaningful life.

Themes of Work and Love in Adulthood is a book that raises many fascinating questions about adult experience. How, for example, does work affect personality? Are love and work in competition; must one be pursued at the expense of the other? Is there a point in life past which men lay less stress on mastery and turn more toward emotional fulfillment? And do women experience a shift in the opposite direction? More generally, why do adult crises fall into predictable patterns and how do adults grow as they respond to these crises? Is the recent broadening of standards for adult conduct an opportunity for personal liberation or a source of personal debilitation?

Much more than a summary of current work on adulthood, Themes of Work and Love in Adulthood is a book full of unusual rewards: Erik Erikson's sensitive reconstruction of the entanglements of love and work revealed in the correspondence between Freud and Jung; Ann Swidler's fascinating discussion of the historical transformation of the love ideal from medieval times to its contemporary form; Robert LeVine's analysis of the adult life course in an African culture. When these unique essays are added to the important position papers by major theorists of adult development—Daniel Levinson, Roger Gould, and Marjorie Fiske—the result is a book that is both useful and exciting.

You are nine years old. Your best friend's father is arrested, half your classmates disappear from school, and someone burns down the house across the road. You think your neighbors were planning to kill your family. You are eight years old and imprisoned in your home by your father's old friends. You are ten years old and must climb a mountain at night to escape the soldiers trying to shoot you.

What happens to children who grow up with war? How do they live with the daily reality of danger, hunger, and loss--and how does it shape the adults they become?

In Then They Started Shooting, child psychiatrist Lynne Jones draws the reader into the compelling stories of Serbian and Muslim children who came of age during the Bosnian wars of the 1990s. These children endured hardship, loss, family disruption, and constant uncertainty, and yet in a blow to psychiatric orthodoxy, few showed lasting signs of trauma. Thoughts of their personal futures filled their minds, not memories of war.

And yet, Jones suggests in a chilling conclusion, the war affected them deeply. Officially citizens of the same country, the two communities live separate, wary lives. The Muslims hope for reconciliation but cannot believe in it while so many cannot go home and war criminals are still at large. The Serbs resent the outside world, NATO, and fear the return of their Muslim neighbors. Cynical about politics, all of them mistrust their elected leaders. War may end, but the persistence of corruption and injustice keep wounds from healing.

The father of pastoral poetry and his Hellenistic heirs.

Theocritus (early third century BC), born in Syracuse and also active on Cos and at Alexandria, was the inventor of the bucolic genre. Like his contemporary Callimachus, Theocritus was a learned poet who followed the aesthetic, developed a generation earlier by Philitas of Cos (LCL 508), of refashioning traditional literary forms in original ways through tightly organized and highly polished work on a small scale (thus the traditional generic title Idylls: “little forms”). Although Theocritus composed in a variety of genres or generic combinations, including encomium, epigram, hymn, mime, and epyllion, he is best known for the poems set in the countryside, mostly dialogues or song-contests, that combine lyric tone with epic meter and the Doric dialect of his native Sicily to create an idealized and evocatively described pastoral landscape, whose lovelorn inhabitants, presided over by the Nymphs, Pan, and Priapus, use song as a natural mode of expression.

The bucolic/pastoral genre was developed by the second and third members of the Greek bucolic canon, Moschus (fl. mid second century BC, also from Syracuse) and Bion (fl. some fifty years later, from Phlossa near Smyrna), and remained vital through Greco-Roman antiquity and into the modern era.

This edition of Theocritus, Moschus, and Bion, together with the so-called “pattern poems” included in the bucolic tradition, replaces the earlier Loeb Classical Library edition by J. M. Edmonds (1912), using the critical texts of Gow (1952) and Gallavotti (1993) as a base and providing a fresh translation with ample annotation.

He was famously hostile to biography as a literary form. And yet this life of Adorno by one of his last students is far more than literary in its accomplishments, giving us our first clear look at how the man and his moment met to create “critical theory.” An intimate picture of the quintessential twentieth-century transatlantic intellectual, the book is also a window on the cultural ferment of Adorno’s day—and its ongoing importance in our own.

The biography begins at the shining moment of the German bourgeoisie, in a world dominated by liberals willing to extend citizenship to refugees fleeing pogroms in Eastern Europe. Detlev Claussen follows Theodor Wiesengrund Adorno (1903–1969) from his privileged life as a beloved prodigy to his intellectual coming of age in Weimar Germany and Vienna; from his exile during the Nazi years, first to England, then to the United States, to his emergence as the Adorno we know now in the perhaps not-so-unlikely setting of Los Angeles. There in 1943 with his collaborator Max Horkheimer, Adorno developed critical theory, whose key insight—that to be entertained is to give one’s consent—helped define the intellectual landscape of the twentieth century.

In capturing the man in his complex relationships with some of the century’s finest minds—including, among others, Arnold Schoenberg, Walter Benjamin, Thomas Mann, Siegfried Kracauer, Georg Lukács, Hannah Arendt, and Bertolt Brecht—Claussen reveals how much we have yet to learn from Theodor Adorno, and how much his life can tell us about ourselves and our time.

Antiquity’s original didactic poet.

Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer.

The first volume of this revised Loeb Classical Library edition offers Hesiod’s two extant poems and a generous selection of testimonia regarding his life, works, and reception. In Theogony, Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days, Hesiod shifts his attention to humanity, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

The second volume contains The Shield and extant fragments of other poems, including the Catalogue of Women, that were attributed to Hesiod in antiquity. The former provides a Hesiodic counterpoint to the shield of Achilles in the Iliad; the latter presents several legendary episodes organized according to the genealogy of their heroes’ mortal mothers. None of these is now thought to be by Hesiod himself, but all have considerable literary and historical interest.

Glenn W. Most has thoroughly revised his edition to take account of the textual and interpretive scholarship that has appeared since its initial publication.

Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.

In Theogony Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

A Christian polymath embraces reason against misfortune in poetry and prose.

Boethius (Boetius)—Anicius Manlius Severinus—Roman statesman and philosopher (ca. AD 480–524), was son of Flavius Manlius Boetius, after whose death he was looked after by several men, especially Memmius Symmachus. He married Symmachus’ daughter, Rusticiana, by whom he had two sons. All three men rose to high honors under Theodoric the Ostrogoth, but Boethius fell from favor, was tried for treason, wrongly condemned, and imprisoned at Ticinum (Pavia), where he wrote his renowned Consolation of Philosophy. He was put to death in 524, to the great remorse of Theodoric. Boethius was revered as if he were a saint and his bones were removed in 996 to the Church of S. Pietro in Ciel d’Oro, and later to the Cathedral. The tower in Pavia where he was imprisoned is still venerated.

Boethius was author of Latin translations of Aristotle, commentaries on various philosophical works, original works on logic, five books on music, and other works. His Consolation of Philosophy is the last example of purely literary Latin of ancient times—a mingling of alternate dialogue and poems. His Theological Tractates are also included in this volume.

One of our most important political theorists pulls the philosophical rug out from under modern liberalism, then tries to place it on a more secure footing.

We think of modern liberalism as the novel product of a world reinvented on a secular basis after 1945. In The Theology of Liberalism, one of the country’s most important political theorists argues that we could hardly be more wrong. Eric Nelson contends that the tradition of liberal political philosophy founded by John Rawls is, however unwittingly, the product of ancient theological debates about justice and evil. Once we understand this, he suggests, we can recognize the deep incoherence of various forms of liberal political philosophy that have emerged in Rawls’s wake.

