A century of Asian American writing has generated a forceful cascade of "bold words." This anthology covers writings by Asian Americans in all genres, from the early twentieth century to the present. Some sixty authors of Chinese, Filipino, Japanese, Korean, South Asian, and Southeast Asian American origin are represented, with an equal split between male and female writers. The collection is divided into four sections-memoir, fiction, poetry, and drama-prefaced by an introductory essay from a well-known practitioner of that genre: Meena Alexander on memoir, Gary Pak on fiction, Eileen Tabios on poetry, and Roberta Uno on drama. The selections depict the complex realities and wide range of experiences of Asians in the United States. They illuminate the writers' creative responses to issues as diverse as resistance, aesthetics, biculturalism, sexuality, gender relations, racism, war, diaspora, and family. Rajini Srikanth teaches at the University of Massachusetts, Boston. She is the coeditor of the award-winning anthology Contours of the Heart: South Asians Map North America and the collection A Part, Yet Apart: South Asians in Asian America. Esther Y. Iwanaga teaches Asian American literature and literature-based writing courses at Wellesley College and the University of Massachusetts, Boston.

Now that it has become so commonplace, we rarely blink an eye at camera footage framed by the crosshairs of a sniper’s gun or from the perspective of a descending smart bomb. But how did this weaponized gaze become the norm for depicting war, and how has it influenced public perceptions?
 
Through the Crosshairs traces the genealogy of this weapon’s-eye view across a wide range of genres, including news reports, military public relations images, action movies, video games, and social media posts. As he tracks how gun-camera footage has spilled from the battlefield onto the screens of everyday civilian life, Roger Stahl exposes how this raw video is carefully curated and edited to promote identification with military weaponry, rather than with the targeted victims. He reveals how the weaponized gaze is not only a powerful propagandistic frame, but also a prime site of struggle over the representation of state violence.  

Science and religion are often thought to be advancing irreconcilable goals and thus to be mutually antagonistic. Yet in the often acrimonious debates between the scientific and religions communities, it is easy to lose sight of the fact that both science and religion are systems of thought and knowledge that aim to understand the world and our place in it.

Webs of Reality is a rare examination of the interrelationship between religion and science from a social science perspective, offering a broader view of the relationship, and posing practical questions regarding technology and ethics. Emphasizing how science and religion are practiced instead of highlighting the differences between them, the authors look for the subtle connections, tacit understandings, common history, symbols, and implicit myths that tie them together. How can the practice of science be understood from a religious point of view? What contributions can science make to religious understanding of the world? What contributions can the social sciences make to understanding both knowledge systems? Looking at religion and science as fields of inquiry and habits of mind, the authors discover not only similarities between them but also a wide number of ways in which they complement each other.

One of François Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roch. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roch himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund.

Drawing on this film and others by Truffaut, Robert Stam provides the first in-depth examination of the multifaceted relationship between Truffaut and Roch. In the process, he provides a unique lens through which to understand how adaptation works-from history to novel, and ultimately to film-and how each form of expression is inflected by the period in which it is created. Truffaut's adaptation of Roch's work, Stam suggests, demonstrates how reworkings can be much more than simply copies of their originals; rather, they can become an immensely creative enterprise-a form of writing in itself.

The book also moves beyond Truffaut's film and the mnage--trois involving Roch, Hessel, and Grund to explore the intertwined lives and work of other famous artists and intellectuals, including Marcel Duchamp, Walter Benjamin, and Charlotte Wolff. Tracing the tangled webs that linked these individuals' lives, Stam opens the door to an erotic/writerly territory where the complex interplay of various artistic sensibilities-all mulling over the same nucleus of feelings and events-vividly comes alive.

In Engaged Spirituality, Gregory C. Stanczak challenges this assumption, arguing that spirituality plays an important social role as well. Based on more than one hundred interviews with individuals of diverse faith traditions, the book shows how prayer, meditation, and ritual provide foundations for activism. Among the stories, a Buddhist monk in Los Angeles intimately describes the physical sensations of strength and compassion that sweep her body when she recites the Buddha’s name in times of selfless service, and a Protestant reverend explains how the calm serenity that she feels during retreats allows her to direct her multi-service agency in San Francisco to creative successes that were previously unimaginable.

In an age when Madonna studies Kabbalah and the internet is bringing Buddhism to the white middle-class, it is clear that formal religious affiliations are no longer enough. Stanczak’s critical examination of spirituality provides us with a way of discussing the factors that impel individuals into social activism and forces us to rethink the question of how “religion” and “spirituality” might be defined.

 

Such movie taglines were common in the 1950s, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture.  
 

Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were “ripped from the headlines” on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s Western. 
 

Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950s “pop,” Stanfield reveals something new about what films do and the pleasures they provide.

From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.   

In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.

Written in an engaging and accessible style, this first broadly focused compensatory history of technology not only includes women's contributions but begins the long-overdue task of redefining technology and significant technology and to value these contributions correctly. Stanley traces women's inventions in five vital areas of technology worldwide--agriculture, medicine, reproduction, machines, and computers--from prehistory (or origin) forward, profiling hundreds of women, both famous and obscure. The author does not ignore theory. She contributes a paradigm for male takeovers of technologies originated by women.

The Hudson River is one of the great rivers of the world. Not long ago, it was deeply threatened by pollution. Now it is coming back to life, a river where fish and birds can thrive again, a river valued once more by communities along its shores.

