front cover of The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist
The Diaries of Carol Lynn Pearson—Mormon Author, Feminist, and Activist
Volume 1: 1956–1990
Pearson, Carol Lynn
Signature Books, 2025

“I feel somehow that of all the writing I am doing, my diary is the most important.” So wrote the beloved and bestselling author, poet, and playwright Carol Lynn Pearson in her 1979 diary. Several years before, she recorded, “I feel the imperative of history. . . . Add that to my being a household word to many and I cannot escape the feeling that in many years there might be a number of people interested in these pages.” That time has now come.  

 Unbeknownst to almost everyone but herself, Pearson kept a near-daily diary since she was a teenager, recording her remarkable story in the context of twentieth- and twenty-first-century Mormon America. In this first of a four-volume series, Pearson chronicles her love for her church but also her troubling experiences and concerns with its patriarchy, historic doctrine of polygamy, omission of a feminine divine, and homophobia. Readers will rejoice with her as her first book of poetry, Beginnings, sells an astonishing 150,000+ copies and puts her on the map in the 1960s, empathize with her as she watches her church help kill the Equal Rights Amendment in the 1970s, and mourn with her as her mixed-orientation marriage ends and she cares for her former husband in her home as he dies of AIDS in the 1980s. The sensitive-girl-turned-strong-woman who emerges in these diaries insists that we move from patriarchy into partnership, change our destructive policies towards Queer people, and invite God the Mother back into our heavenly family.

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front cover of Reclaiming Queer
Reclaiming Queer
Activist and Academic Rhetorics of Resistance
Erin J. Rand
University of Alabama Press, 2014
An examination of the rhetorical linkage of queer theory in the academy with street-level queer activism in the 1980s and early 1990s

The late 1980s and early 1990s were a defining historical moment for both queer activism and queer theory in the United States. LGBTQ communities, confronted with the fatal indifference and homophobia of the AIDS crisis, often responded with angry, militant forms of activism designed not merely to promote acceptance or tolerance, but to forge identity and strength from victimization and assert loudly and forcefully their rights to safety and humanity. The activist reclamation of the word “queer” is one marker of this shift in ideology and practice, and it was mirrored in academic circles by the concurrent emergence of the new field of “queer theory.” That is, as queer activists were mobilizing in the streets, queer theorists were producing a similar foment in the halls and publications of academia, questioning regulatory categories of gender and sexuality, and attempting to illuminate the heteronormative foundations of Western thought. Notably, the narrative of queer theory’s development often describes it as arising from or being inspired by queer activism.

In Reclaiming Queer, Erin J. Rand examines both queer activist and academic practices during this period, taking as her primary object the rhetorical linkage of queer theory in the academy with street-level queer activism. Through this strategic conjuncture of activism and academia, Rand grapples with the specific conditions for and constraints on rhetorical agency in each context. She examines the early texts that inaugurated the field of queer theory, Queer Nation’s infamous “Queers Read This” manifesto, Larry Kramer’s polemic speeches and editorials, the Lesbian Avengers’ humorous and outrageous antics, the history of ACT UP, and the more recent appearance of Gay Shame activism. From these activist and academic discourses, Rand builds a theory of rhetorical agency that posits queerness as the very condition from which agency emerges.

Reclaiming Queer thus offers a critical look at the rhetoric of queer activism, engages the history of queer theory’s institutionalization and the politics of its proliferation, suggests a radically contextual understanding of rhetorical agency and form, and argues for the centrality of queerness to all rhetorical action.
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