An adaptation of Olaudah Equiano’s Interesting Narrative published for Black children in 1829, now given new life in a major scholarly edition.
In 1829, Samuel Wood and Sons, a New York publisher of children’s literature, printed and sold the Quaker Abigail Field Mott’s Life and Adventures of Olaudah Equiano. Mott adapted Olaudah Equiano’s Interesting Narrative, a bestselling autobiography first published in London in 1789, for Black children studying at New York African Free Schools, one of the first educational systems to teach individuals of African descent in the United States.
By reissuing Mott’s neglected adaptation with contextualizing scholarly apparatus, Eric D. Lamore disrupts the editorial tradition of selecting a London edition of Equiano’s Interesting Narrative, and positions Equiano in the United States instead of Great Britain. Lamore’s volume contains Mott’s children’s book, which includes a series of illustrations, in a facsimile edition; instructive notes on Life and Adventures; a provocative essay on the adaptation; and selections from relevant texts on the New York African Free Schools and other related topics. With its focus on the intersections of early Black Atlantic and American studies, children’s literature, history of education, life writing, and book history, this edition offers a fresh take on Equiano and his autobiography for a variety of twenty-first-century audiences.
In 1990, the New York Times wrote, "Government corruption was not invented in West Virginia. But there are people who contend that West Virginia officials have done more than their share over the years to develop state-of-the-art techniques in vote theft, contract kickbacks, influence peddling and good old-fashioned bribery, extortion, fraud, tax evasion and outright stealing." While investigating such events as the Invest Right scandal, Thomas Stafford, a former journalist for the Charleston Gazette, would find himself in a very precarious position. As a reporter he felt obligated to tell the whole truth, and he believed in the need to serve the public and those West Virginians who were being abused by a political machine.
In Afflicting the Comfortable, Stafford relates such tales of the responsibility of journalism and politics in coordination with scandals that have unsettled the Mountain State over the past few decades. His probing would take him from the halls of Charleston to the center of our nation's ruling elite. Guided by his senses of duty, right, and fairness, he plunged head first into the misdeeds of West Virginia's politicians. His investigations would be the preface to the downfall of a governor and an adminstration that had robbed the state and the citizens of West Virginia for years.
Essays by the foremost labor historian of the Black experience in the Appalachian coalfields.
This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia’s Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries.
From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region’s Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.
What happens when fossil fuels run out? How do communities and cultures survive?
Central Appalachia and south Wales were built to extract coal, and faced with coal’s decline, both regions have experienced economic depression, labor unrest, and out-migration. After Coal focuses on coalfield residents who chose not to leave, but instead remained in their communities and worked to build a diverse and sustainable economy. It tells the story of four decades of exchange between two mining communities on opposite sides of the Atlantic, and profiles individuals and organizations that are undertaking the critical work of regeneration.
The stories in this book are told through interviews and photographs collected during the making of After Coal, a documentary film produced by the Center for Appalachian Studies at Appalachian State University and directed by Tom Hansell. Considering resonances between Appalachia and Wales in the realms of labor, environment, and movements for social justice, the book approaches the transition from coal as an opportunity for marginalized people around the world to work toward safer and more egalitarian futures.
Frank Kearns was the go-to guy at CBS News for danger- ous stories in Africa and the Middle East in the 1950s, ‘60s, and early ‘70s. By his own account, he was nearly killed 114 times. He took stories that nobody else wanted to cover and was challenged to get them on the air when nobody cared about this part of the world. But his stories were warning shots for conflicts that play out in the headlines today.
In 1957, Senator John Kennedy described America’s view of the Algerian war for independence as the Eisenhower Administration’s “head in the sand policy.” So CBS News decided to find out what was really happening there and to determine where Algeria’s war for independence fit into the game plan for the Cold War. They sent Frank Kearns to find out.
Kearns took with him cameraman Yousef (“Joe”) Masraff and 400 pounds of gear, some of which they shed, and they hiked with FLN escorts from Tunisia, across a wide “no-man’s land,” and into the Aures Mountains of eastern Algeria, where the war was bloodiest. They carried no passports or visas. They dressed as Algerians. They refused to bear weapons. And they knew that if captured, they would be executed and left in unmarked graves. But their job as journalists was to seek the truth whatever it might turn out to be.
This is Frank Kearns’s diary.
Original voices from across the solarpunk movement, which positions ingenuity, generativity, and community as ways to resist hopelessness in response to the climate crisis.