Nelson starts by noting that today’s liberal political philosophers treat the unequal distribution of social and natural advantages as morally arbitrary. This arbitrariness, they claim, diminishes our moral responsibility for our actions. Some even argue that we are not morally responsible when our own choices and efforts produce inequalities. In defending such views, Nelson writes, modern liberals have implicitly taken up positions in an age-old debate about whether the nature of the created world is consistent with the justice of God. Strikingly, their commitments diverge sharply from those of their proto-liberal predecessors, who rejected the notion of moral arbitrariness in favor of what was called Pelagianism—the view that beings created and judged by a just God must be capable of freedom and merit. Nelson reconstructs this earlier “liberal” position and shows that Rawls’s philosophy derived from his self-conscious repudiation of Pelagianism. In closing, Nelson sketches a way out of the argumentative maze for liberals who wish to emerge with commitments to freedom and equality intact.

Here are the most recent writings, some of them unpublished, of the preeminent philosopher of our time. Philosophical reflections on language are brought to bear upon metaphysical and epistemological questions such as these: What does it mean to assume objects, concrete and abstract? How do such assumptions serve science? What is the empirical content of a scientific theory? Further essays deal with meaning, moral values, analytical philosophy and its history, metaphor, the nature of mathematics; several are concerned with logic; and there are essays on individual philosophers. The volume concludes with some general reflections on the contemporary scene and two playful pieces on the Times Atlas and H. L. Mencken.

W. V. Quine is always, whatever his subject, an elegant writer, witty, precise, and forceful. Admirers of his earlier books will welcome this new volume.

Equally at home in economic theory and political philosophy, John Roemer has written a unique book that critiques economists’ conceptions of justice from a philosophical perspective and philosophical theories of distributive justice from an economic one. He unites the economist’s skill in constructing precise, axiomatic models with the philosopher’s in exploring the assumptions of those models. His synthesis will enable philosophers and economists to engage each other’s ideas more fruitfully.

Roemer first shows how economists’ understanding of the fairness of various resource allocation mechanisms can be enriched. He extends the economic theory of social choice to show how individual preferences can be aggregated into social preferences over various alternatives. He critiques the standard applications of axiomatic bargaining theory to distributive justice, showing that they ignore information on available resources and preference orderings. He puts these variables in the models, which enable him to generate resource allocation mechanisms that are more consonant with our intuitions about distributive justice. He then critiques economists’ theories of utilitarianism and examines the question of the optimal population size in a world of finite resources.

Roemer explores the major new philosophical concepts of the theory of distributive justice—primary goods, functionings and capability, responsibility in its various forms, procedural versus outcome justice, midfare—and shows how they can be sharpened and clarified with the aid of economic analysis. He critiques and extends the ideas of major contemporary theories of distributive justice, including those of Rawls, Sen, Nozick, and Dworkin. Beginning from the recent theories of Arneson and G. A. Cohen, he constructs a theory of equality of opportunity. Theories of Distributive Justice contains important and original results, and it can also be used as a graduate-level text in economics and philosophy.

How do we know reality? The prevalent theory has been that we construct knowledge upon absolute foundations, the way the Egyptians built pyramids. In recent years this foundationalist account has come under attack from a number of directions, from those who want to make epistemology a branch of cognitive science to those who reject out of hand the search for foundational certainty. Richard Foley’s book defends a modified form of foundationalism that does not depend on our having privileged access to the truth of foundational propositions.

Foley presents the idea of rational belief going back to Aristotle’s concept of rationality—as the basis for what he calls “subjective foundationalism.” Epistemological rationality is subjective for Foley because he sees the rationality of a belief as dependent on the cognitive resources and tendencies of the believer. He is able thereby to accommodate the strong “internalist” intuition telling us that whether it is rational for us to believe something depends on how that thing appears within our perspective on the world. But Foley removes a large part of the curse of subjectivism by making rationality dependent not on what the subject thinks, or is inclined to think at the moment of belief, but on what the subject would be inclined to think as a result of an ideally conducted reflection.

The foundationalists, he asserts, with their obsessive search for guarantors of truth, get the structure of epistemic rationality right but the spirit wrong. Foley gives a novel and provocative account of the nature of epistemic rationality.

Jean-Marie Morel (1728–1810), a leading French landscape designer and theorist, is now mainly remembered as the author of one of the fundamental eighteenth-century texts in the history of landscape architecture, the Théorie des jardins (1776; second edition, 1802). With his background as an engineer, Morel was instrumental in shaping the functions of landscape architecture, opening up a new professional domain by coining the term architecte-paysagiste, the precursor to the modern designation “landscape architect.”

Morel stands out among eighteenth-century theorists because of his interest in the natural processes that underlie the formation of landscape. His unique theoretical contribution was, therefore, an attempt to develop an approach to garden design grounded in the new understanding of natural processes, which brought together picturesque theory and landscape practice, taking into account a wide range of environmental factors that had an impact on the work of an architecte-paysagiste. Morel believed that an awareness of the character of each landscape was particularly important because of the emotional response that it was likely to elicit.

This translation marks the first time the 1776 edition of the Théorie des jardins is available in English.

The 1970s promised important readjustments in relations among the great powers, perhaps a reconstituted Europe and Asia, as well as a possible new role for "third world" countries. National attitudes toward the law of nations both shaped and reflected developments of this nature. As a great power, the Soviet Union was a principal actor in what transpired, but until now there has been no systematic exposition in the English language of how Soviet jurists regarded the world legal order.

The present volume, published in Moscow in 1970, is the most profound and comprehensive study of international legal theory yet produced by a Soviet jurist. Its author, who holds the Chair of International Law at Moscow State University and for many years was the legal adviser to the USSR Ministry of Foreign Affairs, is widely credited with elaborating the juridical underpinnings of peaceful coexistence in the USSR from the mid-1950s. This book, earlier versions of which have appeared in Eastern and Western Europe, contains the fullest statement of his views.

Tunkin traces the development and shaping of international law since 1917, the processes of forming and modifying international legal rules, and the nature of state responsibility under the law of nations. Of special interest to the general reader and specialist in international affairs will be Tunkin's extensive discussion of the interaction among international law, foreign policy, and diplomacy; of the legal nature of international organizations; of the principal factors at work in international politics; and of the nature of legal ties among socialist countries. The latter has been a special concern following the Czechoslovak events of 1968 and the adoption of a comprehensive program for economic integration among socialist states.

For this American edition, Tunkin has brought his book up to date and Dr. Butler has supplied an introduction, a translation note, a list of the author's publications, and a glossary of Russian international legal terms.

John Rawls aims to express an essential part of the common core of the democratic tradition—justice as fairness—and to provide an alternative to utilitarianism, which had dominated the Anglo-Saxon tradition of political thought since the nineteenth century. Rawls substitutes the ideal of the social contract as a more satisfactory account of the basic rights and liberties of citizens as free and equal persons. “Each person,” writes Rawls, “possesses an inviolability founded on justice that even the welfare of society as a whole cannot override.” Advancing the ideas of Rousseau, Kant, Emerson, and Lincoln, Rawls’s theory is as powerful today as it was when first published.

Though the revised edition of A Theory of Justice, published in 1999, is the definitive statement of Rawls’s view, much of the extensive literature on his theory refers to the original. This first edition is available for scholars and serious students of Rawls’s work.

Since it appeared in 1971, John Rawls's A Theory of Justice has become a classic. The author has now revised the original edition to clear up a number of difficulties he and others have found in the original book.

Rawls aims to express an essential part of the common core of the democratic tradition--justice as fairness--and to provide an alternative to utilitarianism, which had dominated the Anglo-Saxon tradition of political thought since the nineteenth century. Rawls substitutes the ideal of the social contract as a more satisfactory account of the basic rights and liberties of citizens as free and equal persons. "Each person," writes Rawls, "possesses an inviolability founded on justice that even the welfare of society as a whole cannot override." Advancing the ideas of Rousseau, Kant, Emerson, and Lincoln, Rawls's theory is as powerful today as it was when first published.

Concerned primarily with oligopoly, this work includes a general study of pricing in three different markets—perfect competition, perfect monopoly, and imperfect competition. The solutions of these markets offered by Cournot, Smithies, Chamberlin, Stackelberg, Fellner, and Robinson are presented mathematically, followed by the author’s own version of the theory of rational pricing in oligopoly.

