This all-new collection by former Alaska poet laureate smoothly blends his life in Maine, his years in Alaska, and his love of Chinese poetry—which has been a key influence on his work—into a lyrical fantasy that will enchant lovers of verse. These tightly rhythmic, compact eight-line poems demonstrate a rare deftness with—and an even more uncommon ear for—language, revealing poetic form to be neither a puzzle nor an accomplishment in itself, but a compositional tool and a spur to creativity.

After moving to the Upper Peninsula of Michigan, poet Sara Ryan found herself immersed in the isolated spaces of the North: the cold places that never thawed, the bleak expanses of snow. These poems have teeth, bones, and blood—they clack and bruise and make loud sounds. They interrogate self-preservation, familial history, extinction, taxidermy, and animal and female bodies. In between these lines, in warm places where blood collects, animals stay hidden and hunted, a girl looks loneliness dead in the eye, and wolves come out of the woods to run across the frozen water of Lake Superior.

Ice Floe, the celebrated and award-winning journal of circumpolar poetry, is here reborn as an annual book series. This first volume features the best of the journal's first seven years, along with evocative new poetry from Alaska, Canada, Iceland, Norway, Sweden, Finland, and Russia. All work is presented in both its original language and in English translation. With contributors including former Alaska poet laureate John Haines, Gunnar Harding, Robert Bly, Lennart Sjögren, and dozens of other established and emerging poets, this wonderful collection of voices from the northern latitudes is a great read for all lovers of poetry and international literature.

Iñupiat of the Sii is a firsthand account of Wanni and Douglas Anderson’s lived experiences during eight field seasons of archaeological and ethnographic research in Selawik, Alaska, from 1968 to 1994. This study traces the Selawik village’s history, compares Selawikers' past and current lifeways, studies the interfacing of the traditional with the modern, and explores how specific events in the Selawik past continued to shape their lives.
 
This fascinating book records, preserves, and contributes to the knowledge of the history and cultural lifeways of the Siilaviŋmiut people using contextual and ethnographic writing styles that apply community-based, lived-experience, and sense-of-place approaches. The authors, who have remained in contact with Selawikers since the original research period, center Iñupiaq elders’ and local Iñupiaq historians’ continued commitments to historical knowledge about the past, their ancestors, and their vast repertoire of traditional cultural and environmental knowledge. They portray the particularity of Iñupiaq life as it was lived, sensed, and felt by Selawikers themselves and as experienced by researchers. Quoted observations, conversations, and comments eloquently acknowledge Iñupiaq insiders’ narrative voices.
 
Providing one of only a few ethnographic reviews of an Alaska Native village, Iñupiat of the Sii will appeal to general readers interested in learning about Iñupiaq lifeways and the experiences of anthropologists in the field. It will also be useful to instructors teaching college-level students how anthropological field research should be conducted, analyzed, and reported.