Almanac for the Anthropocene collects original voices from across the solarpunk movement, which positions ingenuity, generativity, and community as beacons of resistance to the hopelessness often inspired by the climate crisis. To point toward practical implementation of the movement’s ideas, it gathers usable blueprints that bring together theory and practice. The result is a collection of interviews, recipes, exercises, DIY instructions, and more—all of it amounting to a call to create hope through action.
Inspired by a commitment to the idea that there can be no environmental justice without decolonial and racial justice, Almanac for the Anthropocene unites in a single volume both academic and practical responses to environmental crisis.
John W. Davis (1873-1955) was the most important national politician to call West Virginia home. Nominated for president by the Democratic Party in 1924, Davis lost to the incumbent Calvin Coolidge. This diary is an engaging day-by-day account of Davis's service as U.S. ambassador to England at a pivotal point in modern history. The recent World War and Russian Revolution, the new thirst for oil, the old strife in Ireland, and the final days of the Wilson presidency fill this diary with enduring significance. Davis also offers a look at the personalities which shaped the post-war world and describes the pageantry and social life of America's most coveted ambassadorial assignment.
American Bridge Patents: The First Century (1790-1890), thoroughly illustrated with dozens of photographs and reproductions, presents the findings of a two-decade long study of several thousand pages of patent documents collected from the U.S. Patent Office. The essays in this volume offer readers tremendous insight into the creativity that characterized the evolution of bridge patents during this important and formative period of American engineering history. Of particular interest to the authors is the great variety of innovative and unusual designs that were accommodated by the then ambiguous patent law. Alongside these case studies, authors also address the Patent Office itself, whose processes regarding permissions were reformed in 1836, linking the evolution of patent law to the technology it managed.
Historians investigate the relationships between film, culture, and energy.
American Energy Cinema explores how Hollywood movies have portrayed energy from the early film era to the present. Looking at classics like Giant, Silkwood, There Will Be Blood, and Matewan, and at quirkier fare like A Is for Atom and Convoy, it argues that films have both reflected existing beliefs and conjured new visions for Americans about the role of energy in their lives and their history.
The essays in this collection show how film provides a unique and informative lens to understand perceptions of energy production, consumption, and infrastructure networks. By placing films that prominently feature energy within historical context and analyzing them as historical objects, the contributing authors demonstrate how energy systems of all kinds are both integral to the daily life of Americans and inextricable from larger societal changes and global politics.
American Grief in Four Stages is a collection of stories that imagines trauma as a space in which language fails us and narrative escapes us. These stories play with form and explore the impossibility of elegy and the inability of our culture to communicate grief, or sympathy, outside of cliché.
One narrator, for example, tries to understand her brother’s suicide by excavating his use of idioms. Other stories construe grief and trauma in much subtler ways—the passing of an era or of a daughter’s childhood, the seduction of a neighbor, the inability to have children. From a dinner party with Aztecs to an elderly shut-in’s recollection of her role in the Salem witch trials, these are stories that defy expectations and enrich the imagination. As a whole, this collection asks the reader to envisage the ways in which we suffer as both unbearably painful and unbearably American.
In the first book-length study of Storer College, Dawne Raines Burke tells the story of the historically black institution from its Reconstruction origins to its demise in 1955. Established by Northern Baptists in the abolitionist flashpoint of Harpers Ferry, Storer was the first college open to African Americans in West Virginia, and it played a central role in regional and national history. In addition to educating generations of students of all races, genders, and creeds, Storer served as the second meeting place (and the first on U.S. soil) for the Niagara Movement, a precursor to the NAACP.
An American Phoenix provides a comprehensive and extensively illustrated history of this historically black college, bringing to life not just the institution but many of the individuals who taught or were educated there. It fills a significant gap in our knowledge of African American history and the struggle for rights in West Virginia and the wider world.
2023 Lambda Literary Award Finalist, Lesbian Memoir/Biography
Named the BEST LGBTQ+ MEMOIR of 2022 by Book Riot
Named a New York Public Library Best Book of 2022
Weatherford Award finalist, nonfiction
“Commands your attention from the first page to the last word.” —Morgan Jerkins
“I’m glad this memoir exists . . . and I’m especially glad it’s so good.” —Vauhini Vara, New York Magazine
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
Appalachia North is the first book-length treatment of the cultural position of northern Appalachia—roughly the portion of the official Appalachian Regional Commission zone that lies above the Mason-Dixon line. For Matthew Ferrence this region fits into a tight space of not-quite: not quite “regular” America and yet not quite Appalachia.