Previous authors have not allowed for all the variables arising from profit and price situations in the market. Here, more realistic assumptions and more complex analyses indicate that sellers in oligopoly situations do not always need to arrange specific agreements—hence, that “administered” pricing does not inevitably occur when the market is dominated by a few producers.

Chamberlain's classic work, now in its eighth edition, continues to influence the fundamental thinking of economists and businessmen, and for the best of reasons: It is a basic treatise in theory which, unlike traditional theories of “perfect competition,” deals with the economic world we live in, including both price and nonprice competition, oligopoly, various degrees of monopoly, “differentiated” products, advertising, etc. Its influence has spread extensively as well as intensively—to new theoretical problems, such as economic dynamics and development, and to the analysis of an increasingly wide range of the so-called “applied” fields.

In this eighth edition of The Theory of Monopolistic Competition Professor Chamberlain has added three new appendices: The Definition of Selling Costs; Numbers and Elasticities; and The Origin and Early Development of Monopolistic Competition Theory. The index has been extensively revised and expanded. In successive earlier editions the author compiled a bibliography of 1497 items. He also added a new treatment of the cost curve of the firm, discussing in particular some current misconceptions as to the role of the laws of proportions and of the divisibility of factors in relation to economics and diseconomies of scale, and advancing a broader theory which assigns to both proportions and scale their proper roles.

A leading psychologist explains why nearly all of us—including many of those who are persecuted and powerless—so often defend the social systems that cause misery and injustice.

Why do we so often defend the very social systems that are responsible for injustice and exploitation? In A Theory of System Justification, John Jost argues that we are motivated to defend the status quo because doing so serves fundamental psychological needs for certainty, security, and social acceptance. We want to feel good not only about ourselves and the groups to which we belong, but also about the overarching social structure in which we live, even when it hurts others and ourselves.

Jost lays out the wide range of evidence for his groundbreaking theory and examines its implications for our communities and our democracy. Drawing on twenty-five years of research, he provides an accessible account of system justification theory and its insights. System justification helps to explain deep contradictions, including the feeling among some women that they don’t deserve the same salaries as men and the tendency of some poor people to vote for policies that increase economic inequality.

The theory illuminates the most pressing social and political issues of our time—why has it been so hard to combat anthropogenic climate change?—as well as some of the most intimate—why do some black children prefer white dolls to black ones and why do some people stay in bad relationships? Jost’s theory has far-reaching implications, and he offers numerous insights that political activists and social justice advocates can use to promote change.

This collection examines the forces, both external and internal, that lead corporations to behave efficiently and to create wealth. Corporations vest control rights in shareholders, the author argues, because they are the constituency that bear business risk and therefore have the appropriate incentives to maximize corporate value. Assigning control to any other group would be tantamount to allowing that group to play poker with someone else's money, and would create inefficiencies. The implicit denial of this proposition is the fallacy of the so-called stakeholder theory of the corporation, which argues that corporations should be run in the interests of all stakeholders. This theory offers no account of how conflicts between different stakeholders are to be resolved, and gives managers no principle on which to base decisions, except to follow their own preferences.

In practice, shareholders delegate their control rights to a board of directors, who hire, fire, and set the compensation of the chief officers of the firm. However, because agents have different incentives than the principals they represent, they can destroy corporate value unless closely monitored. This happened in the 1960s and led to hostile takeovers in the market for corporate control in the 1970s and 1980s. The author argues that the takeover movement generated increases in corporate efficiency that exceeded $1.5 trillion and helped to lay the foundation for the great economic boom of the 1990s.

Christian Gauss Award Shortlist
Winner of the ASAP Book Prize
A Literary Hub Book of the Year

“Makes the case that the gimmick…is of tremendous critical value…Lies somewhere between critical theory and Sontag’s best work.”
—Los Angeles Review of Books

“Ngai exposes capitalism’s tricks in her mind-blowing study of the time- and labor-saving devices we call gimmicks.”
—New Statesman

“One of the most creative humanities scholars working today…My god, it’s so good.”
—Literary Hub

“Ngai is a keen analyst of overlooked or denigrated categories in art and life…Highly original.”
—4Columns

“It is undeniable that part of what makes Ngai’s analyses of aesthetic categories so appealing…is simply her capacity to speak about them brilliantly.”
—Bookforum

“A page turner.”
—American Literary History

Deeply objectionable and yet strangely attractive, the gimmick comes in many guises: a musical hook, a financial strategy, a striptease, a novel of ideas. Above all, acclaimed theorist Sianne Ngai argues, the gimmick strikes us both as working too little (a labor-saving trick) and working too hard (a strained effort to get our attention).

When we call something a gimmick, we register misgivings that suggest broader anxieties about value, money, and time, making the gimmick a hallmark of capitalism. With wit and critical precision, Ngai explores the extravagantly impoverished gimmick across a range of examples: the fiction of Thomas Mann, Helen DeWitt, and Henry James; the video art of Stan Douglas; the theoretical writings of Stanley Cavell and Theodor Adorno. Despite its status as cheap and compromised, the gimmick emerges as a surprisingly powerful tool in this formidable contribution to aesthetic theory.

What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities.

“Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.”
—Elizabeth Helsinger, Critical Theory

The novel is the most important form of Western art. It aims to represent the totality of life; it is the flagship that literature sends out against the systematic thought of science and philosophy. Indebted to Lukács and Bakhtin, to Auerbach and Ian Watt, Guido Mazzoni’s Theory of the Novel breaks new ground, building a historical understanding of how the novel became the modern book of life: one of the best representations of our experience of the world.

The genre arose during a long metamorphosis of narrative forms that took place between 1550 and 1800. By the nineteenth century it had come to encompass a corpus of texts distinguished by their freedom from traditional formal boundaries and by the particularity of their narratives. Mazzoni explains that modern novels consist of stories told in any way whatsoever, by narrators who exist—like us—as contingent beings within time and space. They therefore present an interpretation, not a copy, of the world.

Novels grant new importance to the stories of ordinary men and women and allow readers to step into other lives and other versions of truth. As Theory of the Novel makes clear, this art form narrates an epoch and a society in which individual experiences do not converge but proliferate, in which the common world has fragmented into a plurality of small, local worlds, each absolute in its particularity.

How much does a country's commercial policy affect its economic efficiency? How would free trade change the structure of a country’s economy and foreign trade? William Penfield Travis extends the Heckscher-Ohlin trade theory and addresses it to an empirical study of these and related questions. He argues that trade flows fail to reflect relative factor endowments because protection systematically nullifies their effects, and that therefore protection must be incorporated in any positive trade theory.

The author begins by developing a new concept—the equalization region—which he uses to reexamine the assumptions and the logic of the Heckscher-Ohlin theory and of its principal part, the factor-price equalization theorem. This analysis produces a fundamental reinterpretation of Leontief’s scarce-factor paradox, one which justifies Leontief’s work as an empirical test of trade theory under free trade which indicates its necessary modifications under protection. These modifications are then used to show that Leontief in fact measured the effects of American and foreign tariffs and other trade restriction on relative factor prices here and abroad.

To corroborate his theoretical analysis, Travis makes a detailed study of the commercial policies of five main industrial countries; he shows the common structure of protection and its systematic relationship to relative factor endowments. He shows also that protection, by distorting their relative prices, causes considerable substitution of raw materials for labor and capital inputs in manufacturing. The author concludes this important book by indicating some of the new forms which protection is taking throughout the world and by arguing that protection, past and present, is the main force preventing the spread of high living standards to the impoverished areas of the world.

A stunning modern translation of a Buddhist classic that is also one of the oldest literary texts in the world written by women.