The unique environmental education program on board the sloop, Clearwater, founded by folksinger Pete Seeger, has taught thousands of children and adults to love the river. With this guidebook, Clearwater  teachers bring their wealth of knowledge about the river to a wider audience.

This book covers, for the first time, the full sweep of the river's natural history and human heritage. It introduces you to the Hudson's diversity of plants and wildlife, to the geological forces that created the river, to the people who explored and settled its banks, to the river's enduring place in American history and art, and to the battles waged over its environmental preservation. Its engaging illustrations, maps, and text––distilled from the best research on the Hudson's habitat and history––invite you to explore the river yourself.

Royalties from the sale of this book will support the continued restoration of the river's ecological well-being through the programs of the Hudson River Sloop Clearwater, Inc., a nonprofit education and advocacy organization based in Poughkeepsie, New York.

 

New Jersey is "the city in the garden." It is a bundle of paradoxes - a highly industrialized state famous for its seashore and mountain resorts; a fairly conservative state politically that nonetheless pioneered state land use, zoning, and environmental protection legislation. The only state to be characterized by the U.S. Census as entirely metropolitan, New Jersey has the highest population density in the nation. It is a highly suburbanized state that remains important agriculturally, one in which both very large and very small farms continue to multiply. 

In this unique text, Stark and Bainbridge begin with basic statements about human nature and, employing the principles of logic and philosophy, build toward increasingly complex propositions about societies and their religious institutions. They provide a rigorous yet flexible sociological theory of religion as well as a general sociological model for deriving macrolevel theory from microlevel evidence.

Mexican educator and thinker Jose Vasconcelos is to Latinos what W.E.B. Du Bois is to African Americans a controversial scholar who fostered an alternative view of the future. In Josè Vasconcelos: The Prophet of Race, his influential 1925 essay, "Mestizaje" key to understanding the role he played in the shaping of multiethnic America—is for the first time showcased and properly analyzed. Freshly translated here by John H. R. Polt, "Mestizaje" suggested that the Brown Race from Latin America was called to dominate the world, a thesis embraced by activists and scholars north and south of the Rio Grande. Ilan Stavans insightfully and comprehensively examines the essay in biographical and historical context, and considers how many in the United States, especially Chicanos during the civil rights era, used it as a platform for their political agenda. The volume also includes Vasconcelos's long-forgotten 1926 Harris Foundation Lecture at the University of Chicago, "The Race Problem in Latin America," where he cautioned the United States that rejecting mestizaje in our own midst will ultimately bankrupt the nation.

After a stirring e-mail exchange with his father, awardwinning essayist and cultural commentator Ilan Stavans decided to do something bizarre: revisit his hometown, Mexico City, accompanied by a tourist guide. But rather than seeking his roots in the neighborhood where he grew up, he headed to the Centro Histórico, the downtown area at the heart of the world’s largest metropolis. It was there that conversos, the hidden Jews escaping the might of the Holy Office of the Inquisition, were burned at the stake. And, centuries later, it was the same section where Jewish immigrants, both Yiddish-speaking Ashkenazim and Sephardim from the Ottoman Empire, made their homes as peddlers. In a sense, Centro Histórico is to Mexico what the Lower East Side is to the United States: a platform for reinventing one’s self in the New World.

With the same linguistic verve and insight that has made him one of the most distinguished voices in American literature today, Ilan Stavans invites readers along for a personal journey that is not only his own, but that of an entire culture. In Return to Centro Histórico he makes it possible to understand the intimate role that Jews have played in the development of Hispanic civilization.

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible.

Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work.

Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina.  Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible—organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job—is a  delightful intellectual and spiritual treat . . . Shema Ysrael!

Until relatively recently, little had been written about gender issues in international relations despite the increased importance of the study of gender in other areas of the social sciences. Gender and International Relations fills that gap, providing a clear and accessible guide to the study of gender issues, feminist theories, and international relations. Steans illustrates how gender is central to nationalisms and political identity, the state, citizenship and conceptions of political community, security, and global political economy and development. Drawing on feminist scholarship from across the social sciences, she demonstrates the uses of feminism as critique. She also introduces readers to contemporary theoretical debates in international relations using concrete concerns and easily understandable issues to ground the discussion.

The book does not construct a single feminist theory of international relations nor does it advance a particular perspective of how gender can best be understood in an international or global context. Rather, the book argues that feminist theories have collectively produced insights crucial to the study of international relations and that these insights can be used to challenge conventional approaches to the discipline.

Until relatively recently, little had been written about gender issues in international relations despite the increased importance of the study of gender in other areas of the social sciences. Gender and International Relations fills that gap, providing a clear and accessible guide to the study of gender issues, feminist theories, and international relations. Steans illustrates how gender is central to nationalisms and political identity, the state, citizenship and conceptions of political community, security, and global political economy and development. Drawing on feminist scholarship from across the social sciences, she demonstrates the uses of feminism as critique. She also introduces readers to contemporary theoretical debates in international relations using concrete concerns and easily understandable issues to ground the discussion.

The book does not construct a single feminist theory of international relations nor does it advance a particular perspective of how gender can best be understood in an international or global context. Rather, the book argues that feminist theories have collectively produced insights crucial to the study of international relations and that these insights can be used to challenge conventional approaches to the discipline.

In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.

Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased.

This unique work will be welcomed by all historians who want to think about what it is they do.

