On March 25, 1931, Alabama police detained nine young African AMerican men at a railroad stop not far from Scottsboro.  In the process, they encountered two white women --  who promptly accused the young men of raping them.  Soon after, all-white juries found the nine youths guilty and eight of them were sentenced to death.  Although many Americans were outraged by the injustices of the case, the loudest voices raised in protest were those of members of the American Communist Party.

Many white Communists spoke out, but black Communists took the lead in organizing public protests and legal responses.  As this surprising book makes clear, they were acting at the direction of the Communist International  (Comintern), which had directed them to address the "Negro problem."  Now, with the opening of formerly inaccessible Communist party archives, this collection of primary documents reveals the little-known but major roles played by black Communists in the case of "the Scottsboro Boys."

Born in 1901, Louise Thompson Patterson was a leading and transformative figure in radical African American politics. Throughout most of the twentieth century she embodied a dedicated resistance to racial, economic, and gender exploitation. In this, the first biography of Patterson, Keith Gilyard tells her compelling story, from her childhood on the West Coast, where she suffered isolation and persecution, to her participation in the Harlem Renaissance and beyond. In the 1930s and 1940s she became central, along with Paul Robeson, to the labor movement, and later, in the 1950s, she steered proto-black-feminist activities. Patterson was also crucial to the efforts in the 1970s to free political prisoners, most notably Angela Davis. In the 1980s and 1990s she continued to work as a progressive activist and public intellectual. To read her story is to witness the courage, sacrifice, vision, and discipline of someone who spent decades working to achieve justice and liberation for all.

***Winner PEN Oakland Josephine Miles Book Award***

“A fine, taut analysis of the great African American athlete, singer, actor, and political activist.”
—Choice, Highly Recommended
 
Paul Robeson should be remembered today as the forerunner of Malcolm X, Dr. Martin Luther King, Jr. and Muhammad Ali. He sacrificed his fame and fortune a performer and athlete in order to fight for the rights of African Americans during the time of Jim Crow and U.S. Apartheid.
 
A world-famous singer and actor, a trained lawyer, an early star of American professional football and a polyglot who spoke over a dozen languages: these could be the crowning achievements of a life well-lived. Yet for Paul Robeson the higher calling of social justice led him to abandon both the NFL and Hollywood and become one of the most important political activists of his generation, a crusader for freedom and equality who battled both Jim Crow and US Senator Joseph McCarthy during the communist witch hunt of the 1950s.    
 
In Paul Robeson: The Artist as Revolutionary, Gerald Horne discovers within Robeson's remarkable and revolutionary life the story of the twentieth century's great political struggles: against racism, against colonialism, against poverty—and for international socialism. Chapters include:
 
*”The Best Known American in the World"
*Rising Revolutionary
*From Moscow to Madrid
*"Black Stalin"?
*Robeson: Primary Victim of the "Blacklist"
*Triumph—and Tragedy
*Death of a Revolutionary      
 
In the Introduction, Horne writes: “Paul Robeson—activist, artist, athlete—experienced a dramatic rise and fall, perhaps unparalleled in U.S. history. From mingling with the elite of London society and Hollywood in the 1930s, by the time he died in 1976, he was a virtual recluse in a plain abode in a working-class neighborhood of Philadelphia. What helps to explicate this tragic art of his life is a fateful decision he made when fascism was rising: he threw in his lot with those battling for socialism and decide to sacrifice his thriving artistic career on behalf of the struggle against Jim Crow—or U.S. apartheid.”
 
This critical and searching biography provides an opportunity for readers to comprehend the triumphs and tragedies of the revolutionary progressive movement of which Paul Robeson was not just a part, but perhaps its most resonant symbol.

Sojourning for Freedom portrays pioneering black women activists from the early twentieth century through the 1970s, focusing on their participation in the U.S. Communist Party (CPUSA) between 1919 and 1956. Erik S. McDuffie considers how women from diverse locales and backgrounds became radicalized, joined the CPUSA, and advocated a pathbreaking politics committed to black liberation, women’s rights, decolonization, economic justice, peace, and international solidarity. McDuffie explores the lives of black left feminists, including the bohemian world traveler Louise Thompson Patterson, who wrote about the “triple exploitation” of race, gender, and class; Esther Cooper Jackson, an Alabama-based civil rights activist who chronicled the experiences of black female domestic workers; and Claudia Jones, the Trinidad-born activist who emerged as one of the Communist Party’s leading theorists of black women’s exploitation. Drawing on more than forty oral histories collected from veteran black women radicals and their family members, McDuffie examines how these women negotiated race, gender, class, sexuality, and politics within the CPUSA. In Sojourning for Freedom, he depicts a community of radical black women activist intellectuals who helped to lay the foundation for a transnational modern black feminism.

A groundbreaking contribution to scholarship of the African American Left, We Shall Be Free! gives voice to black Communists and recognizes the intellectual contributions found in their protest writings. Walter Howard provides a fascinating documentary history of seven diverse and historically significant black Communists--B.D. Amis, Harry Haywood, James W. Ford, Benjamin J. Davis, Jr., Louise Thompson Patterson, William Patterson, and Claudia Jones--who attempted to foster a black culture of resistance to white racism within the workings of the Communist Party. 

Howard draws on FBI files, Moscow documents, and the records of the U.S. Communist Party. He surveys these black Communists addressing a wide range of vital issues such as the Great Depression, World War II, genocide and the Cold War. 

We Shall Be Free! presents an important section of the African American community whose thought has been minimized, discounted, or overlooked altogether by the historical profession in general.