The Therīgāthā, composed more than two millennia ago, is an anthology of poems in the Pali language by and about the first Buddhist women. These women were therīs, the senior ones, among ordained Buddhist women, and they bore that epithet because of their religious achievements. The poems they left behind are arguably among the most ancient examples of women’s writing in the world and they are unmatched for their quality of personal expression and the extraordinary insight they offer into the lives of women in the ancient Indian past—and indeed, into the lives of women as such.

This new version of the Therīgāthā, based on a careful reassessment of the major editions of the work and printed in the Roman script common for modern editions of Pali texts, offers the most powerful and the most readable translation ever achieved in English.

All bodily activity is the result of the interplay of vastly complex physiological processes, and all of these processes depend on temperature. For insects, the struggle to keep body temperature within a suitable range for activity and competition is often a matter of life and death.

A few studies of temperature regulation in butterflies can be found dating back to the late 1800s, but only recently have scientists begun to study the phenomenon in other insects. In The Thermal Warriors Bernd Heinrich explains how, when, and in general what insects regulate their body temperature and what it means to them. As he shows us, the ingenuity of the survival strategies insects have evolved in the irreducible crucible of temperature is astonishing: from shivering and basking, the construction of turrets (certain tiger beetles), and cooling with liquid feces to stilting (some desert ants and beetles), "panting" in grasshoppers and "sweating cicada," and counter- and alternating-currents of blood flow for heat retention and heat loss.

In The Thermal Warriors Heinrich distills his great reference work, The Hot-Blooded Insects, to its essence: the most significant and fascinating stories that illustrate general principles, all conveyed in the always engaging prose we have come to expect from this author.

“They Never Want to Tell You” transcends the negative metaphors and clichés of life-threatening disease to give voice to the culture of cancer and to the behavior and attitudes of those who function within that culture—as patients, medical professionals, family, and friends.

In these extraordinary narratives, children coping with cancer reveal their most personal experiences, and they speak with a candor that breaks through the cultural taboos ostensibly designed to protect us from the disease. The rich, compassionate, and honest words of these children give expression to concerns that adults who are struggling with cancer find nearly impossible to articulate. Free of social conventions and cognitive distortions, each story presents a powerful variation on the theme of survival in the face of the continuing uncertainties of life-threatening disease.

David Bearison, a developmental psychologist and psychotherapist, is keenly aware of the psychological impact of cancer on children, particularly as survival times for childhood cancers lengthen and complex treatments intensify concern about the emotional—not merely physical—well-being of children. Bearison has culled from scores of interviews the most salient moments that represent these individual children in their shared struggle with disease. In these pages the children express their wildest hopes and worst fears about cancer. They speak of the absolute necessity of full disclosure, the problems of relating to friends and family, the difficult adjustment to hair loss, their feelings of punishment, grief, and spirituality, and many other issues. In the course of these stories the children reveal not only their will to survive and their extraordinary capacity to understand themselves and their condition, but their altruistic desire to share that understanding with other children as well as with adults who have cancer. “They Never Want to Tell You” is rich and rewarding reading for cancer patients, their families, and health-care professionals alike.

Enigmatic for many years, cosmic rays are now known to be not rays at all, but particles, the nuclei of atoms, raining down continually on the earth, where they can be detected throughout the atmosphere and sometimes even thousands of feet underground. This book tells the long-running detective story behind the discovery and study of cosmic rays, a story that stretches from the early days of subatomic particle physics in the 1890s to the frontiers of high-energy astrophysics today.

Writing for the amateur scientist and the educated general reader, Michael Friedlander, a cosmic ray researcher, relates the history of cosmic ray science from its accidental discovery to its present status. He explains how cosmic rays are identified and how their energies are measured, then surveys current knowledge and theories of thin cosmic rain. The most thorough, up-to-date, and readable account of these intriguing phenomena, his book makes us party to the search into the nature, behavior, and origins of cosmic rays—and into the sources of their enormous energy, sometimes hundreds of millions times greater than the energy achievable in the most powerful earthbound particle accelerators. As this search led unexpectedly to the discovery of new particles such as the muon, pion, kaon, and hyperon, and as it reveals scenes of awesome violence in the cosmos and offers clues about black holes, supernovas, neutron stars, quasars, and neutrinos, we see clearly why cosmic rays remain central to an astonishingly diverse range of research studies on scales infinitesimally small and large.

Attractively illustrated, engagingly written, this is a fascinating inside look at a science at the center of our understanding of our universe.

The African Hebrew Israelites of Jerusalem are often dismissed as a fringe cult for their beliefs that African Americans are descendants of the ancient Israelites and that veganism leads to immortality. But John L. Jackson questions what “fringe” means in a world where cultural practices of every stripe circulate freely on the Internet. In this poignant and sophisticated examination of the limits of ethnography, the reader is invited into the visionary, sometimes vexing world of the AHIJ. Jackson challenges what Clifford Geertz called the “thick description” of anthropological research through a multidisciplinary investigation of how the AHIJ use media and technology to define their public image in the twenty-first century.

Moving far beyond the “modest witness” of nineteenth-century scientific discourse or the “thick descriptions” of twentieth-century anthropology, Jackson insists that Geertzian thickness is an impossibility, especially in a world where the anthropologist’s subject is a self-aware subject—one who crafts his own autoethnography while critically consuming the ethnographer’s offerings. Thin Description takes as its topic a group situated along the fault lines of several diasporas—African, American, Jewish—and provides an anthropological account of how race, religion, and ethnographic representation must be understood anew in the twenty-first century lest we reenact old mistakes in the study of black humanity.

Not quite a history of geology, Thinking about the Earth is a history of the geological tradition of Western science. Beginning with a discussion of "organic" views of the earth in ancient cultures, David Oldroyd traverses such topics as "mechanical" and "historicist" views of the earth, map-work, chemical analyses of rocks and minerals, geomorphology, experimental petrology, seismology, theories of mountain building, and geochemistry. He brings us back to the idea that the earth may, in a sense, be regarded as a living entity, or at least that life is an essential feature of its behavior.

Oldroyd offers a broad-brush contribution to the history of ideas and theories about the earth, providing a general synthesis of what science-historians have written about the history of the earth sciences. He shows us that ideas about the earth have been changing constantly since the beginnings of geological science in the seventeenth and eighteenth centuries, and indeed that ideas changed much more rapidly after the establishment of this science than in preceding centuries.

Thinking about the Earth does not assume previous knowledge of earth science. What it does require is an openness to the notion that an understanding of what geologists have to tell us today about the earth can be achieved by examining the evolving history of ideas in geology. This book will be of considerable interest to historians of science, historians of ideas, geologists, students of earth science, and general readers as well.

Opposing a long-standing orthodoxy of the Western philosophical tradition running from ancient Greek thought until the late nineteenth century, Frege argued that psychological laws of thought—those that explicate how we in fact think—must be distinguished from logical laws of thought—those that formulate and impose rational requirements on thinking. Logic does not describe how we actually think, but only how we should. Yet by thus sundering the logical from the psychological, Frege was unable to explain certain fundamental logical truths, most notably the psychological version of the law of non-contradiction—that one cannot think a thought and its negation simultaneously.

Irad Kimhi’s Thinking and Being marks a radical break with Frege’s legacy in analytic philosophy, exposing the flaws of his approach and outlining a novel conception of judgment as a two-way capacity. In closing the gap that Frege opened, Kimhi shows that the two principles of non-contradiction—the ontological principle and the psychological principle—are in fact aspects of the very same capacity, differently manifested in thinking and being.

As his argument progresses, Kimhi draws on the insights of historical figures such as Aristotle, Kant, and Wittgenstein to develop highly original accounts of topics that are of central importance to logic and philosophy more generally. Self-consciousness, language, and logic are revealed to be but different sides of the same reality. Ultimately, Kimhi’s work elucidates the essential sameness of thinking and being that has exercised Western philosophy since its inception.

