A SCHOLARLY BOOK REPOSITORY
Take the woodpecker as one incredible example. Woodpeckers can face up to 1,2000 Gs of force, but they’re protected from brain damage by the design of their beaks and skulls. These marvels of nature have inspired an array of cutting-edge ideas, from an advanced black box recorder for airplanes to an exceptionally strong bike helmet. In 30 Animals That Made Us Smarter, join wildlife biologist, TV host, and BBC podcaster Patrick Aryee as he tells stories of biomimicry, or innovations inspired by the natural world, which enrich our lives every day—and in some cases, save them.
With Aryee’s infectious curiosity and sense of wonder as inspiration, venture with us into the hidden world of biomimicry. 30 Animals That Made Us Smarter will reveal animals’ exceptional powers and change the way you look at the natural world forever.
The authors provide a global range of case studies from both New and Old World archaeology—a royal Aztec dog burial, the monumental horse tombs of Central Asia, and the ceremonial macaw cages of ancient Mexico among them. They explore the complex relationships between people and animals in social, economic, political, and ritual contexts, incorporating animal remains from archaeological sites with artifacts, texts, and iconography to develop their interpretations.
Animals and Inequality in the Ancient World presents new data and interpretations that reveal the role of animals, their products, and their symbolism in structuring social inequalities in the ancient world. The volume will be of interest to archaeologists, especially zooarchaeologists, and classical scholars of pre-modern civilizations and societies.
Drawing on the latest research in archaeozoology, archaeology, and molecular biology, Animals as Domesticates traces the history of the domestication of animals around the world. From the llamas of South America and the turkeys of North America, to the cattle of India and the Australian dingo, this fascinating book explores the history of the complex relationships between humans and their domestic animals. With expert insight into the biological and cultural processes of domestication, Clutton-Brock suggests how the human instinct for nurturing may have transformed relationships between predator and prey, and she explains how animals have become companions, livestock, and laborers. The changing face of domestication is traced from the spread of the earliest livestock around the Neolithic Old World through ancient Egypt, the Greek and Roman empires, South East Asia, and up to the modern industrial age.
Bear draws on cultural material from around the world to examine the various legends and myths surrounding the bear, including ceremonies and taboos that govern the hunting, killing, and eating of bears. The book also looks at the role of bears in modern culture as the subjects of stories, songs, and films; as exhibited objects in circuses and zoos; and, perhaps most famously, as toys. Bieder also considers the precarious future of the bear as it is threatened by loss of habitat, poaching, global warming, and disease and discusses the impact of human behavior on bears and their environments.
Accompanied by numerous vibrant photographs and illustrations, and written in an engaging fashion, Bear is an appealing and informative volume for anyone who has curled up with Winnie-the-Pooh or marveled at this powerful king of the forest.
The oldest discovered statue, fashioned some fifteen to twenty thousand years ago, is of a bear. The lion was not always king. From antiquity to the Middle Ages, the bear’s centrality in cults and mythologies left traces in European languages, literatures, and legends from the Slavic East to Celtic Britain. Historian Michel Pastoureau considers how this once venerated creature was deposed by the advent of Christianity and continued to sink lower in the symbolic bestiary before rising again in Pyrrhic triumph as a popular toy.
The early Church was threatened by pagan legends of the bear’s power, among them a widespread belief that male bears were sexually attracted to women and would violate them, producing half-bear, half-human beings—invincible warriors who founded royal lines. Marked for death by the clergy, bears were massacred. During the Renaissance, the demonic prestige bears had been assigned in biblical allegory was lost to the goat, ass, bat, and owl, who were the devil’s new familiars, while the lion was crowned as the symbol of nobility. Once the undefeated champions of the Roman arena, prized in princely menageries, bears became entertainers in the marketplace, trained to perform humiliating tricks or muzzled and devoured by packs of dogs for the amusement of humans. By the early twentieth century, however, the bear would return from exile, making its way into the hearts of children everywhere as the teddy bear.
This compelling history reminds us that men and bears have always been inseparable, united by a kinship that gradually moved from nature to culture—a bond that continues to this day.
The first book to focus on the multifaceted images of deer and hunting in ancient Maya art, from the award-winning author of To Be Like Gods: Dance in Ancient Maya Civilization.