'Carolyn Steedman's 1950s South London childhood was shaped by her mother's longing: "What she actually wanted were real things, real entities, things she materially lacked, things that a culture and a social system withheld from her... When the world didn't deliver the goods, she held the world to blame." When Carolyn Steedman grows up and begins to look for reflections of her and her mother's lives in history, theory, and literature, she finds that "the tradition of cultural criticism that has employed working-class lives, and their rare expression in literature, has made solid and concrete the absence of psychological individuality - of subjectivity." Through an in-depth comparison of personal experience and prevailing political and social science theory on the psychology and attitudes of working-class people, Landscape for a Good Woman challenges an intellectual tradition that denies "its subjects a particular story, a personal history, except when that story illustrates a general thesis." In this poignantly written and thoroughly researched work, the common theoretical conclusion that the survival struggles of working-class people precludes the time necessary for more genteel "elaboration of relationships" is shot full of delightfully life-affirming holes.' -
--From 500 Great Books by Women; review by Jesse Larsen.

The leading feminist intellectual of her day, Margaret Fuller has been remembered for her groundbreaking work, Woman in the Nineteenth Century, which recharted the gender roles of nineteenth-century men and women. In this new collection, the full range of her literary career is represented from her earliest poetry to her final dispatch from revolutionary Italy. For the first time, the complete texts of Woman in the Nineteenth Century and Summer on the Lakes are printed together, along with generous selections from Fuller's Dial essays, New York essays, Italian dispatches, and unpublished journals. Special features are the complete text of Fuller's famous "Autobiographical Romance" (never before reprinted in its entirety) and nineteen of her poems, edited from her manuscripts. All of Fuller's major texts are completely annotated, with special attention to her literary and historical sources, as well as her knowledge of American Indian culture, mythology, and the Bible

Jeffrey Steele's introduction provides an important revision of Fuller's biography and literary career, tracing the growth of her feminism and her development into one of America's preeminent social critics. No other writer of Fuller's day could match the range of her experience. Growing up in the world of Boston intellectuals, she was the close friend of the Alcotts, Emerson, Hawthorne, and Thoreau. But she also traveled adventurously to the western frontier, canoed down rapids with Chippewa Indians, visited the outcast and the poor in New York's institutions and prisons, and experienced the rigors of war during the bombardment of Rome. As a whole, this anthology provides the material to understand one of the most fascinating nineteenth-century American women writers.

A massive religious transformation has unfolded over the past forty years in Latin America and the Caribbean. In a region where the Catholic Church could once claim a near monopoly of adherents, religious pluralism has fundamentally altered the social and religious landscape. 

Conversion of a Continent brings together twelve original essays that document and explore competing explanations for how and why conversion has occurred. Contributors draw on various insights from social movement theory to religious studies to help outline its impact on national attitudes and activities, gender relations, identity politics, and reverse waves of missions from Latin America aimed at the American immigrant community. 

Unlike other studies on religious conversion, this volume pays close attention to who converts, under what circumstances, the meaning of conversion to the individual, and how the change affects converts’ beliefs and actions. The thematic focus makes this volume important to students and scholars in both religious studies and Latin American studies.

Universities were once ivory towers where scholarship and teaching reigned supreme, or so we tell ourselves. Whether they were ever as pure as we think, it is certainly the case that they are pure no longer. Administrators look to patents as they seek money by commercializing faculty discoveries; they pour money into sports with the expectation that these spectacles will somehow bring in revenue; they sign contracts with soda and fast-food companies, legitimizing the dominance of a single brand on campus; and they charge for distance learning courses that they market widely. In this volume, edited by Donald G. Stein, university presidents and others in higher education leadership positions comment on the many connections between business and scholarship when intellectual property and learning is treated as a marketable commodity. Some contributors write about the benefits of these connections in providing much needed resources. Others emphasize that the thirst for profits may bias the type of research that is carried out and the quality of that research. They fear for the future of basic research if faculty are in search of immediate payoffs.

The majority of the contributors acknowledge that commercialization is the current reality and has progressed too far to return to the “good old days.” They propose guidelines for students and professors to govern commercial activities. Such guidelines can increase the likelihood that quality, openness, and collegiality will remain core academic values. 

Women make up the vast majority of activists and organizers of grassroots movements fighting against environmental ills that threaten poor and people of color communities. New Perspectives on Environmental Justice is the first collection of essays that pays tribute to the enormous contributions women have made in these endeavors.

The writers offer varied examples of environmental justice issues such as children's environmental health campaigns, cancer research, AIDS/HIV activism, the Environmental Genome Project, and popular culture, among many others. Each one focuses on gender and sexuality as crucial factors in women's or gay men's activism and applies environmental justice principles to related struggles for sexual justice. The contributors represent a wide variety of activist and scholarly perspectives including law, environmental studies, sociology, political science, history, medical anthropology, American studies, English, African and African American studies, women's studies, and gay and lesbian studies, offering multiple vantage points on gender, sexuality, and activism.

Feminist/womanist impulses shape and sustain environmental justice movements around the world, making an understanding of gender roles and differences crucial for the success of these efforts.

In this user-friendly, beautifully illustrated, and occasionally eccentric guidebook, David A. Steinberg blazes the trail to more than twenty unusual landmarks and hard-to-find destinations-all within a two-hour drive of New York City. Geared for the experienced hiker or camping adventurer, the book includes hikes to a variety of urban ruins, including a World War II-era air force base, a vacant dairy farm, pine plantations, abandoned quarries, tunnels, cemeteries, and iron mines.