Ferrence’s sense of geographic ambiguity is compounded when he learns that his birthplace in western Pennsylvania is technically not a mountain but, instead, a dissected plateau shaped by the slow, deep cuts of erosion. That discovery is followed by the diagnosis of a brain tumor, setting Ferrence on a journey that is part memoir, part exploration of geology and place. Appalachia North is an investigation of how the labels of Appalachia have been drawn and written, and also a reckoning with how a body always in recovery can, like a region viewed always as a site of extraction, find new territories of growth.
In this paperback edition of An Appalachian New Deal: West Virginia in the Great Depression, Jerry Bruce Thomas examines the economic and social conditions of the state of West Virginia before, during, and after the Great Depression. Thomas’s exploration of personal papers by leading political and social figures, newspapers, and the published and unpublished records of federal, state, local, and private agencies, traces a region’s response to an economic depression and a presidential stimulus program. This dissection of federal and state policies implemented under Franklin D. Roosevelt’s New Deal program reveals the impact of poverty upon political, gender, race, and familial relations within the Mountain State—and the entire country. Through An Appalachian New Deal, Thomas documents the stories of ordinary citizens who survived a period of economic crisis and echoes a message from our nation’s past to a new generation enduring financial hardship and uncertainty.
As the long boom of post-World War II economic expansion spread across the globe, dreams of white picket fences, democratic ideals, and endless opportunities flourished within the United States. Middle America experienced a period of affluent stability built upon a modern age of industrialization. Yet for the people of Appalachia, this new era brought economic, social, and environmental devastation, preventing many from realizing the American Dream. Some families suffered in silence; some joined a mass exodus from the mountains; while others, trapped by unemployment, poverty, illness, and injury became dependent upon welfare. As the one state most completely Appalachian, West Virginia symbolized the region's dilemma, even as it provided much of the labor and natural resources that fueled the nation's prosperity.
An Appalachian Reawakening: West Virginia and the Perils of the New Machine Age, 1945-1972 recounts the difficulties the state of West Virginia faced during the post-World War II period. While documenting this turmoil, this valuable analysis also traces the efforts of the New Frontier and Great Society programs, which stimulated maximum feasible participation and lead to the ultimate rise of grass roots activities and organizations that improved life and labor in the region and undermined the notion of Appalachian fatalism.
2020 American Book Award winner, Walter & Lillian Lowenfels Criticism Award
Weatherford Award winner, nonfiction
With hundreds of thousands of copies sold, a Ron Howard movie in the works, and the rise of its author as a media personality, J. D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has defined Appalachia for much of the nation. What about Hillbilly Elegy accounts for this explosion of interest during this period of political turmoil? Why have its ideas raised so much controversy? And how can debates about the book catalyze new, more inclusive political agendas for the region’s future?
Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow Hillbilly Elegy has cast over the region and its imagining. But it also moves beyond Hillbilly Elegy to allow Appalachians from varied backgrounds to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative work collected in Appalachian Reckoning provide a deeply personal portrait of a place that is at once culturally rich and economically distressed, unique and typically American. Complicating simplistic visions that associate the region almost exclusively with death and decay, Appalachian Reckoning makes clear Appalachia’s intellectual vitality, spiritual richness, and progressive possibilities.
A beautifully produced companion volume to the public television documentary The Appalachians fills the void in information about the region, offering a rich portrait of its history and its legacy in music, literature, and film. The text includes essays by some of Appalachia’s most respected scholars and journalists; excerpts from never-before-published diaries and journals; firsthand recollections from native Appalachians including Loretta Lynn, Ricky Skaggs, and Ralph Stanley; indigenous song lyrics and poetry; and oral histories from common folk whose roots run strong and deep. The book also includes more than one hundred illustrations, both archival and newly created. Here is a wondrous book celebrating a unique and valuable heritage.
Appointed is a recently recovered novel written by William Anderson and Walter Stowers, two of the editors of the Detroit Plaindealer, a long-running and well-regarded African American newspaper of the late nineteenth century. Drawing heavily on nineteenth-century print culture, the authors tell the story of John Saunders, a college-educated black man living and working in Detroit. Through a bizarre set of circumstances, Saunders befriends his white employer’s son, Seth Stanley, and the two men form a lasting, cross-racial bond that leads them to travel together to the American South. On their journey, John shows Seth the harsh realities of American racism and instructs him in how he might take responsibility for alleviating the effects of racism in his own home and in the white world broadly.
As a coauthored novel of frustrated ambition, cross-racial friendship, and the tragedy of lynching, Appointed represents a unique contribution to African American literary history. This is the first scholarly edition of Appointed, and it includes a collection of writings from the Plaindealer, the authors’ short story “A Strange Freak of Fate,” and an introduction that locates Appointed and its authors within the journalistic and literary currents of the United States in the late nineteenth century.
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