Winner, CHOICE Outstanding Academic Title, 2019
The white-tailed deer had a prominent status in Maya civilization: it was the most important wild-animal food source at many inland Maya sites and also functioned as a major ceremonial symbol. Offering an in-depth semantic analysis of this imagery, The Beast Between considers iconography, hieroglyphic texts, mythological discourses, and ritual narratives to translate the significance and meaning of the vibrant metaphors expressed in a variety of artifacts depicting deer and hunting.
Charting the importance of deer as a key component of the Maya diet, especially for elites, and analyzing the coupling of deer and maize in the Maya worldview, The Beast Between reveals a close and long-term interdependence between the Maya and these animals. Not only are deer depicted naturalistically in hunting and ritual scenes, but also they are assigned human attributes. This rich imagery reflects the many ways in which deer hunting was linked to status, sexuality, and war as part of a deeper process to ensure the regeneration of both agriculture and ancestry. Drawing on methodologies of art history, archaeology, and ethnology, this illuminating work is poised to become a key resource for multiple fields.
We usually think of cities as the domain of humans—but we are just one of thousands of species that call the urban landscape home. Chicago residents knowingly move among familiar creatures like squirrels, pigeons, and dogs, but might be surprised to learn about all the leafhoppers and water bears, black-crowned night herons and bison, beavers and massasauga rattlesnakes that are living alongside them. City Creatures introduces readers to an astonishing diversity of urban wildlife with a unique and accessible mix of essays, poetry, paintings, and photographs.
The contributors bring a story-based approach to this urban safari, taking readers on birding expeditions to the Magic Hedge at Montrose Harbor on the North Side, canoe trips down the South Fork of the Chicago River (better known as Bubbly Creek), and insect-collecting forays or restoration work days in the suburban forest preserves.
The book is organized into six sections, each highlighting one type of place in which people might encounter animals in the city and suburbs. For example, schoolyard chickens and warrior wasps populate “Backyard Diversity,” live giraffes loom at the zoo and taxidermy-in-progress pheasants fascinate museum-goers in “Animals on Display,” and a chorus of deep-freeze frogs awaits in “Water Worlds.” Although the book is rooted in Chicago’s landscape, nature lovers from cities around the globe will find a wealth of urban animal encounters that will open their senses to a new world that has been there all along. Its powerful combination of insightful narratives, numinous poetry, and full-color art throughout will help readers see the city—and the creatures who share it with us—in an entirely new light.
Attempts to chronicle the cockroach’s intellectual and emotional life have been made only within the last century when a scientist titled his essay on the cockroach "The Intellectual and Emotional World of the Cockroach", and artists as radically different as Franz Kafka and Don Marquis created equally memorable cockroach protagonists.
At least since Classical Greece, authors have brought cockroach characters into the foreground to speak for the weak and downtrodden, the outsiders, those forced to survive on the underside of dominant human cultures. Cockroaches have become the subjects of songs (La Cucaracha), have competed in "roachraces" and have even ended up in recipes. In this accessible, sympathetic and often humorous book, Marion Copeland examines the natural history, symbolism and cultural significance of this poorly understood and much-maligned insect.
From the milk we drink in the morning, to the leather shoes we slip on for the day, to the steak we savor at dinner, our daily lives are thoroughly bound up with cows. Yet there is a far more complex story behind this seemingly benign creature, which Hannah Velten explores here, plumbing the rich trove of myth, fact, and legend surrounding these familar animals.
From the plowing field to the rodeo to the temple, Velten tracks the constantly changing social relationship between man and cattle, beginning with the domestication of aurochs around 9000 BCE. From there, Cow launches into a fascinating story of religious fanaticism, scientific exploits, and the economic transformations engendered by the trade of the numerous products derived from the animal. She explores in engaging detail how despite cattle’s prominence at two ends of a wide spectrum: Hinduism venerates the cow as one of the most sacred members of the animal kingdom, while beef is a prized staple of the American diet. Thought provoking and informative, Cow restores this oft-overlooked animal to the nobility it richly deserves.
Sax takes readers into the history of crows, detailing how in a range of cultures, from the Chinese to the Hopi Indians, crows are bearers of prophecy. For example, thanks in part to the birds’ courtship rituals, Greeks invoked crows as symbols of conjugal love. From the raven sent out by Noah to the corvid deities of the Eskimo, from Taoist legends to Victorian novels and contemporary films, Sax’s book ranges across history and culture and will interest anyone who has ever been intrigued, puzzled, annoyed, or charmed by these wonderfully intelligent birds.