Philosophers have long suspected that thought and discourse about what we ought to do differ in some fundamental way from statements about what is. But the difference has proved elusive, in part because the two kinds of statement look alike. Focusing on judgments that express decisions—judgments about what is to be done, all things considered—Allan Gibbard offers a compelling argument for reconsidering, and reconfiguring, the distinctions between normative and descriptive discourse—between questions of “ought” and “is.”

Gibbard considers how our actions, and our realities, emerge from the thousands of questions and decisions we form for ourselves. The result is a book that investigates the very nature of the questions we ask ourselves when we ask how we should live, and that clarifies the concept of “ought” by understanding the patterns of normative concepts involved in beliefs and decisions.

An original and elegant work of metaethics, this book brings a new clarity and rigor to the discussion of these tangled issues, and will significantly alter the long-standing debate over “objectivity” and “factuality” in ethics.

This primer on legal reasoning is aimed at law students and upper-level undergraduates. But it is also an original exposition of basic legal concepts that scholars and lawyers will find stimulating. It covers such topics as rules, precedent, authority, analogical reasoning, the common law, statutory interpretation, legal realism, judicial opinions, legal facts, and burden of proof.

In addressing the question whether legal reasoning is distinctive, Frederick Schauer emphasizes the formality and rule-dependence of law. When taking the words of a statute seriously, when following a rule even when it does not produce the best result, when treating the fact of a past decision as a reason for making the same decision again, or when relying on authoritative sources, the law embodies values other than simply that of making the best decision for the particular occasion or dispute. In thus pursuing goals of stability, predictability, and constraint on the idiosyncrasies of individual decision-makers, the law employs forms of reasoning that may not be unique to it but are far more dominant in legal decision-making than elsewhere.

Schauer’s analysis of what makes legal reasoning special will be a valuable guide for students while also presenting a challenge to a wide range of current academic theories.

Many philosophers believe they can gain knowledge about the world from the comfort of their armchairs, simply by reflecting on the nature of things. But how can the mind arrive at substantive knowledge of the world without seeking its input? Michael Strevens proposes an original defense of the armchair pursuit of philosophical knowledge, focusing on “the method of cases,” in which judgments about category membership—Does this count as causation? Does that count as the right action to take?—are used to test philosophical hypotheses about such matters as causality, moral responsibility, and beauty.

Strevens argues that the method of cases is capable of producing reliable, substantial knowledge. His strategy is to compare concepts of philosophical things to concepts of natural kinds, such as water. Philosophical concepts, like natural kind concepts, do not contain the answers to philosophers’ questions; armchair philosophy therefore cannot be conceptual analysis. But just as natural kind concepts provide a viable starting point for exploring the nature of the material world, so philosophical concepts are capable of launching and sustaining fruitful inquiry into philosophical matters, using the method of cases. Agonizing about unusual “edge cases,” Strevens shows, can play a leading role in such discoveries.

Thinking Off Your Feet seeks to reshape current debates about the nature of philosophical thinking and the methodological implications of experimental philosophy, to make significant contributions to the cognitive science of concepts, and to restore philosophy to its traditional position as an essential part of the human quest for knowledge.

Winner of the Merle Curti Award in Intellectual History, Organization of American Historians
Co-Winner of the Society for U.S. Intellectual History Book Award

Thinking Small tells the story of how the United States sought to rescue the world from poverty through small-scale, community-based approaches. And it also sounds a warning: such strategies, now again in vogue, have been tried before, with often disastrous consequences.

“Unfortunately, far from eliminating deprivation and attacking the social status quo, bottom-up community development projects often reinforced them…This is a history with real stakes. If that prior campaign’s record is as checkered as Thinking Small argues, then its intellectual descendants must do some serious rethinking… How might those in twenty-first-century development and anti-poverty work forge a better path? They can start by reading Thinking Small.”
—Merlin Chowkwanyun, Boston Review

“As the historian Daniel Immerwahr demonstrates brilliantly in Thinking Small, the history of development has seen constant experimentation with community-based and participatory approaches to economic and social improvement…Immerwahr’s account of these failures should give pause to those who insist that going small is always better than going big.”
—Jamie Martin, The Nation

A discipline is emerging called cultural psychology; it will serve as a force of renewal for both anthropology and psychology. In this book Richard Shweder presents its manifesto. Its central theme is that we have to understand the way persons, cultures, and natures make each other up. Its goal is to seek the mind indissociably embedded in the meanings and resonances that are both its product and its components.

Over the past thirty years the person as a category has disappeared from ethnography. Shweder aims to reverse this trend, focusing on the search for meaning and the creation of intentional worlds. He examines the prospect for a reconciliation of rationality and relativism and defines an intellectual agenda for cultural psychology.

What Shweder calls for is an exploration of the human mind, and of one’s own mind, by thinking through the ideas and practices of other peoples and their cultures. He examines evidence of cross-cultural similarities and differences in mind, self, emotion, and morality with special reference to the cultural psychology of a traditional Hindu temple town in India, where he has done considerable work in comparative anthropology. And he critiques the concept of the “person” implicit in Western social science, as well as psychiatric theories of the “subject.” He maintains that it will come as no surprise to cultural psychology if it should turn out that there are different psychological generalizations or “nomological networks”—a Hindu psychology, a Protestant psychology—appropriate for the different semiotic regions of the world. Shweder brings the news that God is alive not dead, but that there are many gods.

Why read Kant’s Critique of Judgment today? Does this classic of aesthetic theory still possess the vitality to prompt those of us engaged with art and criticism to think more deeply about issues that move us, issues such as the force of aesthetic experience, the essence of art, and the relationship of beauty and meaning? It does, if we find the right way into it.

Michel Chaouli shows us one such way. He unwraps the gray packing paper of Kant’s prose to reveal the fresh and fierce ideas that dwell in this masterpiece—not just the philosopher’s theory of beauty but also his ruminations on organisms and life. Each chapter in Thinking with Kant’s Critique of Judgment unfolds the complexity of a key concept, to disclose its role in Kant’s thought and to highlight the significance it holds for our own thinking.

Chaouli invites all who are interested in art and interpretation—novice and expert alike—to set out on the path of thinking with the Critique of Judgment. The rewards are handsome: we see just how profoundly Kant’s book can shape our own ideas about aesthetic experience and meaning. By thinking with Kant, we learn to surpass the horizon of his thought and find ourselves pushed to the very edge of what can be grasped firmly. That is where Kant’s book is at its most thrilling.

Alfred North Whitehead has never gone out of print, but for a time he was decidedly out of fashion in the English-speaking world. In a splendid work that serves as both introduction and erudite commentary, Isabelle Stengers—one of today’s leading philosophers of science—goes straight to the beating heart of Whitehead’s thought. The product of thirty years’ engagement with the mathematician-philosopher’s entire canon, this volume establishes Whitehead as a daring thinker on par with Gilles Deleuze, Felix Guattari, and Michel Foucault.

Reading the texts in broadly chronological order while highlighting major works, Stengers deftly unpacks Whitehead’s often complicated language, explaining the seismic shifts in his thinking and showing how he called into question all that philosophers had considered settled after Descartes and Kant. She demonstrates that the implications of Whitehead’s philosophical theories and specialized knowledge of the various sciences come yoked with his innovative, revisionist take on God. Whitehead’s God exists within a specific epistemological realm created by a radically complex and often highly mathematical language.

“To think with Whitehead today,” Stengers writes, “means to sign on in advance to an adventure that will leave none of the terms we normally use as they were.”

