Hairston has constructed a full personal, cultural and literary biography for d’Aragona, using newly discovered letters, archival material of other kinds, and contemporary theory about gender in women’s writing. Footnotes establish the intricacy of Tullia’s intellectual networks and her courting of intellectuals in rhyme. Hairston includes poems written to d’Aragona, including Girolamo Muzio’s long pastoral, Tirrhenia. She addresses with tact the question of how sexual Tullia’s relationships were with her various interlocutors. At times, as she says, one just can’t know, but that the issue is much less important than the poems themselves. I agree wholeheartedly. This is the editor Tullia has been waiting for: an indefatigable researcher, a creative biographer, and a precise and appreciative literary critic.
—Ann Rosalind Jones
Esther Cloudman Dunn Professor of Comparative Literature, Smith College

The figure of Tullia d’Aragona has long fascinated readers as the prototype of the “honest courtesan”, a woman who successfully exploited her physical and intellectual charms to win the adoration and respect of the Italian cultural elite. With Julia Hairston’s richly annotated edition of her collected verse, the product of more than a decade of scholarship, d’Aragona finally comes into focus also as poet. She emerges in this volume as one of the most distinctive protagonists in a key transitional moment in Italian literary history, when the aristocratic tradition of Petrarchist lyric began to be reshaped and democratized by its encounter with print.
—Virginia Cox
Professor of Italian, New York University

The texts available here in English for the first time open a window into the lives of three early modern Frenchwomen as they explore the common themes of family, memory, sin, and salvation. The Regrets of Marguerite d’Auge (1600), the Memoirs of Renée Burlamacchi (1623), and the Genealogy of Jeanne du Laurens (1631), taken from different genres of historical writings, raise important questions: Why and how did female authorship find its way into the historical record? How did these voices escape the censorship and prejudice against female publication? In a time of extreme religious conflict, how did these women convey their views on controversial issues such as primacy of grace, indulgences, and salvation without disrupting the gender expectations of the era?

The letters of Margherita Datini to her husband, “the merchant of Prato,” are virtually impossible to put down. Margherita is never obsequious, and never holds her tongue as she chastises Francesco for staying up too late, asks about a case before the Eight of Florence, beseeches him to help friends in prison, worries over financial transactions, and updates him on his business, the harvests, and his illegitimate child (whom she cares for) when he is away. Rich in emotional life and historical particulars, the letters are a unique window into late medieval Tuscany and women’s “work.” Thanks to Carolyn James and Antonio Pagliaro for their illuminating introduction and equally luminous translation.
—Jane Tylus
Professor of Italian Studies and vice provost for academic affairs, New York University

Rejecting marriage and the convent, the Spanish noblewoman, poet, and religious activist Luisa de Carvajal y Mendoza ( Jaraicejo 1566–London 1614) led an uncommon life of adventure and spiritual devotion. Orphaned as a child, she lived first at Philip II’s court, and then with an uncle, the Viceroy of Navarra, who enforced harsh discipline on his ward. Through her contacts with the English Jesuits, Carvajal traveled secretly to London as a self-appointed missionary, where she was jailed twice for preaching against Anglicanism. A tireless writer, Carvajal left a small but impressive collection of spiritual poetry, an autobiography, and over two hundred letters. This volume provides a scholarly introduction and translations of selections from her writings.

Juana de la Cruz (1481–1534) is a unique figure in the history of the Catholic Church, thanks to her public visionary experiences during which she lost consciousness, while a deep voice, identifying itself as Christ, issued from her, narrating the feasts and pageants taking place in heaven. Juana’s so called “sermons,” collected in a manuscript called Libro del Conorte, form a fascinating window into Castilian religiosity in the early sixteenth century. There is much to reap from these sermons concerning Spanish Renaissance culture, theology, mysticism, gender roles, and interreligious interactions.

Catherine de Médicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine’s own letters, which together show how one extraordinary woman’s rule intersected with early modern conceptions of gender, maternity, and power.

Christine de Pizan (ca. 1364–ca. 1431) has long been recognized as France’s first professional woman of letters, and interest in her voluminous and wide-ranging corpus has been steadily rising for decades. During the tumultuous later years of the Hundred Years’ War, Christine’s lone but strong feminine voice could be heard defending women, expounding the highest ideals for good governance, and lamenting France’s troubled times alongside her own personal trials. In The Mutability of Fortune, Christine fuses world history with autobiography to demonstrate mankind’s subjugation to the ceaselessly changing, and often cruel, whims of Fortune. Now, for the first time, this poem is accessible to an English-speaking audience, further expanding our appreciation of this ground-breaking woman author and her extraordinary body of work.