Though donkeys have historically been among our most useful domesticated animals—from plowing fields to navigating difficult terrain—they have been much maligned in popular culture and given very little respect. So much so, that their perceived qualities of stupidity and stubbornness have made their way into the language of insult. But in Donkey, Jill Bough champions this humble creature, proving that after 10,000 years of domestication, this incredibly hard-working animal deserves our appreciation.
Bough reveals the animal’s historic significance in Ancient Egypt, where it was once highly regarded—even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed, and abused. Since that time, donkeys have continued to be associated with the poorest and most marginalized in human societies. All that time and all over the world, donkeys continue to be used for innumerable tasks, and even today, donkeys are considered to be one of the best draught animals in developing nations, where they continue to make a vital contribution. Bough rounds out her account with a look at the variety of social, cultural, and religious meanings that donkeys have embodied, especially in literature and art.
With accounts that are both fascinating and touching, this cultural history of the donkey will inspire a new respect and admiration for this essential creature.
Kristen Guest and Monica Mattfeld place the modern period front and center in this collection, illuminating the largely untold story of how the horse has responded to the accelerated pace of modernity. The book’s contributors explore equine cultures across the globe, drawing from numerous interdisciplinary sources to show how horses have unexpectedly influenced such distinctively modern fields as photography, anthropology, and feminist theory. Equestrian Cultures boldly steps forward to redefine our view of the most recent developments in our long history of equine partnership and sets the course for future examinations of this still-strong bond.
Macdonald presents a cultural and natural history of the falcon that spans the globe and several millennia. Her wide-ranging survey considers the many facets of the falcon, including conservation efforts; the sport of falconry; and the use of falcons in secret military projects by the Third Reich and the U.S. space program. Falcon also explores the rich imagery of the falcon over history, including the veneration of falcons as gods in ancient Egypt, their role in erotic stories, and even the use of falcons in advertising to promote photocopiers and jet planes.
Filled with illustrations and a wealth of fascinating facts, Falcon will be an enjoyable guide for ornithologists, amateur birdwatchers, and nature lovers alike.
As Kermit the Frog taught us—it’s not easy being green. With good reason, since you’ll likely be dissected in biology class or have your legs gobbled up by a hungry Frenchman. And yet, these slimy creatures have captured our imagination, appearing in everything from fairytales about frog princes to Beatrix Potter’s The Tale of Jeremy Fisher and Arnold Lebel’s Frog and Toad. They even appear as a tasty chocolate snack in the Harry Potter series. Examining the significant role played by this slippery amphibian in art, literature, and popular culture, Charlotte Sleigh gives us an entertaining—and sometimes shocking—account of this both loved and misunderstood animal.
If not for a horse, would Alexander have been the Great? William, the Conqueror? Richard, the Lionhearted? If not for their awesome mounts, would the Spaniards have had their way with the New World? Would Paul Revere have spread the word? Would the West have been won?
It is hard to comprehend how far horse power has carried us, difficult to imagine, in our era of mechanical wizardry and speed, what role the horse has played in shaping human history. This is the challenge Juliet Clutton-Brock takes up in her book, a splendid blend of natural and social history that recounts the horse's story as it has figured in—and transfigured—our own.
By drawing on biological, archaeological, and historical evidence, Clutton-Brock describes the wild horse and the wild ass, from their widespread distribution at the end of the last Ice Age to their near extinction today. She shows how these beasts, once hunted for meat, were drafted for work and domesticated as humans began to grasp the possibilities of riding horseback. This discovery, with the speed, distance, and power it offered, transformed the course of history. This elegant tale of the horse and donkey, wonderfully written and handsomely illustrated, revives the true meaning of "horse power."
From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf, children’s stories and fables enchant us with their portrayals of animals who act like people. But the comparisons run both ways, as metaphors, stories, and images—as well as scientific theories—throughout history remind us that humans often act like animals, and that the line separating them is not as clear as we’d like to pretend.
