front cover of War at Saber Point
War at Saber Point
Banastre Tarleton and the British Legion
John Knight
Westholme Publishing, 2023
The American Loyalist Regiment Led by the Most Charismatic British Commander of the War
The British Legion was one of the most remarkable regiments, not only of the American Revolution, but of any war. A corps made up of American Loyalists, it saw its first action in New York and then engaged in almost every battle in the Southern colonies. Led by a twenty-four-year-old libertine who purchased his commission to escape enormous gambling debts, the Legion gained notoriety for its ruthless tactics. Excelling in “special operations,” they frequently overwhelmed the Continental forces they fought, becoming the most feared British regiment of the war.
    Banastre Tarleton and the Americans he led have always been characterized as brutal, immoral villains—most recently in the movie, The Patriot. But this study subverts our pre-conceived notions of patriotism. The men who filled the Legions ranks were not weak-willed collaborators or treacherous renegades, but free men as motivated by conscience as the Patriots they battled. Few were wealthy. None had a vested stake in the British Government. Each believed that in defending the Crown; they were upholding the rule of law and preserving individual liberty. 
    These men followed Banastre Tarleton clear across America for years, sacrificing not only their families and homes but, in many instances, their lives. Self-interest could not have persuaded them to do this. Patriotism and fidelity did. Relying on first-hand accounts—letters, diaries, and journals—War at Saber Point: Banastre Tarleton and the British Legion is the enthralling story of those forgotten Americans and the young Englishman who led them.
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The White Terror and the Political Reaction after Waterloo
Daniel P. Resnick
Harvard University Press
In this first monograph on the White Terror since Ernest Daudet wrote on the subject in 1878, Daniel Resnick presents the only documented account of the magnitude of the political reaction of 1815–16 in France. By means of a statistical record of police arrests and judicial convictions, he demonstrates the nature, extent, and impact on French political history of the widespread repression that grew out of the royalist crusade to extirpate any trace of Napoleonic influences. The calculated policy of intimidation pursued by the royalists, the author argues, engendered the political reflexes that were to prove fatal to the House of Bourbon.
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front cover of Women at the Early Modern Swedish Court
Women at the Early Modern Swedish Court
Power, Risk, and Opportunity
Fabian Persson
Amsterdam University Press, 2021
What was it possible for a woman to achieve at an early modern court? By analysing the experiences of a wide range of women at the court of Sweden, this book demonstrates the opportunities open to women who served at, and interacted with, the court; the complexities of women's agency in a court society; and, ultimately, the precariousness of power. In doing so, it provides an institutional context to women's lives at court, charting the full extent of the rewards that they might obtain, alongside the social and institutional constrictions that they faced. Its longue durée approach, moreover, clarifies how certain periods, such as that of the queens regnant, brought new possibilities. Based on an extensive array of Swedish and international primary sources, including correspondence, financial records and diplomatic reports, it also takes into account the materialities used to create hierarchies and ceremonies, such as physical structures and spaces within the court. Comprehensive in its scope, the book is divided into three parts, which focus respectively on outsiders at court, insiders, and members of the royal family.
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front cover of Women Playwrights of Early Modern Spain
Women Playwrights of Early Modern Spain
Feliciana Enríquez de Guzmán, Ana Caro Mallén, and Sor Marcela de San Félix
Iter Press, 2016

This volume presents ten plays by three leading women playwrights of Spain’s Golden Age. Included are four bawdy and outrageous comic interludes; a full-length comedy involving sorcery, chivalry, and dramatic stage effects; and five short religious plays satirizing daily life in the convent. A critical introduction to the volume positions these women and their works in the world of seventeenth-century Spain.

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Women Warriors in Romantic Drama
Wendy C. Nielsen
University of Delaware Press, 2013

Women Warriors in Romantic Drama examines a recurring figure that appears in French, British, and German drama between 1789 and 1830: the woman warrior. The term itself, “woman warrior,” refers to quasi-historical female soldiers or assassins. Women have long contributed to military campaigns as canteen women. Camp followers ranged from local citizenry to spouses and prostitutes, and on occasion, women assisted men in combat. However, the woman warrior is a romantic figure, meaning a fanciful ideal, despite the reality of women’s participation in select scenes of the French Revolution and the Napoleonic Wars. The central claim of this book is the woman warrior is a way for some women writers (Olympe de Gouges, Christine Westphalen, Karoline von Günderrode, and Mary Robinson) to explore the case for extending citizenship to women. This project focuses primarily on theater for the reason that the stage simulates the public world that female dramatists and their warriors seek to inhabit. Novels and poetry clearly belong to the realm of fiction, but when audiences see women fighting onstage, they confront concrete visions of impossible women. I examine dramas in the context of their performance and production histories in order to answer why so many serious dramas featuring women warriors fail to find applause, or fail to be staged at all. Dramas about women warriors seem to sometimes contribute to the argument for female citizenship when they take the form of tragedy, because the deaths of female protagonists in such plays often provoke consideration about women’s place in society.

Consequently, where we find women playing soldiers in various entertainment venues, farce and satire often seem to dominate, although this book points to some exceptions. Censorship and audience demand for comedies made producing tragedies difficult for female playwrights, who battled additional obstacles to fashioning their careers. I compare male (Edmund Eyre, Heinrich von Kleist) and female writers’ dramatizations of the woman warrior. This analysis shows that the difficult project of getting audiences to take women warriors seriously resembles women writers’ struggles to enter the ostensibly male domains of tragedy and the public sphere.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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front cover of The Wordsworth Circle, volume 52 number 4 (Autumn 2021)
The Wordsworth Circle, volume 52 number 4 (Autumn 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 52 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 53 number 1 (Winter 2022)
The Wordsworth Circle, volume 53 number 1 (Winter 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 1 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 53 number 2 (Spring 2022)
The Wordsworth Circle, volume 53 number 2 (Spring 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 2 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 53 number 3 (Summer 2022)
The Wordsworth Circle, volume 53 number 3 (Summer 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
[more]
front cover of The Wordsworth Circle, volume 53 number 4 (Autumn 2022)
The Wordsworth Circle, volume 53 number 4 (Autumn 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
[more]
front cover of The Wordsworth Circle, volume 54 number 1 (Winter 2023)
The Wordsworth Circle, volume 54 number 1 (Winter 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 1 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
[more]
front cover of The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
[more]
front cover of The Wordsworth Circle, volume 54 number 4 (Autumn 2023)
The Wordsworth Circle, volume 54 number 4 (Autumn 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 4 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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