Barrie Jean Borich The Ohio State University Press, 2018 Library of Congress PS3552.O7529A66 2018 | Dewey Decimal 818.5403
From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich’s return to a decimated landscape for a misbegotten wedding in which her spouse’s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world.
As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she’d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair.
The Apocalypse in Germany
Klaus Vondung & Translated by Stephen D. Ricks University of Missouri Press, 2001 Library of Congress DD97.V6613 2000 | Dewey Decimal 943.001
Originally published in German in 1988, The Apocalypse in Germany is now available for the first time in English. A fitting subject for the dawn of the new millennium, the apocalypse has intrigued humanity for the last two thousand years, serving as both a fascinating vision of redemption and a profound threat.
A cross-disciplinary study, The Apocalypse in Germany analyzes fundamental aspects of the apocalypse as a religious, political, and aesthetic phenomenon. Author Klaus Vondung draws from religious, philosophical, and political texts, as well as works of art and literature. Using classic Jewish and Christian apocalyptic texts as symbolic and historical paradigms, Vondung determines the structural characteristics and the typical images of the apocalyptic worldview. He clarifies the relationship between apocalyptic visions and utopian speculations and explores the question of whether modern apocalypses can be viewed as secularizations of the Judeo-Christian models.
Examining sources from the eighteenth century to the present, Vondung considers the origins of German nationalism, World War I, National Socialism, and the apocalyptic tendencies in Marxism as well as German literature—from the fin de siècle to postmodernism. His analysis of the existential dimension of the apocalypse explores the circumstances under which particular individuals become apocalyptic visionaries and explains why the apocalyptic tradition is so prevalent in Germany.
The Apocalypse in Germany offers an interdisciplinary perspective that will appeal to a broad audience. This book will also be of value to readers with an interest in German studies, as it clarifies the riddles of Germany's turbulent history and examines the profile of German culture, particularly in the past century.
There are two Indias: the caste and class elite who hold all power and make up 10 to 15 percent of the population, and everyone else. Averting the Apocalypse is about everyone else. Arthur Bonner, a former New York Times reporter with long experience as a foreign correspondent in Asia, conducted interviews over many months while traveling almost 20,000 miles within India seeking out the underclass and social activists who together are beginning to mobilize for social change at the bottom of Indian society. Working in areas torn by violence, Bonner offers a terrifyingly accurate portrait of a society bloodied by decades of unequal social structure and the absence of a civil society and political mechanism capable of responding to the exploitation of the poor and weak. Bonner finds that India’s inability or refusal to address its debilitating social structure may be the precursor to an apocalyptic social upheaval unless heed is paid to the social movements that his first-hand investigation reveals.
Commentary on the Apocalypse
Andrew of Caesarea Catholic University of America Press, 2012 Library of Congress BS2825.53.A5313 2012 | Dewey Decimal 228.077
Striking a balance between the symbolic language of the book and its literal, prophetic fulfillment, Andrew?s interpretation is a remarkably intelligent, spiritual, and thoughtful commentary that encourages the pursuit of virtue and confidence in the love of God for humanity
Exposition of the Apocalypse
Tyconius Tyconius of Carthage Catholic University of America Press, 2017 Library of Congress BS2825.T54513 2017 | Dewey Decimal 228.07
The Exposition of the Apocalypse by Tyconius of Carthage (fl. 380) was pivotal in the history of interpretation of the Book of Revelation. While expositors of the second and third centuries viewed the Apocalypse of John, or Book of Revelation, as mainly about the time of Antichrist and the end of the world, in the late fourth century Tyconius interpreted John’s visions as figurative of the struggles facing the Church throughout the entire period between the Incarnation and the Second Coming of Christ. Tyconius’s “ecclesiastical” reading of the Apocalypse was highly regarded by early medieval commentators like Caesarius of Arles, Primasius of Hadrumetum, Bede, and Beatus of Liebana, who often quoted from Tyconius’s Exposition in their own Apocalypse commentaries. Unfortunately no complete manuscript of the Exposition by Tyconius has survived. A number of recent scholars, however, believed that a large portion of his Exposition could be reconstructed from citations of it in the aforementioned early medieval writers; and this task was undertaken by Monsignor Roger Gryson. Gryson’s edition, a reconstruction of the Expositio Apocalypseos of Tyconius, was published in 2011 in Corpus Christianorum Series Latina. The present translation of that reconstructed text, with introduction and notes, exhibits Tyconius’s unique non-apocalyptic approach to the Book of Revelation. It also shows that throughout the Exposition Tyconius made use of interpretive rules that he had laid out in an earlier work on hermeneutics, the Book of Rules, strongly suggesting that Tyconius wrote his Exposition as a companion to his Book of Rules. Thus, the Exposition served as an exemplar of how those rules would apply to interpretation of even the most intriguing of biblical texts, the Apocalypse.