Here Martin Kemp explores a stunning range of images and ideas to demonstrate just how deeply these underappreciated links between humans and other fauna are embedded in our culture. Tracing those interconnections among art, science, and literature, Kemp leads us on a dazzling tour of Western thought, from Aristotelian physiognomy and its influence on phrenology to the Great Chain of Being and Darwinian evolution. We learn about the racist anthropology underlying a familiar Degas sculpture, see paintings of a remarkably simian Judas, and watch Mowgli, the man-child from Kipling’s The Jungle Book, exhibit the behaviors of the beasts who raised him. Like a kaleidoscope, Kemp uses these stories to refract, reconfigure, and echo the essential truth that the way we think about animals inevitably inflects how we think about people, and vice versa.
Loaded with vivid illustrations and drawing on sources from Hesiod to La Fontaine, Leonardo to P. T. Barnum, The Human Animal in Western Art and Science is a fascinating, eye-opening reminder of our deep affinities with our fellow members of the animal kingdom.
Humans and Other Animals is about the myriad and evolving ways in which humans and animals interact, the divergent cultural constructions of humanity and animality found around the world, and individual experiences of other animals.
Samantha Hurn explores the work of anthropologists and scholars from related disciplines concerned with the growing field of anthrozoology. Case studies from a wide range of cultural contexts are discussed, and readers are invited to engage with a diverse range of human-animal interactions including blood sports (such as hunting, fishing and bull fighting), pet keeping and ‘petishism’, eco-tourism and wildlife conservation, working animals and animals as food. The idea of animal exploitation raised by the animal rights movements is considered, as well as the anthropological implications of changing attitudes towards animal personhood, and the rise of a posthumanist philosophy in the social sciences more generally.
Key debates surrounding these issues are raised and assessed and, in the process, readers are encouraged to consider their own attitudes towards other animals and, by extension, what it means to be human.
Other than that it tastes delicious with butter, what do you know about the knobbily-armoured, scarlet creature staring back at you from your fancy dinner plate? From ocean to stock pot, there are two sides to every animal story. For instance, since there are species of lobsters without claws, how exactly do you define a lobster? And how did a pauper’s food transform into a meal synonymous with a luxurious splurge? To answer these questions on behalf of lobster the animal is Richard J. King, a former fishmonger and commercial lobsterman, who has chronicled the creature’s long natural history.
Part of the Animal series, King’s Lobster takes us on a journey through the history, biology, and culture of lobsters, including the creature’s economic and environmental status worldwide. He describes the evolution of technologies to capture these creatures and addresses the ethics of boiling them alive. Along the way, King also explores the salacious lobster palaces of the 1920s, the animal’s thousand-year status as an aphrodisiac, and how the lobster has inspired numerous artists, writers, and thinkers including Aristotle, Dickens, Thoreau, Dalí, and Woody Allen.
Whether you want to liberate lobsters from their supermarket tanks or crack open their claws, this book is an essential read, describing the human connection to the lobster from his ocean home to the dinner table.
In his provocative book The Next Social Contract, Wayne Gabardi rigorously considers the fate of animals in the twenty-first century. He claims that if we are to address the challenges raised by the Anthropocene—the period where nonhuman beings tend to be mere extras, often subsumed under the umbrella notion of “nature”—we need to radically rethink our basic ethical outlook and develop a new, “more-than-human” social contract.
Gabardi’s wide-ranging and multidisciplinary analysis focuses on four principal battlegrounds of animal biopolitics in the twenty first century: the extinction of wild animals, the crisis of oceanic animals, industrialized farm animals and the future of industrial agribusiness, and the situation of contact-zone animals moving into human-occupied habitats.
In his recasting of the social contract, Gabardi envisions a culture shift in human-animal relations toward posthumanism that features the ethical and political prioritization of animal life so it is on par with that of human well-being.
As well as an aphrodisiac, the oyster has since the earliest times been an inspiration to philosophers, artists, poets, chefs, gourmets, epicures and jewellers. It has been pursued by poachers and thieves, and defended by oyster-police and parliaments.
In Oyster, literary historian and radio broadcaster Rebecca Stott tells the extraordinary story of the oyster and its pearl, revealing how this curious creature has been used and depicted in human culture and what it has variously meant to those who have either loved or loathed it: the Romans carried much-sought-after British oysters across the Alps on the backs of donkeys to be eaten as delicacies at banquets in Rome, whilst by contrast Woody Allen once famously said "I will not eat oysters. I want my food dead – not sick, not wounded – dead."