“The phrase ‘public intellectual’ is much bandied about. Just a few real heavyweights in the world merit the title, and Steven Weinberg is preeminent among them.”
—Richard Dawkins

“Weinberg has a knack for capturing a complex concept in a succinct, unforgettable image… One of the smartest and most diligent scientists around.”
—Nature

In this wise and wide-ranging meditation, one of the most captivating science communicators of our time challenges us to reconsider the entanglement of science and society. From the cosmological to the personal, from astronomy and quantum physics to the folly of manned spaceflight and the rewards of getting things wrong, Steven Weinberg shares his views on the workings of the universe and our aspirations and limitations. Third Thoughts aims to provoke and inform and never loses sight of the human dimension of scientific discovery.

“One of the 20th century’s greatest physicists…shares his strongly-held opinions on everything from the Higgs boson to the state of theoretical physics and the problems of science and society.”
—Forbes

“This book should be read not only for its insightful and illuminating explanations of a wide range of physical phenomena but also for the opportunity it affords to follow the wanderings of a brilliant mind through topics ranging from high-energy physics and the makeup of the cosmos to poetry, and from the history and philosophy of science to the dangers of economic inequality… [A] captivating book.”
—Mario Livio, Science

From 1949 to 1978, communist elites held clashing visions of China’s economic development. Mao Zedong advocated the “first way” of semi-autarchy characteristic of revolutionary Stalinism (1929–34), while Zhou Enlai adapted bureaucratic Stalinism (1934–53) to promote the “second way” of import substitution industrialization. A Third Way tells the story of Deng Xiaoping’s experimentation with export-led development inspired by Lenin’s New Economic Policy and the economic reforms of Eastern Europe and Asia.

Having uncovered an extraordinary collection of internal party and government documents, Lawrence Reardon meticulously traces the evolution of the coastal development strategy, starting with special economic zones in 1979 and evolving into the fourteen open coastal cities, the Hainan SEZ, and eventual accession to the global trade regime in 2001. Reardon details how Deng and Zhao Ziyang tackled large-scale smuggling operations, compromised with Chen Yun’s conservative views, and overcame Deng Liqun’s ideological opposition. Although Zhao Ziyang was airbrushed out of official Chinese history after June 4, 1989, Reardon argues that Zhao was the true architect of China’s opening strategy. A Third Way provides important new insights about the crucial period of the 1980s and how it paved the way for China’s transformation into a global economic superpower.

Water is an endangered resource, imperiled by population growth, mega-urbanization, and climate change. Scientists project that by 2050, freshwater shortages will affect 75 percent of the global population. Steven Mithen puts our current crisis in historical context by exploring 10,000 years of humankind’s management of water. Thirst offers cautionary tales of civilizations defeated by the challenges of water control, as well as inspirational stories about how technological ingenuity has sustained communities in hostile environments.

As in his acclaimed, genre-defying After the Ice and The Singing Neanderthals, Mithen blends archaeology, current science, and ancient literature to give us a rich new picture of how our ancestors lived. Since the Neolithic Revolution, people have recognized water as a commodity and source of economic power and have manipulated its flow. History abounds with examples of ambitious water management projects and hydraulic engineering—from the Sumerians, whose mastery of canal building and irrigation led to their status as the first civilization, to the Nabataeans, who created a watery paradise in the desert city of Petra, to the Khmer, who built a massive inland sea at Angkor, visible from space.

As we search for modern solutions to today’s water crises, from the American Southwest to China, Mithen also looks for lessons in the past. He suggests that we follow one of the most unheeded pieces of advice to come down from ancient times. In the words of Li Bing, whose waterworks have irrigated the Sichuan Basin since 256 BC, “Work with nature, not against it.”

Theft claims more victims and causes greater economic injury than any other criminal offense. Yet theft law is enigmatic, and fundamental questions about what should count as stealing remain unresolved—especially misappropriations of intellectual property, information, ideas, identities, and virtual property.

In Thirteen Ways to Steal a Bicycle, Stuart Green assesses our current legal framework at a time when our economy increasingly commodifies intangibles and when the means of committing theft and fraud grow ever more sophisticated. Was it theft for the editor of a technology blog to buy a prototype iPhone he allegedly knew had been lost by an Apple engineer in a Silicon Valley bar? Was it theft for doctors to use a patient’s tissue without permission in order to harvest a valuable cell line? For an Internet activist to publish tens of thousands of State Department documents on his Web site?

In this full-scale critique, Green reveals that the last major reforms in Anglophone theft law, which took place almost fifty years ago, flattened moral distinctions, so that the same punishments are now assigned to vastly different offenses. Unreflective of community attitudes toward theft, which favor gradations in blameworthiness according to what is stolen and under what circumstances, and uninfluenced by advancements in criminal law theory, theft law cries out for another reformation—and soon.

A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world.

When defiant Bohemians tossed the Habsburg emperor’s envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals—the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict.

By war’s end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country’s greatest disaster.

An understanding of the Thirty Years War is essential to comprehending modern European history. Wilson’s masterful book will stand as the definitive account of this epic conflict.

For a map of Central Europe in 1618, referenced on page XVI, please visit this book’s page on the Harvard University Press website.

A Financial Times Book of the Year
A Foreign Affairs Book of the Year
A Spectator Book of the Year

“A landmark contribution to the study of these epochal events.”
—Times Literary Supplement

“Brilliantly researched and written…casts a careful eye upon the ghastly events that took place in the final decades of the Ottoman empire, when its rulers decided to annihilate their Christian subjects…Hitler and the Nazis gleaned lessons from this genocide that they then applied to their own efforts to extirpate Jews.”
—Jacob Heilbrun, The Spectator

Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region’s Christian minorities. By 1924, the Armenians, Assyrians, and Greeks, once nearly a quarter of the population, had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that all three were actually part of a single, continuing, and intentional effort to wipe out Anatolia’s Christian population. Despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post–World War I period, the nation’s annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, and mass rape. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation.

“A subtle diagnosis of why, at particular moments over a span of three decades, Ottoman rulers and their successors unleashed torrents of suffering.”
—Bruce Clark, New York Times Book Review

Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.

Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.

Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.

Biology until recently has been the neglected stepchild of science, and many educated people have little grasp of how biology explains the natural world. Yet to address the major political and moral questions that face us today, we must acquire an understanding of their biological roots. This magisterial new book by Ernst Mayr will go far to remedy this situation. An eyewitness to this century's relentless biological advance and the creator of some of its most important concepts, Mayr is uniquely qualified to offer a vision of science that places biology firmly at the center, and a vision of biology that restores the primacy of holistic, evolutionary thinking.

As he argues persuasively, the physical sciences cannot address many aspects of nature that are unique to life. Living organisms must be understood at every level of organization; they cannot be reduced to the laws of physics and chemistry. Mayr's approach is refreshingly at odds with the reductionist thinking that dominated scientific research earlier in this century, and will help to redirect how people think about the natural world.

This Is Biology can also be read as a "life history" of the discipline--from its roots in the work of Aristotle, through its dormancy during the Scientific Revolution and its flowering in the hands of Darwin, to its spectacular growth with the advent of molecular techniques. Mayr maps out the territorial overlap between biology and the humanities, especially history and ethics, and carefully describes important distinctions between science and other systems of thought, including theology. Both as an overview of the sciences of life and as the culmination of a remarkable life in science, This Is Biology will richly reward professionals and general readers alike.

A range of genres, rooted in local impulses, reaching global audiences; a main prop of commercial culture and an art form open to aspirants and fans from every background: About the vast and diverse topic of pop, scholars and critics, journalists and musicians have much to say, but rarely to each other. A crossover venture begun at Seattle's Experience Music Project, this book captures the academic and the critical, the musical and the literary in an impromptu dialogue that suggests the breadth and vitality of pop inquiry today.