Each chapter contains detailed directions, a hand-drawn map, suggestions for the optimal time and season to visit, and GPS coordinates to specific sites. Bringing fifteen years of experience as a leader of hikes, Steinberg leaves no part of the trip unplanned. He even suggests ideal conditions for the outing. An overcast day, for instance, sets up the haunted atmosphere appropriate for visiting a water tower in Mountainside, New Jersey, that has links to a murder-suicide in the 1970s.

For less experienced hikers, the guide also includes a chapter on equipment and safety, detailed instructions on how to program a hand-held Global Positioning System receiver, and a glossary of terms.

Both a practical guide and a creative chronicle, this book is bound to please hikers and history buffs alike.

In this easy to use, informative, and occasionally eccentric guidebook, David A. Steinberg blazes the trail to more than twenty-five unusual landmarks and hard-to-find destinations that are mostly within a two-hour drive of New York City. Suitable for the experienced hiker or camping adventurer—as well as anyone who has the desire to explore—Hiking the Road to Ruins includes many new ruins and historic sites to see: remnants of the two World’s Fairs in Queens, mysterious stone chambers scattered about northern Westchester County, winter adventuring in Harriman, and quarries that contain amazing artifacts. 

In this new edition, Steinberg adds four additional chapters and has revised throughout the book to include detailed directions, GPS coordinates to specific sites, a hand-drawn map, and suggestions for the optimal time and season to visit. Having led many types of hikes and trips over the past fifteen years, Steinberg leaves no part of the trip unplanned. He even suggests ideal conditions for outings. An overcast day, for instance, sets up the haunted atmosphere appropriate for visiting a water tower in Mountainside, New Jersey, that has links to a murder-suicide in the 1970s. 

Newcomers will gain experience as they make their way through the book, which includes a chapter on equipment and safety, detailed instructions on how to program a hand-held Global Positioning System receiver, and a glossary of terms. 

Both a practical guide and a creative chronicle, Hiking the Road to Ruins will inspire everyone to hit the trail in search of adventure.

Drawing on case studies of famous advertising campaigns—from Levy’s Rye Bread (“You don’t have to be Jewish to love Levy’s”) to Hebrew National hot dogs (“We answer to a higher authority”)—Steinberg examines advertisements from the late nineteenth-century in New York, the center of advertising in the United States, to trace changes in Jewish life there and across the entire country. She looks at ads aimed at the immigrant population, at suburbanites in midcentury, and at hipster and post-denominational Jews today. 

In addition to discussing campaigns for everything from Manischewitz wine to matzoh, Jewish Mad Men also portrays the legendary Jewish figures in advertising—like Albert Lasker and Bill Bernbach—and lesser known “Mad Men” like Joseph Jacobs, whose pioneering agency created the brilliantly successful Maxwell House Coffee Haggadah. Throughout, Steinberg uses the lens of advertising to illuminate the Jewish trajectory from outsider to insider, and the related arc of immigration, acculturation, upward mobility, and suburbanization.

Anchored in the illustrations, photographs, jingles, and taglines of advertising, Jewish Mad Men features a dozen color advertisements and many black-and-white images. Lively and insightful, this book offers a unique look at both advertising and Jewish life in the United States.

In June 1963, in the midst of national turmoil brought about by civil rights demonstrations, John Kennedy sent his administration's first major civil rights bill to the Congress. Still unsure about this move, he asked his brother Robert, "Do you think we did the right thing?" Within days of assuming the presidency, Lyndon Johnson publicly committed himself to civil rights as a "memorial" to his predecessor. Privately he told Georgia's Senator Richard Russell, the leader of the South in Congress, "Dick, you've got to get out of my way. I'm going to run you over." President Johnson would not compromise or equivocate on civil rights. John Kennedy of Massachusetts yielded to the pressure of events and became an ally of the movement, despite his fear that supporting civil rights could cost him votes in Congress and the nation. Lyndon Johnson of Texas, whom liberals loathed because he often gutted their prize legislation, became the committed champion of civil rights. Together their administrations became synonymous with the Second Reconstruction, though neither president had a prior record of strong civil rights commitment. Mark Stern explains how each man pursued power and votes, and ultimately redirected his own course of action and altered the nation's future.

Rock ‘n’ Roll Movies presents an eclectic look at the many manifestations of rock in motion pictures, from teen-oriented B-movies to Hollywood blockbusters to avant-garde meditations to reverent biopics to animated shorts to performance documentaries. Acclaimed film critic David Sterritt considers the diverse ways that filmmakers have regarded rock ‘n’ roll, some cynically cashing in on its popularity and others responding to the music as sincere fans, some depicting rock as harmless fun and others representing it as an open challenge to mainstream norms. 

In our rapidly advancing scientific and technological world, many take great pride and comfort in believing that we are on the threshold of new ways of thinking, living, and understanding ourselves. But despite dramatic discoveries that appear in every way to herald the future, legacies still carry great weight. Even in swiftly developing fields such as health and medicine, most systems and policies embody a sequence of earlier ideas and preexisting patterns.