Using many unusual images and anecdotes, Oyster will appeal to oyster lovers and haters everywhere, and for those too who have an interest in the way animals such as the oyster have woven themselves into the fabric of our culture.
Baker provides an animated discussion of how animals enter into the iconography of power through wartime depictions of the enemy, political cartoons, and sports symbolism. He examines a phenomenon he calls the "disnification" of animals, meaning a reduction of the animal to the trivial and stupid, and shows how books featuring talking animals underscore human superiority. He also discusses how his findings might inform the strategies of animal rights advocates seeking to call public attention to animal suffering and abuse. Until animals are extricated from the baggage of imposed images, Baker maintains, neither they nor their predicaments can be clearly seen.
For this edition, Baker provides a new introduction, specifically addressing an American audience, that touches on such topics as the Cow Parade, animal imagery in the presidential race, and animatronic animals in recent films.
Known as much for their pink curly tails and pudgy snouts as their low-brow choice of diet and habitat, pigs are prevalent in popular culture—from the Three Little Pigs to Miss Piggy to Babe. Today there are more than one billion pigs on the planet, and there are countless representations of pigs and piggishness throughout the world’s cultures.
In Pig, Brett Mizelle provides a richly illustrated and compelling look at the long, complicated relationship between humans and these highly intelligent, sociable animals. Mizelle traces the natural and cultural history of the pig, focusing on the contradictions between our imaginative representation of pigs and the real-world truth of the ways in which pigs are prized for their meat, used as subjects in medical research, and killed in order to make hundreds of consumer products. Pig begins with the evolution of the suidae, animals that were domesticated in multiple regions 9,000 years ago, and points toward a future where pigs and humans are even more closely intertwined as a result of biomedical breakthroughs. Pig both examines the widespread art, entertainment, and literature that imagines human kinship with pigs and the development of modern industrial pork production.
In charting how humans have shaped the pig and how the pig has shaped us, Mizelle focuses on the unresolved contradictions between the fiction and the reality of our relations with pigs.
Weil traces the evolving partnerships established between French citizens and their horses through this era. She considers the newly designed “races” of workhorses who carried men from the battlefield to the hippodrome, lugged heavy loads through the boulevards, or paraded women riders, amazones, in the parks or circus halls—as well as those unfortunate horses who found their fate on a dinner plate. Moving between literature, painting, natural philosophy, popular cartoons, sports manuals, and tracts of public hygiene, Precarious Partners traces the changing social, political, and emotional relations with these charismatic creatures who straddled conceptions of pet and livestock in nineteenth-century France.
Central to Rat is the history of the relationship between humans and rats and, in particular, the complex human attitudes toward these shrewd creatures. Burt examines why the rat is viewed as more loathsome and verminous than other parasitic animals and considers why humans have had diametrically opposed attitudes about the rat: some cultures greatly admire the rat for its skills, while others consider the rat the scourge of the earth. Burt also draws on a wide range of examples to explore the rat's role in science, culture, and art, from its appearances in children's literature such as The Wind in the Willows to Victorian rat- and dog-baiting pits to its symbolic roles in folklore.
Rat offers an intriguing and richly illustrated study of one of nature's most remarkable creatures and ultimately finds that the rat exists as a perverse totem for the worst excesses of human behavior.
Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures.
Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption.
Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
Indeed scorpions are older than dinosaurs. An ancient arthropod, their form—notable for its pair of pincers and an elegant tail that holds a menacing stinger high in the air in a permanent striking position—hasn’t changed since prehistoric times, though today there are some 1700 different species. Throughout our existence scorpions have served as a powerful cultural and religious symbol—sometimes dangerous, sometimes protecting—from the Egyptian goddess Serket to Zodiac astrology to folk medicine. A fascinating tour that takes us from the art of North Africa to the American Civil War to the markets of Beijing, Scorpion is an homage to one of earth’s oldest residents.
As Armstrong shows, humans have treated sheep with awe, cruelty or disdain for many thousands of years. Our exploitation of them for milk, meat, and wool—but also for artistic and cultural purposes—has shaped both our history and theirs. Despite all that we owe them we have often dismissed sheep as the least witted and least interesting of mammals: to be accused of “sheepishness” or behaving “like a flock of sheep” is to be denigrated for lack of courage, individuality, or will. Yet, as this book demonstrates, sheep actually possess highly sophisticated social skills and emotional intelligence. Above all, Sheep demonstrates that sometimes the most mundane animals turn out to be the most surprising.