"I read Peter Y. Paik’s lucid, graceful, ruthless book in one single astonished sitting. I scarred it all over with arrows and exclamation points, so I can read it again as soon as possible." —Bruce Sterling
Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day. Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce.
In From Utopia to Apocalypse, Peter Y. Paik shows how science fiction generates intriguing and profound insights into politics. He reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. Paik traces how this political theology is expressed, and indeed literalized, in popular superhero fiction, examining works including Alan Moore and Dave Gibbons’s graphic novel Watchmen, the science fiction cinema of Jang Joon-Hwan, the manga of Hayao Miyazaki, Alan Moore’s V for Vendetta, and the Matrix trilogy. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But Paik presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal.
What is urgently at stake, Paik argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems. With this reality looming throughout, Paik demonstrates the uneasy juxtaposition of saintliness and cynically manipulative realpolitik, of torture and the assertion of human dignity, of cruelty and benevolence.
Director Michael Wilson and producer Natalie Zimmerman, in their documentary film Silhouette City, have dramatically captured the religious right's concerted effort to form a theocracy in America, with an aim to spread control worldwide. This insightful book, Kingdom at Any Cost, includes valuable interviews and writings not covered in the film, but further revealing the impact of the ominous religious movement. It serves as a powerful resource: a handbook for studying the film and a reader for examining America's contemporary Christian extremes.
Winner of the Premio Iberoamericano Book Award in 1997 (Spanish Edition)
What form does the crisis of modernity take in Latin America when societies are politically demobilized and there is no revolutionary agenda in sight? How does postmodern criticism reflect on enlightenment and utopia in a region marked by incomplete modernization, new waves of privatization, great masses of excluded peoples, and profound sociocultural heterogeneity? In No Apocalypse, No Integration Martín Hopenhayn examines the social and philosophical implications of the triumph of neoliberalism and the collapse of leftist and state-sponsored social planning in Latin America. With the failure of utopian movements that promised social change, the rupture of the link between the production of knowledge and practical intervention, and the defeat of modernization and development policy established after World War II, Latin American intellectuals and militants have been left at an impasse without a vital program of action. Hopenhayn analyzes these crises from a theoretical perspective and calls upon Latin American intellectuals to reevaluate their objects of study, their political reality, and their society’s cultural production, as well as to seek within their own history the elements for a new collective discourse. Challenging the notion that strict adherence to a single paradigm of action can rescue intellectual and cultural movements, Hopenhayn advocates a course of epistemological pluralism, arguing that such an approach values respect for difference and for cultural and theoretical diversity and heterodoxy. This essay collection will appeal to readers of sociology, public policy, philosophy, cultural theory, and Latin American history and culture, as well as to those with an interest in Latin America’s current transition.
Politics and Apocalypse
Robert Hamerton-Kelly Michigan State University Press, 2007 Library of Congress BL503.P65 2007 | Dewey Decimal 901
Apocalypse. To most, the word signifies destruction, death, the end of the world, but the literal definition is "revelation" or "unveiling," the basis from which renowned theologian René Girard builds his own view of Biblical apocalypse. Properly understood, Girard explains, Biblical apocalypse has nothing to do with a wrathful or vengeful God punishing his unworthy children, and everything to do with a foretelling of what future humans are making for themselves now that they have devised the instruments of global self-destruction. In this volume, some of the major thinkers about the interpretation of politics and religion— including Eric Voegelin, Leo Strauss, and Carl Schmitt— are scrutinized by some of today's most qualified scholars, all of whom are thoroughly versed in Girard’s groundbreaking work.
Including an important new essay by Girard, this volume enters into a philosophical debate that challenges the bona fides of philosophy itself by examining three supremely important philosopher of the twentieth century. It asks how we might think about politics now that the attacks of 9/11 have shifted our intellectual foundations and what the outbreak of rabid religion might signify for international politics.
Undead Ends is about how we imagine humanness and survival in the aftermath of disaster. This book frames modern British and American apocalypse films as sites of interpretive struggle. It asks what, exactly, is ending? Whose dreams of starting over take center stage, and why? And how do these films, sometimes in spite of themselves, make room to dream of new beginnings that don’t just reboot the world we know? Trimble argues that contemporary apocalypse films aren’t so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man. Through readings of The Road, I Am Legend, 28 Days Later, 28 Weeks Later, Children of Men, and Beasts of the Southern Wild, this book demonstrates that popular stories of apocalypse can trouble, rather than reproduce, Man’s story of humanness. With some creative re-reading, they can even unfold towards unexpected futures. Mainstream apocalypse films are, in short, an occasion to imagine a world After Man.