In History and Health Policy in the United States, seventeen leading scholars of history, the history of medicine, bioethics, law, health policy, sociology, and organizational theory make the case for the usefulness of history in evaluating and formulating health policy today. In looking at issues as varied as the consumer economy, risk, and the plight of the uninsured, the contributors uncover the often unstated assumptions that shape the way we think about technology, the role of government, and contemporary medicine. They show how historical perspectives can help policymakers avoid the pitfalls of partisan, outdated, or merely fashionable approaches, as well as how knowledge of previous systems can offer alternatives when policy directions seem unclear.

Together, the essays argue that it is only by knowing where we have been that we can begin to understand health services today or speculate on policies for tomorrow.

The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocaust’s wake.
 
Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons: the railway cars that carried Jews to their deaths, symbolizing the mechanics of murder; the Arbeit Macht Frei (“work makes you free”) sign over the entrance to Auschwitz, pointing to the insidious logic of the camp system; the number six million that represents an approximation of the number of Jews killed as well as mass murder more generally; and the persona of Anne Frank, associated with victimization. Stier shows how and why these icons—an object, a phrase, a number, and a person—have come to stand in for the Holocaust: where they came from and how they have been used and reproduced; how they are presently at risk from a variety of threats such as commodification; and what the future holds for the memory of the Shoah.
 
In illuminating these icons of the Holocaust, Stier offers valuable new perspective on one of the defining events of the twentieth century. He helps readers understand not only the Holocaust but also the profound nature of historical memory itself.

Could that weed you just pulled have provided a cure for cancer? Scientists have warned that the destruction of the world’s rain forests may mean that plant species are being lost before we recognize their potential as sources of new medicines. This is equally true for the plants much closer to home. New Jersey, while heavily industrialized and densely populated, is extraordinarily rich in plant resources. Botany and Healing: Medicinal Plants of New Jersey and the Region describes nearly 500 species of plants found in the Garden State and in nearby areas that have been used medicinally.

Cecil Still lists plants by family and, within each family, by genus and species, to underscore the close relationships among medicinally valuable species. This arrangement is familiar to every botanist and easy for the amateur naturalist and herbalist to use as well. For each entry, Still discusses both the natural history and the historical and modern medicinal uses of the plant: scientific and common names, description, habitat, geographic range, and preparations and applications in Native American, European, African, and Asian herbal traditions. Most species are illustrated with Still’s line drawings. The book also contains  a helpful index (with cross references by usage, common or scientific name), a glossary of terms, and a list of resources for further reading.

Botany and Healing explains the history and present status of the uses of herbal medicines, explains what makes a plant medicinal (or poisonous), how herbal medicines are prepared for use, and why they should be used only with great caution.

An important study on the impact of poverty on health and the effect of poor health on national economies and human development

This is a fascinating, lively, and well-written book.  The author has a clear message which she states at the beginning, namely, that health is primarily an economic, not a medical problem, and she follows that to the end.Keith Griffin, University of California, Riverside

Houses made of rags and flattened soda cans, filthy water that breeds disease, counterfeit medicines, no access to decent medical care how can children growing up in such an environment become productive workers contributing to a developing economy? 

Stunted Lives, Stagnant Economies describes in vivid detail the living conditions of the poor in developing countries and the diseases and injuries that result from this environment of need.  Most of the diseases that affect the poor cholera, summer diarrhea, tuberculosis, lice, worms, leprosy result from the poverty of their environment.  Poverty also determines the availability and effectiveness of the medical response.  Using Argentina as a case study, Eileen Stillwaggon argues that making good health available to everyone is not a scientific problem but an economic one. 
The debt crisis of the 1980s and the subsequent structural adjustment policies adopted by most developing countries exacerbated the problems faced by the poor. What kind of future can a nation build when the health of the majority of the population its workforceÑis at risk or compromised because social services have been reduced?  Without adequate health care and social services, people cannot live up to their potential, and the spiral of poverty continues.  But there are ways to fight this cycle of poverty. 

American women invest millions of dollars, as well as much time and energy, in a quest for a body that meets our culture’s standard of beauty—slenderness. Since we define a woman’s sexual attractiveness as essential to her social worth, it is no wonder that “fat is a feminist issue.”

Commercial weight loss organizations have come under attack from feminist scholars for perpetuating the very social values that cause women to obsess about their weight. In Women and Dieting Culture, sociologist Kandi Stinson asks how these values are transmitted and how the women who join such organizations actually think about their bodies and weight loss. As part of her research, Stinson fully participated in a national, commercial weight-loss organization as a paying member. Her acute analysis and sensitive insider’s portrayal vividly illustrate the central roles dieting and body image play in women’s lives.

As she experiences the program and interviews other members, Stinson discovers that the women view the causes and cures of being overweight according to five distinct, though often overlapping, concepts: self-help, work, religion, addiction, and feminism. Drawing extensively on the dieters’ own words, Stinson explores each of these concepts and outlines how they form interrelated patterns which, when analyzed, yield an exciting new perspective on the transmission of cultural values.

Armed with fresh insights into how women feel about weight and their bodies, Stinson finally ponders the question: Can one be a feminist and still wish to lose weight?

In the early 1970s, David Copus, a young, long-haired lawyer, teamed up with his government colleagues to confront the mature and staid executives of AT&T over the company’s treatment of its female and minority employees.  Their disagreement resulted in a $38 million settlement that benefited 15,000 employees, more than 13,000 of them women, and changed our perceptions of women’s and men’s roles in the workplace forever.