This Is Pop illustrates what can happen when the best of scholarship, criticism, and pop's inherent unruliness intersect. Robert Christgau and Gary Giddins, pivotal critics, encounter Simon Frith and Robert Walser, pioneers in the study of popular music. Luc Sante and Geoffrey O'Brien write about sound with the same prose elegance they apply to noir or New York streetlife. Musicians Carrie Brownstein and Sarah Dougher, both active in the riot grrl and rock scenes of the Pacific Northwest, examine how audience responses affect their craft. John Darnielle, of the Mountain Goats and the idiosyncratic zine Last Plane to Jakarta, attends to the web postings of hair metal fans. From film tracks to Merle Travis, from Ray Davies to rock infighting, from indie poetry to the Carly Simon Principle of pop sincerity, this book reflects the welter of ambition, style, and meaning that draw us to pop in the first place. The result is a collection as cluttered with treasures as a good music store.

Winner of the John H. Dunning Prize, American Historical Association
Winner of the Stuart L. Bernath Book Prize, Society for Historians of American Foreign Relations
Winner of the James H. Broussard Best First Book Prize, Society for Historians of the Early American Republic
Winner of the North Jersey Civil War Round Table Book Award
Finalist for the Harriet Tubman Prize, Lapidus Center for the Historical Analysis of Transatlantic Slavery

When the United States emerged as a world power in the years before the Civil War, the men who presided over the nation’s triumphant territorial and economic expansion were largely southern slaveholders. As presidents, cabinet officers, and diplomats, slaveholding leaders controlled the main levers of foreign policy inside an increasingly powerful American state. This Vast Southern Empire explores the international vision and strategic operations of these southerners at the commanding heights of American politics.

“At the close of the Civil War, more than Southern independence and the bones of the dead lay amid the smoking ruins of the Confederacy. Also lost was the memory of the prewar decades, when Southern politicians and pro-slavery ambitions shaped the foreign policy of the United States in order to protect slavery at home and advance its interests abroad. With This Vast Southern Empire, Matthew Karp recovers that forgotten history and presents it in fascinating and often surprising detail.”
—Fergus Bordewich, Wall Street Journal

“Matthew Karp’s illuminating book This Vast Southern Empire shows that the South was interested not only in gaining new slave territory but also in promoting slavery throughout the Western Hemisphere.”
—David S. Reynolds, New York Review of Books

This is a twentieth-century reissue of a distinguished book--a collection of the impressions and experiences of European travelers to America over three centuries, revealing much about the changing viewpoints of Europeans toward the United States.

Oscar Handlin has added a new preface, written from the perspective of 1969. He points out that in 1919 when This Was America was first published, strains among the wartime allies had already appeared, but they had not weakened the memory of joint efforts to defeat Fascism. Anti-Americanism was not yet widespread.

Europeans generally have tended to see in the United States developments which they either disliked intensely or cherished devotedly, and quite naturally their accounts of travels through this country have reflected their feelings. But, however biased, their reports help bring into perspective the troubles of the present as they provide valuable insights into the problems of the past.

The authors of these papers came from many walks of life. They were businessmen, land speculators, merchants, government officials, exiles, artists, students, and priests. What they wrote has a directness of perception and expression that allows both the Old World temper and the New World atmosphere to come vividly alive. Their subjects are as varied as the interests that led them to America.

Here are observations on the country's physical beauty and spaciousness as well as on its social and governmental institutions. More significant, however, are the observations on Americans as individuals, their domestic manners, their ways of life, their adaptations to the new continent and the new society. Oscar Handlin gives us the very cream of their comments, preceded by an introductory paragraph and so organized as to tell an orderly and connected story of American social history. The result is a well founded, entertaining commentary on the United States.

Thomas Eakins (1844-1916) was the foremost realistic painter of his period in the United States and a superb teacher who influenced a whole generation of painters. Lloyd Goodrich, Director Emeritus of the Whitney Museum of American Art, has written an intimate and authoritative chronicle of the artist's life and an illuminating descriptive analysis of his art.

A master of realism, Eakins was deeply interested in anatomy, mathematics, and perspective. As a teacher he discarded the old emphasis on antique drawing and urged his pupils to study dissection and the nude figure. His earlier paintings include outdoor and sporting scenes, domestic genres, and his two great—and shocking at the time—medical compositions, The Gross Clinic and The Agnew Clinic. Later he turned to portraiture, where his powerful realistic style, his deep understanding of humanity, and the vitality with which he endowed his subjects made him the outstanding portraitist of his time. He was unwilling to flatter his clients, however, and thus won few commissions; most of his portraits were labors of love.

Only toward the end of his life did the American art world come to recognize his genius. This book by the foremost authority on Eakins is the product of years of research and study of primary material, much of it previously unpublished, and of firsthand contact with the artist's family, friends, and pupils. Goodrich has assembled the only complete record of Eakins' work in all mediums. The 277 illustrations, including 67 in color, make this the most complete and best-reproduced visual record of Eakins' works ever published. This book will become the definitive biography of a major American artist.

Because Thomas Hardy is so closely associated with the rural Wessex of his novels, stories, and poems, it is easy to forget that he was, in his own words, half a Londoner. Focusing on the formative five years in his early twenties when Hardy lived in the city, but also on his subsequent movement back and forth between Dorset and the capital, Mark Ford shows that the Dorset-London axis is critical to an understanding of his identity as a man and his achievement as a writer.

Thomas Hardy: Half a Londoner presents a detailed account of Hardy’s London experiences, from his arrival as a shy, impressionable youth, to his embrace of radical views, to his lionization by upper-class hostesses eager to fête the creator of Tess. Drawing on Hardy’s poems, letters, fiction, and autobiography, it offers a subtle, moving exploration of the author’s complex relationship with the metropolis and those he met or observed there: publishers, fellow authors, street-walkers, benighted lovers, and the aristocratic women who adored his writing but spurned his romantic advances.

The young Hardy’s oscillations between the routines and concerns of Dorset’s Higher Bockhampton and the excitements and dangers of London were crucial to his profound sense of being torn between mutually dependent but often mutually uncomprehending worlds. This fundamental self-division, Ford argues, can be traced not only in the poetry and fiction explicitly set in London but in novels as regionally circumscribed as Far from the Madding Crowd and Tess of the d’Urbervilles.

John Hildebidle reintroduces us to Thoreau as natural history writer, bringing fresh insight to Walden, Cape Cod, and the later nature pieces--both published and unpublished--and the tradition of nature writing as well.

Hildebidle examines Thoreau's attitude toward history and science, demonstrating that he manages to use "secondhand" material while insisting that only firsthand experience has any value. Although sharing the naturalist's eye and methods, Thoreau never rests in the role of observer and collector. Hildebidle sees Thoreau as representative of a long-standing American tendency simultaneously to reject and to use the past, and shows how, as naturalist, he brought together science and literary aims. This gracefully written analysis of Thoreau's thinking and style will well serve all readers of Thoreau and those interested in natural history as a genre.

In 1977 David Foster took to the woods of New England to build a cabin with his own hands. Along with a few tools he brought a copy of the journals of Henry David Thoreau. Foster was struck by how different the forested landscape around him was from the one Thoreau described more than a century earlier. The sights and sounds that Thoreau experienced on his daily walks through nineteenth-century Concord were those of rolling farmland, small woodlands, and farmers endlessly working the land. As Foster explored the New England landscape, he discovered ancient ruins of cellar holes, stone walls, and abandoned cartways--all remnants of this earlier land now largely covered by forest. How had Thoreau's open countryside, shaped by ax and plough, divided by fences and laneways, become a forested landscape?

Part ecological and historical puzzle, this book brings a vanished countryside to life in all its dimensions, human and natural, offering a rich record of human imprint upon the land. Extensive excerpts from the journals show us, through the vividly recorded details of daily life, a Thoreau intimately acquainted with the ways in which he and his neighbors were changing and remaking the New England landscape. Foster adds the perspective of a modern forest ecologist and landscape historian, using the journals to trace themes of historical and social change.

Thoreau's journals evoke not a wilderness retreat but the emotions and natural history that come from an old and humanized landscape. It is with a new understanding of the human role in shaping that landscape, Foster argues, that we can best prepare ourselves to appreciate and conserve it today.