The Great Schism (1378–1417) divided Western Christendom into two groups: those who recognized a pope in Rome and those who recognized one in Avignon. It was a crisis of authority that brought with it spiritual anxiety and political uproar. This book presents the responses of two fascinating women whose experiences demonstrate the impact of the Schism on ordinary Christians. Constance de Rabastens (active 1384–1386), who lived in a village in rural Languedoc, had dramatic visions indicting the Avignon pope Clement VII, despite his being recognized in her region. Ursulina of Parma (1375–1408), a diminutive young woman from an urban milieu in Italy, believed that she was commanded by Christ to engage in shuttle diplomacy between the Roman and Avignon papacies in order to end the Schism. Two Women of the Great Schism translates an account of Constance’s visionary experiences as recorded by her confessor Raymond de Sabanac and a posthumous biography of Ursulina by Simone Zanacchi, a pious abbot who wrote some sixty years after his subject’s death. These texts bring to life the extraordinary spiritual and political engagement of two late medieval women who refused to be passive bystanders as rival papal factions tore Christendom apart.

An erudite abbess of Port-Royal, Angélique de Saint-Jean Arnauld d’Andilly (1624 – 1684) resisted the demands of church and state to condemn the Jansenist theological doctrines which the convent had long upheld. In her autobiographical Report on Captivity, Angélique de Saint-Jean recounts her personal methods of spiritual resistance as she and her fellow nuns underwent waves of persecution resulting in exile, house arrest, interdict, and excommunication. Her voluminous theological writings present the theoretical basis for this resistance, limiting the claims of political and ecclesiastical authorities over the conscience of the individual. In particular, she defends the right of women to refuse to surrender their convictions due to specious appeals to obedience and humility.

This edition, which offers a bilingual selection of poetry and selected prose translated into English by the nun-author Cecilia del Nacimiento (1570–1646), increases contemporary scholars’ access to, and therefore understanding of, the Spanish early modern religious and intellectual milieu. A significant, rarely-studied mystic and poet, and member of the Discalced Carmelite Order in the years after St. Teresa of Avila’s death, Cecilia del Nacimiento exemplifies the range of possibilities used by women writers who worked within the conventions of hegemonic discourses, while creating a unique literary voice.
—Stacey Schlau
Professor, Department of Languages and Culture and the Women’s Studies Program
West Chester University, Pennsylvania

This is an essential volume, and there’s no scholar better equipped to edit it than Elizabeth Heale, whose expertise on early women’s writing in manuscript is unsurpassed. The Devonshire Manuscript is a vital source of Tudor literary history, illustrating the circulation of lyrics by Tudor poets such as Sir Thomas Wyatt, and offering evidence of collaborative forms of production and circulation that challenge prior assumptions about early forms of authorship, readership, and literary culture more broadly. Yet despite its importance, the Devonshire Manuscript has been all but inaccessible until now. With its extensive notes, thoughtful introduction, and carefully edited text, Heale’s edition will be a valuable reference work for scholars as well as an important textbook for students encountering the Devonshire Manuscript for the first time.
—Jennifer Summit
Professor of English, Stanford University

I heartily recommend this translation and edition of the two works by Jacques Du Bosc. The introduction provides a solid, erudite entry to Du Bosc and his world, with a clear emphasis on the gender issues central to the Other Voice. Especially good is the detailed study ofthe reception of these works. Moreover, the translation is clear and readable. A great deal of work was required to transform the periodic sentences and paragraphs of seventeenthcentury French prose into an English work that is so readable and lucid for a contemporary reader who is not a specialist in the field. The long, informative titles to the essays and letters (already transparent in the table of contents) further situate material that can seem obscure to a contemporary reader. The informative notes, especially the biographical tags and the excellent use of Furetière to explore ambiguous or archaic phrases, illuminate a world that would otherwise seem opaque to many contemporary readers.
—Reverend John J. Conley, SJ
Knott Professor of Philosophy, Loyola University Maryland
 

This volume provides an English translation of firsthand testimonies by three early modern French women. It illustrates the Huguenot experience of persecution and exile during the bloodiest times in the history of Protestantism: the St. Bartholomew’s Day Massacre, the dragonnades, and the Huguenot exodus following the Revocation of the Edict of Nantes. The selections given here feature these women’s experiences of escape, the effects of religious strife on their families, and their reliance on other women amid the terrors of war.

Edited by Colette H. Winn. Translated by Lauren King and Colette H. Winn
The Other Voice in Early Modern Europe: The Toronto Series, Vol. 68

This edition presents in English, for the first time, Jeanne d’Albret’s Letters to the king, his mother, his brother, her own brother-in-law, and the queen of England, together with her Ample Declaration (1568) defending her decampment to the Protestant stronghold of La Rochelle. A historical-biographical introduction situates these writings in the larger context of Reformation politics and examines in detail the specific literary characteristics of her memoir. In her works, Jeanne d’Albret asserts her own position as legal sovereign of Béarn and Navarre and situates herself at the nexus of overlapping political, religious, and familial tensions.

Isabella d’Este (1474–1539), daughter of the Este dukes of Ferrara and wife of Marchese Francesco II Gonzaga of Mantua, co-regent of the Gonzaga state, art collector, musician, diplomat, dynastic mother, traveler, reader, gardener, fashion innovator, and consummate politician, was also, as this volume attests, a prolific letter writer with a highly developed epistolary network. Presented here for the first time in any language is a representative selection from over 16,000 letters sent by Isabella to addressees across a wide social spectrum. Together, they paint a nuanced and colorful portrait of a brilliant and influential female protagonist of early modern European society.