Copus, who worked for the Equal Employment Opportunity Commission (EEOC), was charged with representing American citizens who suffered from employment discrimination. Time and again he saw young, black women in the South being turned down for available jobs in local phone companies—usually as telephone operators—often for no valid reason at all. He and the EEOC decided to challenge AT&T’s company-wide sex discrimination practices. Eventually, AT&T’s corporate colleagues, witnessing AT&T’s capitulation, began to hire and promote women into better jobs themselves. At the same time, the EEOC started to more aggressively push corporate America to give women better opportunities.

The Bellwomen recounts the history of this case in a novelistic style, illuminating the motivations, strengths, and weaknesses of all the players, from AT&T corporate leaders, to the lawyers of the EEOC, to the female activists fighting for what they believed. Stockford also profiles three beneficiaries of the case, presenting their ambitions and achievements.

Combined with the power of America’s civil rights laws and the influence of the second wave women’s movement, this case provided a catalyst that drove many more women into the paid workforce in non-traditional jobs. By the late twentieth century, when women could be seen working everywhere, from construction sites to corporate offices, it appeared that they belonged there and always had. 

Frank R. Stockton's stories recreate the events and moods of New Jersey from the days of the Lenni-Lenape Indians and the Dutch colonists to the expolits of New Jerseyans in the Mexican War. Here are the colorful historical and legendary figures of New Jersey's past: colonials who fought, traded with, and were captured by Indians; the perpetrators of New Jersey's own Tea Party; revolutionary heroes and heroines; frontiersmen, early inventors, schoolmasters, doctors, and privateersmen. Some of their stories have been told many times, but rarely as well. These tales are reproduced exactly as they first appeared in 1896, in a book which remained in print until 1945 and which has remained so popular over the years that it has in itself become a part of New Jersey's history. The book's turn-of-the-century flavor is enhanced by many illustrations, including drawings by twenty-one artists that provide realistic detail in the style of a bygone era.

In a thoughtful and down-to-earth way, Timothy B. Stokes overturns old formulas—and many Freudian concepts—for achieving personal change. During one's lifetime, hidden memories, along with their misleading assumptions, can unconsciously trigger conflicted feelingsùthe basis for most psychological problems, large and small.

What Freud Didn't Know, well-supported by research and groundbreaking in theory, combines neuroscience and psychology to explain how the amygdala region of the brain evolved to unconsciously record, store, and activate emotional memory loops and imagery associated with painful events, especially those of childhood. This book is the first to bring together diverse, post-Freudian discoveries to produce a coherent three-step practice for understanding problematic aspects of the human mind which can be mastered easily, in a clinical or self-help setting. Stokes explores recent breakthroughs, many in marked contrast to Freud's views, which will change how we view psychological and emotional problems and their treatments.

Grounded in current theories about brain circuitry, What Freud Didn't Know integrates ideas about mindfulness, habitual thinking, and insight imagery and provides readers with the tools to rescript their personal narratives for psychological well-being. As an alternative approach to treating stress, most types of depression, anxiety, and phobias without prescription drugs, Stokes's three-step practice can be used to build resiliency and inner peace.

In February 1943 the Gestapo arrested approximately 10,000 Jews remaining in Berlin. Most died at Auschwitz. Two thousand of those Jews, however, had non-Jewish partners and were locked into a collection center on a street called Rosenstrasse. As news of the surprise arrest pulsed through the city, hundreds of Gentile spouses, mostly women, hurried to the Rosenstrasse in protest. A chant broke out: "Give us our husbands back."

Over the course of a week protesters vied with the Gestapo for control of the street. Now and again armed SS guards sent the women scrambling for cover with threats that they would shoot. After a week the Gestapo released these Jews, almost all of whom survived the war.

The Rosenstrasse Protest was the triumphant climax of ten years of resistance by intermarried couples to Nazi efforts to destroy their families. In fact, ninety-eight percent of German Jews who did not go into hiding and who survived Nazism lived in mixed marriages. Why did Hitler give in to the protesters? Using interviews with survivors and thousands of Nazi records never before examined in detail, Nathan Stoltzfus identifies the power of a special type of resistance--the determination to risk one's own life for the life of loved ones. A "resistance of the heart..."

In this globally interconnected planet, we are increasingly able to access exotic locales without ever actually seeing these places firsthand. Instead, what we perceive to be fresh cultural experiences are actually second-hand moments, filtered through mediums such as television, film, the internet, CD-Roms, and various other media.

Ellen Strain posits that the images in film and popular culture not only fill in the gaps of a person’s first-hand—or rather, lack of first-hand—experience with other cultural situations, but also predisposes the “tourist gaze” to view particular locales in a predetermined way. She theorizes the idea of a touristic way of understanding the world in general. How, she asks, are our cross-cultural perceptions of places and peoples created in the first place? Can a set of images—such as postcards—mediate our vision of distant geographies? Are there culturally constructed strategies set up to mediate our cross-cultural perceptions of the exotic? Strain includes the works of Jules Verne, E. M. Forster, and Michael Crichton, as well as film, CD-Rom travel games and virtual reality in her own authorial gaze.   

Public Places, Private Journeys is a unique postmodern exploration of how individuals see across cultural differences in an era of increasingly commercialized and globalized culture.

Despite the many jokes and stereotypes about New Jersey and its residents, in reality the state is a wildly diverse place, home to a vast variety of landscapes, cultures, and people. There is no singular New Jersey experience, and the stories that its residents have to share about the state will surprise you.
 