Stutesman examines a wide range of sources to investigate the complex and widespread symbolism the snake has inspired, including the serpent's temptation of Eve in the Bible, Kaa in The Jungle Book, the Chinese zodiac, Indian snake charmers, and the Hollywood film Anaconda. She looks at the role snakes have played in human culture and science, from snake cuisine and the use of venom in medicine to the intriguing history of snake symbolism in art, architecture, cinema, and even clothing. Richly illustrated and written in an engaging style, Snake is an invaluable resource for snake enthusiasts and scholars, as well as for all who love, admire, or fear this fascinating and enduring animal.
Both fascinating and frightening, the spider has a rich symbolic presence in the imagination. At once a representative of death, due to its fangs and dangerous poison, the spider can also represent life and creation, because of its intricate web and females who carry sacs of thousands of tiny eggs. In this wide-ranging book, Katarzyna and Sergiusz Michalskiinvestigate the natural history and cultural significance of the spider.
From ancient Greek myth to Dostoyevsky, the authors explore the appearance of spiders in literature and their depictions in art, paying particular attention to the sculptures of Louise Bourgeois. Horror stories, science fiction, folklore, and children’s tales are also investigated, as well as the affliction of arachnophobia and the procedures used to cure it. The association of the spider with women or mothers is explored alongside the role of the spider metaphor in Freudian and Jungian psychoanalysis, and the Michalskis’ in-depth account concludes with a look at the unfavorable portrayal of the sinister spider in film.
A thorough and engaging look at the natural and cultural history of the spider, this book will appeal to anybody who admires or fears this delicate yet dangerous creature.
A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.
When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic.
Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.
The tortoise has been seen as an Atlas-like creature supporting the world, as the origin of music and as a philosophical paradox. Peter Young examines the tortoise in all these guises, as well as a military tactical formation, its exploitation by mariners and others for food, as ornament (in tortoiseshell), as a motif in art, and in space research. He looks at the movement away from exploitation to conservation and even the uses of the tortoise in advertising. As well as examples of species, illustrations from around the world include monuments, sculptures, coins, stamps, objets d’art, drawings, cartoons, advertisements and X-rays.
The book will appeal not only to tortoise lovers but also to readers of cultural histories around the world.
"Peter Young’s Tortoise, on the other claw, can be warmly recommended."—Jonathan Bate, The Times
With The Way of Coyote, Gavin Van Horn reveals the stupendous diversity of species that can flourish in urban landscapes like Chicago. That isn’t to say city living is without its challenges. Chicago has been altered dramatically over a relatively short timespan—its soils covered by concrete, its wetlands drained and refilled, its river diverted and made to flow in the opposite direction. The stories in The Way of Coyote occasionally lament lost abundance, but they also point toward incredible adaptability and resilience, such as that displayed by beavers plying the waters of human-constructed canals or peregrine falcons raising their young atop towering skyscrapers. Van Horn populates his stories with a remarkable range of urban wildlife and probes the philosophical and religious dimensions of what it means to coexist, drawing frequently from the wisdom of three unconventional guides—wildlife ecologist Aldo Leopold, Taoist philosopher Lao Tzu, and the North American trickster figure Coyote. Ultimately, Van Horn sees vast potential for a more vibrant collective of ecological citizens as we take our cues from landscapes past and present.
Part urban nature travelogue, part philosophical reflection on the role wildlife can play in waking us to a shared sense of place and fate, The Way of Coyote is a deeply personal journey that questions how we might best reconcile our own needs with the needs of other creatures in our shared urban habitats.
From the Biblical prophet Jonah to Moby-Dick to recent discoveries of cetacean songs and culture, Roman examines the whale's role in history, art, literature, commerce, and science. Whale features vibrant illustrations, ranging from Stone Age carvings to full-color underwater photographs, which vividly bring to life the rich symbolic meanings surrounding the whale. Roman also examines the ecological and evolutionary history of the whale as well as contemporary issues of conservation. Whale is an engaging volume that will appeal to all those interested in the important role that these kings of the ocean have played in human culture.
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