From the journal:

"I have collected and split up now quite a pile of driftwood--rails and riders and stems and stumps of trees--perhaps half or three quarters of a tree...Each stick I deal with has a history, and I read it as I am handling it, and, last of all, I remember my adventures in getting it, while it is burning in the winter evening. That is the most interesting part of its history. It has made part of a fence or a bridge, perchance, or has been rooted out of a clearing and bears the marks of fire on it...Thus one half of the value of my wood is enjoyed before it is housed, and the other half is equal to the whole value of an equal quantity of the wood which I buy."

--October 20, 1855

An essential study of the rule of law by one of the world’s leading liberal political and legal philosophers.

The meaning and value of the rule of law have been debated since antiquity. For many, the rule of law has become the essence of good government. But Jeremy Waldron takes a different view, arguing that it is but one star in a constellation of ideals that define our political morality, ranking alongside democracy, human rights, economic freedom, and social justice.

This timely essay collection, from one of the most respected political philosophers of his generation, is a brief on behalf of thoughtfulness: the intervention of human intelligence in the application of law. Waldron defends thoughtfulness against the claim that it threatens to replace the rule of law with the arbitrary rule of people. To the contrary, he argues, the rule of law requires thoughtfulness: it is impossible to apply a standard such as “reasonableness” on the basis of rules alone, and common legal activities like arguing in court and reasoning from precedents are poorly served by algorithmic logics. This rich compilation also addresses the place of law in protecting human dignity, the relation between rule of law and legislation, and whether vagueness in the law is at odds with law’s role in guiding action.

Thoughtfulness and the Rule of Law emphasizes the value of procedures rather than the substance or outcome of legal decisions. Challenging the view that predictability and clarity are cardinal virtues, Waldron shows that real-world controversies often are best approached using a relatively thin concept of the rule of law, together with the thoughtfulness that a legal system frames and enables.

In this first comprehensive overview of the intersection of immigration law and the First Amendment, a lawyer and historian traces ideological exclusion and deportation in the United States from the Alien Friends Act of 1798 to the evolving policies of the Trump administration.

Beginning with the Alien Friends Act of 1798, the United States passed laws in the name of national security to bar or expel foreigners based on their beliefs and associations—although these laws sometimes conflict with First Amendment protections of freedom of speech and association or contradict America’s self-image as a nation of immigrants. The government has continually used ideological exclusions and deportations of noncitizens to suppress dissent and radicalism throughout the twentieth and twenty-first centuries, from the War on Anarchy to the Cold War to the War on Terror.

In Threat of Dissent—the first social, political, and legal history of ideological exclusion and deportation in the United States—Julia Rose Kraut delves into the intricacies of major court decisions and legislation without losing sight of the people involved. We follow the cases of immigrants and foreign-born visitors, including activists, scholars, and artists such as Emma Goldman, Ernest Mandel, Carlos Fuentes, Charlie Chaplin, and John Lennon. Kraut also highlights lawyers, including Clarence Darrow and Carol Weiss King, as well as organizations, like the ACLU and PEN America, who challenged the constitutionality of ideological exclusions and deportations under the First Amendment. The Supreme Court, however, frequently interpreted restrictions under immigration law and upheld the government’s authority.

By reminding us of the legal vulnerability foreigners face on the basis of their beliefs, expressions, and associations, Kraut calls our attention to the ways that ideological exclusion and deportation reflect fears of subversion and serve as tools of political repression in the United States.

“Suspicion of foreigners goes back to the earliest days of the republic…Kraut traces how different ideologies would be considered intolerably dangerous according to the dominant fears of a given era. Anarchism gave way to communism; communism gave way to Islamic radicalism.”
—Jennifer Szalai, New York Times

“Magisterial and well written…A gripping, expansive story that traces the consequences of suspicions of ‘un-American’ ideologies and loyalties in federal jurisprudence from the War of 1812 through the still-raging War on Terror.”
—Rachel Ida Buff, Journal of Interdisciplinary History

“An original, comprehensive history of one of the most pervasive and insidious forms of political repression in the United States—one few Americans know anything about.”
—Michael Kazin, author of War Against War

Beginning with the Alien Friends Act of 1798, the United States has passed laws in the name of national security to bar or expel foreigners based on their beliefs and associations. From the War on Anarchy to the War on Terror, the government repeatedly turns to ideological exclusions and deportations to suppress radicalism and dissent.

Threat of Dissent delves into major legislation and court decisions at the intersection of immigration and the First Amendment without losing sight of the people involved. We follow the cases of foreign-born activists and artists such as Emma Goldman and Carlos Fuentes, meet determined civil rights lawyers like Carol Weiss King, and discover how the ACLU and PEN challenged the constitutionality of exclusions and deportations. While sensitively capturing the particular legal vulnerability of foreigners, Julia Rose Kraut reminds us that deportations are not just a tool of political repression but a deliberate instrument of demagogic grandstanding.

As a young anthropologist, Sidney Mintz undertook fieldwork in Jamaica, Haiti, and Puerto Rico. Fifty years later, the eminent scholar of the Caribbean returns to those experiences to meditate on the societies and on the island people who befriended him. These reflections illuminate continuities and differences between these cultures, but even more they exemplify the power of people to reveal their own history.

Mintz seeks to conjoin his knowledge of the history of Jamaica, Haiti, and Puerto Rico—a dynamic past born of a confluence of peoples of a sort that has happened only a few times in human history—with the ways that he heard people speak about themselves and their lives. Mintz argues that in Jamaica and Haiti, creolization represented a tremendous creative act by enslaved peoples: that creolization was not a passive mixing of cultures, but an effort to create new hybrid institutions and cultural meanings to replace those that had been demolished by enslavement. Globalization is not the new phenomenon we take it to be.

This book is both a summation of Mintz's groundbreaking work in the region and a reminder of how anthropology allows people to explore the deep truths that history may leave unexamined.

Here are the traditions of harpsichord making as they might have been taught to young apprentices in five countries where the craft once flourished: Italy, Flanders, France, England, and Germany. The period covered ranges from approximately 1500, when concrete data became available, to 1800, after which the nature of the instrument is no longer of musicological significance.

The author’s aim is to “give enough information to make it possible for builders of harpsichords to base their work on certain knowledge of the designs and methods of earlier makers; to guide players of the harpsichord in their search for appropriate instruments, dispositions, and registrations in recreating the music of the past; and to serve as a useful body of information for historians and editors of early keyboard music.”

A chapter each is devoted to the five most important schools of harpsichord making. Over forty plates illustrate the most typical harpsichords of each country. Each set of drawings includes a plan drawn to scale, the interior of the instrument, and interesting details of action and construction. These are supplemented by reproductions of illustrations taken from early sources. The appendixes contain texts of relevant documents, including inventories of the shops of some prominent French makers and contemporary descriptions of instruments.

Frank Hubbard has drawn material from contemporary descriptions of instruments and the mechanical arts such as those found in encyclopedias, technical treatises, books on music theory, and manuals for craftsmen. In addition he has examined hundreds of instruments in European and American collections. His exceptional position as an internationally known harpsichord maker as well as a student of harpsichord history allows him to discuss technical as well as historical matters that would be outside the competence of a musicologist.

This one-volume history of Harvard is not so much a summary of Samuel Eliot Morison’s monumental work [The Tercentennial History of Harvard College and University, 1636–1936] as it is an entirely fresh handling of his vast material.

With a mind saturated in the lore and tradition at his command, Professor Morison has sat down to tell the whole story of Harvard informally and briefly. Documentation and all the learned apparatus of scholarly research are therefore omitted; but the same genial humor, the same ability to see the human implications of past events, that characterize his larger, multi-volume series on Harvard are preserved in this. The result is a marvelously entertaining volume, the history of Harvard that everyone has been waiting for, a model of vitalized historical writing.