New Jersey Fan Club: Artists and Writers Celebrate the Garden State is an eclectic anthology featuring personal essays, interviews, and comics from a broad group of established and emerging writers and artists who have something to say about New Jersey. It offers a multifaceted look at the state’s history and significance, told through narrative nonfiction, photographs, and illustrations.
 
New Jersey Fan Club is edited by Kerri Sullivan, founder of the popular Instagram account Jersey Collective (@jerseycollective), which features weekly takeovers by different New Jerseyans. This book functions the same way: it gives dozens of different contributors the chance to share what New Jersey looks like to them. The book is an exploration of how the same locale can shape people in different ways, and it will inspire readers to look at the Garden State with fresh eyes and appreciate its bounty of beautiful places and vibrant spaces.

Smelting is an industrial process involving the extraction of metal from ore. During this process, impurities in ore—including arsenic, lead, and cadmium—may be released from smoke stacks, contaminating air, water, and soil with toxic-heavy metals.

The problem of public health harm from smelter emissions received little official attention for much for the twentieth century. Though people living near smelters periodically complained that their health was impaired by both sulfur dioxide and heavy metals, for much of the century there was strong deference to industry claims that smelter operations were a nuisance and not a serious threat to health. It was only when the majority of children living near the El Paso, Texas, smelter were discovered to be lead-exposed in the early 1970s that systematic, independent investigation of exposure to heavy metals in smelting communities began. Following El Paso, an even more serious led poisoning epidemic was discovered around the Bunker Hill smelter in northern Idaho. In Tacoma, Washington, a copper smelter exposed children to arsenic—a carcinogenic threat.

Thoroughly grounded in extensive archival research, Tainted Earth traces the rise of public health concerns about nonferrous smelting in the western United States, focusing on three major facilities: Tacoma, Washington; El Paso, Texas; and Bunker Hill, Idaho. Marianne Sullivan documents the response from community residents, public health scientists, the industry, and the government to pollution from smelters as well as the long road to protecting public health and the environment. Placing the environmental and public health aspects of smelting in historical context, the book connects local incidents to national stories on the regulation of airborne toxic metals.

The nonferrous smelting industry has left a toxic legacy in the United States and around the world. Unless these toxic metals are cleaned up, they will persist in the environment and may sicken people—children in particular—for generations to come. The twentieth-century struggle to control smelter pollution shares many similarities with public health battles with such industries as tobacco and asbestos where industry supported science created doubt about harm, and reluctant government regulators did not take decisive action to protect the public’s health.

The inspiring and beautifully written memoir of a fascinating woman who, with her family, worked to make their dream of a vineyard into a reality.

Buy land, girl, buy land. You will never  go hungry if you have land, advised Mimi LaFollette Summerskill's grandfather. So she and her husband John purchased a 30Ðacre farm just north of Princeton, New Jersey. After an initial try at cattle farming, the novice farmers decided to try their hands at wine making. Literally. In the spring of 1979, the family planted 2,000 Seyval Blanc seedlings. After months of research, soil testing, charting weather patterns, pruning, fertilizing, picking, pressing, filtering, bottling, and labeling, the LaFollette Vineyard and Winery was born.

Learning the ins and outs of actual wine making turned out to be one of the smaller difficulties the family faced. Until the passage of the Farm Winery Act of 1981, only seven New Jersey farms were licensed to operate a winery. Once that hurdle was passed and the vineyard duly licensed by the state, the federal government stepped in. The Summerskills had to pass inspection by the Bureau of Alcohol and Firearms for a federal license. Then the family had to save their farm from the New Jersey Department of Transportation, who planned to run a major highway right through the vineyard.

 Learning each and every step along the way, the Summerskills produced success. Today, people around the state enjoy the fruits of the Summerskill's labor.

In 2005, beekeepers in the United States began observing a mysterious and disturbing phenomenon: once-healthy colonies of bees were suddenly collapsing, leaving behind empty hives full of honey and pollen. Over the following decade, widespread honeybee deaths—some of which have come to be called Colony Collapse Disorder (CCD)—have continued to bedevil beekeepers and threaten the agricultural industries that rely on bees for pollination. Scientists continue to debate the causes of CCD, yet there is no clear consensus on how to best solve the problem. 

 

Vanishing Bees takes us inside the debates over widespread honeybee deaths, introducing the various groups with a stake in solving the mystery of CCD, including beekeepers, entomologists, growers, agrichemical companies, and government regulators. Drawing from extensive interviews and first-hand observations, Sainath Suryanarayanan and Daniel Lee Kleinman examine how members of each group have acquired, disseminated, and evaluated knowledge about CCD. In addition, they explore the often-contentious interactions among different groups, detailing how they assert authority, gain trust, and build alliances.

 

As it explores the contours of the CCD crisis, Vanishing Bees considers an equally urgent question: what happens when farmers, scientists, beekeepers, corporations, and federal agencies approach the problem from different vantage points and cannot see eye-to-eye? The answer may have profound consequences for every person who wants to keep fresh food on the table. 

 

Born and raised in Argentina and still maintaining significant ties to the area, Barbara Sutton examines the complex, and often hidden, bodily worlds of diverse women in that country during a period of profound social upheaval. Based primarily on women's experiential narratives and set against the backdrop of a severe economic crisis and intensified social movement activism post-2001, Bodies in Crisis illuminates how multiple forms of injustice converge in and are contested through women's bodies. Sutton reveals the bodily scars of neoliberal globalization; women's negotiation of cultural norms of femininity and beauty; experiences with clandestine, illegal, and unsafe abortions; exposure to and resistance against interpersonal and structural violence; and the role of bodies as tools and vehicles of political action.

Through the lens of women's body consciousness in a Global South country, and drawing on multifaceted stories and a politically embedded approach, Bodies in Crisis suggests that social policy, economic systems, cultural ideologies, and political resistance are ultimately fleshly matters.

Toyo Suyemoto is known informally by literary scholars and the media as "Japanese America's poet laureate." But Suyemoto has always described herself in much more humble terms. A first-generation Japanese American, she has identified herself as a storyteller, a teacher, a mother whose only child died from illness, and an internment camp survivor. Before Suyemoto passed away in 2003, she wrote a moving and illuminating memoir of her internment camp experiences with her family and infant son at Tanforan Race Track and, later, at the Topaz Relocation Center in Utah, from 1942 to 1945.

A uniquely poetic contribution to the small body of internment memoirs, Suyemoto's account includes information about policies and wartime decisions that are not widely known, and recounts in detail the way in which internees adjusted their notions of selfhood and citizenship, lending insight to the complicated and controversial questions of citizenship, accountability, and resistance of first- and second-generation Japanese Americans.

Suyemoto's poems, many written during internment, are interwoven throughout the text and serve as counterpoints to the contextualizing narrative. Suyemoto's poems, many written during internment, are interwoven throughout the text and serve as counterpoints to the contextualizing narrative. A small collection of poems written in the years following her incarceration further reveal the psychological effects of her experience.

Discover the Far North hand-in-hand with two leading authorities on the Arctic.

This travel guide offers a unique eight-day tour of the Canadian Arctic, starting at Iqaluit near the head of Frobisher Bay (2,000 kilometers north of Ottawa), flying across the line of the Arctic Circle to Resolute, and onward to Ward Hunt Island, the northernmost airstrip in North America. Whether you make the journey in person or as an armchair traveler, this eye-opening book will tell you just what makes this region so extraordinary. Stager and Swain comment on everything that's likely to catch your attention from the air, on the ground, or in the frigid waters--from the lay of the land to the cost of the food, from frost polygons to sea smoke, from narwhals to snow geese, from kayaks to icebreakers, from soapstone sculptures to satellite dishes.   

Canada North: Journey to the High Arctic makes the best of traveling companions: compact, informed, and lively. You'll want to read and reread it as you plan the journey of a lifetime.

Neurofeedback is a cutting-edge, drug-free therapeutic technique used by over a thousand licensed therapists in North America to treat a range of conditions from attention deficit and hyperactivity disorders to epilepsy, stroke, anxiety, migraine, and depression. First popularized in the 1970s, this naturalistic method is based on the idea that we can control our brain activity and that, through training, the brain can learn to modify its own electrical patterns for more efficient processing or to overcome various states of dysfunction.

In Biofeedback for the Brain, Dr. Paul G. Swingle describes in clear and coherent language how these procedures work. With numerous actual case examples, readers follow the progress of clients from the initial “brain map” that shows the location and severity of the neurological abnormalities to the various stages of treatment. Conditions often considered untreatable by conventional health practitioners respond positively to neurotherapeutic treatment and Swingle describes many of these remarkable recoveries. Other chapters describe the use of neurotherapy for a variety of surprising purposes, including performance training for elite athletes, of which the most famous example is the Italian soccer team who considered the technique to be their “secret weapon” in attaining a World Cup victory. 

Despite wide-ranging success stories and the endorsement of the American Psychological Association, many health care practitioners remain skeptical of neurofeedback and the procedures are still not well-known by the public or conventional health care providers. This book provides a thorough, definitive, and highly readable presentation of this remarkable health care alternative that offers millions of individuals a chance for healing.  

Terminal illness and the pain and anguish it brings are experiences that have touched millions of people in the past and continue to shape our experience of the present. Hospital machines that artificially support life and monitor vital signs beg the question: Is there not anything that medical science can offer as solace?

Incurable and Intolerable looks at the history of incurable illness from a variety of perspectives, including those of doctors, patients, families, religious counsel, and policy makers. This compellingly documented and well-written history illuminates the physical, emotional, social, and existential consequences of chronic disease and terminal illness, and offers an original look at the world of palliative medicine, politics, religion, and charity. Revealing the ways in which history can shed new light on contemporary thinking, Jason Szabo encourages a more careful scrutiny of today's attitudes, policies, and practices surrounding "imminent death" and its effects on society.

The brain represents the final frontier in medical sciences. Clinical neurosciences include the subspecialties of neurology, neurosurgery, neuro-imaging, cerebrovascular interventional specialties, neurocritical care, and the allied specialties in pharmacy and nursing. The first lens through which we see our patients is the clinical perspective; however, the complexity of neurosciences and the rapidity of the advances in these subspecialties require that clinicians not lose sight of the personhood of the patients, the professionalism required in the care of these complex patients, or the regulatory environment in which we practice. Science and technology are advancing more rapidly than regulations or the law can interpret and integrate them into a supportive or regulatory framework.  Thus, morality, ethics, and the law comprise the final lens through which we approach complex patient management issues, frame our communications with patients and families, and evaluate the risks and potential benefits of new technology. Ethics and Law for Neurosciences Clinicians is written for all clinicians in the neurosciences specialties to examine and re-examine the ethical and legal implications of advances in clinical neurosciences.